Manga Review: Platinum End Volume 2 story by Tsugumi Ohba, art by Takeshi Obata
Quick recap: Up until now, Mirai has had a miserable life as an orphan with an abusive family. When he tried to commit suicide, Mirai was rescued by Nasse, an angel who had enlisted the boy in a contest to choose the next God. There were twelve other candidates, but one was murdered by a person dressed as Metropoliman, a TV superhero.
This volume opens with last time’s cliffhanger, as Mirai is stabbed with a love-inducing red arrow. The culprit turns out to be Saki, the girl Mirai already had a crush on. (And it would seem she reciprocates.) This might not be so bad, except that the red arrows induce not normal love, but slavish absolute devotion.
We’re also introduced to Saki’s partner, Revel the Angel of Trickery. He’d prefer to be titled the Angel of Tactics but honestly isn’t that smart. After some negotiation, it’s decided the four will team up against the murderous Metropoliman.
Meanwhile, Metropoliman continues fighting petty crime to keep up his superhero disguise. He’s getting frustrated because his challenge to fight the other god candidates is not bearing fruit. (Unsurprisingly, none of them wants to die.) He decides to switch tactics and offer to negotiate with the other candidates at an open-air stadium. (This would theoretically allow them to fly away if the negotiations go badly.)
What follows is the Ohba trademark plan vs. plan battle, involving multiple disguises, mind control and misdirection. Mirai and Saki manage to escape with their lives, but it’s clear that Metropoliman is much more than they can handle. Where can they get allies?
Good: The art continues to impress, and the characters that are supposed to be intelligent really do come across as smart. Nasse continues to be nicely creepy. She’s an Angel of Purity, not an angel of good, and freely admits feeling nothing when humans other than Mirai die.
Not so good: Female characters other than Nasse are poorly developed and lack personality. (I am told Saki will improve in later volumes.) Most of the female angels are drawn as Victoria’s Secret models with wings and the lingerie fused with their bodies.
Content note: Metropoliman absolutely will murder small children to get what he wants. We’re also told that all the god candidates live in Japan due to its high suicide rate. This is a Mature Readers title.
Manga Review: Platinum End 1 Story by Tsugumi Ohba, Art by Takeshi Obata
Have you ever looked at the world around you and thought, “Wow, God’s not doing a very good job.”? Perhaps you have even succumbed to hubris and thought you could do a better job if you, personally, had God’s power. As it turns out, God’s retiring and has assigned thirteen angels to seek out candidates for the open position. Each will be able to give their candidate special powers, and there will be a 999-day competition period, at the end of which the new God will be chosen. Special rank angel Nasse already has someone in mind.
Which brings us to our protagonist, Mirai Kakehashi. He’s introduced to us by tossing himself off a building on the day he graduates from middle school. Seems that Mirai is an orphan whose life has been made utterly miserable by his abusive relatives (yes, shades of Harry Potter) and now that he’s past mandatory school age, aunt and uncle want him to get a job and sign over the paycheck in return for their “generosity.” Nasse catches Mirai before he hits the pavement.
The angel explains that she has been keeping an eye on Mirai for a while as his “guardian angel” and she is at last able to intervene to make him happy. Nasse grants him three nifty powers; wings to fly, red arrows that will make people love him, and white arrows that kill painlessly. Mirai isn’t too sure about this, especially as Nasse suggests using these powers in ways that seem…unethical to the boy. He does, however, wind up using the red arrows to resolve the issue of his abusive relatives.
Now that Mirai has a future again, he works hard to get into the same school as his crush, Saki. While that’s going on, Nasse explains more about the “replace God” contest, and they become aware of a God candidate who is most definitely abusing his powers. This story doesn’t really intersect with theirs, as he’s quickly taken out by a third candidate, who has decided to murder his way to victory.
“Metropoliman” uses his powers to appear to be a superhero so that he can openly hunt for the other candidates with the public on his side. This makes Mirai worried, but the murderous “hero” isn’t his top priority when a fourth candidate turns out to be going to the same high school. A candidate who’s gotten the drop on him!
This monthly manga is by the creators of Death Note and Bakuman, and was much anticipated. The art is certainly excellent! But large chunks of the premise seem to have been lifted from the Future Diary series, and several of the characters in these early chapters are kind of blah. In particular, Ohba seems to struggle with the right balance of competence and initiative for female characters. I am hoping that future chapters will improve this.
That said, Nasse has a lot of potential as an angelic creature that doesn’t quite grok human morality. Her design which makes it difficult to tell whether she’s wearing clothes or just has an unusual body is also nifty.
Content issues: In addition to frequent mentions of suicide (and one on-camera attempt) and child abuse, there’s rape and female nudity in a sexual context. While the series is aimed at high schoolers in Japan, it gets a “Mature Readers” tag in the U.S.
Primarily recommended to fans of the creators’ previous series. Consider getting the physical edition–there are some neat effects on the cover that don’t come across in a scan.
Comic Book Review: Saints: The Book of Blaise written by Sean Lewis, art by Benjamin Mackey
Disclaimer: I received this book through a Goodreads giveaway for the purpose of this review. No other compensation was requested or offered.
“Monster” Blaise is a heavy metal musician with “one weird trick”–his glowing hands can cure throat ailments. It’s never occurred to him to look further into this, so it’s a bit of a surprise when a mysterious archer interrupts one of Blaise’s assignations. The bowman claims to be the reincarnation of Saint Sebastian, yes that Saint Sebastian, and our protagonist is the reincarnation of Saint Blaise.
Blaise wasn’t raised Catholic, or even Christian, and is none too clear on what’s going on. But bad things are going down, and they must find the last few reincarnated saints before the end of the world. The next on the list is Lucy Sweetapple, a grocery store clerk with the gift of Sight, and whose parents own a painting of Jesus that talks to Blaise. It’s only getting weirder from here.
The author of this Image Comics-published story was raised Irish Catholic, he tells us in the foreword, and he’s combined his childhood love of the Saints with metal and comics for this series. He’s best known for his plays, and it takes a while for his comics writing to click. The art is strongly inked to give it a bit of a stained-glass feel, and works well with the story themes.
This is not a book for those who like their religion orthodox; the writer plays fast and loose with the abilities of the saints, the motivations of angels and the nature of God. The ministers who have joined up with the antagonists are from non-standard churches, and there’s a children’s crusade filled with child soldiers. Meanwhile, the protagonists’ forces include morally dubious metal bands and a demon.
While this isn’t specifically labeled “mature readers”, there’s nudity, gory violence, sexual situations and some unnecessary vulgarity. Urine drinking in the first scene for shock value, for example. Lucy attacking Blaise in the mistaken belief that he was about to sexually assault her is played for laughs, but it’s pretty obvious men have tried it enough before to make her violence an ingrained reaction.
There are some clever bits with the saints’ abilities being based on their folklore but not confined to that; and very effective artistic renderings of revelatory messages. But in places I was uncomfortably reminded of some of the excesses of early Vertigo Comics.
I think this will go over best with lapsed Catholics and comparative theology majors.
Comic Strip Review: Kill 6 Billion Demons 1 by Tom Parkinson-Morgan
Disclaimer: I received this volume as a Goodreads giveaway for the purpose of writing this review. No other compensation was requested or offered.
Post-graduate student Allison Ruth and her boyfriend Zaid are attempting to have sex for the first time. But the usual awkwardness becomes a non-issue when demonic-looking knights invade Allison’s dorm room and kidnap Zaid. Their apparent leader jams a jewel into Allison’s forehead that…expands her consciousness? When her vision clears, Allison doesn’t know where she is, but it’s certainly not Earth!
According to “82 White Chain Born in Emptiness Returns to Subdue Evil”, an angel (approximately) who becomes the closest thing Allison has to an ally, this world is Throne, the center of the Multiverse, and used to be Heaven (approximately) before the gods went elsewhere. Now Throne is a wretched hive of scum and villainy, infested with demons, demiurges and less savory beings as ganglords and shady guilds squabble over territory.
The gem embedded in Allison’s forehead turns out to be a powerful key, which makes her a valuable prize ripe for the taking. But Allison isn’t at all keen on what anyone else wants for her. She wants to be reunited with Zaid, go home, and have her life make sense again. Not necessarily in that order.
This is the first collected volume of the webcomic, which can be found at http://killsixbilliondemons.com/comic/kill-six-billion-demons-chapter-1/ It covers the first few chapters, up to about the point Allison finally gets her head together some and decides to take her own actions instead of being just dragged around from one madcap situation to the next.
The setting (which takes aspects from Hinduism, Zen Buddhism and many other sources) allows the creator to stretch his imaginative muscles with bizarre backgrounds and distinctive non-human characters. Allison undergoes several appearance changes herself, with the one consistent feature being her wide-open eyes, giving her a perpetually startled appearance. (To be fair, most people would be perpetually startled under the circumstances.) The one flaw with this being a print edition is that some of the larger spreads wind up having explanatory tags in tiny font, so you may need a magnifying glass for full enjoyment.
Actual plot is thin on the ground, as Allison is only interacting with other characters in chases, confrontations or brief breathing spaces–we’re introduced to over a dozen characters who seem like they’ll be important to the story later, but right now we just have names/job titles/distinctive appearances.
Allison comes across rather shallow, but again this is excusable under her extreme circumstances; I’ve read ahead, and she gets more interesting. In this volume, the interesting people are White Chain, who holds on to their (angels are agender, officially) ethical standards as much as possible even when circumstances require a far lower bar for what’s acceptable; and Cio, a cynical blue-masked demon who used to be a powerful master thief but has been depowered and now works as a bookkeeper in a brothel (until she quits to help out Allison…for her own reasons.)
While there’s quite a bit of discussion of sexual topics, and some non-graphic nudity, there’s no on-camera sex. Lots of violence, though, some pretty graphic. Some rough language as well. Every so often there are text pieces that tell stories from the background mythology; these don’t always have standard endings.
Recommended for fantasy fans who don’t mind that much of what’s going on is confusing and won’t make sense until much later. Yes, you can read it for free on the internet, but cash infusions from the print version help the artist keep creating.
Book Review: Kaiju: Lords of the Earth edited by Essel Pratt
Kaiju (“strange beast”) is primarily a subgenre of the monster movie that became codified in Japan. They’re mostly gigantic monsters that are nigh-unstoppable by conventional armaments, and run around destroying cities or fighting other giant monsters. The seeds of the story type were sown in the original King Kong movie, but it was Gojira (“Godzilla”) that codified it, and inspired most of the later examples.
This is a collection of sixteen short stories and poems on the theme of kaiju, all appearing here for the first time. The book opens with “Call of the Vailathi” by John Ledger, a poem that cautions that even when the kaiju is on your side, it is still a destructive force. …At least it has a rhyme structure, that’s good. The closing tale is “Unleashed in the East” as fracking releases a monster from the Java Sea, and two airline pilots must make a decision between saving themselves and saving the world.
I really enjoyed “The Wolf and the Rabbit” by Alice J. Black, in which a disaffected pub worker connects with another random survivor, and finds the will to do what must be done in this crisis. If the monster seems too easily dispatched, there are hints it wasn’t the only one.
Also good is “Frankentop” by Amanda M. Lyons, which is told from the perspective of an artificial intelligence that both wants to be loved, and to protect itself. Unfortunately, the latter is easier than the former. Internet references abound.
“I Awoke…Wutoomba!” by Roy C. Booth homages the Marvel monster comics of the late Fifties and early Sixties. Jack Lieiber, writer of fantastic fiction, travels to a South Seas island and runs into an assortment of stock characters, including the title monster. This one is mostly going to please Marvel fanboys who get all the in-jokes.
Most anthologies have a dud or two, but seldom to the level of “The Plastic Centipede” by R.T. Sirk. The monster itself is a cool idea, a giant centipede made of discarded mannequin parts and the vengeful spirits of a gangster’s victims. But spellchecker typos, misplaced commas, badly structured sentences and characterization by telling, not showing make this story come off like the first draft of a fanfic, rather than a professionally published story. This is clearly a failure of editing, as these banes of small press publishing should have been caught early on.
“A Day at the Racetrack” by Essel Pratt is also sub-par, as waste in a stock car racetrack’s inner pond turns animals giant-sized. Regional stereotypes are played for broad humor, as are potty jokes.
The rest are decent enough stories. Due to the very uneven quality, I would recommend this book only to kaiju fanatics or fans of a particular author for that one story.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
Book Review: Twin Cities Speculations: An Anthology of Sci-Fi and Fantasy edited by Eric Binfet
As I may have mentioned before, I have a soft spot for local writers, of which Minnesota has many. One Twin Cities writers’ group got together and self-published an anthology, and here we are. Eight stories of SF and fantasy, all first officially published in this book.
The opener is “Space Aliens on Maple Lake” by Bill Cutler. It is ice-fishing season, and a downed alien spacecraft lands on Maple Lake. The aliens need to avoid detection by pretending to be an ordinary ice fishing shack, but will they be able to fool the Earthlings? Light comedy with Minnesota stereotypes.
“The Cursed Years” by Cecelia Isaac is the only story with no mention of Minnesota, being set in a fantasy world. The protagonist, Py, is cursed to wander far from his kingdom for seven years. He starts his journey voluntarily in an effort to make the curse less onerous, but soon discovers even thinking about returning home is dangerous. He acquires a talking sword, and an actual goal when he learns there may be a way to break the curse. This is one of the better stories in the volume, and has an obvious sequel hook–it could also be turned into a doorstopper trilogy with enough padding.
“The Harry Hawkins Experience” by Jonathan Rogers has a would-be biographer tagging along with the title character, a wealthy adventurer. They investigate a tomb with restless inhabitants. The writer is a filmmaker, and it shows with a very “this could be a movie” feel. Sadly, Mr. Hawkins is an annoying character who is supposed to become more endearing as the story wears on, but doesn’t.
“Heaven Help Me” by Lindsey Loree is a monologue by a fallen guardian angel. Turns out that Heaven is very judgmental and not at all big on redemption. The protagonist unwittingly helps set an alternative plan in motion.
“Robbing the Grave” by Eric Binfet concerns a guilt-ridden man having dreams that seem to predict the future…and the future is murder. Is this his dead brother giving him another chance to prevent innocent life from being taken, or just his guilt finally causing a permanent breakdown? There’s an in-joke for Marvel Comics fans, and an interesting police character. The protagonist’s relationships with his best friend and girlfriend come off a bit tedious.
“Kreet” by Tina S. Murphy is about a grif, an insectoid creature, named Sooe Han-Cen who is going into the desert to find the stronghold of the titular Kreet. The Kreet are an invasive species with an explosive population curve, and a penchant for eating grif. Sooe’s mission is complicated by all her fellow Agents having already been eaten, and the presence of a foolish treasure hunter who thinks she’s trying to steal his goodies. This is the longest story in the volume, and comes with an extended coda that reveals the consequences of Sooe’s mission from a different perspective.
“Volunteers” by Susan L. Hansen is told in reverse order, starting with the heroes having had successes against the alien slavers called Jakooma, and flashing ever back to how they got there. The most imaginative bit is the psychic whose powers are normally kind of useless due to the future changing every time someone makes a decision, but in dire circumstances that narrow the possibilities, becomes Earth’s one hope for freedom.
And the book closes with “LOST” by Lizzie Scott. Lilith, grieving the loss of her husband and children, has isolated herself in a remote farmhouse. During a blizzard, a very lost little girl named Pyry shows up on her doorstep, and Lilith must put aside her own problems to help the child. But what she does may be more dangerous to Pyry than the thing that got the girl lost in the first place! This too was a good story, that followed through on its fantasy concept well.
I regret to say that spellchecker typos, the bane of self-publishing editors, are frequent, especially in “Kreet.”
Overall, a decent enough collection of stories, but mostly of local interest to Minnesotans. Others might want to invest in case one of the writers eventually becomes famous.
Book Review: Temporary Walls edited by Greg Ketter and Robert T. Garcia
This short book of fantasy stories was inspired by John Gardner’s On Moral Fiction, in which the author argued that writing fiction is an inherently moral endeavor and that writers, especially those in the fantasy genre, should instruct their readers about “the morality that tends to work for all people throughout the ages.” Art, for him, built temporary walls against the dissolution of what makes us not corpses. And so, six short tales that involve ethics and morality.
“High Ground” by Kathe Koja and Barry N. Malzberg starts off the volume with a murky tale in which a motley group of stock fantasy characters discuss ethical dilemmas in the forest of inconsequence. They do not reach a conclusion; the point perhaps being that there is no conclusion to reach. I will say, however, that the first scenario discussed is one of those forced “no-win” scenarios so beloved of philosophy professors and villains, and loathed by most audiences.
“Dream Harder, Dream True” by Charles de Lint is more optimistic. A young man finds a woman hiding by the back steps of his apartment building and takes her in, because helping is what you do. And in return, she teaches him much more about stories and dreams than he ever imagined.
“Dateline: Colonus” by John M. Ford is a retelling of the death of Oedipus in modern dress, from the perspective of a reporter who is traveling with the family. Can good come from an evil life?
“Woman with Child” by Kristine Kathryn Rusch is about a woman who is cursed (literally) with an unwanted child. She would do nearly anything to be rid of it, but there are still regrets.
“Choices” by Mary Frances Zambreno features another woman, but she is uncertain if she wants the child she bears. That is why she has come to a witch for a divination. One kind of child will bring more vengeance, another temporary peace. Once she knows, what choice will she make?
“The Stranger” by Patricia A. McKillip is a meeting between two weavers, one of cloth, and the other of skyfire. If you know that the art you make is harmful, but you have no passion but that art, what are you to do? Is beauty worth any price?
I like the de Lint and Rusch stories best, I think.
This book was a souvenir of the 1993 World Fantasy Convention held in Minneapolis, Minnesota and not sold in any store. Thus it may be a little hard to find a copy. However, it’s quite possible to track down the individual writers’ stories in anthologies of their own work.
Book Review: 100 Wicked Little Witch Stories edited by Stefan Dziemianowicz, Robert Weinberg & Martin H. Greenberg
This was my Halloween season read this year, an anthology commissioned for the Barnes & Noble stores in 1995. There are indeed one hundred stories in this hefty tome, averaging about six pages. They are not all about wicked witches, however–some witches are good, some are just mischievous and others are hard to pin down on a moral spectrum.
The volume opens with “Gramma Grunt” by Donald L. Burleson, about a man returning to the streets of his youth and regretting joining in the taunting of an old woman; and ends with “Wall of Darkness” by Basil Wells, about a piece of architecture that should be left strictly alone. The oldest story (1933) is “The Mandrakes” by Clark Ashton Smith, one of his Averoigne stories, in which a murdered woman gets revenge through the title plants (though her murderer really should have known better.) Most of the stories, however, are exclusive to this book.
As might be expected, most of these short tales depend heavily on a twist ending, but a few play it straight with an ending foreshadowed throughout. Sometimes good people win the day, other times evil triumphs, at least for now. There are many variations in kinds of witches as well, the most bizarre of which is “Fish Witch” by Lois H. Gresh, with a witchlike species of marine life; it’s got a garbled ending.
Some standouts include:
“The Only Way to Fly” by Nancy Holder: An aging witch who’s lost most of her magic through disuse is on a plane to her retirement home. Does she have one last spark in her?
“There’ll be Witches” by Joe Meno: Danny is haunted by witches that make him wet the bed. Too bad the grownups never see them!
“Beware of That for Which You Wish” by Linda J. Dunn: A woman who wants a son consults a wiser woman; the wheel turns.
“The Devil’s Men” by Brian Stableford and “The Caress of Ash and Cinder” by Cindie Geddes, a nicely matched pair of stories about witch hunts seen from the victim’s point of view, yet with mirrored perspectives.
“The Mudang” by Will Murray: A skull collector discovers a two for one bargain in Korea.
There’s a few duds as well, but they’re short and over quickly.
Scattered among the stories are a few with scenes of rape, abuse, suicide and other triggery subjects. There’s also a few iffy ethnic portrayals and those of you who are witches may not like some of the more negative portrayals.
You can probably find this for a modest price from Barnes & Noble; I see it’s been reprinted several times. Or try the library if you just want to read the bits by your favored authors.
This is a sequel to the classic Osamu Tezuka work Princess Knight (“Ribon no Kishi” or “The Ribbon Knight” in Japanese), about Sapphire, a princess raised as a boy due to strange circumstances. Queen Sapphire is now married and gives birth to twins, Prince Daisy and Princess Violetta. There’s a question of succession, as the inheritance rules were changed to allow women to ascend the throne of Silverland, but don’t account for twins.
The equivalent of a coin flip makes Prince Daisy the heir apparent, which enrages the Duke and Duchess of Dahlia. They kidnap the prince and have him abandoned in the Forest of Slobb. To calm the people while the search for the missing prince is ongoing, Queen Sapphire and her husband regretfully decide to have Violetta disguised as her brother on alternate days.
Years pass, and when Violetta is in her teens, things reach a crisis point. She must leave the castle to seek out her brother, who, yes, is still alive. Many perils await, and not all who begin this fairy tale will be alive at the end of it.
Osamu Tezuka innovated in many areas of Japanese comics, and Princess Knight was one of the first shoujo manga (girls’ comics) in Japan; certainly it’s the first one anyone still remembers. This sequel was also written in the 1950s It shares the same simple but dynamic art style and attitudes towards gender issues that were progressive for the time it was written but seem outdated today.
There’s a lot of exciting action, some comedy, and a bit of confusion involving mistaken identities. Princess Violetta ends up impersonating Prince Daisy, impersonating himself! Even though Queen Sapphire is much more ladylike now, she hasn’t forgotten her sword skills. In the fairy tale tradition, there are several deaths, with the evil tending to die gruesomely (but tastefully–this isn’t a gorefest.)
An important supporting character is Emerald, Queen of the Gypsies. Although she and her people are depicted sympathetically (and Emerald is heroic when her temper doesn’t get the better of her), it’s still pretty stereotypical. Parents may want to talk to their children about the real-life Roma and the prejudice against them.
I’d especially recommend this volume (and the series it’s a sequel to) to fans of the Disney princesses, as Tezuka took a lot of his early inspiration from the Walt Disney style.