Manga Review: Platinum End Volume 3 Story by Tsugumi Ohba, Art by Takeshi Obata
Quick recap: Mirai Kakehashi has had a miserable life as an abused orphan, but when he attempts suicide, he is rescued by an angel. Nasse, the Angel of Purity, informs Mirai that he’s been chosen to join a contest to determine the next person to be God. Currently, Mirai is allied with his classmate and crush Saki Hanakago and her sponsor, Revel the Angel of Trickery. They’re opposed to the mysterious Metropoliman, who wears a superhero costume and has already murdered several God candidates.
As this volume opens, Mirai and Saki have been tracked down by yet another candidate, Nato Mukaido. He’s a businessman who used to work in the fashion industry before he developed terminal cancer. His sponsor is Baret, Angel of Knowledge. Nato is pretty sure he’s not going to survive the full 999 days of the contest even if he’s not murdered, so his primary objective is not letting the amoral Metropoliman become God.
Nato isn’t lying, so Mirai and Saki ally with him, despite Mirai’s reservations about killing even in self defense.
We also learn Metropoliman’s secret identity and part of his motivation for becoming God, which I won’t spoil here. His sponsor is Meyza, the Angel of Greed. He needs a new plan to draw out his enemies, and takes inspiration from a friend.
Metropoliman breaks serial killer Mimimi Yamada out of prison and enslaves her using the red arrows of love. He equips her with wings and red arrows, then gives her instructions of who to target. The plan is to draw out God candidates who won’t allow a superhuman serial killer to operate due to their own moral standards.
And it’s at this point I need to issue a Content Warning: A pre-adolescent child is placed in a sexual situation on-page before being murdered.
Our protagonists recognize that Mimimi is bait for a trap, but come up with a plan to deal with her that might not leave them too vulnerable to Metropoliman. They might have underestimated the masked man’s ruthlessness and access to resources, though, and things look dire at the end of the volume.
The art continues to be top-rate, and it’s always fun to watch very smart characters attempt to outplan each other.
Nato’s a good choice as an ally character, someone who temporarily outshines the main protagonist but is doomed by backstory, so will soon give back the spotlight.
Metropoliman: To quote Brooklyn 99, “Cool motive. Still murder.”
Mimimi is much less interesting, combining the most irritating characteristics of Misa in Death Note with a skeeviness that is just repulsive to me.
And that’s why I am not unreservedly recommending this series any more. The skeevy parts made this volume much less enjoyable for me. Approach with caution.
Manga Review: Oh My Goddess! Volume 27 by Kosuke Fujishima
Keiichi Morisato is an engineering undergraduate at the Nekomi Institute of Technology when his overbearing upperclassmen stick him with watching the all-male dorm over a holiday weekend. (It’s not like it’s going to interfere with his social life.) Getting hungry, Keiichi tries to order delivery, but each restaurant he tries is closed. In a fit of frustration, Keiichi punches random keys on the phone–and is connected to something called the Goddess Help Line.
The voice on the other end says that an operator will be with him shortly, and it turns out they meant physically. A beautiful goddess named Belldandy (after Verthandi, the Norse Norn of the present) offers a single wish to Keiichi. Lonely and with no luck with women due to being short, the dumbstruck Keiichi wishes for “a girl just like you to stay with me forever.”
The wish is granted by forcing Belldandy to stay on Earth with our young protagonist. The returning upperclassmen kick the couple out of the dorm (“all-male” and they mean it) so Keiichi and Belldandy move into an abandoned shrine that Belldandy shines up with her powers. Not too long after, Belldandy’s sisters Urd and Skuld show up…and never go away. Our young couple is finding themselves truly falling in love, but will they ever get enough peace and quiet to fulfill it?
This seinen (young men’s) manga series (Aa! Megami-sama in Japanese) ran monthly from 1988 to 2014, a total of 48 volumes! It’s been immensely popular over the years, spawning a set of OAVs, three anime series (one a gag spin-off), a theatrical movie and a novelization. The relatively chaste nature of the series (Keiichi and Belldandy seldom do more than hold hands for most of the run) made it a good choice to show new anime fans in the U.S.
This is one of those series that showed marked artistic improvement over the years as Fujishima mastered his craft. (The animated versions use the later character designs even when covering the early events.)
This is very much male wish-fulfillment. A beautiful girl falls in love with our outwardly schlubby hero because she’s not fooled by his unimpressive looks and can see the true nobility of his inner nature. While the course of true love seldom runs smooth, it’s almost always interference coming from outside, and Keiichi seldom has to actually work at building and maintaining the relationship. Plus, Belldandy is in many ways the positive stereotype of the traditional Japanese housewife, kind, efficient, competent at all things feminine and ready to follow Keiichi’s lead.
Also irritating to some readers is that the main relationship plateaus early on as the creator realized what a cash cow he had and determined to milk it as long as possible. It’s not until the final volume that Keiichi and Belldandy finally move past “grade-school sweeties who live in the same house”, and then the long stall is turned into a plot point.
All that said, they are cute together and most of the characters are likable.
In the volume to hand, #27, shenanigans have turned a former demon’s familiar partway into an angel. (Angels are bond creatures to gods as familiars are to demons.) Without a god or demon to bond to, the new “angel” will die. Keiichi, being the kindhearted and steadfast fellow he is, has volunteered to host the critter in his body temporarily. This is killing him as the volume begins.
Keiichi disappears, and the goddesses look for him, only to find him in the most likely place. Then the crew realizes there’s one being in the neighborhood that could host the bond creature–Velsper, the demon who’s been trapped in the form of a cat to curb his powers, and doesn’t have his own familiar. There’s a smack of homophobic humor, but all ends well (if embarrassing for Velsper.)
Then Urd, Skuld and Peorth (an unrelated fourth goddess who’s also staying at the temple because reasons) get into a rubber band war that escalates far beyond just flicking office supplies at each other. Silly and inconsequential.
The volume is rounded out by a story in which we meet the Machiners, one of the many races that share Earth with the humans–at a slight angle. The Machiners are machine people that come in various sizes and shapes, and sometimes need repairs. It’s a good thing that Belldandy and Keiichi are good at machine repair, Belldandy due to her supernatural nature, and Keiichi because he loves machines. This is a “sense of wonder” story that stands well on its own.
There are also a few Mini-Goddesses gag strips, and the first chapter of the novel First End, which posits a scenario in which Keiichi dies.
This series is now being reprinted in omnibus volumes, and those may be easier to find than the older ones.
Manga Review: Monster Collection: The Girl Who Can Deal with Magic Monsters, Volume 5 by Sei Itoh
Kasche was an apprentice summoner, gifted at bringing magical monsters from where they are to the place she needs them, and controlling them using name magic. But her recklessness made Kasche less than popular with most of her teachers. When Lord Duran stole the Encyclopedia Verum, a living book that contains all the knowledge of past summoners, it just so happened that Kasche was the only summoner capable of going after him!
Monster Collection was originally a collectible card game, much like Magic: the Gathering, in which the players are summoners who use monsters to battle for them, each having special powers and weaknesses. It spawned this manga, a video game (which merged it with a board game mechanic) and an anime adaptation, Mon Colle Knights. None of these share any continuity.
In this volume, Kasche and her team: human warrior Cuervo, who Kasche has a crush on, lamia sorceress Vanessa, and “spirit animal” Kiki finish up their battle with the fallen angel that had been summoned against them. It’s at this point that Shin, a lizard man ally of theirs who might or might not be he Lizard King, reappears.
Turns out the only reason they had enough time to finish that grueling battle is because Shin was distracting the other monster in the area, a high dragon. None of them feel up to the task of fighting such a powerful creature.
Until, that is, Shin reminds Kasche that she in fact knows the true name of this dragon, as that being had previously sent her a dream asking for help. If Kasche can free the dragon from Lord Duran’s control, it will be a powerful ally. So Kasche goes into the spiritual realm to battle Lord Duran’s magical sealing, while the others protect her from a swarm of giant ants summoned by Lord Duran’s servant. Shin turns out to be able to summon himself, but only other lizard folk.
Kasche is at a severe disadvantage until she realizes there is one category of monster she can summon in the spiritual realm. But will this demon be her trump card or her doom?
There’s some nice detailed monster and battle art, but the writing is only so-so and the volume is essentially wall-to-wall fights. There’s relatively little gore; the “mature readers” label comes because Kasche is usually naked on the spiritual plane, complete with nipples. (There’s also some male nudity on display, particularly in the humorous bonus chapter.)
This one may be hard to find. CMX was DC Comics’ attempt at creating a manga line, which was mismanaged and quickly folded. Some of their titles were “rescued” for printing elsewhere, but not this one.
And now, the opening video of Mon Colle Knights, so you can see just how different a treatment it is.
Book Review: Octavia’s Brood edited by Adrienne Maree Brown and Walidah Imarisha
One of the many uses of science fiction is to talk about current issues in a speculative setting. One can posit a world in which current trends have become exaggerated to dystopian levels, or where a solution has been found to a current problem and what that would result in, or imagine how a change in the past would affect an issue…or even just go the allegory route by, say, having anti-Martian prejudice stand in for anti-immigrant prejudice of the current day.
This anthology is dedicated to science fiction stories on the theme of social justice issues. It’s dedicated to the memory of Octavia Butler (1947-2006) a Hugo-winning author of works that touched on such themes as racism, alienation and the environment. There are twenty stories and two essays by a variety of experienced and first-time authors.
The first story is “Revolution Shuffle” by Bao Phi. Two Vietnamese-American young people in the middle of a zombie apocalypse are about to liberate an internment camp for Asian and Middle Eastern-descended people. It seems that in this future, the zombie infestation was declared a terrorist attack, and the most likely suspects were locked up in special facilities to maintain zombie-attracting pistons “for their own protection.” It reads like the first chapter of a YA dystopia novel.
The last fictional story is “children who fly” by Leah Lakshmi Piepzna-Samarasinha. It’s a future starring her daughter in a globally-warmed Oakland, trying to preserve what’s left of the community through group disassociation. “Evidence” by Alexis Pauline Gumbs also uses heavy author insertion in foretelling a future where material goods are no longer important but personal growth is.
Several stories are clearly in the Afrofuturism mode, such as “Lalibela” by Gabriel Teodros, about a time-traveling Ethiopian king.
The most stylistically interesting piece is “Sanford and Sun” by Dawolu Jahari Anderson, which is a script format tale about junk dealer Fred G. Sanford encountering cosmic funk musician and philosopher Sun Ra. It’s a neat concept, but the “jokes” reminded me of just how much Redd Foxx’s comedic delivery skills carried the Sanford and Son show. Without specifically imagining him in the role at all times, the lines fall flat.
Some of the stories feel like incomplete fragments. “Aftermath” by LeVar Burton (about an African-American scientist developing a cure for Parkinson’s Disease, only to be kidnapped by people who want to skin her alive) and “Fire on the Mountain” by Terry Bisson (an alternate history where the Civil War went very differently indeed) are open about this as they are previews of longer books. Others come off as essays more than stories.
Of the stories in this volume, the one I liked best was “The Long Memory” by Morrigan Phillips. It takes place in an archipelago where people known as Memorials can access the memories of the Memorials who have come before them, back to the beginning of their line. These Memorials have become an important part of the society as the rulers must consult them and their knowledge of history before each important decision.
A wealthy and ambitious politician has become an enemy of the Memorials for reasons including the fact that they remember his ideas turn out badly. He manages to get enough of the government on his side to imprison the Memorials.
The protagonist organizes a hunger strike in an effort to bring the politician to the negotiating table (and also to remind the people that the Memorials have been locked up.) She naturally wants herself and her colleagues to be freed, but also comes to the realization that the people of the Archipelago have leaned on the Memorials for long-term memory so much that they’ve lost the capacity to remember history for themselves.
The essays are “Star Wars and the American Imagination” by Mumia Abu-Jamal, which is about pretty much what you’d think, and “The Only Lasting Truth” by Tananarive Due, which is about Octavia Butler herself, her work, and her legacy.
There’s also a foreword, introduction and outro discussing the themes and importance of the works included, and a set of author bios.
This collection is “important” more than “good”; the quality of submissions is uneven, but they are nevertheless interesting to read and contemplate, and I look forward to seeing the future work of many of these authors. If you have an interest in social justice themes or Afrofuturism, please consider picking this book up.
Manga Review: Platinum End Volume 2 story by Tsugumi Ohba, art by Takeshi Obata
Quick recap: Up until now, Mirai has had a miserable life as an orphan with an abusive family. When he tried to commit suicide, Mirai was rescued by Nasse, an angel who had enlisted the boy in a contest to choose the next God. There were twelve other candidates, but one was murdered by a person dressed as Metropoliman, a TV superhero.
This volume opens with last time’s cliffhanger, as Mirai is stabbed with a love-inducing red arrow. The culprit turns out to be Saki, the girl Mirai already had a crush on. (And it would seem she reciprocates.) This might not be so bad, except that the red arrows induce not normal love, but slavish absolute devotion.
We’re also introduced to Saki’s partner, Revel the Angel of Trickery. He’d prefer to be titled the Angel of Tactics but honestly isn’t that smart. After some negotiation, it’s decided the four will team up against the murderous Metropoliman.
Meanwhile, Metropoliman continues fighting petty crime to keep up his superhero disguise. He’s getting frustrated because his challenge to fight the other god candidates is not bearing fruit. (Unsurprisingly, none of them wants to die.) He decides to switch tactics and offer to negotiate with the other candidates at an open-air stadium. (This would theoretically allow them to fly away if the negotiations go badly.)
What follows is the Ohba trademark plan vs. plan battle, involving multiple disguises, mind control and misdirection. Mirai and Saki manage to escape with their lives, but it’s clear that Metropoliman is much more than they can handle. Where can they get allies?
Good: The art continues to impress, and the characters that are supposed to be intelligent really do come across as smart. Nasse continues to be nicely creepy. She’s an Angel of Purity, not an angel of good, and freely admits feeling nothing when humans other than Mirai die.
Not so good: Female characters other than Nasse are poorly developed and lack personality. (I am told Saki will improve in later volumes.) Most of the female angels are drawn as Victoria’s Secret models with wings and the lingerie fused with their bodies.
Content note: Metropoliman absolutely will murder small children to get what he wants. We’re also told that all the god candidates live in Japan due to its high suicide rate. This is a Mature Readers title.
Manga Review: Platinum End 1 Story by Tsugumi Ohba, Art by Takeshi Obata
Have you ever looked at the world around you and thought, “Wow, God’s not doing a very good job.”? Perhaps you have even succumbed to hubris and thought you could do a better job if you, personally, had God’s power. As it turns out, God’s retiring and has assigned thirteen angels to seek out candidates for the open position. Each will be able to give their candidate special powers, and there will be a 999-day competition period, at the end of which the new God will be chosen. Special rank angel Nasse already has someone in mind.
Which brings us to our protagonist, Mirai Kakehashi. He’s introduced to us by tossing himself off a building on the day he graduates from middle school. Seems that Mirai is an orphan whose life has been made utterly miserable by his abusive relatives (yes, shades of Harry Potter) and now that he’s past mandatory school age, aunt and uncle want him to get a job and sign over the paycheck in return for their “generosity.” Nasse catches Mirai before he hits the pavement.
The angel explains that she has been keeping an eye on Mirai for a while as his “guardian angel” and she is at last able to intervene to make him happy. Nasse grants him three nifty powers; wings to fly, red arrows that will make people love him, and white arrows that kill painlessly. Mirai isn’t too sure about this, especially as Nasse suggests using these powers in ways that seem…unethical to the boy. He does, however, wind up using the red arrows to resolve the issue of his abusive relatives.
Now that Mirai has a future again, he works hard to get into the same school as his crush, Saki. While that’s going on, Nasse explains more about the “replace God” contest, and they become aware of a God candidate who is most definitely abusing his powers. This story doesn’t really intersect with theirs, as he’s quickly taken out by a third candidate, who has decided to murder his way to victory.
“Metropoliman” uses his powers to appear to be a superhero so that he can openly hunt for the other candidates with the public on his side. This makes Mirai worried, but the murderous “hero” isn’t his top priority when a fourth candidate turns out to be going to the same high school. A candidate who’s gotten the drop on him!
This monthly manga is by the creators of Death Note and Bakuman, and was much anticipated. The art is certainly excellent! But large chunks of the premise seem to have been lifted from the Future Diary series, and several of the characters in these early chapters are kind of blah. In particular, Ohba seems to struggle with the right balance of competence and initiative for female characters. I am hoping that future chapters will improve this.
That said, Nasse has a lot of potential as an angelic creature that doesn’t quite grok human morality. Her design which makes it difficult to tell whether she’s wearing clothes or just has an unusual body is also nifty.
Content issues: In addition to frequent mentions of suicide (and one on-camera attempt) and child abuse, there’s rape and female nudity in a sexual context. While the series is aimed at high schoolers in Japan, it gets a “Mature Readers” tag in the U.S.
Primarily recommended to fans of the creators’ previous series. Consider getting the physical edition–there are some neat effects on the cover that don’t come across in a scan.
Comic Book Review: Saints: The Book of Blaise written by Sean Lewis, art by Benjamin Mackey
Disclaimer: I received this book through a Goodreads giveaway for the purpose of this review. No other compensation was requested or offered.
“Monster” Blaise is a heavy metal musician with “one weird trick”–his glowing hands can cure throat ailments. It’s never occurred to him to look further into this, so it’s a bit of a surprise when a mysterious archer interrupts one of Blaise’s assignations. The bowman claims to be the reincarnation of Saint Sebastian, yes that Saint Sebastian, and our protagonist is the reincarnation of Saint Blaise.
Blaise wasn’t raised Catholic, or even Christian, and is none too clear on what’s going on. But bad things are going down, and they must find the last few reincarnated saints before the end of the world. The next on the list is Lucy Sweetapple, a grocery store clerk with the gift of Sight, and whose parents own a painting of Jesus that talks to Blaise. It’s only getting weirder from here.
The author of this Image Comics-published story was raised Irish Catholic, he tells us in the foreword, and he’s combined his childhood love of the Saints with metal and comics for this series. He’s best known for his plays, and it takes a while for his comics writing to click. The art is strongly inked to give it a bit of a stained-glass feel, and works well with the story themes.
This is not a book for those who like their religion orthodox; the writer plays fast and loose with the abilities of the saints, the motivations of angels and the nature of God. The ministers who have joined up with the antagonists are from non-standard churches, and there’s a children’s crusade filled with child soldiers. Meanwhile, the protagonists’ forces include morally dubious metal bands and a demon.
While this isn’t specifically labeled “mature readers”, there’s nudity, gory violence, sexual situations and some unnecessary vulgarity. Urine drinking in the first scene for shock value, for example. Lucy attacking Blaise in the mistaken belief that he was about to sexually assault her is played for laughs, but it’s pretty obvious men have tried it enough before to make her violence an ingrained reaction.
There are some clever bits with the saints’ abilities being based on their folklore but not confined to that; and very effective artistic renderings of revelatory messages. But in places I was uncomfortably reminded of some of the excesses of early Vertigo Comics.
I think this will go over best with lapsed Catholics and comparative theology majors.
Comic Strip Review: Kill 6 Billion Demons 1 by Tom Parkinson-Morgan
Disclaimer: I received this volume as a Goodreads giveaway for the purpose of writing this review. No other compensation was requested or offered.
Post-graduate student Allison Ruth and her boyfriend Zaid are attempting to have sex for the first time. But the usual awkwardness becomes a non-issue when demonic-looking knights invade Allison’s dorm room and kidnap Zaid. Their apparent leader jams a jewel into Allison’s forehead that…expands her consciousness? When her vision clears, Allison doesn’t know where she is, but it’s certainly not Earth!
According to “82 White Chain Born in Emptiness Returns to Subdue Evil”, an angel (approximately) who becomes the closest thing Allison has to an ally, this world is Throne, the center of the Multiverse, and used to be Heaven (approximately) before the gods went elsewhere. Now Throne is a wretched hive of scum and villainy, infested with demons, demiurges and less savory beings as ganglords and shady guilds squabble over territory.
The gem embedded in Allison’s forehead turns out to be a powerful key, which makes her a valuable prize ripe for the taking. But Allison isn’t at all keen on what anyone else wants for her. She wants to be reunited with Zaid, go home, and have her life make sense again. Not necessarily in that order.
This is the first collected volume of the webcomic, which can be found at http://killsixbilliondemons.com/comic/kill-six-billion-demons-chapter-1/ It covers the first few chapters, up to about the point Allison finally gets her head together some and decides to take her own actions instead of being just dragged around from one madcap situation to the next.
The setting (which takes aspects from Hinduism, Zen Buddhism and many other sources) allows the creator to stretch his imaginative muscles with bizarre backgrounds and distinctive non-human characters. Allison undergoes several appearance changes herself, with the one consistent feature being her wide-open eyes, giving her a perpetually startled appearance. (To be fair, most people would be perpetually startled under the circumstances.) The one flaw with this being a print edition is that some of the larger spreads wind up having explanatory tags in tiny font, so you may need a magnifying glass for full enjoyment.
Actual plot is thin on the ground, as Allison is only interacting with other characters in chases, confrontations or brief breathing spaces–we’re introduced to over a dozen characters who seem like they’ll be important to the story later, but right now we just have names/job titles/distinctive appearances.
Allison comes across rather shallow, but again this is excusable under her extreme circumstances; I’ve read ahead, and she gets more interesting. In this volume, the interesting people are White Chain, who holds on to their (angels are agender, officially) ethical standards as much as possible even when circumstances require a far lower bar for what’s acceptable; and Cio, a cynical blue-masked demon who used to be a powerful master thief but has been depowered and now works as a bookkeeper in a brothel (until she quits to help out Allison…for her own reasons.)
While there’s quite a bit of discussion of sexual topics, and some non-graphic nudity, there’s no on-camera sex. Lots of violence, though, some pretty graphic. Some rough language as well. Every so often there are text pieces that tell stories from the background mythology; these don’t always have standard endings.
Recommended for fantasy fans who don’t mind that much of what’s going on is confusing and won’t make sense until much later. Yes, you can read it for free on the internet, but cash infusions from the print version help the artist keep creating.
Book Review: Kaiju: Lords of the Earth edited by Essel Pratt
Kaiju (“strange beast”) is primarily a subgenre of the monster movie that became codified in Japan. They’re mostly gigantic monsters that are nigh-unstoppable by conventional armaments, and run around destroying cities or fighting other giant monsters. The seeds of the story type were sown in the original King Kong movie, but it was Gojira (“Godzilla”) that codified it, and inspired most of the later examples.
This is a collection of sixteen short stories and poems on the theme of kaiju, all appearing here for the first time. The book opens with “Call of the Vailathi” by John Ledger, a poem that cautions that even when the kaiju is on your side, it is still a destructive force. …At least it has a rhyme structure, that’s good. The closing tale is “Unleashed in the East” as fracking releases a monster from the Java Sea, and two airline pilots must make a decision between saving themselves and saving the world.
I really enjoyed “The Wolf and the Rabbit” by Alice J. Black, in which a disaffected pub worker connects with another random survivor, and finds the will to do what must be done in this crisis. If the monster seems too easily dispatched, there are hints it wasn’t the only one.
Also good is “Frankentop” by Amanda M. Lyons, which is told from the perspective of an artificial intelligence that both wants to be loved, and to protect itself. Unfortunately, the latter is easier than the former. Internet references abound.
“I Awoke…Wutoomba!” by Roy C. Booth homages the Marvel monster comics of the late Fifties and early Sixties. Jack Lieiber, writer of fantastic fiction, travels to a South Seas island and runs into an assortment of stock characters, including the title monster. This one is mostly going to please Marvel fanboys who get all the in-jokes.
Most anthologies have a dud or two, but seldom to the level of “The Plastic Centipede” by R.T. Sirk. The monster itself is a cool idea, a giant centipede made of discarded mannequin parts and the vengeful spirits of a gangster’s victims. But spellchecker typos, misplaced commas, badly structured sentences and characterization by telling, not showing make this story come off like the first draft of a fanfic, rather than a professionally published story. This is clearly a failure of editing, as these banes of small press publishing should have been caught early on.
“A Day at the Racetrack” by Essel Pratt is also sub-par, as waste in a stock car racetrack’s inner pond turns animals giant-sized. Regional stereotypes are played for broad humor, as are potty jokes.
The rest are decent enough stories. Due to the very uneven quality, I would recommend this book only to kaiju fanatics or fans of a particular author for that one story.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.