Book Review: The Book of Cthulhu edited by Ross E Lockhart
Fantasy and horror author H.P. Lovecraft wasn’t a big seller during his lifetime, but the loose setting he created of the Cthulhu Mythos, where humans are only the most recent inhabitants of a cold and chaotic universe, and many of the previous inhabitants are effectively gods, has become one of the most popular sub-genres of horror literature. The twenty-seven stories in this volume are by second- and third-generation Lovecraftian writers.
There’s an encouraging variety of protagonists; professors and prostitutes, hitmen and clergymen. Some of them are from ethnic groups HPL would never have made the heroes of his stories. There’s a variety of tones as well. Of course there’s a number that are straight up creepy horror, but there’s also noir-ish crime fiction and deadpan penny dreadful humor.
The volume opens with “Andromeda Among the Stones” by Caitlín R. Kiernan. A family guards a gate off the Northern California coast; but only one of them was truly born for the job. I found the story rather slight, and one of the weaker ones in the collection.
The closing story is “The Men from Porlock” by Laird Barron. Seven lumberjacks go hunting in the Pacific Northwest. Not all of them are going to be returning. This one makes good use of escalating creepiness, culminating in a scene where a monster makes its menace particularly personal.
Oldest story honors go to Ramsey Campbell’s “The Tugging” from 1976. An art critic in a small British city is having disturbing dreams about Atlantis, which may tie into a comet with unusual gravitation behavior. I’ve read this one before, and it’s interesting as an unintentional period piece. I remember in my youth paging through great bound volumes of yellowing newsprint as the protagonist does here, instead of scrolling through microfilm, or today’s scanned files.
“Black Man with a Horn” by T.E.D. Klein is one of the editor’s favorites, according to the introduction (which is perhaps a little too generous to Lovecraft’s writing skills.) An elderly writer who was a friend of HPL in his youth meets a missionary returning from Malaysia. Over the course of time, the writer learns that at least one thing written by Lovecraft may be uncomfortably close to reality. It is a good story, told well.
I also particularly enjoyed “Lord of the Land” by Gene Wolfe. A Nebraskan teacher is collecting oral history in the Appalachian region. An old man tells him about seeing the “soul sucker”, which seems like a tall tale at first…but it’s actually a warning. This one held my attention fast.
Overall, this is a strong collection with many creepy stories and some marquee writers like Elizabeth Bear, Joe R. Lansdale and David Drake. I should mention that one story features incest and marital rape. Recommended to fans of the Lovecraftian type of horror.
Comic Book Review: Ambassador of the Shadows by Jean-Claude Mézières and Pierre Christin
The universe is vast, and intelligent life has arisen on many worlds. Over millennia, these different lifeforms have spread out from their points of origin and met each other. Sometimes, these meetings have led to friendly interaction, sometimes they have ended in interspecies war. No one remembers precisely when, or who did it, but an artificial habitable environment was created to serve as a meeting place for diplomats. Each new species has added on to that space station to create Point Central, our last, best hope for peace.
Now at last it is Earth’s turn to preside over the Council in the Hall of Screens, and the new ambassador from that planet has big plans. Plans so big, he needs to be guarded by top spatio-temporal agents Valerian and Laureline.
Valerian and Laureline is a French comic book series originally published from 1967 to 2010, very popular in European comics, and an influence on the look and feel of the movie The Fifth Element. A new live-action movie version is coming out this summer, so I thought I’d check in on the source material.
The future Earth civilization, Galaxity, is based on time travel technology, which their space travel utilizes for faster than light speed. This technology is dangerous in the wrong hands, thus the need for special time/space agents.
Valerian is a native of the 28th Century, and initially is quite respectful of authority, and does not question his orders, even when they seem ethically dubious. That said, he is a good-hearted fellow who does the right thing as he sees it when the chips are down. While in Middle Ages France, he recruited Laureline as a guide, and she proved so effective that he brought her home with him as an agent.
While Laureline is a fast learner who quickly adjusts to her new surroundings, she has an outsider’s view of them. A fiery redhead, Laureline is impulsive and suspicious of authority figures, especially when their behavior is fishy. (She initially was scheduled to be a “girl of the week” but was so well-received by the audience that she became the co-star.)
Earth’s ambassador initially emphasizes the “ass”, but that quickly becomes moot, as both he and Valerian are abducted by mysterious parties immediately upon arrival at Point Central. Laureline must track them down through the labyrinthine construction and clashing cultures of the diplomatic station. Comic relief is provided by a cowardly protocol officer Laureline dragoons into service as her sidekick.
The story becomes something of a shaggy dog when things going on in the background make the heroes’ actions irrelevant in the big picture, but this volume is important to the continuity because it introduces two recurring elements. The Grumpy Transmuter from Bluxte is an astonishingly rare animal that can create copies of any item it ingests; since it’s a tiny animal with a small mouth, it’s limited to things like gems and pharmaceuticals. Since the galactic community has no common currency, it’s like a portable cash machine and becomes Laureline’s pet. Also, the Shingouz, greedy information brokers who will dispense helpful data in exchange for large payments. Laureline becomes one of their favorite customers and they frequently appear in later stories.
The art is good, with the setting allowing the artist to go wild with interesting alien designs. I’m not a fan of the coloring, though, which is often garish and inconsistent. In particular, the humans often have bright orange skin.
There’s some violence, but it’s non-lethal, and one scene takes place in an alien brothel where we see some scantily-clad aliens (including Laureline in a disguise.) Say a PG-13 rating.
Recommended to fans of science fiction adventure and/or French comics.
And now a special bonus review of The City of Shifting Waters, which is as of 5/13/17 available for free download on Kindle. This is an earlier adventure, when Laureline was still a new partner for Valerian. A mad scientist named Xombul has escaped confinement and used a one-way device to travel to New York City in 1986.
Time voyages to that era are forbidden as global disaster, including melting of the polar ice caps, wiped out the existing civilizations, and there’s a blank spot three centuries long in the history books. It’s not clear what Xombul is up to, but he must be stopped, so Valerian is sent back.
The secret time portal in the Statue of Liberty becomes inoperable shortly after Valerian arrives when the statue collapses, and the agent is pressed into service by a gang looting the flooded city. While Valerian does manage to find a clue as to what Xombul is doing, he can’t do much with it.
Until Laureline shows up. When Valerian didn’t report back in, she went to the time portal in Brazil and worked her way up to New York. Reunited, the time agents make a deal with the leader of the looters, Sun Rae. Since there are no historical records of this period, one petty warlord or another makes no difference but allowing Xombul to take over would change the future unpredictably. They’ll let Sun Rae keep any 1980s science Xombul has gathered in exchange for his help against the intruder.
Turns out Xombul has big plans indeed, and intends to spread his “benevolent” rule over all of space-time! Will our heroes (and their not so heroic ally) be able to stop him before the future vanishes?
The faces are a bit more cartoony in this volume; perhaps the artist hadn’t quite settled his style yet. Valerian also comes off a bit more sexist, with some stupid remarks.
Thankfully, even in this cartoonier style, Sun Rae (who’s presumably African-American) doesn’t look too much like a racist stereotype. When he’s first introduced, we learn he was a flutist before the Great Disaster, and he’s pretty sharp, instantly grasping the advantages of having scientific knowledge once he’s alerted to the idea. He also doesn’t go out of his way to be evil despite his ruthlessness.
Xombul’s a bit more of a stereotype, given to explaining his brilliant plans to his enemies before disposing of them, and wanting to try out new cool gadgets on human subjects before they’ve been completely tested. His captive slightly saner scientist, Schroeder, is clearly based on Jerry Lewis in The Nutty Professor but is better at social skills.
The writing isn’t quite up to the peak of the series, but is pulpy good fun.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.
Book Review: One in Three Hundred by J.T. McIntosh
Most of you will have run into some variant of the “Lifeboat Problem” at some point. (In my youth, it was done with bomb shelters due to the strong possibility of atomic war.) A disaster has occurred, and a large number of people are going to die. There is one ticket to safety, but only a limited number of spaces available. As it happens, you are the person put in charge of filling those spaces. Here’s a list of people longer than the number of available spots, tell us who lives and who dies. Usually, some choices are easy (the person with vital medical skills lives, while the banker dies because seriously no one cares about money right now) but other decisions are more difficult (your beloved granny who’s partially disabled or the hot woman who dumped you in college but has many good years left?)
And that’s the starting dilemma of this book, originally published as three novelettes in The Magazine of Fantasy and Science-Fiction in 1953. The first section, “One in Three Hundred” reveals that in the very near future, the sun is about to become hotter, making Earth uninhabitable. However, this will also raise the temperature of Mars to the point it will be barely livable. In the limited time left before this insolation happens, the governments of Earth have pooled their resources to build a fleet of ten-passenger “lifeships” to allow approximately one in every three hundred Earthlings to have a shot at joining the small scientific colony already on Mars.
Bill Easson is one of the Lieutenants chosen to pilot a lifeship, and to pick the ten passengers that will be on board. For this purpose, he’s been sent to the small Midwestern town of Simsville. He wastes no time drawing up a preliminary list, but as the deadline approaches, the small-town tranquility is ripped apart as the citizens reveal their hidden sides and true natures, so Bill is forced to revise his list repeatedly, up until the last moment.
“One in a Thousand”, the second section, has Bill and his passengers discover that the lifeship isn’t quite as safe as they’d been led to assume. Turns out that the Earth governments, decided to give a maximum number of people a small chance to survive, rather than a small number of people a maximum chance to survive. Thus the lifeships have been built to absolute minimum standards. (Bill does some calculations and figures that to build the lifeships to the correct standards, the number of potential passengers would have to be one in one million Earthlings.)
The lifeship crew must find a way to survive the rigors of space travel and perhaps more importantly, the landing!
Finally, in “One Too Many” those of Bill’s complement that survived the journey (including Bill) must weather the many dangers of Mars if they hope to have a future at all…but the greatest danger may be one they brought with them!
The first part is the most suspenseful, since we know that Bill survives (he’s narrating the story from several years in the future) but everyone else is on the chopping block. On the other hand, it makes the narration feel oddly detached; Bill is doing his level best not to get emotionally involved, even though he’s making very emotional choices.
The second and third parts are more SFnal, though this was clearly written before any humans had gone into space, so the author has to guess what zero-gravity conditions are like, let alone the problems of surviving on Mars. It’s also notable that this potential future (deliberately, probably) has no technological advances beyond those needed to get to Mars–Bill has to make all calculations aboard ship with pencil and paper, apparently not even getting a slide rule to work with. Atomic power is mentioned as having stalled out.
And it’s very clearly a deliberate decision by the author not to have any social change whatsoever between the 1950s and “the future.” Simsville is very much an average American town of the Fifties, and the culture shock of what needs to be done to survive on the lifeship and on the new colony is from a very Fifties perspective. (The thought of miscegenation blows a lot of survivors’ minds.)
Some lapses are clearly down to 1950s standards and practices–there’s no mention of how waste elimination is handled aboard the lifeship. But others are just weird. The choices are kept secret until the absolute last minute so no one has time to pack, but none of the survivors had been carrying around a pocket Bible, or a pack of cards or even a family photo just in case?
And there are some skeevy bits. Okay, yes, the survivors on Mars are going to need to make lots of babies to ensure the human race has a future. But the standards listed for sexual assault are “if it’s a respectable woman who is trying to make babies with her respectable man, then the assault is to be punished severely, but if she’s a stuck-up rhymes with ‘witch’ that is denying society the use of her uterus, then the offender gets off with a wrist slap.” I can see, sadly, the male-dominated readership of the time going “Yeah, rough on the women, but got to be done.”
And then there’s the ending, where the bad guy essentially has Bill and his friends over a barrel and unable to act, so someone who’s gone “crazy” has to resolve the problem for them.
The cover is cool, but more symbolic than representative–in-story, the government has taken great pains to avoid such a scene. This was a Doubleday Selection of the Month, and the back cover copy is more about how science fiction is a popular and respectable literary genre now than it is about the book itself.
This is a good read, with the caveats mentioned above, but don’t think too hard because this is a “gee-whiz” story that will fall apart if you slow down to examine individual parts. Also, be aware that there are reprints that only have the first story, but don’t say so in the description.