TV Review: Thunderbolt Fantasy

TV Review: Thunderbolt Fantasy

Sho Fukan, a simple wanderer, just wanted an umbrella to ward off the rain.  But the sly stranger called Rin Setsua manipulated Sho Fukan into helping out a damsel in  distress.  The woman’s name turned out to be Tan Hi, a shrine maiden whose family was dedicated to keeping a powerful magic sword locked away.  Tan Hi’s brother had already been killed by Betsutengai, leader of the foul organization Genkishu, who now desires the part of the sword she has to unlock the mystic barrier around the blade.

Thunderbolt Fantasy
Sho Fukan and Shyu Unshou discuss one of their group. But which one?

By assisting Tan Hi, Sho Fukan has made an enemy of the Genkishu, and is thus roped into Rin Setsua’s plan to go to the Seven Sins Tower and defeat Betsutengai.  There are many hazards along the path, so Rin Setsua recruits others for special skills:  demon necromancer Kei Gai, one-eyed archer Shyu Unshou (and his impetuous sidekick Ken Sanun), and the assassin Setsumusho.   It’s not the most cohesive group–Kei Gai and Setsumusho openly plan to kill Rin Setsua for previous wrongs once the objective is reached, Sho Fukan is only going along under duress, and everyone else is wondering if Sho Fukan is really as ignorant as he acts…or is the world’s best actor.

This show is a Taiwanese-Japanese co-production, with writing by Gen Urobuchi (Madoka Magica) and puppetry by Pili Co.   Yes, that’s right, it’s a hand puppet show!  Based on the popular wuxia (mystical martial arts) subgenre, the fight choreography and use of body language are masterful.  This makes up some for the expressionless faces.  I should mention here that the show was broadcast in three different languages; I am using the Japanese versions of the names for convenience.

The setting is more or less a fantasy version of China; a demon invasion two centuries before has split the country in half with a new mountain range and wasteland.   Various mystic weapons were created to drive the demons back, the most powerful of which is rumored to be the Tengyouken that Tan Hi’s family guards.  Kei Gai is a lesser demon who chose to stay in the human world for her own motives, and does not get on well with mortals.  Since everyone is wearing elaborate full-body robes, this helps conceal the puppeteers.

As expected from an Urobuchi story, there are some nasty plot twists in the last third of the series, some fairly obvious (what part of “openly plans to kill the leader” did you not understand?) and others more shocking.  It’s a wonder that anyone is left to appear in the sequel (already in production.)  Viewers unfamiliar with wuxia may find some conventions of the subgenre like random poetry recitation a little baffling or off-putting.

There’s a fair amount of blood in the combat scenes, and a surprisingly gory moment towards the end.  I’d say junior high school viewers and up should be able to handle it.

Highly recommended to wuxia and/or puppetry fans.  These are really cool puppets!  As of February 2017, the show is streaming on Crunchyroll.

And now, the opening song, created by T.M. Revolution!

 

Comic Book Review: Saints: The Book of Blaise

Comic Book Review: Saints: The Book of Blaise written by Sean Lewis, art by Benjamin Mackey

Disclaimer:  I received this book through a Goodreads giveaway for the purpose of this review.  No other compensation was requested or offered.

Saints: The Book of Blaise

“Monster” Blaise is a heavy metal musician with “one weird trick”–his glowing hands can cure throat ailments.  It’s never occurred to him to look further into this, so it’s a bit of a surprise when a mysterious archer interrupts one of Blaise’s assignations.  The bowman claims to be the reincarnation of Saint Sebastian, yes that  Saint Sebastian, and our protagonist is the reincarnation of Saint Blaise.

Blaise wasn’t raised Catholic, or even Christian, and is none too clear on what’s going on.  But bad things are going down, and they must find the last few reincarnated saints before the end of the world.  The next on the list is Lucy Sweetapple, a grocery store clerk with the gift of Sight, and whose parents own a painting of Jesus that talks to Blaise.  It’s only getting weirder from here.

The author of this Image Comics-published story was raised Irish Catholic, he tells us in the foreword, and he’s combined his childhood love of the Saints with metal and comics for this series.  He’s best known for his plays, and it takes a while for his comics writing to click.  The art is strongly inked to give it a bit of a stained-glass feel, and works well with the story themes.

This is not a book for those who like their religion orthodox; the writer plays fast and loose with the abilities of the saints, the motivations of angels and the nature of God.  The ministers who have joined up with the antagonists are from non-standard churches, and there’s a children’s crusade filled with child soldiers.  Meanwhile, the protagonists’ forces include morally dubious metal bands and a demon.

While this isn’t specifically labeled “mature readers”, there’s nudity, gory violence, sexual situations and some unnecessary vulgarity.  Urine drinking in the first scene for shock value, for example.  Lucy attacking Blaise in the mistaken belief that he was about to sexually assault her is played for laughs, but it’s pretty obvious men have tried it enough before to make her violence an ingrained reaction.

There are some clever bits with the saints’ abilities being based on their folklore but not confined to that; and very effective artistic renderings of revelatory messages.  But in places I was uncomfortably reminded of some of the excesses of early Vertigo Comics.

I think this will go over best with lapsed Catholics and comparative theology majors.

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