Book Review: Behind a Mask: The Unknown Thrillers of Louisa May Alcott

Book Review: Behind a Mask: The Unknown Thrillers of Louisa May Alcott edited by Madaleine Stern

Louisa May Alcott (1832-1888) is best remembered for her Little Women series of books for girls, but had quite a few other works to her name.  And some that were written under a pen name.  The latter included several short works published in sensational periodicals of the time, considered too spicy to be attached to her reputation as a schoolteacher.  The Alcott family suffered from poverty, and sales of “blood and thunder” stories were a nice way to earn emergency cash.

Behind a Mask: The Unknown Thrillers of Louisa May Alcott

According to Ms. Stern, many of these works were lost for years because of the psuedonym and the ephemeral nature of the periodicals they appeared in.  She first became aware of them in the 1940s, but due to wartime conditions was unable to pursue the matter to a conclusion, and it was only in the 1970s that enough clues could be found to allow this collection of four representative stories.

“Behind a Mask ~or~ A Woman’s Power” leads off as the well-off Coventry family engages nineteen year old Scotswoman Jean Muir as a governess.  It seems that for various reasons, the sixteen year old youngest daughter Bella has had her education neglected, and she needs her basics down before her social debut.  Jean turns out to be a multi-talented young woman and quickly wins the hearts of most of the family.  However, when she retires to her new bedroom, Jean removes her makeup, wig and false teeth to reveal that she’s actually thirty–and a very skilled actor.

Jean Muir uses her wiles to entice the family’s two brothers, turning them against each other.  But in fact her ambitions are even higher.  And in the end, despite some setbacks, Jean succeeds in her primary goal!  This makes the story one of the relatively rare “bad guy wins” pieces of fiction.  On the other hand, it’s hard to be unsympathetic to Jean; she’s been dealt a bad hand by life, and in a pre-feminist society, her options are limited.  And to be honest, the ultimate outcome only leaves the Coventry family sadder but wiser.

One bit that may confuse younger readers–the elder brother buys the younger brother a “commission.”  At the time, the British Army allowed rich people to simply buy a lieutenant’s rank.  This worked out about as well as you’d think.

“Pauline’s Passion and Punishment” brings us to Cuba.  Pauline is a woman scorned; the handsome but financially embarrassed Gilbert wooed her, then went on what he described as a short trip–to marry another woman!  She comes up with a scheme to get revenge, and the handsome and wealthy Manuel is willing to marry her to help her get it.  They catch up with Gilbert and his new bride Barbara at a resort hotel.  Gilbert married “Babie” for money, only to find out it was tied up in a trust.  Pauline happens to be an old schoolmate of Babie’s, so she and Manuel have a social “in” to hang out with Gilbert and his wife.

Quite honestly, Pauline dodged a bullet when  Gilbert dumped her; he’s a gambling addict, heavy drinker and bad-tempered (warning for domestic abuse.)   Pauline could have just left it at showing how much better a couple she and Manuel were, living well as the best revenge.  But she just can’t resist twisting the knife, and that leads to tragedy.

There’s a bit of ethnic stereotyping of the “Latins are hot-blooded” type.  This story is illustrated with woodcuts from the original publication.

“The Mysterious Key ~and~ What It Opened” brings us back to Britain.  Lord Trevlyn and his wife are about to have their first child when a messenger arrives.  We do not find out immediately what message was brought, but at the end of the night, Lord Trevlyn is dead of a heart attack, Lady Trevlyn is prostate with shock (and her health never entirely recovers) and Lillian is born.

The story skips ahead to Lillian’s early adolescence, when a mysterious but very polite boy named Paul turns up and becomes a servant for the Trevlyn family.  He and Lillian get on quite well, but it’s clear that he has secrets, and then vanishes one night.

Several years later, Paul turns up again with the name Paolo Talbot.  He has made his fortune in Italy, and has returned to Britain with his cousin Helene.  Helene is blind (at one point mistaken for mentally handicapped by an uneducated person, who uses what was at the time the polite term, but “idiot” is no longer acceptable.)  Lillian thinks Paul is honor-bound to marry Helene, but the truth is far more convoluted.

This story is the weakest of the set, and could have used some punching up.

“The Abbot’s Ghost ~or~ Maurice Treherne’s Temptation” is a Christmas story.  The noble Treherne family has several guests staying over Christmastide.  Love triangles abound as a result.  Maurice has been confined to a wheelchair due to an accident, and it is deemed unlikely that he will ever walk again.  He was also disinherited by his late uncle for initially unspecified reasons, and is dependent on the charity of his cousin Jasper, who inherited the title and money.

Christmas is a time for ghost stories, and the Treherne house happens to have a resident spook, an abbot who was turned out of his home by a distant ancestor of the Trehernes.  It is said that an appearance by the abbot’s ghost foretells the death of a male member of the family.  Sure enough, the ghost appears (or is it a hoax?)  Who will die, and who will get married?

There’s an ethnic slur hurled by one of the characters, who is portrayed as unsympathetic at the time.

Three out of four stories involve possible cousin marriage; I wonder if that was really such a big thing back in the 1860s in Britain, or if Ms. Alcott just had a thing for that storytelling gimmick.

The writing is clear and direct, with a few obscure words and outdated pop culture references.  While apparently pretty daring for their time, there’s little in here that will shock modern readers.

Recommended for more mature Alcott fans, and those who enjoy romantic thrillers.

 

Book Review: Festival of Crime

Book Review: Festival of Crime Edited by Christine Husom, Mickie Turk & Michael Allan Mallory

Minnesotans have a reputation for being a bit mild-mannered and reserved.  But we love celebrations just as much as anyone else, and the state is filled with fairs and festivals, from small-town scarecrow contests to the crowded Pride in Minneapolis.  And sometimes crimes happen at these events.  Thus this collection from Twin Cities Sisters in Crime, a local writers group.

Festival of Crime

Most of these 19 tales are indeed crime stories, but not always murder, and a few have mystery elements.  A couple have supernatural elements, though only one has it proven.  Some merely take place at or near a festival, while others have it essential to the plot.

The collection begins with “Sawbill Checkpoint” by Michael Allan Mallory (wait, isn’t he one of the editors?)   A man is shot during a dogsled race, and his final word may be a vital clue…if only someone knew what it meant.  The last story is “All Sales Final” by Douglas Dorow.  A pair of art dealers discover a treasure trove owned by two elderly women.  Now, how to get it away from them before the old ladies figure out how much it’s worth?

Stories I enjoyed the most were “Looney Daze” by Cheryl Ullyot, in which a gambler woos a woman obsessed with wiener dog races; and “Corn on the  Cob” by Colin T. Nelson, about a sheriff faced with criminals he can’t put in jail, and an election coming up.

“No Time Like the Present” by E.B. Boatner is about a man who spots some anachronistically-dressed people, and learns their secret.  It feels a little too tidy, with a long-winded wrap-up.

Content warning:  homophobia, torture and domestic abuse come up in different stories.

The writing is decent on average, and I only spotted a couple of minor typos.   There are author bios in the back if you decide one of the stories makes you want to read more.

Recommended primarily for Minnesotan crime story fans, as they’ll be most familiar with the local color, but any fan of crime stories should be able to enjoy this.

Book Review: Greek Myths: A Wonder Book for Girls and Boys

Book Review: Greek Myths: A Wonder Book for Girls and Boys by Nathaniel Hawthorne

Tanglewood is a large country house out in the Berkshires which is owned by the Pringle family. They have a great many relatives with young children who often come visiting, and it frequently falls to their sole teenage relative, Eustace Bright, to entertain the younglings. It’s a good thing that young Mr. Bright knows many fascinating stories, and delights in the telling of them! Through the year, he regales his audience with tales of Greek mythology.

Greek Mythology: A Wonder Book for Girls and Boys

Nathaniel Hawthorne is one of the great American writers, creating The Scarlet Letter among other fine books, and was part of the Romantic and Gothic movements in literature. As seen in the introduction to this volume, he was also a firm believer in the right of writers to adapt and modernize stories in the public domain to match the needs of a new audience.

So it is that Eustace Bright feels free to switch details up, omit large sections and invent new plot points or characterization as he tells six stories from the Greek myth cycles. Covered in this volume are: Perseus & Medusa (which was also covered in The Blue Fairy Book which I have previously reviewed); King Midas and the Golden Touch; Pandora’s Box (lots of liberties taken here); Hercules and the Three Golden Apples; Philemon & Baucis; and Bellerophon & Pegasus. Introductions and postludes detail how each story comes to be told and the children’s reactions.

Mr. Hawthorne has some fun with his characters–Eustace has the sympathy of the narrator, but we are reminded from time to time that he is, after all, just a very bright teenager. The words “sophomoric erudition” are used, and Eustace has a fourth wall-breaking speech in which he admits that Hawthorne could in fact rewrite him and all his relatives at will. The member of the child audience who gets the most development is Primrose, a saucy thirteen year old lass who pokes fun at her older cousin’s self-importance even as she clamors for more of his stories.

The writing is lively and often humorous, but the “modernization” of the Greek myths ironically makes the telling seem old-fashioned. On the other hand, modern children might find the sections set in “the present day” more alien than the familiar stories of myth. There are also many fine illustrations by Walter Crane, including several color plates–sensitive parents should know that there’s some artistic nudity. And though some of the ickier aspects of Greek mythology are glossed over or omitted, there’s still plenty of violence.

The edition I have is a Barnes & Noble reprint; unlike The Blue Fairy Book it seems not to have been shortened. It’s a handsome book that should withstand being read by children.

Recommended for parents who want to introduce their children to relatively child-safe tellings of Greek mythology. I would suggest reading it with your children the first go-round to explain the setting of the frame story and help with some archaic words.

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann & Jeff VanderMeer

As the subtitle of this volume indicates, it’s a collection of 29 short stories written from a feminist perspective. There are selections from the 1960s through the 2000s–SF, fantasy, horror and a couple of stories that seem to be included out of courtesy because of “surrealism.”

Sisters of the Revolution

The anthology begins with “The Forbidden Words of Margaret A.” by L. Timmel Duchamp, an account of a journalist’s meeting with a woman whose use of language is considered so dangerous that a Constitutional amendment has been passed to specifically ban those words. The journalist has a photo-op with Margaret A. in the prison that woman is being held in, and the experience changes her. It’s an interesting use of literary techniques to suggest the power of Margaret A.’s words without ever directly quoting them.

The final story is “Home by the Sea” by Elisabeth Vonarburg, in which a gynoid in a post-apocalyptic world returns to her mother/creator to ask some questions. The answers to those questions both disturb and give new hope. Like several other stories in the volume, this one deals with the nature of motherhood, and the mother-daughter relationship.

There are some of the classic stories that are almost mandatory for the subject of feminist speculative fiction: “The Screwfly Solution” by James Tiptree, Jr. (men abruptly start murdering people they’re sexually attracted to, mostly women but the story tacitly acknowledges homosexuality); “When It Changed” by Joanna Russ (a planet with an all-female society is contacted by men from Earth after centuries of isolation–it originally ran in Again, Dangerous Visions, an anthology for stories with themes considered too controversial to be published elsewhere, times have changed); and Octavia K. Butler’s “The Evening the Morning and the Night” (a woman with a genetic disorder discovers that she has a gift that fits her exactly for a specific job, whether she wants that job or not.)

The anthologists have also made an effort to include stories that are “intersectional”, providing perspectives from other parts of the world. “The Palm Tree Bandit” by Nnedi Okorofor tells the story of a Nigerian woman who defies a sexist tradition and starts one of her own. Nalo Hopkinson’s “The Glass Bottle Trick” is a retelling of the Bluebeard story in modern Jamaica (this time the women avenge their own), and “Tales from the Breast” by Hiromi Goto, wherein a Japanese-Canadian woman discovers a solution to her breastfeeding problems.

Some other standouts include: “The Grammarian’s Five Daughters” by Eleanor Arnason (a fairy tale about language); “The Fall River Axe Murders” by Angela Carter (one of the stories that really doesn’t feel like speculative fiction, but is really well-written, set in the moments just before Lizzie Borden is about to get up and kill her parents) and “Stable Strategies for Middle Management” by Eileen Gunn (how far would you go to fit into the corporate culture? Would you let them shoot you up with insect genes?)

Tanith Lee’s “Northern Chess” is a fantasy tale of a warrior woman infiltrating a castle cursed to be a deathtrap by an evil alchemist. It’s exciting, but the ending relies on a now-hoary twist. Still worth reading if you haven’t had the chance before.

Most of the other stories are at least middling good. The weakest for me was “My Flannel Knickers” by Leonora Carrington, which falls into the surrealist category and seems to be about a woman who has rejected conventional beauty standards. Probably.

Rape, sexualized violence and domestic abuse are discussed; I’d put this book as suitable for bright senior high schoolers, though individual stories could be enjoyable by younger readers.

Recommended for feminists, those interested in feminist themes, and anthology fans.

Book Review: Kaiju: Lords of the Earth

Book Review: Kaiju: Lords of the Earth edited by Essel Pratt

Kaiju (“strange beast”) is primarily a subgenre of the monster movie that became codified in Japan.  They’re mostly gigantic monsters that are nigh-unstoppable by conventional armaments, and run around destroying cities or fighting other giant monsters.  The seeds of the story type were sown in the original King Kong movie, but it was Gojira (“Godzilla”) that codified it, and inspired most of the later examples.

Kaiju: Lords of the Earth

This is a collection of sixteen short stories and poems on the theme of kaiju, all appearing here for the first time.  The book opens with “Call of the Vailathi” by John Ledger, a poem that cautions that even when the kaiju is on your side, it is still a destructive force.  …At least it has a rhyme structure, that’s good.  The closing tale is “Unleashed in the East” as fracking releases a monster from the Java Sea, and two airline pilots must make a decision between saving themselves and saving the world.

I really enjoyed “The Wolf and the Rabbit” by Alice J. Black, in which a disaffected pub worker connects with another random survivor, and finds the will to do what must be done in this crisis.  If the monster seems too easily dispatched, there are hints it wasn’t the only one.

Also good is “Frankentop” by Amanda M. Lyons, which is told from the perspective of an artificial intelligence that both wants to be loved, and to protect itself.  Unfortunately, the latter is easier than the former.  Internet references abound.

“I Awoke…Wutoomba!” by Roy C. Booth homages the Marvel monster comics of the late Fifties and early Sixties.  Jack Lieiber, writer of fantastic fiction, travels to a South Seas island and runs into an assortment of stock characters, including the title monster.  This one is mostly going to please Marvel fanboys who get all the in-jokes.

Most anthologies have a dud or two, but seldom to the level of “The Plastic Centipede” by R.T. Sirk.  The monster itself is a cool idea, a giant centipede made of discarded mannequin parts and the vengeful spirits of a gangster’s victims.  But spellchecker typos, misplaced commas, badly structured sentences and characterization by telling, not showing make this story come off like the first draft of a fanfic, rather than a professionally published story.  This is clearly a failure of editing, as these banes of small press publishing should have been caught early on.

“A Day at the Racetrack” by Essel Pratt is also sub-par, as waste in a stock car racetrack’s inner pond turns animals giant-sized.  Regional stereotypes are played for broad humor, as are potty jokes.

The rest are decent enough stories.   Due to the very uneven quality, I would recommend this book only to kaiju fanatics or fans of a particular author for that one story.

 

Book Review: Superheroes

Book Review: Superheroes edited by Rich Horton

Superheroes as we know them more or less started in the comic books of the late 1930s, with the most obvious first “true” superhero being Superman.  And comic books have largely shaped our perceptions of costumed superheroes ever since.  But sometimes prose is a perfectly acceptable way of writing about people with unusual powers and distinctive appearances who fight crime and injustice.  There have been quite a few anthologies of short stories in the field, and this is one of them.

Superheroes

The sixteen stories cover various aspects of the superhero genre, from the superheroes themselves, through supervillains, and to the civilians who have to try to survive in these larger than life worlds.  The lead story is “Sunlight Society” by Margaret Ronald.  A nethead (a cyborg able to interface with computers) is called in to deal with a virus in a superhero base’s computer.  But that’s not all he’s there for, and the information he seeks will cost him dearly.

“Wonjjiang and the Madman of Pyongyang” by Gord Sellar is the story of a South Korean superhero who’s been forced into the role of leader for a multi-national team operating in his homeland and sometimes in neighboring countries.  Unfortunately, politics has freed his North Korean nemesis, budget cuts have gotten Wonjjiang laid off, and our hero’s overbearing mother is pushing him to get married.  (Sadly, the one woman he’s interested in already has a boyfriend.)  One of the more “traditional” superhero stories in the book.

A couple of the stories are of special interest.  “Wild Card” by Leah Bobet is set in the Shadow Unit continuity, about a secret group of government agents that normally battle serial killers who’ve developed super-powers.  Except that this time, the “anomaly” has picked on someone whose personal mythology comes from comic books, and he’s decided to become a full-fledged super-villain.  Somewhat lighter than the usual Shadow Unit story.

Peter S. Beagle (The Last Unicorn) contributes “Dirae.”  Suddenly in the city there’s a woman who appears out of nowhere to save lives like a real-life superhero, then vanishes again until the next rescue.  It’s told from the perspective of that woman as she slowly comes to realize she literally does disappear between those incidents, with no clue where she’s spending the rest of her time, if any.  She tries to work out who she really is and what’s happening to her.  Mr. Beagle is an excellent fantasy writer, and this is one of the best stories in the book.

The weakest story for me was “Secret Identity” by Kelly Link.  A young woman comes to a hotel to meet a man she got to know on the internet; by coincidence (or is it?) there’s a superhero convention going on at the same time.  The secrets she’s been keeping from her prospective lover are compared to a hero’s secret identity.  I didn’t like the main character and found most of the people she interacted with boring.  Overall, a decent collection of 21st Century superhero themed writing.

There’s some vulgar language and sexual situations in the stories, and a couple of them deal with euthanasia.  I’d recommend this to senior high students and up.

Book Review: The Infinite Arena

Book Review: The Infinite Arena edited by Terry Carr

Science fiction, in a way, is a very broad genre, that can easily contain stories of other genres within itself.  Thus space westerns, fantastic romance, star war novels and so forth.   In this case, we have a sample of sports stories set in science fiction terms.

The Infinite Arena

Lead batter in the lineup is “Joy in Mudville” by Poul Anderson & Gordon Dickson.  It’s a Hoka story as the imaginative aliens that look like sentient teddy bears have taken up the sport of baseball.  As is their wont, they have assumed the identities of fictional ballplayers of Earth, including the Mighty Casey, their best batter.  Unfortunately, their latest opponents, the Sarenn Snakes, are masters of psychological warfare.  Alexander Jones, the ambassador from Earth, must summon one of his rarely-appreciated talents to save the day.  It’s all very silly.

“Bullard Reflects” by Malcolm Jameson begins with the Space Patrol celebrating the Jovian armistice with athletic contests, including the sport of Dazzle Dart, played with flashlights and mirrors.  But it turns out not all the Jovians are honoring the armistice, and Captain Bullard’s Pollux is sent to track down diehards who’ve taken over an experimental weapons testing station.  Things look dark for the Patrol when they are ambushed and disarmed, but Bullard figures out a way to make the situation a Dazzle Dart game…to the death!  A fine bit of pulp writing, but Mr. Jameson piles the awesomeness of his heroes a shade high.  Not only are they the fleet champions in Dazzle Dart, but are best at all the other athletic contests too, and the Pollux is the only ship in condition to fly when the crisis arises as all the others slacked off when peace was declared.

“The Body Builders” by Keith Laumer posits a future in which most people who can afford it store their physical bodies away and use humaniform robots by telepresence.  Dueling has become a frequent occurrence thanks to the more or less disposable extra bodies, and the protagonist is a professional gladiator.  Which is all well and good until he’s tricked into a duel in his weak “pretty boy” body used for dates, as opposed to the monstrosity he uses for combat.   He sees no way out except to tarnish his honor temporarily in an effort to get to his backup bodies, but is eventually forced to resort to his original organic form–if this one dies, it’s curtains!  Some of the celebrities name-dropped as body models are now obscure, which may make reading the story a chore for the young.

“The Great Kladnar Race” by Robert Silverberg and Randall Garrett has Earthlings stuck on a backwater planet try to create some excitement by organizing a race of the local beasts of burden.   The twist ending is one that could have been thwarted easily if any of the Earthlings had bothered to ask the natives relevant questions.

“Mr. Meek Plays Polo” by Clifford D. Simak involves space polo.  Don’t know how that’s played?  Neither does Mr. Meek, a retired bookkeeper now touring the Solar System in the spaceship it took him a lifetime to save up for.  But he did see a game once, which is more than anyone else in the rowdy frontier of Saturn’s rings has to their credit.  So when the radioactive moss harvesters are talked into a game by a social worker trying to civilize them, Mr. Meek is drafted as a coach for one team, and eventually a replacement player.

As you might guess from his name, Mr. Meek is a timid fellow who tries to explain the reality of the situation, but no one is listening until he is so riled up that he bets his ship on the contest.  (Apparently, he keeps getting into this sort of situation.)  Oh, and there’s an infestation of metal-eating bugs to deal with; that can’t be good.  Things sort themselves out in the end.

“Sunjammer” by Arthur C. Clarke is more “hard” SF than most of the other stories, as solar yachts use the pressure of sunlight to have a race from Earth orbit to the Moon.  One of the ships is manned by the inventor of solar sails, after decades of work finally able to compete; but this will be his last chance.  Soon, solar flares will make it too dangerous to yacht, and he’ll be too old for the sport by the time it’s safe again.  This one has a bittersweet ending.

“Run to Sunlight” by George R.R. Martin is comparatively light considering his reputation.  A spaceport’s amateur football league is thrown into chaos when a team of heavy-worlders apply to play.  The government doesn’t want the coordinator of the league to reject the application as they’re trying to keep a peace treaty going, and this is an obvious propaganda moment.  But the aliens prove to have major advantages in the sport, and the war may start again if they can prove how weak the Earthling really are.  Good use of strategizing and using strengths and weaknesses, but true victory goes to the person with their priorities straight.

I liked the Laumer and Clarke stories best.  The stories were written from the 1940s to the 1970s, so there are none that feature female athletes, and the few women that do appear are largely useless in plot terms.  (The Laumer story has the protagonist choosing between a young woman who hates artificial bodies but genuinely likes his personality and a flashier woman who wants to get married for a five-year trial period so she doesn’t have to work anymore.)

Recommended to fans of “strange sports” stories and fans of particular authors who haven’t seen these stories before.  Check interlibrary loan or the finer used book stores.

Book Review: A Memory This Size and Other Stories: The Caine Prize for African Writing 2013

Book Review: A Memory This Size and Other Stories: The Caine Prize for African Writing 2013 Introduction by Lizzy Attree

The Caine Prize is awarded to a short story written by an African author (which primarily means one born in Africa–all the authors in this volume are from Sub-Saharan Africa), published in English in the last five years and submitted for consideration.  This volume contains the five stories that were shortlisted for the prize in 2013, plus twelve more written at a workshop sponsored by the Caine Prize.

A Memory This Size

The collection leads off with the 2013 winner, “Miracle” by Tope Folarin.  A group of Nigerian immigrants attend a tent revival in Texas.  A great faith healer is scheduled to appear, but will there be a miracle tonight, and what form will it take?  I found this to be rather a blah story, but I am not one of the judges for the contest and don’t know what criteria they based the decision on.  Nigerians dominate this volume, with four of the five shortlisted stories and several of the workshop ones as well.

Three of the five shortlisted stories have a heavy Africa-America connection, to the point that Chinelo Okparanta’s story is actually titled “America.”  A schoolteacher who wishes to join her lover there uses the Gulf oil spill as a wedge to try to convince the immigration people to give her a green card.   There’s an interesting ending in which the protagonist remembers hearing a folktale similar to ‘Jack the Giant-Killer” except that it stops short of the “ever after” with no explanation of what happens past a certain point.

The title story, “A Memory This Size” by Elnathan John concerns a man mourning for his brother, who died years ago, and yet he cannot let go.

There are common themes in these stories, most of which are “slice of life” tales:  government corruption, marital infidelity and environmental destruction.

There are a couple of stories that move into the “magical realism” camp (that is, fantasy, but not called that so critics can treat it as actual literature.)  The better one is “Howl” by Rotimi Babatunde, about a dog named Jack who may or may not have the extraordinary powers the villagers think, but is certainly not a normal dog.  “Clapping Hands for a Smiling Crocodile” by Stanley Onjezani Kenani, however, has the best title in this volume.  That story is about a fishing village threatened by oil developers, and the sacrifice one man makes to save their way of life.

I also enjoyed “Stuck” by Davina Kawuma, told in a series of emails by a young woman who is tempted to have an affair.  One final email changes everything.

My least favorite story was “Foreign Aid” by Pede Hollist.  This tale of a man who returns to Sierra Leone after many years in America, thinking he will be a big man thanks to his money, was too predictable and made me cringe rather than care.

That said, I am glad I took the chance to read this book and learn what some African writers are doing.  There are thirteen volumes of Caine Prize stories published; check your inter-library loan system for any one of them.

I should also mention that there is some disturbing subject matter, and would best suited for college age and up.

Book Review: Shot in the Face: A Savage Journey to the Heart of Transmetropolitan

Book Review: Shot in the Face: A Savage Journey to the Heart of Transmetropolitan edited by Chad Nevett

Disclaimer:  I received this book through a Goodreads giveaway for the purpose of writing this review.

Shot in the Face

Transmetropolitan was a science fiction comic book series co-created by writer Warren Ellis and artist Darick Robertson that ran under the Helix and Vertigo imprints for sixty issues from 1997-2002.  It details the journey of “gonzo journalist” Spider Jerusalem as he is forced to return to the sprawling City and becomes involved in presidential politics.  The foul-mouthed and personally noxious Jerusalem has one redeeming quality, an absolute dedication to tell the truth as he sees it, and in the bizarre world of the future, that quality is vital.

This book is a collection of essays on various aspects of Transmetropolitan, from its publishing history to how it compares to other works by Mr. Ellis.  It’s been in my To Be Read pile for a long time, since its publication in 2013, as I had meant to actually read Transmetropolitan first.  But the volumes I needed were checked out at the library, and weeks went by and then I lost track of this book.  Having it surface again, I decided to read it without finishing the original series.

The essays, for the most part, seem pretty solid.  There’s one that compares and contrasts Spider Jerusalem with Hunter S. Thompson, who was a major inspiration for the character, and another on whether Jerusalem counts as a “super-hero” as well as detailed looks at the plot structure and interviews with the creators.  Some of the essays could have used another proofreader pass, as I spotted spellchecker typos and sentence fragments.

The essay “Supporting Players: Women in Transmetropolitan” by Greg Burgas seemed a little off as he does not even mention two minor characters who show Spider Jerusalem’s less stellar qualities, mentioned in a couple of the other essays, and seemingly this essay would have been the place to go into depth about them.

Several pages from the comics are reproduced in black and white to illustrate points, and there are a few stills from a documentary about Ellis.

As one might expect, there’s a lot of rough language in here, mostly in quotes from the series, and discussions of edgy topics–consider this to have the same “mature readers” designation as the comics.

Primarily recommended to fans of Transmetropolitan or of Warren Ellis in general.  If you haven’t read the series yet, you will be better served by doing that first.

Book Review: Time Frames: A Speculative Poetry Anthology

Book Review: Time Frames: A Speculative Poetry Anthology edited by Terry A. Garey

Poetry related to the various genres of speculative fiction (SF, fantasy, horror, etc.) is pretty common.  You can see samples by ones or twos in many magazines and spec-fic collections.  But full hardback anthologies of speculative poetry are rare.  So Rune Press in Minnesota brought out one in 1991, and I recently got my hands on a copy.

Time Frames: A Speculative Poetry Anthology

The slim volume features eleven poets; the only name I recognized immediately was Ruth Berman, who starts the volume and has a couple of nice pieces involving the Oz books.  From her “Wizard’s Road”:

Home in Omaha at last

It was hard to believe

In a probable world.

To be honest, most of these poems are the modern free verse stuff I don’t fully understand, and don’t know good from bad.  There are a few exceptions with more formal rhyme and scansion, and one attempt at a rare Welsh form called a “toddaid.”   It’s not very good, but I appreciate the poet’s effort to stretch.  I did like Roger Dutcher’s “The Smart House” about an AI-run domicile that learns from other houses’ mistakes.

The book ends with John Calvin Rezmerski’s “Challengers”, a memorial to the Challenger disaster of 1986.  I do not know if the poem moved me of itself, or because of my lingering sorrow over the event.

As is often the case with poetry, those who are trained in its ways may enjoy it much more than I.  It is, I understand, quite rare, so you may have trouble tracking down a copy.

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