Anime Review: Magi – Labyrinth of Magic

Anime Review: Magi – Labyrinth of Magic

Based on the manga by Shinobu Ohtaka, Magi is a 24-episode anime series currently streaming subtitled on the Crunchyroll website.  It’s set in an Arabian Nights-influenced world with djinn and other trappings of the genre.  Young Aladdin was raised in an isolated temple with no human contact for as long as he can remember, and is thus new to the outside world.  Good thing he has a big blue genie to help him out!

magi

In the first episode, Aladdin meets up with Ali Baba, a drifter who dreams of conquering the local “dungeon” (a mysteriously appearing building filled with traps and monsters) as it’s said anyone who survives a dungeon will gain great wealth and cool magic items.  Soon, the pair is exploring the dungeon.  But they’re not the only ones.  The local lord (who’s cruel and a little crazy) and his slaves battle Ali Baba and Aladdin.  One of the slaves, Morgiana, survives and becomes free, later joining our heroes on their adventures.

After some individual adventures, the trio reunites in Ali Baba’s hometown and the main plot kicks in.  The government has become corrupt and someone’s manipulating both it and the rebels to assure that the country is thrown into chaos.

Good points:  There’s plenty of cool fight scenes, the dungeons are inventive and there’s a nice variety of characters on the good guy side.  Sinbad, sailor of the Seven Seas, is particularly nifty.  Morgiana doesn’t get stuck with a cheerleader or damsel in distress role.

Not so good stuff:  For a series taking place in a hot desert area and the main characters spending most of their time outside in the sun, the character designs are suspiciously light-skinned.  Morgiana’s lack of agency in the early episodes may be off-putting for some viewers, we don’t get to see her real personality until episode 6, after which it never goes away again and she has full agency.  (But be aware that episode 6 might be triggery for some viewers for abuse in her backstory.)

Also, most of the bad guys are kind of cardboardy, committing evil acts because, well, they’re evil.  The big exception here is Cassim, Ali Baba’s blood brother.  While he is by no measure a good person, his motivations make sense given his background and circumstances.

Fate is a big theme in the series.  It’s explained that destiny is the force moving events in the direction of a better tomorrow.  But it’s a general trend, and many of the characters suffer great injustice and pain in the process.  The secretive organization Al-Sarmen seeks out these people to empower them to curse their fate and “reverse the flow of destiny.”   However, they have no interest in easing suffering or increasing justice, they just want to return the world to formless chaos.  For some reason.

Overall, the series (which has a hasty conclusion; the manga continues) was enjoyable to watch.  Some of its issues might make it less watchable for certain viewers.

Book Review: There Are Doors

Book Review: There Are Doors by Gene Wolfe

There Are Doors by Gene WolfeMr. Green has hooked up with Lara, a woman he knows almost nothing about.  After a week, she disappears, leaving only a note explaining that “there are doors” and that he must not go through them.  Mr. Green promptly manages to stumble through such a door and finds himself in what appears to be an alternate Earth.  An Earth where Lara is a goddess, and men die if they have sex.

Mr. Green is an unreliable viewpoint character–even if he isn’t delusional or suffering from hallucinations, there’s plenty of evidence that he’s mentally ill.  It takes him a frustratingly long time to realize he isn’t on his Earth because he honestly can’t trust his own memories as to what is real.  The reader is not helped in determining how much is real and how much is madness by the fact that several characters are transparently based on the classic Joe Palooka comic strip.  (Readers born after 1980 or so might not have this problem.)

Such plot as there is is doled out sparingly, with long sections of “nothing happening” as Mr. Green gets his bearings or goes through the motions of his workaday life in what passes for the real world.  While the book comes down pretty solidly on the side of science fiction by the end, it can also be argued that Mr. Green has just had a final psychotic break from reality.

It’s an interesting change from the sort of science fiction I normally read, but I would only recommend it to readers with patience and a willingness to guess at what isn’t said.

Movie Review: Santa Fe Trail

Movie Review: Santa Fe Trail

This 1940 production stars Errol Flynn as J.E.B. Stuart, Ronald Reagan as George Armstrong Custer, Raymond Massey as John Brown and Olivia de Havilland as Kit Carson Holliday.

Santa Fe Trail

Stuart and Custer, newly graduated from West Point, are assigned to Fort Leavenworth in Kansas.  There they battle the rogue abolitionists under the command of Brown, while competing for the hand of Holliday.  After Brown’s forces are seemingly smashed, the soldiers are recalled to Washington, and subsequently are involved in the battle of Harper’s Ferry.

It’s actually a good movie given the obvious budget constraints it was under.  The actors perform well (especially Massey), and the team of Flynn and de Havilland continues to sell the romance angle as in their previous pictures.

On the other hand, the film is crammed to the brim with both historical inaccuracies and historical revisionism.  The trend at the time was to “whitewash” slavery and portray antebellum Southerners sympathetically so as to be able to show your movies in Dixie.  Gone With the Wind had come out just the year before.

So it’s the noble and heroic Southerner Stuart and his friends battling the evil abolitionists under the command of religious fanatic Brown (okay, John Brown was a religious fanatic.) The good guys tacitly acknowledge that slavery might possibly not be a good thing, but always follow this with a condemnation of John Brown’s tactics.  It’s implied that the Southern states would have given up slavery peacefully in their own good time had the abolitionists not stirred up hatred against them.

John Brown gets to state openly that slavery is wrong, but he’s crazy from years of trying to achieve peaceful change and getting nowhere.  And secondary villain Rader, a West Point dropout, seems more driven by class envy and greed than than actual concern for the slaves.  His complaint is that Southern gentlemen like Stuart have gotten rich off using slave labor (but doesn’t mention any of the other things that made slavery bad) and he joins Brown’s forces as a mercenary trainer.  Rader winds up betraying Brown when he doesn’t get paid.

The abolitionists are portrayed as murderous invaders of Kansas, and a station on the Underground Railroad is referred to as a “cancer” in the title cards.  Care is taken to avoid mentioning the atrocities perpetrated by pro-slavery forces in the territory.

The black people in the movie are depicted as childlike, innocent victims of John Brown’s crusade on their behalf.  They’re lured in by his promise of freedom, but he has to abandon them to fend for themselves when the cavalry comes, in order to carry on his crusade.  Meanwhile, it is Jeb Stuart (a slaveowner in real life) who saves the black family when danger threatens.  Two of the rescue-es explicitly reject freedom and decide to return to “safe” slavery, while none are heard to choose to live free.

Again, as a movie it’s pretty good.  But it is a product of another time, and those who really care about history and civil rights may find their blood boiling.  Also, there’s maybe ten minutes tops spent on the Santa Fe Trail itself.

Book Review: Zorro

Book Review: Zorro by Isabel Allende

Johnston McCulley wrote the first Zorro story, “The Curse of Capistrano” way back in 1919.  Set in Spanish California, it told the tale of Don Diego (de la) Vega, a foppish young nobleman who in secret was Zorro, the fox, masked protector of justice.  It was a modest success, but Douglas Fairbanks, Sr. read the story and loved it so much he got his movie studio to buy the rights so he could appear in the film version.

Zorro

“The Mark of Zorro” was a huge success, which inspired McCulley to write a sequel to his novel, and the rest is history.  But McCulley died some time back, and the folks who now own the Zorro trademark were worried that with no new print version, it might fall into obscurity.  So they asked Chilean author Isabel Allende to write an authorized book about the masked rider.

And so what we have here is an official Zorro fanfic.  Ms. Allende takes up the story of just how Diego came to be Zorro, from the improbable meeting of his parents, through the many circumstances that taught him the skills he’d need, to the origin of the Zorro name.  This all takes place prior to the timeframe of the first novel, where Diego was already working as Zorro with little said about his past.

It’s an interesting look at what might be necessary for Zorro to learn all the tricks he has, and expands greatly on the role of Bernardo, Diego’s mute servant and sometime Zorro decoy.  I was amused to see that Ms. Allende couldn’t resist putting in a self-insert character, a young woman who can see right through Diego’s foppish facade, and tellingly named Isabel.

There are numerous infodumps, which slow the story down and may irritate some readers who don’t care about the background of Jean Lafitte or the city of Barcelona.  I’m also told that this book is in a different style than most of Ms. Allende’s writing, so is non-indicative of her work.  Something that definitely comes from her is the moments of “magical realism”, with a certain amount of unreliable telepathy and a “Gypsy” fortuneteller who can really foresee the future.

It is good for what it is, but those seeking the full-fledged Zorro may want to return to the original books and stories.

Book Review: Redshirts

Book Review: Redshirts by John Scalzi

I’ve been avoiding reviews of this book, so this may be very redundant of other things you’ve read about Redshirts.

redshirts

The Universal Union capital ship Intrepid has a problem.  Or rather, the crew does.  Especially the lower-ranked members.  It seems that every time one of the senior officers or the astrogator go on an away mission with a lower-ranked crewmember, that crewmember dies, frequently in improbable ways.  Seriously, ice sharks?  Yet the senior officers always survive.

New crew member Ensign Andrew Dahl isn’t just going to try to avoid the issue, like many of the other lower ranks.  He’s going to investigate with the help of a handful of other people in harm’s way.  But what he finds may be more than even someone trained in esoteric philosophy can handle.

This is a very metatextual novel, and a funny one.  The parallels to classic Star Trek are deliberate and pointed out in the story itself.  It’s difficult to explain further without getting into serious spoiler territory.

After the main story, there are three codas involving minor characters and how the events of the story affect their lives.  The first is a little weak, but the other two hold up nicely.

I recommend this book for science fiction fans in general and Star Trek fans in particular, and those who enjoy metatextual fiction.

Book Review: City of Nets

Book Review: City of Nets: A Portrait of Hollywood in the 1940s by Otto Friedrich

The book’s title comes from a Bertolt Brecht opera, “The Rise and Fall of the City of Mahagonny.” Brecht had not yet come to Hollywood at the time, but “like a net set for edible birds” is a plausible description of the town.

City of Nets

“City of Nets” has little original research in it, being more a collection of anecdotes combed from more specific books. It’s arranged by year, from 1939 to 1950, with stories flashing back and forward as people are introduced when their movies are important. I think the closest comparison I can make to a movie is “That’s Entertainment!” It skips from person to person, story to story, never really settling down and examining one story in detail.

Still, it’s interesting for seeing the larger picture of what the trends were in Hollywood year by year, and what was happening at the same time. The serious scholar will be more interested in the extensive bibliography and footnotes suggesting further lines of research. Since the book was written during the Reagan years, the postscript is dated, and most of the people mentioned (including Reagan) have passed on.

I picked up my copy very cheaply used; I recommend you do the same.

Book Review: Come and See: Acts & Letters

Book Review: Come and See: Acts and Letters by Joseph L. Ponessa

Disclosure: This is a book received from the Firstreads program, on the premise that I would review it. Also, I should mention here that I am a Christian, although not Catholic, so my reaction to this is necessarily different from what it would be if I were a devout Catholic, or a non-Christian.

Come and See: Acts and Letters

As a Bible study guide, Come and See: Acts and Letters is not a stand-alone book; you’ll need both a Bible (preferably a Catholic one with all the books) and a catechism for full effect. Likewise, the fact that I read this solo is not in keeping with its true calling as a group activity. That said, let us begin the actual review.

Unlike some bible study courses I’ve seen in the past, there are not separate leader’s and student’s books. Thus the first section of the book is a “how to use this course” guide, with helpful instructions on setting up the study groups and organization. I found this section very helpful, but there were a couple of moments where the authors’ assumptions glared–most notably a blind spot about the possibility of men taking turns helping with childcare too.

The main text covers Acts and the Pauline letters, arranged in roughly chronological order. (Thus bits of Acts are split up between the letters.) I should mention here that the publisher is Emmaus Road, a reference to Paul’s conversion, and it’s clear that the authors favor Paul.

In addition to covering the content of the text, there are explanations of how these words fit into Catholic theology, some outside information on the history of the early Church, and plenty of quotations from Catholic theologians, especially John Paul II and Pope Benedict. A fair amount of time is spent on fitting pieces together, explaining how seemingly contradictory information is brought together as a whole.

Each short study section is followed by a quiz section, referring to other books of the Bible and the catechism to help bring the material into perspective. There’s also suggestions for social interaction outside the formal study.

Optional study materials include videotaped lectures by the author if there is no one in the group comfortable with that function–these did not come with my book. What did was an issue of “Lay Witness” magazine, which had some fine articles on witnessing from a lay Catholic perspective.

Overall, I found this an excellent work of its type; I do not agree with all its theology, but it is clear and consistent.

Peace be with you and yours.

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