Anime Review: Erased

Anime Review: Erased (Japanese title Boku Dake ga Inai Machi “The Town Without Me” or “The Town Where Only I Am Missing”)

The year is 2006, and Jun “Yuuki” Shiratori is on Death Row for the abduction and murder of three children back in 1988.  Very few people still believe that he’s innocent, considering the substantial circumstantial evidence against him.  One of them is Satoru Fujinuma, a struggling manga artist and part-time pizza delivery driver.   Satoru feels somewhat responsible for failing to save the other children (including one of his personal friends) and not convincing the adults that the simpleminded Yuuki was not the killer.  As a result, Satoru has had difficulty moving forward in life.  But he’s about to get another chance.

Erased: the Town Without Me

It turns out that Satoru has been blessed/cursed with a power he calls “Revival.”  When a tragedy strikes that he could avert, Satoru’s timeline reruns over and over until he fixes the problem.  Unfortunately, this usually works out badly for Satoru himself, so he is made even more frustrated by it.

Satoru’s mother drops by for a visit, and witnesses an event that sparks memories–for the first time she is able to realize that Satoru was right back then, and makes the connection to who the killer really was.  Except that the killer recognized her too, and murders her, framing Satoru for it.  Revival kicks in–

–And Satoru wakes up as his eleven year old self in 1988, before the murders began.  He determines that he needs to stop the killings to change the future, starting with saving the pretty but aloof Kayo Hinazuki, one of his classmates.  But how?

This 2016 anime series was based on a manga by Kei Sanbe, condensing 44 chapters into 12 episodes.  A couple of subplots were axed, the endgame is speeded up, and the events reworked a bit so that each anime episode save the last ends on a cliffhanger.

Satoru starts the series as an unenthusiastic person who worries that he’s a hollow shell; he helps people with his Revival power not out of any interest in helping them, but because it’s the right thing to do.  Over the course of the plotline, as he meets or re-meets people who genuinely wish him well and assist him, Satoru lightens up and learns that he doesn’t have to shoulder burdens alone.

This is important when it comes to Kayo; her situation is more complex than Satoru initially realizes, and working alone he can only delay her death, not stop it.  This results in a reverse Revival, as he must return to the future to gather more clues.

There’s some use of cultural allusion.  A reproduction of The Last Supper painting gives some quick foreshadowing, and the Ryuunosuke Akutagawa story “The Spider’s Thread” is something that the killer uses as a metaphor.  As a child, Satoru was heavily into the superhero shows of the time, and some real ones are mentioned.

Content warnings:  Child abuse is an important part of the 1988 section of the plotline, and domestic violence more generally.  Yuuki is framed as a pedophile by the killer swapping out his porn collection (we see some scantily-clad women on magazine covers.)  And of course the serial killing.  I’d rate this for senior high students and up.

Recommended for those looking for a thriller with fantasy elements and a bit of comedy (child Satoru with adult Satoru’s memories often makes slips of the tongue.)

Book Review: Skycruiser

Book Review: Skycruiser by Howard M. Brier

Barry Martin is not as young as he looks.  He’s had three years of engineering in college, and two years training as a pilot.  But he looks like a teenager, and a perception that he was too young to handle a man’s job caused him to wash out of the Navy’s pilot program.  Now Barry is trying to get a job at Starwing Airplane Company as a test pilot, but things are not going well.  The owner, Porter J. Hamlin, has banned Barry from his office!  But Barry isn’t licked yet.

Skycruiser

This 1939 boys’ air adventure novel (my copy is a Comet Books reprint from 1948) originally appeared as a serial in Boy’s Life magazine, the house organ of the Boy Scouts of America.  Starwing is pretty transparently a fictional version of Boeing, with a touch of Hughes Aircraft.  Mr. Brier set the story in  the Pacific Northwest, as he did with most of his books, being most comfortable where he lived.

When Barry’s mentor becomes ill, the young man is able to use a contract loophole to demonstrate his test pilot skills to Mr. Hamlin, and seeing Barry in action is enough to overcome the older man’s objections.  Barry is hired  as a junior pilot, but then experiences difficulty winning over the senior pilots.  Not only do they resent the implication that they’re over the hill (a media report on Barry doesn’t help) but the last junior pilot they had turned out to be crooked.

The Skycruiser of the title turns out to be an experimental aircraft Mr. Hamlin wants to build, an enormous passenger plane that will be the equivalent of a luxury liner.   Rival companies would like to steal the plans for the Skycruiser, as it requires several innovative designs just to handle minor functions, let alone get the thing to fly; and if they can’t get that, sabotaging the prototype would work too.  There’s an ever-present threat of industrial espionage.

But there’s plenty of work for Barry even in his regular job, as he tests planes and flies rescue missions.  Barry’s pretty much married to his work–when he isn’t flying airplanes, he’s maintaining them or reading about them, and seems at something of a loss when he has to kill time without access to airplanes.

After a trip to Canada to deliver a cargo plane and demonstrate its features, Barry is approached by a smooth-talking man who offers him a job at double the salary.  This turns out to be crooked pilot Deat Proctor (yes, that’s as phony a name as it sounds).  Barry plays it cagey with Proctor, not promising anything in hopes of discovering what the criminal is up to.  Unfortunately, this convinces Starwing senior pilot Steve Cline that Barry is in cahoots with Proctor, and every step Barry takes to try to prove himself innocent only puts him further under suspicion.

By the end of the book, Barry’s brave and intelligent actions allow the criminals to be captured, and he is now friends with the senior pilots.  (There’s a sequel titled Skyblazer in which Barry has South American adventures.)

The writing is direct and free from frills, and there’s little objectionable subject matter, so this book would be suitable for middle grade readers (with a dictionary for a bit of technical vocabulary) on up.  There’s no romance, but the only women seen are wives and have tiny roles at best.  The primary and recommended audience, though, is boys with an interest in air adventure stories.  There appears to have been a 2007 reprint which should be affordable, but the collector will probably want this heavily illustrated edition.

Comet Books was evidently a short-lived imprint of Pocket Books that issued reprints of popular juvenile fiction, both boys’ and girls’ (one of the volumes listed in the back is the first entry in the Sue Barton, Student Nurse line.)

Overall, this is a well-written boys’ adventure book; a little dated, but well worth looking up.

Comic Book Review: Superman Adventures Volume 1

Comic Book Review: Superman Adventures Volume 1 edited by Mike McAvennie

After the success of the Batman animated series of the 1990s, the DC Animated Universe became a “universe” with the release of the Superman animated show that shared the same continuity.  While perhaps not quite as brilliant as its predecessor, the Superman animated series was still very good and depicted the characters well.

Superman Adventures Volume 1

So naturally, there was a comic book tie-in series as well.  Paul Dini (who’d worked on the TV show) and Scott McCloud wrote issues, with various pencillers and inker Terry Austin imitating the show’s artstyle.  In this first volume, we primarily see sequels to television episodes.

Some standout stories:  Issue 2 has “Superman’s Girlfriend” who is not Lois Lane, but an ordinary woman who allows a joke to roll out of control because she initially likes the attention.  Which is fine until she’s held hostage by Metallo, the man with the Kryptonite heart.  Issue 5 has the return of Livewire, an electrically-powered woman who’d been created for the TV show.  This time she’s striking a blow against the patriarchy by banning men from all electronic media.  Somehow.  It’s a bit heavy-handed, but allows Lois and a female TV reporter to bond a bit–it’s the first time the latter has been allowed to be the primary reporter on real news stories.

#7&8 is a two-parter in which two Kryptonian criminals get access to size-changing technology.  It’s most interesting for spotlighting police officer “Dangerous” Dan Turpin (a  Jack Kirby creation who was made to look even more like his creator after Kirby died) and his refusal to back down against impossible odds, despite his utter lack of superpowers.  And Issue 9 features a teenager who has two heroes, Superman and Lex Luthor.  We see some depth from Luthor in this one, as he does seem to care about the boy, even as his greed ensures that the teenager will lose faith in him.

These are kid-friendly stories (#10 even has a kid help Clark Kent solve a mystery) with enough depth for adult fans to enjoy.  There’s a certain amount of fantasy violence, and some people die in the backstory, but the worst that happens to anyone in the present day is a trip to the hospital.

The art style may take some getting used to for those who never saw the show, but is clear and effective.

Recommended for young Superman fans, and Nineties kids with nostalgia.

Manga Review: Lone Wolf & Cub Omnibus 1

Manga Review: Lone Wolf & Cub Omnibus 1 written by Kazuo Koike, art by Goseki Kojima

Ogami Itto was once a samurai warrior of high rank, the official executioner for the shogunate.  He had a lovely wife and new son; life was good.  But another clan was ambitious, and framed Ogami for treason.  Under sentence of execution and with his wife murdered, Ogami asked his infant son to make a choice between merciful death and life on the run. now Ogami is a ronin, and an assassin for hire.  If you need someone dead, and you can find them, you can hire the Lone Wolf assassin who travels with his cub.

Lone Wolf & Cub Omnibus 1

This classic manga series was popular enough to spawn a series of live-action movies, a television series and several spin-off manga.  It was also influential outside of Japan, notably influencing the art and storytelling style of Frank Miller (who provided the cover for this omnibus edition.)  As such, it was one of the first manga series to be translated for the emerging American market, using the expensive and painstaking “double-flipping” method to make it read left to right.

This volume contains the first three volumes of the Japanese version, and these stories are very episodic, focusing on an difficult assassination, a particular facet of feudal Japanese life, or a philosophical point.  It is not until several stories in that anyone recognizes Ogami for who he is, and even longer before even a partial explanation of his past.

Ogami is a stoic character who works hard not to give away his emotions; his tenderness towards Daigoro is almost entirely seen in his actions, not his face.  This does not prevent him from placing his son in danger if it will help with an assassination plan.  Daigoro himself is one of the most ambiguous characters I’ve ever read.  He seems most of the time to act like the small child he is, but in other instances is far too mature for his age, even allowing for the massive trauma Daigoro has undergone in his short life.  It makes him kind of creepy to be honest.

The art is dynamic and varied, able to handle both exciting battles and calm scenes of nature.  There’s a fair amount of reused faces, which with the episodic stories make the manga feel like a television series with a limited pool of guest star actors.

As expected from a samurai revenge story, there is plenty of violence and death; not all of Ogami’s assassination targets are evil people deserving of death.  In particular in this volume, one target is a Buddhist priest who must die for political reasons–he teaches Ogami how to attain mu (“emptiness”) which allows the assassin to strike without projecting sakki  (“killing intent”).  This becomes an important part of Ogami’s personal sword style going forward.

There is also quite a bit of female nudity, and at least one rape/murder scene.  Ogami himself is decent to the women he meets, but feudal Japanese society is not a good place for them.

Because of its influence on the subgenre of samurai manga, this series is well worth reading and rereading.  Recommended for fans of this sort of thing.

Comic Book Review: Jacked

Comic Book Review: Jacked written by Eric Kripke, art by John Higgins.

Disclaimer:  I received this book through a Goodreads giveaway for the purposes of this review.  No other compensation was offered or requested.

Josh Jaffe is hitting a mid-life crisis.  His body is beginning to fall apart, he doesn’t really talk to his wife much any more, and his entire job field was rendered obsolete by new technology, so he’s been unemployed for the last six months.  Nothing has turned out like he’d imagined it would as a kid, or even as a teenager.  Josh’s dentist brother recommends nootropic supplements, “smart drugs” that supposedly improve cognitive function.  Sounds kind of shady, but while surfing the web, Josh finds an ad for “Jacked,” which seems to speak to him.

Jacked

Josh orders a supply of Jacked, and discovers that the ad was perhaps underselling the product.  He can think more clearly (other than the hallucinations), has energy to spare (especially in bed), his aches and pains vanish…and he can pull a car door right off the hinges.  Josh’s formerly unimpressed son starts looking up to him again!  This is the good stuff.

But then Josh discovers that his next door neighbor Damon is a drug dealer that’s been beating his girlfriend Jessica.  The outcome of that encounter puts Josh and Jessica on the wrong(er) side of some very bad people.  Worse, the nastier side effects of Jacked start coming to the fore, and what if Josh runs out of the drug before the bad guys run out of bullets?  And how will this affect Josh’s wife and child?

Eric Kripke is probably best known as the creator of the popular television series Supernatural.  According to the introduction of the collected volume, he had his own mid-life crisis a couple of years ago, and his musings on that led to him proposing this comic book series to Vertigo Comics.  He mentions that writing for comic books is a whole different kind of hard than writing for television, and gives much credit to John Higgins for making the script actually work on page.

One of the themes of the story is that Josh doesn’t live in a superhero world, so even though he gets some low-level superpowers, things tend not to work out as they would in a traditional superhero story.  Even when he dons a costume, it only makes him look ridiculous.  In the end, it’s his human abilities and connections that give Josh the ability to resolve the situation.  (We do get cameos by a few classic DC heroes, and a reference to obscure series Electric Warrior.)

This is listed as for “mature readers” and has some nudity, non-graphic sex scenes, a lot of gory violence, body function humor and even more vulgar language than is called for by the plot and setting.  I suspect Mr. Kripke may have gone overboard on that last one because of having had to work to TV’s broadcast standards.

One of the features I really liked was that most issues’ last pages were flash-forwards to the next issue that weren’t quite the same as the depiction in that later story.  Also, all the points that were important at the climax were properly set up earlier in the series.

Josh does a fair bit of self-absorbed whining at the beginning of the series, and it takes a while for him to get his head out of his own funk.  I do like that while Josh and Jessica do team up against the drug gang, it’s all about survival (and revenge on Jessica’s part) with no attraction between them at all.  Josh loves his wife, and much of his motivation is being a better husband for her, even if he doesn’t understand the best way to do that.

The main villain is Damon’s brother Ray, who has a rather narrowly defined sense of morality.  He takes care of family, but everyone else is fair game.

Recommended for fans of the “ordinary schlub gets superpowers and screws up big time” type of plot.

Comic Book Review: The Best of Judge Dredd

Comic Book Review: The Best of Judge Dredd edited by Tharg

It is the dark future of the 22nd Century.  Nuclear war and environmental devastation have made large portions of Earth’s surface barely inhabitable, and the majority of the remaining population is crowded into sprawling urban areas called Mega-Cities.  Overpopulation, high unemployment, and a general social despair have caused crime to skyrocket.  To combat this, most law enforcement has been turned over to an elite force of Judges, who act as police, the judicial system and the prison system all in one.  It takes a special breed of human to become a Judge, and the most legendary of these is Judge Dredd.

The Best of Judge Dredd

Judge Dredd first appeared in the second issue of the British comic weekly 2000 AD in 1977, but quickly became the magazine’s flagship character.  The strip combined dystopian science fiction with dark humor and Dirty Harry style violence.  Over the course of the first few years, the Judges went from an adjunct to the regular police force to the only viable government of Mega-City One due to repeated disasters.  As a literal police state, the Judges tackled any problem by criminalizing it, the flaws in this becoming more obvious with time.

Dredd himself is an antihero, an incorruptible man who is trying his best to make the system work, but the system is so oppressive that it crushes the people beneath it, even when properly applied.  And one of the recurring themes is that the Judge system lends itself to corruption and abuse, and fails even at its most basic purpose of reducing crime.  Judge Dredd may be fair, but he’s harsh.

The first story in this volume is the first Judge Dredd story, and contains only the seeds of these themes.  “Meet Judge Dredd” by John Wagner (writer droid) and Carlos Ezquerra  (art droid) introduces Dredd as he avenges the death of a fellow Judge.  The criminals are holed up in the old Empire State Building, now a dwarf building compared to the mile-high construction around it.  The Judges’ advanced crimefighting motorcycles and firearms are introduced, but it is the prison the head criminal Whitey is put in that shows the most imagination.  “Devil’s Island” is a traffic island, surrounded by mega-freeways constantly flowing with high-speed traffic.  There’s no wall or fence, but just try crossing to safety!

There are several fine single stories, including the first appearance of Rico, Joe Dredd’s corrupt and vengeful clone-brother.  While he dies at the end of that chapter, Rico’s legacy affects Dredd for decades.  This volume also has bits of several of the epic stories that ran for months in the strip, including the Cursed Earth saga and the Judge Child storyline.  If there is one flaw in this volume, it’s that they only have those fragments.

However, all of “America”, which was the first storyline in the Judge Dredd Megazine monthly magazine, is included, in full color.  This hits the dystopian elements hard, as the child of immigrants is named after their dream of a better life, but the America they’re thinking of is long dead, and eventually so is the title character when she tries fighting for her ideals.  The story is told from the perspective of her childhood friend, with a bizarre science fiction twist at the end.  It’s a hard-hitting story, and perhaps the best in this book.

The weakest story for me is “Mrs. Gunderson’s Big Adventure.”  A profoundly deaf and legally blind senior citizen is embroiled in the escape of a crime boss who has unfortunately for him attracted the attention of Judge Dredd.  The “humor” stems from Mrs. Gunderson being almost completely unaware of what’s going on around her due to her sensory handicaps, and swiftly grows tedious.

Also of note are the first two appearances by serial killer P.J. Maybe who is only thirteen years old at that point.  It feels like the second story was created first, and the first story written to make sure the reader realizes that Maybe is not the good guy here.  In the first story, he kills two random people and their pet vulture, just to establish that he can.  In the second, Maybe wipes out the obnoxious relatives that stand between his family and a fortune in manufacturing.  (It took a long time for Judge Dredd to figure out that there was a serial killer, let alone that P.J. Maybe was him.  Years later, Maybe was the best mayor Mega-City One ever had, while remaining a remorseless serial killer.)

In addition to the expected ultra-violence, there’s some nudity and sexual situations.

This volume is a good choice for an introduction to Judge Dredd and his setting, with a variety of his writers and artists (including Brian Bolland) represented.  Recommended to fans of dystopian science fiction and dark humor.

Book Review: From Ghouls to Gangsters: The Career of Arthur B. Reeve Volume 1

Book Review: From Ghouls to Gangsters: The Career of Arthur B. Reeve Volume 1 edited by John Locke

Arthur B. Reeve (1880-1936) was a newspaper reporter who decided to try his hand at writing fiction.  As it happened, he turned out to be very good at it, making a huge hit with his most famous character, scientific detective Craig Kennedy.  He became America’s most popular detective story writer from 1910-1920, and continued to do pretty well thereafter (despite a bankruptcy when a man who’d commissioned a  bunch of work failed to pay) until his death.  Mr. Reeve also worked on films and radio, and did true crime reporting as well.

From Ghouls to Gangsters

This first volume is a collection of short stories; the second volume has non-fiction by and about Mr. Reeve.  The first story appears to be his first sale, “The Cat that Didn’t Come Back” (1907), a gruesome but comedic tale of a man attempting to dispose of a cat’s corpse.  The majority of stories are about Craig Kennedy, a professor of chemistry who decides to use his knowledge of science to solve crimes.  He’s assisted by newspaper reporter Walter Jameson, the Watson-like narrator.

We begin with the 1910 story “The Case of Helen Bond.”  A man has died of a heart attack, but the fact that his safe was burgled the same night casts a suspicion of foul play.  Mr. Kennedy uses a primitive type of lie detector (and his brain) to crack the case.   The professor owes a great deal to Sherlock Holmes, but is considerably less eccentric.  In the Holmes tradition, the reader is not given all the clues, but must wait for Mr. Kennedy to sum up the case and how the science plays in.

That story was published in Cosmopolitan, but Kennedy stories appeared in many places, including Boys’ Life (which introduced a young nephew for him) and Country Gentleman.  By the 1930s, Mr. Reeve’s stories mostly appeared in the detective pulps, and took on a more “gangbusters” feel.  He was also beginning to reuse plot beats from earlier, out of print stories.

The science in some of the stories is a bit dated, particularly the case that’s solved by Freudian dream analysis.   As well, period ethnic prejudice pops up from time to time.  Mr. Reeve appears to have been progressive in his views of women for 1910, but some bits look odd from a modern perspective.

Mr. Reeve wrote several stories with female protagonists as detectives, including medical Dr. Mary Mannix and “secret agent” Clare Kendall.  One of the latter’s stories closes out the volume, “The Royal Racket” (1935).  Clare helps identify two corpses, and is then asked to advise a young couple that suspects some of their new social crowd might be less than honest.   The two cases are of course connected.

The Boys’ Life story “The Polar Flight of the ZR-10” (1924) is notable for not being so much a mystery as a speculative fiction story.  The title dirigible is being used to test a transpolar flight route between America and Europe, and finds a long-lost colony of Vikings.  The mystery subplot arises from a “beat the Reds” race that feels more 1950s than 1920s.

Overall, the stories are good, if mostly dated, and demonstrate Mr. Reeve’s ability to write to a specific magazine’s intended audience.  Most of the earlier stories were heavily edited for book publication to make them pseudo-novels, and the later ones have never been reprinted before, which makes this a good collector’s item for detective story fans.

 

Book Review: Aeroplane Boys on a Cattle Ranch

Book Review: Aeroplane Boys on a Cattle Ranch by John Luther Langworthy

Construction on the new high school is going slowly, so classes won’t start for another two months.   Don’t worry, cousins Frank and Andy Bird will not be bored.   It seems the two young aviators have been invited to spend their extra vacation with Andy’s maternal uncle, Jethro Witherspoon, down on his Arizona ranch.  So they pack up their flying machine and it’s off to the sunny Southwest!

Aeroplane Boys on a Cattle Ranch

The flying’s fine near the desert, despite a couple of attempts by the Bird boys’ old nemesis, Percy Carberry, to put an end to the fun.  The boys get to meet real live cowboys, participate in a bear hunt, and cap it off by using their aeroplane to track down a kidnapper!

This is the fifth in the Aeroplane Boys series (also printed as the Bird Boys series,) and the oldest of the air adventure books I’ve reviewed at publication date 1914.   It’s pretty standard stuff for children’s literature of the time, with our heroes being gallant young men (Frank cooler-headed than Andy) who excite the admiration of all good people with their piloting skills.  Percy Carberry gets no dialogue, but is behind the scenes of ineffectual attempts to wreck our heroes’ plane.  As was also standard for the time, Percy has more money than sense from an indulgent parent, but can’t buy competence.

The writing’s decent, and there are exciting bits.  It really is fascinating to imagine one of the fragile aircraft of the time desperately searching the desert for a fugitive and his tiny captive.  Parents should be aware that there’s some period ethnic prejudice (against Mexicans) and racism (against Native Americans) in the story towards the conclusion.

One interesting thing in hindsight is that our high school aged cousins undoubtedly graduated just in time to fly in World War One–had the series continued.

At least one of the earlier volumes is on Project Gutenberg, for fans of early aviation.  (In the back of this volume, I see there was also a Girl Aviators series; go, suffragettes!)

Book Review: The Jail Gates Are Open

Book Review: The Jail Gates Are Open by David Hume

Cardby and Son is a detective firm comprised of ex-Chief Inspector Cardby (late of Scotland Yard) and his son Mick.   They’ve been engaged by a consortium of banks to discover where a recent flood of “slush”, counterfeit money, is coming from.  Nick realizes that one way of tracking down forgers is to consult an expert.  As it happens, a former forger of note is being released from Dartmoor Prison, and owes the Inspector a favor.

The Jail Gates are Open
Dust cover image snaffled from seller on Amazon.com

 

While on his way to pick up the soon to be ex-convict, Mick runs into (nearly literally) a man named Milsom Crosby.  Mr. Crosby is a wealthy man who interests himself in the rehabilitation of criminals, especially those who have committed particularly brutal or violent crimes.  He’s at Dartmoor to pick up Bonny Slater, a hard man who’d done time for assaulting a police officer.  Mick is intrigued, but has other business to attend to.

Back in London, Cardby and Son soon have a new client, a Mr. Carter.  It seems his son Kendrick had served a term for bank robbery and recently been released, but failed to come home.  His only communication has been a letter saying that he was under the care of…Milsom Crosby.  When the father tried to visit, he was told that Kendrick was on holiday in south France, but he smells a rat.

Shortly thereafter, a beautiful woman tries to engage the firm for a lengthy but lucrative embezzlement investigation in Barcelona.  The Cardbys point out that this would be better accomplished by a forensic accountant that speaks Spanish, and she is forced to reveal that she is Iris Crosby, and the person she’s speaking on behalf of is her father, Milsom Crosby!

This is a thriller, rather than a mystery, and it’s soon obvious that Milsom Crosby is behind the counterfeiting ring and sundry other crimes.  But this cunning criminal mastermind will stop at nothing to punish those that get in his way–can Cardby and Son save their beloved wife and mother, let alone themselves?

The Tired Business Man's Library logo. The hilt of the knife has "AC for Appleton-Century" and the skull's teeth spell out TBML.
The Tired Business Man’s Library logo. The hilt of the knife has “AC for Appleton-Century” and the skull’s teeth spell out TBML.

 

This 1935 novel is part of the Tired Business Man’s Library, published by D. Appleton-Century Company, and “David Hume” appears to be a pen name (certainly not the famous philosopher!)  There’s a prologue in which the author explains some of the British criminal slang that is used in the book for “authenticity.”

Mick Cardby is very much the protagonist of the story, a young clean-cut fellow who’s athletic, clever and formidable.  We don’t get any background on him except that he has worked with his father in the firm for some years to great success.  His father, as noted above, retired from Scotland Yard, and his old partner Chief Inspector Gribble (a hardened pessimist) is scheduled to join the firm on his own pending retirement.  Both of them, and the various other policemen who show up, are primarily extra hands when Mick is outnumbered or busy doing something that needs concentration.

Milsom Crosby is a clear forerunner of the Bond villain–wealthy, powerful, a veneer of respectability, but a tendency to gloat and not quite as clever as he thinks.  Genre-savvy readers will see his repeatedly taking the choice that will least accomplish the goal of deterring the Cardbys and shake their heads.

As is sadly common in adventure fiction of the period,  women’s roles are limited.  Mrs. Cardby is taken hostage, rescued and otherwise not in the story at all (she has zero knowledge of or interest in her husband and son’s business other than fretting).  An engraver’s pretty daughter, taken hostage to ensure his cooperation with the counterfeiters, is only marginally more useful and mostly serves as a mild romantic interest for Mick.

And then there’s Iris Crosby, who tries to act the femme fatale but is easily thwarted by locking her in a room.  There’s a couple of nasty twists involving her in the final chapter, just so Mick can drive home how completely she’s failed.

Mick is pretty callous about usng violence, and sheds not a tear for a man he sends to his death (even cutting a deal with his murderer later on!)  He’s also willing to use a veiled homophobic slur, Mr. Crosby being quick to take offense at it being directed at him.

This book doesn’t seem to ever have been reprinted, so your chances of finding it outside of hole-in-the-wall used bookstores are slim.  Still, it’s a fun read suitable for unwinding after a long day at work.

Book Review: Chasing Jenny

Book Review: Chasing Jenny by Jeff Stage

Disclaimer:  I received this book as a Goodreads giveaway on the grounds that I would review it.

Chasing Jenny

The “inverted Jenny” is a real-life stamp; a misprint where a plane is flying upside-down.  Only 100 of them got out to the public before the mistake was discovered, so they are some of the most sought after stamps in the world.  Four of them were stolen in 1955, the case was never solved, and two of the stamps remain missing.

In this novel, unemployed journalist and enthusiastic philatelist (stamp collector)  Miles is initially disbelieving when a woman tells him that she might know where a stamp matching the description of an inverted Jenny is, then fascinated enough to help her look for it.  What they don’t know is that other people are also looking for the stamp,  people who are willing to kill for it.

The early parts of the story are told anachronistically, with a prologue that doesn’t seem to be attached to anything for most of the book, and the chapters bouncing between the present, 1918, 1944 and 1955.  The protagonist doesn’t even show up until chapter five.

While the subject is interesting, this book is clearly both a first novel, and self-published.   Miles bears a strong resemblance to author Jeff Stage, for starters.  The pacing is clumsy, with parts of the story more resembling Wikipedia page infodumps than prose narrative.  The main villain’s plan is vastly over-complicated, especially as (as his accomplice points out) he has a way to accomplish the same thing without any need for violence or breaking his word.

Additionally, there are a number of spellchecker typos, and the formatting is poor.  For the second edition, if any, I would recommend reducing the line spacing and increasing the font size; this will allow better readability without increasing the page length.

All that said, the subject is interesting, and there are some thrilling bits.  The author includes an explanation of which bits were fictionalized (an island is made bigger for plot purposes, for example.)  By the by, the Post Office issued a commemortative edition of inverted Jennys in 2013; there should still be some on sale.

I’d recommend this book for stamp collectors who also like thrillers.

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