Comic Book Review: Jacked written by Eric Kripke, art by John Higgins.
Disclaimer: I received this book through a Goodreads giveaway for the purposes of this review. No other compensation was offered or requested.
Josh Jaffe is hitting a mid-life crisis. His body is beginning to fall apart, he doesn’t really talk to his wife much any more, and his entire job field was rendered obsolete by new technology, so he’s been unemployed for the last six months. Nothing has turned out like he’d imagined it would as a kid, or even as a teenager. Josh’s dentist brother recommends nootropic supplements, “smart drugs” that supposedly improve cognitive function. Sounds kind of shady, but while surfing the web, Josh finds an ad for “Jacked,” which seems to speak to him.
Josh orders a supply of Jacked, and discovers that the ad was perhaps underselling the product. He can think more clearly (other than the hallucinations), has energy to spare (especially in bed), his aches and pains vanish…and he can pull a car door right off the hinges. Josh’s formerly unimpressed son starts looking up to him again! This is the good stuff.
But then Josh discovers that his next door neighbor Damon is a drug dealer that’s been beating his girlfriend Jessica. The outcome of that encounter puts Josh and Jessica on the wrong(er) side of some very bad people. Worse, the nastier side effects of Jacked start coming to the fore, and what if Josh runs out of the drug before the bad guys run out of bullets? And how will this affect Josh’s wife and child?
Eric Kripke is probably best known as the creator of the popular television series Supernatural. According to the introduction of the collected volume, he had his own mid-life crisis a couple of years ago, and his musings on that led to him proposing this comic book series to Vertigo Comics. He mentions that writing for comic books is a whole different kind of hard than writing for television, and gives much credit to John Higgins for making the script actually work on page.
One of the themes of the story is that Josh doesn’t live in a superhero world, so even though he gets some low-level superpowers, things tend not to work out as they would in a traditional superhero story. Even when he dons a costume, it only makes him look ridiculous. In the end, it’s his human abilities and connections that give Josh the ability to resolve the situation. (We do get cameos by a few classic DC heroes, and a reference to obscure series Electric Warrior.)
This is listed as for “mature readers” and has some nudity, non-graphic sex scenes, a lot of gory violence, body function humor and even more vulgar language than is called for by the plot and setting. I suspect Mr. Kripke may have gone overboard on that last one because of having had to work to TV’s broadcast standards.
One of the features I really liked was that most issues’ last pages were flash-forwards to the next issue that weren’t quite the same as the depiction in that later story. Also, all the points that were important at the climax were properly set up earlier in the series.
Josh does a fair bit of self-absorbed whining at the beginning of the series, and it takes a while for him to get his head out of his own funk. I do like that while Josh and Jessica do team up against the drug gang, it’s all about survival (and revenge on Jessica’s part) with no attraction between them at all. Josh loves his wife, and much of his motivation is being a better husband for her, even if he doesn’t understand the best way to do that.
The main villain is Damon’s brother Ray, who has a rather narrowly defined sense of morality. He takes care of family, but everyone else is fair game.
Recommended for fans of the “ordinary schlub gets superpowers and screws up big time” type of plot.
Book Review: The Infinite Arena edited by Terry Carr
Science fiction, in a way, is a very broad genre, that can easily contain stories of other genres within itself. Thus space westerns, fantastic romance, star war novels and so forth. In this case, we have a sample of sports stories set in science fiction terms.
Lead batter in the lineup is “Joy in Mudville” by Poul Anderson & Gordon Dickson. It’s a Hoka story as the imaginative aliens that look like sentient teddy bears have taken up the sport of baseball. As is their wont, they have assumed the identities of fictional ballplayers of Earth, including the Mighty Casey, their best batter. Unfortunately, their latest opponents, the Sarenn Snakes, are masters of psychological warfare. Alexander Jones, the ambassador from Earth, must summon one of his rarely-appreciated talents to save the day. It’s all very silly.
“Bullard Reflects” by Malcolm Jameson begins with the Space Patrol celebrating the Jovian armistice with athletic contests, including the sport of Dazzle Dart, played with flashlights and mirrors. But it turns out not all the Jovians are honoring the armistice, and Captain Bullard’s Pollux is sent to track down diehards who’ve taken over an experimental weapons testing station. Things look dark for the Patrol when they are ambushed and disarmed, but Bullard figures out a way to make the situation a Dazzle Dart game…to the death! A fine bit of pulp writing, but Mr. Jameson piles the awesomeness of his heroes a shade high. Not only are they the fleet champions in Dazzle Dart, but are best at all the other athletic contests too, and the Pollux is the only ship in condition to fly when the crisis arises as all the others slacked off when peace was declared.
“The Body Builders” by Keith Laumer posits a future in which most people who can afford it store their physical bodies away and use humaniform robots by telepresence. Dueling has become a frequent occurrence thanks to the more or less disposable extra bodies, and the protagonist is a professional gladiator. Which is all well and good until he’s tricked into a duel in his weak “pretty boy” body used for dates, as opposed to the monstrosity he uses for combat. He sees no way out except to tarnish his honor temporarily in an effort to get to his backup bodies, but is eventually forced to resort to his original organic form–if this one dies, it’s curtains! Some of the celebrities name-dropped as body models are now obscure, which may make reading the story a chore for the young.
“The Great Kladnar Race” by Robert Silverberg and Randall Garrett has Earthlings stuck on a backwater planet try to create some excitement by organizing a race of the local beasts of burden. The twist ending is one that could have been thwarted easily if any of the Earthlings had bothered to ask the natives relevant questions.
“Mr. Meek Plays Polo” by Clifford D. Simak involves space polo. Don’t know how that’s played? Neither does Mr. Meek, a retired bookkeeper now touring the Solar System in the spaceship it took him a lifetime to save up for. But he did see a game once, which is more than anyone else in the rowdy frontier of Saturn’s rings has to their credit. So when the radioactive moss harvesters are talked into a game by a social worker trying to civilize them, Mr. Meek is drafted as a coach for one team, and eventually a replacement player.
As you might guess from his name, Mr. Meek is a timid fellow who tries to explain the reality of the situation, but no one is listening until he is so riled up that he bets his ship on the contest. (Apparently, he keeps getting into this sort of situation.) Oh, and there’s an infestation of metal-eating bugs to deal with; that can’t be good. Things sort themselves out in the end.
“Sunjammer” by Arthur C. Clarke is more “hard” SF than most of the other stories, as solar yachts use the pressure of sunlight to have a race from Earth orbit to the Moon. One of the ships is manned by the inventor of solar sails, after decades of work finally able to compete; but this will be his last chance. Soon, solar flares will make it too dangerous to yacht, and he’ll be too old for the sport by the time it’s safe again. This one has a bittersweet ending.
“Run to Sunlight” by George R.R. Martin is comparatively light considering his reputation. A spaceport’s amateur football league is thrown into chaos when a team of heavy-worlders apply to play. The government doesn’t want the coordinator of the league to reject the application as they’re trying to keep a peace treaty going, and this is an obvious propaganda moment. But the aliens prove to have major advantages in the sport, and the war may start again if they can prove how weak the Earthling really are. Good use of strategizing and using strengths and weaknesses, but true victory goes to the person with their priorities straight.
I liked the Laumer and Clarke stories best. The stories were written from the 1940s to the 1970s, so there are none that feature female athletes, and the few women that do appear are largely useless in plot terms. (The Laumer story has the protagonist choosing between a young woman who hates artificial bodies but genuinely likes his personality and a flashier woman who wants to get married for a five-year trial period so she doesn’t have to work anymore.)
Recommended to fans of “strange sports” stories and fans of particular authors who haven’t seen these stories before. Check interlibrary loan or the finer used book stores.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
Manga Review: Samurai Executioner Omnibus 2 written by Kazuo Koike, art by Goseki Kojima
Yamada “Decapitator” Asaemon is the o-tameshiyaku, sword-tester for the shogun and official executioner of criminals. It’s not a pretty job, but at least he has one in Edo-era Japan, during a time of peace. Without wars to fight, many of the samurai vassals are on tiny stipends, while ronin without lords can at least get paying jobs if they’re willing to be a bit flexible in their ethics. The merchant class is getting richer, while the underclass of urban poor swells and rural farmers are oppressed by their petty lords. The social conditions breed crime, so there is always plenty of work for Yamada.
This seinen (young men’s) manga series is by the creators of Lone Wolf and Cub, and shares many of the themes and settings. Unlike that earlier work, however, there does not seem to be an overarching plotline. The stories are episodic, and most could take place in any order. Two stories do, however, guest star young cop Sakane Kasajiro, an expert with his hooked chain. Yamada helps him discover new ways of using his weapon to protect lives.
Yamada takes a grim satisfaction at being expert at his craft, able to decapitate the condemned with a single stroke and thus minimize their pain. He was raised from early childhood to succeed his father as executioner, and has chosen to remain single to avoid condemning his children to the same path. (One story in this volume has him briefly reconsider, but it is not to be.) Yamada seems happiest when he can bring small moments of joy into a person’s life, and is often sought out for sage advice.
The first story in the volume has Yamada challenged for the post of sword tester by Tsukuya Bakushuu, a poverty-stricken and largely self-trained swordsman. They participate in a contest of suemonogiri, precision cutting. Tsukuya loses, but cannot accept this result. It ends in tragedy. To be honest, at least half the stories here end in tragedy, not surprising, given Yamada’s job.
The closing story is particularly hard to stomach. O-Toyo murders the woman her lover abandoned him for, and mortally wounds the cheater. However, it’s a slow death wound, and he could live up to four months with good treatment. Her execution will be in three months, and O-Toyo wants to outlive the man out of pure spite. As it happens, there’s one way for a woman to get her execution delayed–getting pregnant. Now, how is that going to happen when she’s locked in a women’s prison? Yes, the story is going there. There are other examples of female nudity and rape in these stories, but this is the most brutal. And then the ending comes, and it is even more brutal. Even Yamada is shaken.
Also outstanding is the story “Tougane Yajirou”, about an elderly police officer whose use of force is considered excessive even by the standards of the time, and who is much more interested in catching criminals than in preventing crime. Yamada disapproves, but there is a story behind the old man’s cruel behavior.
Koike and Kojma do a masterful job of depicting a world that is both very familiar in its everyday life, and alien in its way of thinking. This omnibus edition combines three of the Japanese volumes, and is presented in the expensive and time-consuming fully-flipped format, so it reads left to right.
Recommended for mature readers who enjoyed Lone Wolf and Cub or are otherwise fans of samurai action.
Comic Book Review: Essential Tomb of Dracula, Volume 2 mostly written by Marv Wolfman and art by Gene Colan.
When the Comics Code restrictions on horror were loosened in the 1970s, DC primarily went in for horror anthology comics, while Marvel Comics based entire series around horrific heroes and villains. One of these was the classic (and public domain) character of Vlad Tepes, aka Count Dracula.
This series revealed that Bram Stoker’s book (highly recommended if you haven’t read it, by the way) was highly fictionalized, and Dracula had not in fact finally died at the end of it, only being very inconvenienced. He had been various places, doing various things, temporarily being put of commission now and then…and this storyline opened with him once again being awakened to start his reign of terror anew.
Opposing the Lord of Vampires was a crew of vampire hunters including Quincy Harker (the son of Jonathan and Mina), now an elderly man confined to a wheelchair by injuries received in past battles with Dracula; Rachel van Helsing (great-granddaughter of Professor van Helsing) a crossbow-wielder who wasn’t always as effective as she’d like; Frank Drake, a descendant of Dracula (before becoming a vampire) who had wasted his wealth and had to man up over the course of the series; and Taj Nital, an Indian man who had been rendered mute when Dracula injured his throat. Independent of them were Blade, who only hunted Dracula because he hated all vampires due to the murder of his mother by Deacon Frost, and Hannibal King, a detective that Deacon Frost had turned into a vampire, who avoided taking blood from living humans.
Of course, Dracula didn’t just have vampire hunters after him, but people who either wanted to become lord of all vampires themselves or otherwise exploit him. The most persistent of these was Doctor Sun, a Chinese scientist who’d been turned into a disembodied brain hooked up to a computer, who wanted to take over the world.
At the start of this volume, Dracula learns of the current whereabouts of an artifact called the Chimera, which re-sparks his desire to conquer the world himself. (He’d had to put that on hold as a vampire army large enough to take over would promptly drink the rest of humanity to extinction, and then where would they be?) Fortunately for the world, Dracula is not the only one after the artifact, and it ends up smashed.
Dracula has noticed his powers waning, and this leads him to a near-final confrontation with Quincy Harker, before learning that it is in fact Doctor Sun behind it, and the action moves to Boston. There the cast adds nebbish “true vampire story” writer Harold H. Harold and lovely but ditsy secretary Aurora Rabinowitz, who act as comic relief.
After the Doctor Sun situation is resolved, Dracula takes control of a local Satanist cult and marries a woman named Domini, who he believes will give him a proper heir. (The leader of the Satanists, of course, has other plans.)
Mixed throughout this volume are soap-opera subplots involving the various supporting cast, and interludes of Dracula’s adventures in other times and places. Marv Wolfman’s writing is often excellent, but he sometimes doesn’t consult previous issues, resulting in some minor continuity glitches. Gene Colan’s art is more consistently outstanding, and fits the mood well, especially in this black and white reprint. (Some stories from the Giant-Size side series are included, with art by the less impressive but very competent Don Heck.)
Make no mistake, Dracula is the main villain here, and rare is the issue where he does not murder at least one innocent person just to remind us of that. Much of his time is taken up with petty revenge against people who have crossed him and when he acts against other villains, it’s usually out of pride or personal vendetta. Every once in a while, he does show a moment of kindness, but the door soon slams shut when his darker nature prevails. Because he’s the title character, Dracula has what TV Tropes calls “Joker Immunity”; he can never be permanently killed off, only temporarily thwarted, so the heroes seem ineffectual. (Quincy Harker broods about this frequently.)
These stories do take place in the Marvel Universe, though this series avoids most of the implications of that. Brother Voodoo helps Frank Drake through a bad patch in his life, and Doctor Strange actually temporarily kills Dracula (but is hypnotized not to notice it’s not permanent until later.)
In addition to the expected violence (but relatively little gore–the Comics Code was still in effect), Dracula’s attacks on women are often treated in a sexualized manner. There are some instances of suicide, both voluntary and forced. Dracula is also depicted as being racist (mostly against Blade) and sexist (he is not at all kind to the memory of Lucy Westerna.)
And speaking of sexism, one story includes a woman who’s a bit of a “straw feminist”; the owner of a fashion house who only hires women even if a man would be more competent at the job (except one dress designer who might be gay given the coding) and who has an enormous grudge against the various men who tried to keep her down. Dracula agrees to kill her enemies in exchange for information she can get more efficiently than he, but leaves her in a sticky situation at the end of the story.
Despite often high melodrama, there are some very well-written moments as well.
Recommended for vampire comics fans, Blade fans who want to see his early adventures, and those who enjoy Gene Colan’s art.
Book Review: Lobster Johnson: The Satan Factory by Thomas E. Sniegoski
Disgraced doctor Jonas Chapel, on the run from the mob in Mexico, stumbles across a mysterious skeleton dripping a fluid that turns humans into monsters. Soon thereafter Chapel’s back in New York, teaming up with the very gang boss who’d ordered the hit on him to take over all the gangs in the city. Or so mobster Rocco Fazzina thinks, but Dr. Chapel’s ambitions are larger than that. Only the masked man known as the Lobster and his few agents are aware of the Satan Factory and the threat it poses to all human life!
The Lobster is a character first appearing in the Hellboy comic books by Mike Mignola. He was a vigilante of the 1930s, dead in the present day, and had become known at “Lobster Johnson” through a series of ever less accurate fictionalizations. For the purposes of this book, the body of the story is a previously unknown manuscript that predates all other fictionalizations, and may have been written by an agent of the Lobster himself.
That agent (under the alias Jacob Hurley) is a former police officer who’d been framed for corruption when he dared speak out against it, and after several years in prison, released to become an unemployable homeless man. He’s recently been recruited by the Lobster to keep an eye on the city’s underbelly. As this is the twilight period of history after the start of the Depression but before the end of Prohibition, there is a thriving Hooverville for Jake to get information from.
As a new agent of the Lobster, Jake serves as the viewpoint character to introduce us to the team. We also get scenes from the viewpoint of the Lobster, but these are all directly connected to his fight against crime and tell almost nothing about his personal life beyond dark allusions to tragic events that motivated him to become the Lobster, and perhaps gave him his “not a normal human” status.
The Lobster is much in the Spider mode, branding fallen foes with his lobster claw emblem, and killing scores of monsters as well as any gangster that crosses his path (that isn’t killed by something else.)
We get a bit more insight into the backgrounds of villains Chapel and Fazzina, and how they got started on their paths to darkness. By the end, however, there’s almost nothing left of Dr. Chapel’s original personality as the owner of the skeleton starts taking him over to spread its army of monsters.
This book is very much is the pulp tradition with lots of fast moving action and not much time spent on introspection. Also in the pulp tradition, there’s a glitch–as I hinted at above, “Lobster Johnson” was a name attached to the Lobster only much later than the purported date of the manuscript, and yet the narrative slips and calls him that a couple of times.
Primarily for Mike Mignola fans who didn’t get enough of the Lobster in the comics, but should also go well for fans of pulp heroes in general.
Book Review: One in Three Hundred by J.T. McIntosh
Most of you will have run into some variant of the “Lifeboat Problem” at some point. (In my youth, it was done with bomb shelters due to the strong possibility of atomic war.) A disaster has occurred, and a large number of people are going to die. There is one ticket to safety, but only a limited number of spaces available. As it happens, you are the person put in charge of filling those spaces. Here’s a list of people longer than the number of available spots, tell us who lives and who dies. Usually, some choices are easy (the person with vital medical skills lives, while the banker dies because seriously no one cares about money right now) but other decisions are more difficult (your beloved granny who’s partially disabled or the hot woman who dumped you in college but has many good years left?)
And that’s the starting dilemma of this book, originally published as three novelettes in The Magazine of Fantasy and Science-Fiction in 1953. The first section, “One in Three Hundred” reveals that in the very near future, the sun is about to become hotter, making Earth uninhabitable. However, this will also raise the temperature of Mars to the point it will be barely livable. In the limited time left before this insolation happens, the governments of Earth have pooled their resources to build a fleet of ten-passenger “lifeships” to allow approximately one in every three hundred Earthlings to have a shot at joining the small scientific colony already on Mars.
Bill Easson is one of the Lieutenants chosen to pilot a lifeship, and to pick the ten passengers that will be on board. For this purpose, he’s been sent to the small Midwestern town of Simsville. He wastes no time drawing up a preliminary list, but as the deadline approaches, the small-town tranquility is ripped apart as the citizens reveal their hidden sides and true natures, so Bill is forced to revise his list repeatedly, up until the last moment.
“One in a Thousand”, the second section, has Bill and his passengers discover that the lifeship isn’t quite as safe as they’d been led to assume. Turns out that the Earth governments, decided to give a maximum number of people a small chance to survive, rather than a small number of people a maximum chance to survive. Thus the lifeships have been built to absolute minimum standards. (Bill does some calculations and figures that to build the lifeships to the correct standards, the number of potential passengers would have to be one in one million Earthlings.)
The lifeship crew must find a way to survive the rigors of space travel and perhaps more importantly, the landing!
Finally, in “One Too Many” those of Bill’s complement that survived the journey (including Bill) must weather the many dangers of Mars if they hope to have a future at all…but the greatest danger may be one they brought with them!
The first part is the most suspenseful, since we know that Bill survives (he’s narrating the story from several years in the future) but everyone else is on the chopping block. On the other hand, it makes the narration feel oddly detached; Bill is doing his level best not to get emotionally involved, even though he’s making very emotional choices.
The second and third parts are more SFnal, though this was clearly written before any humans had gone into space, so the author has to guess what zero-gravity conditions are like, let alone the problems of surviving on Mars. It’s also notable that this potential future (deliberately, probably) has no technological advances beyond those needed to get to Mars–Bill has to make all calculations aboard ship with pencil and paper, apparently not even getting a slide rule to work with. Atomic power is mentioned as having stalled out.
And it’s very clearly a deliberate decision by the author not to have any social change whatsoever between the 1950s and “the future.” Simsville is very much an average American town of the Fifties, and the culture shock of what needs to be done to survive on the lifeship and on the new colony is from a very Fifties perspective. (The thought of miscegenation blows a lot of survivors’ minds.)
Some lapses are clearly down to 1950s standards and practices–there’s no mention of how waste elimination is handled aboard the lifeship. But others are just weird. The choices are kept secret until the absolute last minute so no one has time to pack, but none of the survivors had been carrying around a pocket Bible, or a pack of cards or even a family photo just in case?
And there are some skeevy bits. Okay, yes, the survivors on Mars are going to need to make lots of babies to ensure the human race has a future. But the standards listed for sexual assault are “if it’s a respectable woman who is trying to make babies with her respectable man, then the assault is to be punished severely, but if she’s a stuck-up rhymes with ‘witch’ that is denying society the use of her uterus, then the offender gets off with a wrist slap.” I can see, sadly, the male-dominated readership of the time going “Yeah, rough on the women, but got to be done.”
And then there’s the ending, where the bad guy essentially has Bill and his friends over a barrel and unable to act, so someone who’s gone “crazy” has to resolve the problem for them.
The cover is cool, but more symbolic than representative–in-story, the government has taken great pains to avoid such a scene. This was a Doubleday Selection of the Month, and the back cover copy is more about how science fiction is a popular and respectable literary genre now than it is about the book itself.
This is a good read, with the caveats mentioned above, but don’t think too hard because this is a “gee-whiz” story that will fall apart if you slow down to examine individual parts. Also, be aware that there are reprints that only have the first story, but don’t say so in the description.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
Book Review: The Queen of Zamba by L. Sprague de Camp (Also published as Cosmic Manhunt)
It started out as a normal missing person case. Victor Hasselborg was hired to find runaway heiress Julnar Batruni. Her trail is easy to pick up, as she used her own name to buy tickets off-planet with her lover, one Anthony Fallon. Victor pursues them to the distant world of Krishna, where he runs into a snag.
It seems that Krishna is under a technological interdict, to prevent the warlike natives from gaining the ability to destroy themselves (and others) before their civilizations advance to more peaceful methods of conflict resolution. Thus Victor must shed most of his advanced equipment and disguise himself as a native to search for the lovers. Can a man used to automatic pistols and fast cars survive with a sword and aya-drawn buggy? And once he does find his targets, will he survive his encounter with the Queen of Zamba?
This story is part of the Viagens Interplanetarias setting, created by Mr. de Camp as a way to use many of the tropes of “planetary romance” in a more plausible way than had previously been the case. (Edgar Rice Burroughs, the founder of the subgenre with A Princess of Mars, had focused more on the fiction side of “science fiction” and most authors writing in the same vein had stuck with that.) So the Krishnans, while appearing close enough to Terrans so that they can easily disguise themselves as each other, can make whoopee with humans but not babies. There’s a reasonable explanation for using swords and riding animals when more technologically advanced items exist. And our protagonists can’t just zip between worlds–thanks to relativistic effects, voyages that take months for the traveling characters take years for the people left behind. Even with improved human longevity and safe suspended animation, normal people with settled lives aren’t keen on repeated space travel.
Thus our protagonist, Victor Hasselborg. In some ways, he’s a typical fictional private eye. Disappointed in love, recovering alcoholic, tough talker, will kill if he has to. But he’s also a germ-phobic hypochondriac who is skittish around attractive women who seem a bit too interested, and none too interested in the adventurous life.
There’s also some inventiveness in the general setting–after World War 3, the Soviet Union was gone and the United States crippled to the point it had to merge with Canada to survive. And Brazil became the world’s leading power, aided by having invented starships. On the other hand, people still smoke cigars in this 22nd Century, and the number one occupation of Earthwomen is “housewife.” (A Krishnan woman expresses her desire to become one as the rumors she hears of Earth romanticize the position.)
During the story, Victor runs into treachery and eventually must team up with another Terran in disguise to prevent technological horror from being unleashed on Krishna.
Originally written in the late 1940s, this story was reprinted by Ace Books under the title Cosmic Manhunt and with the ethnicity of one of the characters changed due to politics. This “Asimov’s Choice” edition restores the original title and character.
To fill out the volume, a longish story entitled “Perpetual Motion” has been added. Con artist Felix Borel comes to Krishna to fleece the natives with a twist on the technology ban. He can’t introduce any innovation that is beyond current Krishnan science or technology, but since perpetual motion machines are impossible, they don’t count, right? Felix is not a good person, though he can twist events to make himself look better–right up until his luck runs out. This story shares a minor character with the main event.
This is light adventure and fast reading; even with the added plausibility, you shouldn’t think about the science too hard. Recommended for planetary romance fans. There are quite a few Viagens Interplanetarias stories; I also recommend Rogue Queen if you can find it.