Book Review: Lois Lane: Fallout

Book Review: Lois Lane: Fallout by Gwenda Bond

Getting in trouble her first day at East Metropolis High School was not Lois Lane’s plan.  Keeping her head down, fitting in, allowing her family to settle in for her general father’s new long-term assignment, that was the plan.  But when she witnesses a student’s report of bullying being laughed off by the principal (especially odd as Anavi Singh claims the Warheads are somehow bullying her inside her own brain), Lois’ curiosity and hatred of injustice are aroused.

Lois Lane: Fallout

While her interference is not appreciated by Principal Butler, local newspaperman Perry White sees some potential in Lois, and invites her to join the staff of the “Daily Scoop”, a teen-oriented website attached to the Daily Planet.   Lois decides to make school bullying her first news story, but she may be getting in over her head.  The Warheads are not ordinary bullies, and almost every adult in Lois’ life is against her pursuing this scoop.  Good thing she has an online friend “SmallvilleGuy” that can help out some–now she just needs to make friends in real life!

This young adult novel re-imagines veteran comics character Lois Lane as a modern teenager just starting out on a journalism career path.  This works pretty well, and Lois makes a good YA protagonist.  She’s mouthy, incurably curious, stands up for what she thinks is right and is clever enough to get herself in trouble but not always clever enough to get herself back out solo.  Her background as a military brat is a plausible explanation for such skills as she has, while allowing her to clash with her authoritarian father.

Romance is mostly on the back burner (thankfully); while Lois does have some romantic thoughts towards the fellow she met on an UFO website after reporting she saw a flying man, she’s well aware that SmallvilleGuy is keeping secrets such as his actual name and appearance from her.  He does seem to be a good friend, though.

Other characters tend not to develop much; a couple have hidden depths that are likely to provide subplots for further stories.  (There’s already a sequel.)

While Lois hasn’t realized this yet, she does live in a superhero world, and there’s some science-fictional technology that plays a part in the story.  Notably, it is not played as inherently bad, though it can be abused.  (In some cases, relatively harmlessly, as Lois’ little sister Lucy demonstrates.)

The main problem for me was the central mystery of the book–possibly it’s because I have decades of experience reading science fiction and superhero comics, but I figured out all the twists by about Chapter 4 of 25.  This meant that the story dragged for me while I waited for Lois to catch up.  I hope that this will not be so much of a problem for the intended audience of young adults.

Overall, it’s a good first installment in what could be a long series, and I recommend it to fans of plucky reporters who enjoy knowing something the heroine doesn’t.

Manga Review: Princess Jellyfish Volume 1

Manga Review: Princess Jellyfish Volume 1 by Akiko Higashimura

Amamizukan is not your average apartment building.  For one thing, it’s a small, old-fashioned building of the type rarely seen these days.  More importantly, all the residents are fujoshi (“rotten women”) who for one reason or another have fallen outside the society-approved get job/get husband/have kids way of life for Japanese women.  These eccentric women fear the “fashionable”, and especially fashionable men, which is why Amamizukan is also know as the “Nunnery.”

Princess Jellyfish Volume 1

Tsukimi Kurashita is the newest resident, an aspiring illustrator with a penchant for jellyfish.  She knows all about these aquatic creatures, and is appalled to learn that the local pet shop has put two species together that will cause the death of one of them.  The shop assistant is a “fashionable”, which makes Tsukimi terrified of talking to him and thus unable to speak normally, and apathetic which makes him not care to the point he physically throws her out of the store.

At this point, a “princess” appears.  A stunning, fashion-forward beauty, she nevertheless listens to Tsukimi’s explanation and helps liberate “Clara” the endangered jellyfish from the store (with proper payment.)  It’s very late when they arrive at Amamizukan, so the princess, a very self-confident person, invites herself to sleep over.

In the morning, however, Tsukimi is shocked to learn that her princess is named Kuranosuke, and is in fact a young man.  How the heck is she going to keep the other “Amars” from finding out she’s got a boy in her room?

This josei (young women’s) manga has had a short animated adaptation (available from Funimation), and a live-action movie.  In the author notes, it’s revealed that the creator had an obsession with jellyfish for a few years in her teens, and she uses that in the story.  “Ama” is a word for a Buddhist nun, so “Amars” would be kind of equivalent to a women-only U.S. apartment building having residents who called themselves “Sistahs.”

One of the running themes of the manga is that everyone is eccentric in their own way, even the people who seem to function well in normal society.   The Amars are just more obvious about it.  Most of them are unconventional in appearance, and entered the job market just as it crashed after the bubble economy collapsed, so were unable to find steady jobs.  So they earn a marginal living as assistants to a manga creator (who never appears on panel, being a nocturnal shut-in) and supplement this with handouts from their parents.

Kuranosuke, as it turns out, is the second son of a bigwig politician, and indulges in his hobby of dressing in women’s clothing partially to create enough scandal that he’ll never be forced to go into the family business, partially because he’s so pretty that he looks smashing in the outfits, and partially for…other reasons.  He often clashes with his disapproving father, and to a lesser extent with his older and more dutiful half-brother Shuu, though the brothers do really care for each other.

A plotline comes in when it’s revealed that Amamizukan’s neighborhood is being redeveloped, and their beloved Nunnery is a target for acquisition and bulldozing.  With the Amars’ crippling lack of social skills, they aren’t going to make a good case against the developer’s fashionable and sexy spokesperson, Inari, who has set her eye on seducing (or if that fails blackmailing) Shuu to get his father behind the project.  Kuranosuke will not let this stand, and rallies the troops for some zany scheming.

Part of this is giving the Amars makeovers.  Tsukimi’s is played pretty straight, as she is much more attractive with a little makeup, no glasses and some nice clothes (which blows Shuu away, and introduces some romantic complications.)  The other Amars mostly just get “looks” that play to their strong points, and kimono aficionado Chieko is told that she doesn’t need a makeover at all, just the right context–put her with well-dressed people, and she looks like a woman of substance.  It’s not about making them “pretty”, it’s about donning “armor” to present strength to the world.

The art is good, and manages to convey who people are even when they change their appearance.

Content issues:  there’s some homophobia and transphobia, as well as both virgin-shaming and slut-shaming (by different characters.)  Inari drugs and disrobes Shuu to make it appear they had sex, and marital infidelity is in the backstory and is responsible for psychological issues for both Shuu and Kuranosuke.

For the most part, this plays out like one of those Eighties movies where a ragtag group of misfits must get it together to battle an evil rich person who wants to take away something important to them.  (Fittingly, Inari seems to have gotten her behavior patterns from Eighties “business woman” manga, and sometimes slips into ’80s slang.)  This book, which collects the first two Japanese volumes, only sets up the conflict, so there is still the possibility that later events will subvert the plotline.

Tsukimi is a protagonist it’s easy to root for, and Kuranosuke makes a good foil for her–though it looks like he won’t be hooking up with her in the end.  Most of the other characters are likable to some degree.

Recommended to people who liked the kind of Eighties movies I mentioned, and fans of innocent people falling in love.

Book Review: Snuff

Book Review: Snuff by Terry Pratchett

Commander Samuel Vimes of the Ankh-Morpork City Watch, Duke of Ankh-Morpork and Blackboard Monitor, has been aware in a general way that his wife Sybil owns some property in the countryside.  But now that their son Young Sam is six, Sybil has decided that it’s high time that the family take a holiday to visit the ancestral manor.   And she’s somehow convinced Sam’s boss, Lord Vetinari, to sign off on this.

Snuff

So Sam Vimes finds himself on vacation for the first time in ever, stranded far from the smell and sounds of the city he knows so well, and at a loss how to handle himself in a rural area where he’s not got jurisdiction as a cop.  But as Sherlock Holmes remarked in “The Copper Beeches”, the countryside is not free from vile sin.  When Vimes discovers that there’s been a murder on his land and the oppressed cry out for justice, he’s willing to bend the definition of jurisdiction to bring the villains to heel.

This is one of the last Discworld books (only two after this one) and the last of the City Watch sub-series.  While Vimes is front and center for most of the story, we do check in with many of the other continuing characters for at least a sentence.  (This is one of the few Discworld books to miss out Death as a character, but that does not mean that no one dies.)

Over the course of the series, Ankh-Morpork has advanced from a parody of generic sword-and-sorcery cities that happened to share some geographical features with London to more or less a fantasy version of Victorian London–and most of this progress has happened within Sam Vimes’ lifetime.  Indeed, Vimes can be said to have facilitated much of this by his dedication to law enforcement that does what is right rather than what is convenient.  Another running theme of the books has been that people are people, regardless of their shape, odd customs or biological weirdness.  Dwarves and trolls and even vampires have become people, with all the rights and responsibilities that come with that description.  And now it is the turn of the goblins.

Goblins are the lowest of the low, considered filthy creatures with no visible culture, and treated as vermin.  Enslaving them, taking their sacred objects, killing them–none of these are considered crimes by the majority of people or the written law.   But Commander Vimes’ previous experiences give him some unique ways of seeing the “humanity” of goblins.

And while his efforts do yield results, Sam Vimes would not be able to fully achieve the goal of bringing goblins under the protection of the law without the aid of his socially-connected wife, an author who has her own insights into goblin culture, and several goblins who step out of their stereotype to show their worth.  (Although there is some question whether Stinky is really a goblin…or something more.)

Much of the “humor” this time revolves around bodily excretions, as Young Sam has discovered the scientific wonders of poo.  For those of us not keen on toilet gags, this gets a bit tiresome.  There’s also a fair amount of swearing, and a discussion of “the dreadful algebra” of what to do with an infant that’s been born in a time of famine.  And not all sins are forgiven.

The general quality of the writing is excellent as always, but Sir Terry’s sentimental side perhaps overwhelms the sharper edge of social satire, particularly in the ending.

Recommended to Discworld fans; newbies should probably start with Guards! Guards! which is the first of the Watch sub-series.

Comic Book Review: Showcase Presents Men of War

Comic Book Review: Showcase Presents Men of War edited by Paul Levitz

In 1977, African-American male leads in mainstream comic books were still countable on one hand (and don’t even ask about African-American women!)  But this also had the effect of making a comic with a black person on the front attention-getting.  And I suspect that at least some of the creation of “Gravedigger” came from that fact.

Showcase Presents Men of War

Gravedigger was the lead feature in DC Comics’ last-launched war comics series of the Bronze Age, Men of War.  He is introduced as Sergeant Ulysses Hazard, a polio survivor who threw himself into intense physical training (including martial arts) to overcome his handicaps.  Despite his superior physical condition and combat skills, Hazard was consigned to a segregated battalion and assigned to funeral detail (thus his codename.)  After his heroics saved lives (except his best military friend) and defeated Nazi troops, the white officers ignored his contributions and denied his request for reassignment to a combat unit.

In the second issue, Hazard somehow gets back to the U.S. and single-handedly infiltrates the Pentagon War Room to demonstrate his skills.  A character identified in that issue as the Secretary of War but in later issues demoted to an undersecretary (as his sliminess would have been a slur on the character of Henry L. Stimson, the actual Secretary at the time) decides to use Hazard as a political pawn.  If “Gravedigger” fails on one of the suicidal missions, he can be written off, but if he succeeds, the Undersecretary can take credit.

Now Captain Ulysses Hazard so that he can pull rank when necessary, Gravedigger returns to Europe and takes on a number of commando missions ranging from rescuing art from the Nazis to destroying an experimental mini-sub.  There are guest appearances by a couple of DC’s other war comics characters, and the final issue features Gravedigger actually leading Easy Company (normally the job of Sergeant Rock) for a few hours.

Gravedigger was basically “military Batman”, performing superheroic feats on a regular basis.  To be fair, this is common in comic books about commando-style solo characters, but if you are a stickler for realism, look elsewhere.  Later in the series, he gets a cross-shaped facial scar to give him more distinctive looks, important in comic books.  He even gets an archnemesis, Joseph Goebbels, Nazi Minister of Propaganda, who enlists mad science in a massive scheme to rid the Reich of this one commando.

In the next to last story, Gravedigger personally saves the lives of Winston Churchill and Franklin Delano Roosevelt, though an opportunity is missed to have Captain Hazard bond with FDR over their mutual experience with polio.

In addition to the expected violence, there’s also period racism, ableism and anti-Semitism (the last confined to Nazi characters.)

The back-up features varied from issue to issue.  “Enemy Ace” featured Baron Hans von Hammer, “the Hammer of Hell”, a World War I German fighter pilot.  He was depicted as noble and honorable, one of a dying breed of warrior outdated by brutal modern warfare.  Some of the stories have art by Howard Chaykin, who is not as well served by the black and white reprint as the other artists.

“Dateline: Frontline” was about American reporter Wayne Clifford, covering World War Two while the U.S. was still neutral, and having his naivete chipped away bit by bit.  He struggles with censorship, the temptation of writing the story to suit the person who can give you access, and the moral gray areas of war.

“Rosa” features a spy working in the late 19h Century who is loyal to no country, and has the habit of switching accents in every sentence either to disguise his nationality or (as he claims in a somewhat dubious origin story) because he is literally a man without a country.  His name might or might not actually be Rosa.  Most notable for having a character switch sides between chapters for plot convenience.

This volume contains all 26 issues, and is not brilliant but is decent work by journeymen creators.  Worth picking up if you are a war comics fan, or interested in the history of African-American characters in comic books.

Book Review: Uncle Tom’s Cabin

Book Review:  Uncle Tom’s Cabin by Harriet Beecher Stowe

Tom is a good man, a Christian man.  Tom is kind, hard-working, trustworthy, intelligent (though barely educated) and honest.  He’s respected by his colleagues, a faithful husband to Chloe and a loving father.  But Uncle Tom is also a slave, and all his positive qualities mean nothing to the law which makes him a piece of property to be bought and sold.

Uncle Tom's Cabin

Tom’s owner, Mr. Shelby, lives in northeastern Kentucky, not far from the Ohio  border.  While a kindhearted fellow, whose wife is practically a saint, Mr. Shelby is unlucky in his stock speculations and has become heavily in debt.  His notes have fallen into the hands of Mr. Haley, a slave trader.  Mr. Shelby can clear his debts by selling Mr. Haley his best hand, Uncle Tom, and the handsome, witty child Harry…or all the other slaves on the farm.  Mr. Shelby’s choice is clear; it grieves him, but after all, they’re just property.

Eliza, Harry’s mother, refuses to give him up.  Her other children died in infancy, and she knows her husband George Harris is soon to be sold by his own crueler master.  Forewarned of the sale, she runs off with Harry in the middle of the night.  But even if she can cross the broken ice in the river separating Kentucky from Ohio (for it is early spring), the free state holds no safety, for this is the time of the Fugitive Slave Act, and the law requires her and the child to be returned to bondage.

This 1852 novel was originally published as a newspaper serial (which is most obvious in the final chapter “Concluding Remarks”.)  Harriet Beecher Stowe (1811-1896) was an abolitionist, but some of the heartfelt sorrow in the writing came from her own experience of losing a small child.  The 1850s were a time of high infant mortality, and nearly every woman in the United States would have known the heartbreak of losing a child or be personally acquainted with someone who had.  So one of the main target audiences of the book was the nation’s mothers.

At first, Uncle Tom’s fate does not seem too hard; though separated from his wife and children, and everything he’s known, Mr. Haley prides himself on his humane treatment of his goods.  Why, he even makes sure not to sell children directly in front of their mothers!  As it happens, Tom saves the life of a little white girl, Evangeline St. Clare, who begs her father Auguste to buy Tom.

In many ways, Auguste St. Clare is the nicest slaveowner in New Orleans.  He despises the institution of slavery, and the abuses the law allows, so tries to be kind to his servants.  But his own heartbreak has left Auguste feckless, and prone to “I’m only one man, what can I do about the system?”   Worse, he married his wife Marie as a rebound relationship without taking time to see if they were compatible–they aren’t, and she is a cause of misery to all around her.

Evangeline, on the other hand, is too good for this sinful Earth, and is a joy to everyone with her simple and kindly faith.  She forms a special bond with the trustworthy Tom, and even manages to reach the heart of Topsy, an abused girl who frequently acts out with destructive pranks.  Too soon, Eva’s health fails, and she passes away to the sorrow of the household.

Between Eva and Tom, Auguste’s heart is moved, and he resolves to reform, beginning with doing the involved paperwork required for freeing Uncle Tom.  Before he does more than start, however, St. Clare is mortally wounded in a tavern brawl.  While it appears he finally comes to Jesus before he dies, Auguste fails to tell Marie his intention to free Tom, and she refuses to hear anyone else informing her of this.

Thus it is that Tom is sold at auction to Simon Legree, a planter who hates everyone, but especially his own slaves.  Legree is a cruel man who cares only for profit, driving his slaves until they die from overwork.  Tom is deeply unhappy at this twist of fate, but is willing to work hard and help his fellow slaves.  Legree can’t abide kindness, so tries to drive it out of Tom.  But this is where Tom draws the line.  He will not be cruel, even if it costs him his life.  Nor will he inform on runaways, which leads to the final crisis.

This is a very religious book, heavy-handed on the Christian message.  Which is not to say that it’s comfortable reading for Christians.  Many white Christians of the time believed that the Bible fully sanctioned the system of chattel slavery  practiced in the United States, and this is on full view.  At one point, we even have pastors quoting dueling proof-texts.  We also have the character of Miss Ophelia, Auguste’s cousin from Vermont.  She’s firmly against slavery as a matter of principle, but deeply prejudiced against black people, and must overcome her own narrow-mindedness to help Topsy.

And though the people of best character in the book are fervent believers in God, He is silent throughout.  Perhaps He has a hand in fortunate things that happen, and lends strength to His children to endure; He also seems to allow vast suffering and withhold punishment from the wicked.  It’s up to Christians themselves to do the right things as best they know how.

The book is melodramatic, full of coincidences and unlikely twists.  Like Upton Sinclair’s The Jungle, while individual incidents and types of people are drawn from real life and things that actually happened, all of this happening to a small group of people is clearly fiction.  The last few chapters heap on happy coincidences as if to make up for what happens to Uncle Tom, and point towards what people of conscience should be doing.

As one might expect, the book is full of period racism (much use of the “N” word included) and period sexism also plays a part (in later years, Mrs. Stowe was what we now call a first-wave feminist.)  There is suicide, infanticide, animal abuse, torture and what is obviously rape takes place offstage.  The old-fashioned writing style can also be a bit difficult to get through; I would not recommend this book for teenagers, as it works better if you have some experience with adult life.

This is an important book, and Mrs. Stowe really knows how to hit a reader in the “feels”, while also knowing when to use heavy sarcasm.  If you haven’t already read it, consider doing so; it’s in the public domain, so easily available in affordable editions, or free at the library or online.

Anime Review: Hataraki Man

Anime Review: Hataraki Man

Hiroko Matsukada is an “editor” at Jidai, a weekly magazine.  What this means in practice is that she researches and writes articles, as well as working with at least one outside author who submits a serialized novel for the magazine.  At 28 and still single, Hiroko sometimes worries that she’s missing out on a woman’s “proper” existence–she and her boyfriend Shinji haven’t had sex in months due to their conflicting schedules.  But when the deadline looms and her creativity is engaged, Hiroko enters “Hataraki” (hard-working) mode, shutting everything else out, and the thrill of being published makes it all seem worthwhile.

Hataraki Man

This 11-episode anime was based on a short manga series by Moyoco Anno (Sugar Sugar Rune) which has also been turned into a live-action TV drama.  Each episode focuses on Hiroko or one of the people in her life (including her masseuse!) as they deal with their work and personal issues.  For example, the photographer who would much rather be taking pictures of nature, but is stuck as a paparazzi, taking scandalous shots because that’s what sells magazines.

Many episodes compare and contrast Hiroko with other characters.  Hiroko has a relatively brash, serious approach that comes off to Japanese people as “masculine” as opposed to, say, her co-worker Yumi Nogawa, who projects a pliant, traditionally feminine image to succeed in the world of sports reporting (what often gets denigrated as “feminine wiles.”)  Hiroko also often clashes with rookie editor Kunio Tanaka, who is laid back and tries not to let his job take over his life, but often turns in slipshod work and evades responsibility.

Towards the end of the series, Hiroko’s relationship with Shinji hits a crisis point at roughly the same time she gets a huge career break that will decide if she’s going to be on the fast track for promotion.

Hiroko smokes and drinks (as do other characters) and grouses about the sex she’s not having.  We see her topless a couple of times (the camera angle keeping the audience from seeing too much.)  Sexism is a running theme, both in direct actions by Hiroko’s male co-workers, and the question of whether fitting into a gender role or defying it is a better life plan.

Overall, it’s a reasonably realistic look at working in the world of magazine publishing, full of little epiphanies and setbacks.  Even Hiroko’s large successes don’t come without their costs, and the ending is bittersweet.

Bonus feature–here’s the ending theme from the live-action version!

Manga Review: Mysterious Girlfriend X #1

Manga Review: Mysterious Girlfriend X #1 by Riichi Ueshiba

Akira Tsubaki is a normal 17-year-old high school student.  New student Mikoto Urabe appears to be anything but normal.  Her bangs cover her eyes, she sleeps during lunch and class breaks, bursts out laughing in the middle of class for no apparent reason and carries scissors in her panties.  All very odd and mysterious.  One day, Tsubaki wakes Urabe up after school is over, and notices that she’s left a puddle of drool on her desk.  Impulsively, he tastes it.

Mysterious Girlfriend X #1

That night, Tsubaki has a dream set in a bizarre cityscape, and he and Urabe dance together.  A couple of days later, Tsubaki falls ill for a week.  Urabe hears people talking about it and puts together what’s happened.  She visits Tsubaki’s home, lying to Tsubaki’s older sister about why she’s there, and lets Tsubaki taste some of her drool off her finger.  He feels better, and she explains that he’s now addicted to her spit.  Why?  “That’s just the way I am.”

Over time, Urabe lets Tsubaki taste her drool on a daily basis, and sometimes she tastes his.  Eventually, they become a couple, though Tsubaki is still baffled by his mysterious girlfriend.

This seinen (young men’s) manga ran in the monthly Afternoon magazine, and this edition contains the first two Japanese volumes.  The author mentions in his notes that the lead characters are seventeen so that there is a question as to whether sex will happen.  (A couple of years younger, they definitely wouldn’t in this kind of story, a couple of years older,  and they definitely would.)  That doesn’t happen in this volume, though there is male-oriented fanservice and one outright nudity scene.  Mr. Ueshiba has gone on record that he thinks too many young people rush straight to sex when they’re in love, and he wanted to show a couple enjoying other ways of connecting (some quite kinky) that don’t involve putting Tab A into Slot B.

Tsubaki, as the “normal” boy, is kind of bland.  He has normal sexual urges and a pleasant way about him.  He does quickly learn to let Urabe take the lead in how fast she wants to take the relationship and what they will be doing.  He also figures out quickly ways of reassuring her about his faithfulness while still having other female friends.

Urabe is fiercely protective of her secrets.  Where did she get her saliva-based psychic powers?  How did she learn her ability to cut through anything with safety scissors? Why is she so sensitive about being touched without her permission?  What does she do outside school when she’s not with Tsubaki?  All deflected with “that’s just the way I am” or ignored.  She’s also not one to ask unsolicited questions, so only slowly learns about Tsubaki’s background.

We do learn that swapping spit only has unusual effects with people Urabe has a connection of some kind with.  She also turns out to be very normal in some ways, liking cute kittens and being shy about wearing a bikini.  Her bedroom also looks normal, but her family is not home at the time so we don’t get any information on them.

There’s another couple that appears frequently, Tsubaki’s friend Ueno and his tiny sweetheart Oka (who becomes Urabe’s first female friend.)    They have a more “normal” relationship and Oka helps Urabe open up a bit to social interaction and eating lunch.

As mentioned, there’s a fair amount of kinkiness and it’s very male-oriented–I think it will appeal most to senior high male readers and up who like romance with a bit of mysteriousness attached.

Book Review: The A-Z of You and Me

Book Review: The A-Z of You and Me by James Hannah

Disclaimer:  I received an Advance Reader Copy of this book from the publisher for the purpose of writing this review.  No other compensation was requested or received.  As an ARC, there may be changes between the review copy and the final product.  (In specific, the “book club questions” section at the back was not finalized.)

The A-Z of You and Me

Ivo is in a hospice with kidney failure.   While he is definitely dying, it may take weeks or even months.  To help Ivo keep his sanity, night shift nurse Sheila suggests a game.  Naming a body part for each letter of the alphabet, and telling a story about it.  Ivo starts with “Adam’s Apple” for “A”, remembering how he learned the story of that name, and continuing on to…that would be telling.

Most of the stories pertain to Ivo’s ex-girlfriend Mia (the “you” of the title) and their small group of acquaintances:  Ivo’s sister Laura, her sexy friend Becca, Ivo’s best friend Mal and his other mate Kelvin.   Slowly we learn pieces of their past together and why Ivo and Mia split up.

This is a first novel from British author James Hannah, and has apparently been successful enough in his native land to warrant an American release.  There are some Briticisms in the language used that might require readers unfamiliar with  British culture to check the internet.  Interesting, then, that the title actually works better in American English.

The structure of the novel means that we get dribs and drabs of information as the time frame of Ivo’s memories and his present day experiences in the hospice skip about.  In some cases, we see the consequences of actions well before we learn what the actions were.  Readers who prefer a straightforward plotline might feel frustrated.

Ivo’s made some rather poor life choices; among other things, he’s abused drugs, made doubly unsafe by his being a diabetic.  It’s also clear that his friendship with Mal had become toxic well before Ivo figured this out.  Mal is laddish in the negative sense:  rowdy, immature, rather sexist and casually insensitive to his and Ivo’s girlfriends.  He also enables Ivo’s drug abuse because he can’t quite understand the seriousness of possible consequences.

Mia is a little harder to get a handle on, as we see her through Ivo’s rose-colored memories.  She’s a swell lady, apparently, though perhaps her decisions were also not the wisest.

As a result of previous events, Ivo has been pushing people away–we learn that he’s worked at a garden center for a couple of decades, but never directly see or hear from one of his fellow employees.  Now, at the end, with his world shrunk to the hospice, he has to learn to reconnect.  Even with people he never wanted to see again.

The writing is competent, but I think the story would better suit people who like the slow reveal/not much actually happens sort of contemporary literature.

Content:  In addition to drug abuse, there’s rather a lot of rude language, particularly in flashbacks to Ivo’s teen years.  If you’re new to British slang, you might even pick up some new naughty words.  This is very much a novel about adult concerns, so I would not recommend it below college age.

Overall, this is a decent first novel, which I would recommend to folks who enjoy the idea of telling a story through an alphabet game.

Anime Review: The Rose of Versailles

Anime Review: The Rose of Versailles

In the Year of Our Lord 1770, Empress Maria Theresa of Austria and King Louis XV of France decided to seal an alliance between their countries with a political marriage.  Thus it was that Louis-Auguste (later Louis XVI) and Marie Antoinette were married.  So it was in our world too.  But in this story, the commander of the Royal Guards, protectors of the young princess, was Oscar Francois du Jarjayes, youngest daughter of General Jarjayes, who had been raised like a boy.

The Rose of Versailles

Soon Antoinette, Oscar and Oscar’s faithful servant Andre, were plunged into the swirling politics and complicated romantic relationships of the court.  Thus begins the ultimately tragic tale of the Rose of Versailles.

This popular and highly influential 1979 anime was based on the best-selling shoujo (girls’) manga Versailles no Bara by Riyoko Ikeda.  The manga had started out as a biography of Marie Antoinette, with Oscar as a supporting character to be involved in combat scenes where the ruler could not be placed, but the princely woman was immensely popular with readers and eventually became the star of the story.  (Especially once the queen retired from public life to raise her children.)  The anime therefore expanded her role at the beginning a bit.

The series is highly dramatic, often melodramatic, with shocked expressions, flowing tears and glittering roses.  Some modern viewers might find this all a trifle overdone, especially as many newer anime series have homaged famous scenes and effects from this one.  Romantic tension is high.  At least initially, Marie Antoinette and her young husband do not get along well, and she develops an interest in the Swedish Count Axel von Fersen, who reciprocates.  Oscar also has a thing for von Fersen, but is not reciprocated, while her childhood friend and servant Andre pines for Oscar but knows that a commoner can never marry a noble.

In addition, while Oscar is known to be a woman by most of the nobles, her handsomeness and chivalry cause her to be admired in an almost romantic fashion by various ladies, most notably a young woman named Rosalie, who turns out to have a secret of her own.

While the broad historical outlines of the series are accurate, many of the details are fictionalized or exaggerated.  For example, the Duke of Orleans was probably not directly behind every plot against Marie Antoinette.

In addition to the standard sword-fighting and the horrors of the French Revolution, there’s an attempted sexual assault at one point (the man stops when he realizes what he’s about to do) and a twelve-year-old commits suicide rather than submit to an arranged marriage.  (It’s pretty clear that her much older intended husband intends to consummate the marriage immediately.)  Towards the end, the narration specifically tells us two of the characters get it on.  The imagery is tasteful, but the content may be too much for younger or more sensitive viewers.

The series switched directors about halfway through; the earlier part has much more incidental humor, while the later half is more somber, befitting the way events get worse and worse for both Oscar and Marie Antoinette.

This is a classic, and now legally available in the United States with subtitles.  Recommended for French history and romantic tragedy fans.

Book Review: A Weird and Wild Beauty: The Story of Yellowstone, the World’s First National Park

Book Review: A Weird and Wild Beauty: The Story of Yellowstone, the World’s First National Park by Erin Peabody

Disclaimer:  I received a copy of this book through a Goodreads giveaway for the purpose of writing this review.

A Weird and Wild Beauty

In early 1871, the readers of Scribner’s Magazine, one of the best-selling periodicals in the United States, were treated to an article about a mysterious land south of the Montana Territory.  According to the article, there was a place of geysers that shot steaming water hundreds of feet into the air, where mud pools exploded on a regular basis, and trees were encased in stone.  This was the first widely-published  account of the Yellowstone, and many dismissed it as an absurd traveler’s tall tale.

But the Yellowstone River and its surroundings were very real.  It had been named “Mi tse a-da-zi” (Rock Yellow River) by the Minnetaree tribe, and translated to “Roche Jaune” by French trappers before English speakers gave it the present name.  Native Americans had often visited or lived there for its special properties, and stories of it were shared by the few hardy white people who’d managed to survive a visit.  They were generally disbelieved by those who had not been there.  It took a proper expedition organized by former banker Nathaniel Langford and staffed by sober, reliable citizens to show the reality.

This volume is a history of how Yellowstone became a National Park written for young adults by a former park ranger.  The primary emphasis is on the two important expeditions, first Langford’s and then a full scientific expedition led by government  geologist Ferdinand Hayden.  In addition to the hardy scientists and support staff, the expedition had two artists and photographer William H. Jackson, and their visual evidence was key in convincing Congress of the reality of the fabled wilderness.

The writing is clear and concise, rated for twelve and up, but quite readable for adults.  There are multiple sidebars about related subjects such as the Transcontinental Railroad and Henry David Thoreau, and many illustrations in both black & white and color.

The history section briefly covers what is known of the history of the Yellowstone area before the expeditions, and up to the point where the National Park bill was signed into law.  More recent events concerning the park are not covered in the main text, although some are mentioned in the sidebar.

After the history section, there’s a map of America’s National Parks and other federal preserves, then a couple of chapters on the science of why Yellowstone is a unique area.  There are endnotes, a bibliography, index and photo credits (in readable sized font!)

Part of Yellowstone’s importance is mentioned in the subtitle; it was not just the United States’ first National Park, but the world’s.  Previously, when land was set aside to preserve it, it was only for the powerful (“the King’s forest”) or the very wealthy to enjoy.  This was the first time a national government had set aside wilderness for the sake of the public at large.  And just in time, as the Hayden expedition had already run into people planning to exploit the Yellowstone area for private commercial gain.  (At this point in history, the U.S. side of Niagara Falls had already been completely privatized and commercialized!)

The book briefly touches on mistreatment of Native Americans, the extinction or near-extinction of animal species and other difficult topics, but these are not the main concern.  The bibliography contains books that go into much more detail on these matters.

Most recommended for teens interested in history and the outdoors, but also good (and affordable) for adults with similar interests.

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