Magazine Review: The Magazine of Fantasy & Science Fiction Nov/Dec 2016

The Magazine of Fantasy & Science Fiction Nov/Dec 2016 edited by C.C. Finlay

The Magazine of Fantasy & Science Fiction started publication in 1949.  According to Wikipedia, it was supposed to be a fantasy story version of Ellery Queen Mystery Magazine as it was at the time, classic reprints mixed with new material of a higher literary quality than was common in the pulps of the time.  Science fiction was added to expand the possible pool of stories.  F&SF has managed to publish fairly regularly ever since, though in recent years it’s bimonthly.  It has a reputation for literate fiction.

The Magazine of Fantasy & Science Fiction Nov/Dec 2016

The cover story is “The Cat Bell” by Esther M. Friesner.  Mr. Ferguson is a successful actor in the early Twentieth Century, even having a fine house with servants.  One of those servants, Cook, greatly admires Mr. Ferguson.  Mr. Ferguson greatly admires cats, and has nineteen of them that Cook must feed every day.  One day there are twenty cats, and Cook finds herself in a fairy tale.  Content note:  Cook suffers from several of the less pleasant “isms” and isn’t afraid to say so.

“The Farmboy” by Albert E. Cowdrey is set on a distant planet being surveyed by a scout ship.  The crew has discovered a massive deposit of gold, but even if they had room to take it with them, the government would simply confiscate the wealth, giving nothing to the survey crew.  Several of the crew members come up with a scheme to make themselves very rich at the expense of the rest of the crew.  But if you can’t spot the sucker at the poker game, it’s probably you…some unpleasant sexism.

“Between Going and Staying” by Lilliam Rivera takes place in a future Mexico even more dominated by the drug cartels.  Dolores is a professional mourner using the newest bodysuit technology.  She’s been making very good money performing for the wealthy, but this funeral is personal.

There are two book review columns, one by Charles de Lint, in which he admits not being fond of psychological horror.  The other is by Chris Moriarty and focuses on books about human survival.

“The Vindicator” by Matthew Hughes is the last story in his current cycle about Raffalon the thief.  Raffalon is a mediocre burglar in the sort of fantasy city that has a Thieves’ Guild.  For some reason a Vindicator (assassin) is after Raffalon, and the Vindicator’s Guild isn’t being helpful for calling it off.  Raffalon hires a Discriminator (private investigator) and the truth turns out to be explosive.

A relatively rare Gardner Dozois story follows, “The Place of Bones.”  A scholar and his companion discover the Dragonlands, where dragons go to die.  More of a mood piece than a proper story.

“Lord Elgin at the Acropolis” by Minsoo Kang involves a police officer and writer meeting to consider the problem of a museum director who believes that one of the paintings in the museum is fake, despite no other evidence.  Is he just crazy, or is there another explanation?

“Special Collections” by Kurt Fawver is a horror story about a library with a section you must never enter alone, which is the first rule.  And then there’s the second rule….

David J. Skal reviews High-Rise for the film section, and compares it to the J.G. Ballard novel.

There’s the results of a contest for updating older science fiction works to today’s world.  Including a “Dishonorable Mention” update of 1984.

“A Fine Balance” by Charlotte Ashley is set in a city where all disputes between the two major parties are settled by specially trained duelists.  Except that one side doesn’t want to play by those rules any more.  Very satisfying story.

“Passelande” by Robert Reed takes place in a depressing near future with electronic backups for people who can afford them.  Backups who have their own feelings and motivations.  This one grated on me, as I felt the characters had their motivations poorly explained/depicted.

“The Rhythm Man” by James Beamon is a variant on the legend about talented musicians selling their souls for skill or fame.  A lot of set-up for one great scene at the end.

And the stories wrap up with “Merry Christmas from All of Us to All of You” by Sandra McDonald.  It’s a dystopian tale of a gift-making community that ensures none of its children can truly escape.  But perhaps there is a ray of hope?

There’s an “Easter egg” in the classified ads, and then an index of stories and features that appeared in 2016’s issues.

I liked “The Vindicator” and “A Fine Balance” best, though “The Cat Bell” was also quite entertaining.  “Passendale” was the weakest story for me.

This magazine has consistently high quality stories and some nice cartoons; consider a print or Kindle subscription.

 

 

Book Review: Lois Lane: Fallout

Book Review: Lois Lane: Fallout by Gwenda Bond

Getting in trouble her first day at East Metropolis High School was not Lois Lane’s plan.  Keeping her head down, fitting in, allowing her family to settle in for her general father’s new long-term assignment, that was the plan.  But when she witnesses a student’s report of bullying being laughed off by the principal (especially odd as Anavi Singh claims the Warheads are somehow bullying her inside her own brain), Lois’ curiosity and hatred of injustice are aroused.

Lois Lane: Fallout

While her interference is not appreciated by Principal Butler, local newspaperman Perry White sees some potential in Lois, and invites her to join the staff of the “Daily Scoop”, a teen-oriented website attached to the Daily Planet.   Lois decides to make school bullying her first news story, but she may be getting in over her head.  The Warheads are not ordinary bullies, and almost every adult in Lois’ life is against her pursuing this scoop.  Good thing she has an online friend “SmallvilleGuy” that can help out some–now she just needs to make friends in real life!

This young adult novel re-imagines veteran comics character Lois Lane as a modern teenager just starting out on a journalism career path.  This works pretty well, and Lois makes a good YA protagonist.  She’s mouthy, incurably curious, stands up for what she thinks is right and is clever enough to get herself in trouble but not always clever enough to get herself back out solo.  Her background as a military brat is a plausible explanation for such skills as she has, while allowing her to clash with her authoritarian father.

Romance is mostly on the back burner (thankfully); while Lois does have some romantic thoughts towards the fellow she met on an UFO website after reporting she saw a flying man, she’s well aware that SmallvilleGuy is keeping secrets such as his actual name and appearance from her.  He does seem to be a good friend, though.

Other characters tend not to develop much; a couple have hidden depths that are likely to provide subplots for further stories.  (There’s already a sequel.)

While Lois hasn’t realized this yet, she does live in a superhero world, and there’s some science-fictional technology that plays a part in the story.  Notably, it is not played as inherently bad, though it can be abused.  (In some cases, relatively harmlessly, as Lois’ little sister Lucy demonstrates.)

The main problem for me was the central mystery of the book–possibly it’s because I have decades of experience reading science fiction and superhero comics, but I figured out all the twists by about Chapter 4 of 25.  This meant that the story dragged for me while I waited for Lois to catch up.  I hope that this will not be so much of a problem for the intended audience of young adults.

Overall, it’s a good first installment in what could be a long series, and I recommend it to fans of plucky reporters who enjoy knowing something the heroine doesn’t.

Comic Book Review: Teen Titans Earth One Volume One

Comic Book Review: Teen Titans Earth One Volume One written by Jeff Lemire, pencils by Terry Dodson, inks by Rachel Dodson & Cam Smith

The Teen Titans began as a club for the kid sidekicks of various DC Comics superheroes, with an attempt to address “youth issues” while the characters were very much establishment types.  Over the course of time, the group added new members who were created especially for the series and broadened its appeal for modest success.

Teen Titans Earth One Volume One

In 1980, writer Marv Wolfman and artist George Perez updated the series as the New Teen Titans with several new characters and making most of them  college-age.  This version became immensely popular due to superior art and plotting.  It’s also the version that this re-imagining draws upon the most.  The “Earth-One” books take place in the present day of a world that hasn’t had superheroes before, so only the characters who weren’t created as sidekicks are included.

Navajo teen Raven has been having visions, confusing images of a crashed spaceship, and of other teenagers who are somehow connected to it.  The other main characters, Tara, Victor, Garfield, and Joseph, are currently living in Monument, Oregon and it’s the first day of school.  Each of them has their own difficulties, with their family or with their peer group.  Each of them also is beginning to have strange things happen to them.

Tara’s mother Rita is not at all happy about what’s going on, but with her alcoholism, Tara can’t trust the woman.  Victor’s mother, Elinore Stone, is much happier–she’s been waiting for her son to develop for ages.  She’s creepily thrilled, which makes Victor even more afraid.

Elinore and the other adults have their own problems.  It seems that the kids weren’t supposed to be developing their powers in such an uncontrolled way, and the survivor of that spaceship is becoming more powerful by the minute.  Their secret sponsor is about to pull the plug unless they can get “Starfire” subdued.

The theme of young people being lied to and betrayed by their elders is a familiar one, but is decently handled here.  Those familiar with the previous versions of the team will notice some shout-outs, but new readers should not have any difficulty following the story.

The art is decent, and there is plenty of room for sequels.  It’s not very much like the animated Teen Titans series, so I am not sure how much crossover fandom there will be.

Recommended primarily for comics fans who don’t want to deal with a lot of the previous continuity.

Book Review: Twin Cities Noir: The Expanded Edition

Book Review: Twin Cities Noir: The Expanded Edition edited by Julie Schaper & Steven Horwitz

Like the previously reviewed USA Noir, this is a collection of grittier crime stories from Akashic Books with a regional focus.  In this case, the cities of Saint Paul and Minneapolis in Minnesota, and the surrounded metro area, plus one up north in Duluth (“Hi, I’m God” by Steve Thayer; a teenager drowns in Lake Superior…or does he?)

Twin Cities Noir

This is the “expanded edition” released in 2013 with three new stories, bringing it to a total of eighteen.   The new ones are conveniently all in the front in the “Star of the North” subsection, starting with John Jodzio’s “Someday All of This Will Probably Be Yours”  about a speed dating scam gone wrong.  The other sections are “Minnesota Nice”, “Uff Da” and “Funeral Hotdish.”

Each of the stories is set in a particular neighborhood, several of which I’m familiar with.  One scene takes place less than a block from where I live!  This makes it easy for me to picture the action in my mind.  This may not be as evocative for non-locals, but will please readers in the Twin Cities area.

Some standouts:  “Skyway Sleepless” written and drawn by Tom Kaczynski takes place in Minneapolis’ extensive skyway system.  The art uses the rectangular boxes of the skyway to indicate the maze-like architecture of the story, as people are found filling chalk outlines and no memory of how they got there.

“The Brewer’s Son” by Larry Millett is a period piece set in 1892 Saint Paul, and starring his series character, saloonkeeper and amateur detective Shadwell Rafferty, acquaintance of Sherlock Holmes.  The title character has been kidnapped, supposedly by the Black Hand, and Mr. Rafferty is called in by the concerned father.  This is noir, so expect some darkness.

Mary Logue’s story “Blasted” takes place in upscale Kenwood, as a police officer tells her daughter about a domestic dispute call that was the most frightening experience of her life.  The officer is still alive, but that doesn’t mean there wasn’t good reason for fear.

The final story is “”Chili Dog” by Chris Everhart.  A small time crook stops in downtown Saint Paul for lunch, and things go very wrong for him.

As a crime story anthology, there’s a fair bit of violence, one story features domestic abuse, and there’ mention of suicide.

If you are local to Minnesota, or have lived here in the past, highly recommended.  The book’s pretty good if you’re not local, but you might miss some of the nuance.  Akashic may have a volume set in your area; check their catalog.   If you own the previous version, you might want to save money by going with the e-book, so you can check out the new stories without shelling out the big bucks.

Comic Book Review: Batman: Earth One Volume Two

Comic Book Review: Batman: Earth One Volume Two story by Geoff Johns, pencils by Gary Frank and inks by Jon Sibal

Disclaimer:  I received this book as a Goodreads giveaway on the premise that I would review it.  No other compensation was involved.

Batman Earth One V olume Two

The corrupt Mayor Cobblepot may be dead, but that doesn’t mean that Gotham City is free of the machine he helped set up.  New Mayor Jennifer Dent and her district attorney brother Harvey are attempting to discover the identities of the new cabal that’s  running the rackets now.  There’s a bomber who asks riddles and kills you if you’re wrong, and…something…is attacking people in the sewers.

While all this is going on, Bruce Wayne is coming to grapple with who he really wants Batman to be, and working out just how far he and police officer James Gordon can trust each other.    Is he just a vigilante out for vengeance on criminals, or a symbol of hope for the city?

DC Comics’ “Earth One” line of graphic novels is an interesting experiment.  Much like  Marvel’s “Ultimate Universe”, it’s a way of writing more modernized stories about familiar characters without the confines of previous continuity.  (This is in contrast to the line-wide reboots like “The New 52” where some of the previous stuff is  assumed to be in continuity, but the readers can never rely on which bits are still valid.)

This allows the creators to pull in bits from various previous versions of the characters that are helpful to the new story, while discarding the parts that haven’t aged as well.   For example, the Earth One Alfred is more combat trainer and accomplice to Batman than family servant.   Batman is still new at this, and isn’t the world’s greatest detective, master of all combat arts and escape artist all in one.  Yet.   He’s not realistically fallible, but fallible enough for verisimilitude. Detective Gordon and his partner Harvey Bullock work at cross-purposes with the other good guys because they’re not let in on the plan until almost too late.

Similarly, the villains are given new treatments that work for this story.  This Riddler is a much more cynical take, while Waylon “Killer Croc” Jones is the most sympathetic he’s been in years.  The art team teases us with multiple glimpses of Harvey Dent’s face half in darkness or otherwise hidden, as though foreshadowing  his usual role,  but his actual fate is a bit surprising.

Some of Gary Frank’s disturbing face work is still there, but it seems to be mitigated by the inker DC assigned to him.   The writing is decent, but I think Geoff Johns is overextended and some bits seem threadbare.  Since the colorist is on the cover, I should mention that the coloring job is good; not too muddy, not calling too much attention to itself.

If you’re a Batman fan, or liked the movies but are not ready for the mainstream Batman titles with their years of continuity, this is worth looking at.  You may also want  to look at the previous volume, but it’s not necessary to follow this one.

 

 

Anime Review: Argevollen

Anime Review: Argevollen

When Tokimune Susumu’s sister Reika is killed in a mysterious “training accident”, the boy decides to join the Arandas military as a Trail Krieger (basically walking tanks) pilot to work his way up the ranks in hope of eventually having enough access to learn the truth about her death.  He’s still very green when he is assigned to the 8th Independent Unit under Captain Ukyo Saimonji.  The unit is swiftly mobilized when the neighboring country of Ingelmia mounts an invasion, breaking through a previously impenetrable fortress.

Shirogane no Ishi Argevollen

On the way to the front, the 8th stumbles across a convoy that was ambushed by Ingelmian forces.  Tokimune is ordered not to reveal himself, but charges into battle when he sees there is a survivor of the convoy.  For his troubles, his mecha is shot to bits.  The survivor, rookie engineer Jamie Hazaford, decides to have Tokimune use the convoy’s cargo, a prototype war machine codenamed Argevollen.  Despite Tokimune’s inexperience, Argevollen is so advanced over the enemy mecha that he is able to defeat them easily.

Due to the emergency field activation, Argevollen now requires both Jamie and Tokimune to operate, and the shadowy Kybernes Corporation instructs their employee to stay with the 8th so the unit can be tested without having to rip out all the activation hardware.  Tokimune must learn to work with his machine, Jamie and his fellow soldiers if Arandas is not to go down in defeat.  But dark secrets abound, and Argevollen may be more connected to its pilot than was the intention.

Shirogane no Ishi Argevollen is a 24-episode anime series by the Xebec studio, and as of this writing, can be watched on the Crunchyroll website.

This series tends to come across as very generic for the mecha subgenre, especially in the first few episodes.  There are some notable features, however.  The first is that the series takes place in a world where aircraft were never invented.  This is never explained in a satisfactory manner, but does justify some of the military tactics used.  (The first episode has Ingelmia unveil Trail Kriegers that can jump over walls, the first time this has ever been done in history.)

While Argevollen is a “wonder weapon” it is made clear that it’s not a total game-breaker.  It’s like having one 21st Century tank in a World War Two setting, really effective when it works, but where are you going to get spare parts and a mechanic who can fix it?  Worse, when the production model is developed, Kybernes Corporation withdraws their software support.

The Ingelmian military are not the villains of the series, as such.  They’re mostly well-meaning soldiers obeying orders, told by their leader that they are “liberating” Arandas from its dictatorial king.  (“Just like they liberated my homeland,” notes one officer cynically.)  Even Richtofen, who becomes Tokimune’s self-appointed nemesis, is a pretty decent chap at first.  The real baddies are international arms dealers, a coalition of whom have been secretly exacerbating conflicts world-wide and convincing countries to start wars so they can sell weapons to both sides and test their latest creations.

Most of the characters are stock mecha anime types, for good or ill–this works least well with Jamie, who often comes across as much younger than she actually is, and best with Saimonji, whose stoic determination to spare the lives of his fellow soldiers leads him on a dark path, and an alliance of inconvenience.

The ending is rushed, with several plot threads brutally cut off, and a clear sequel hook; the series is selling poorly, I’m told, so we are unlikely to have that sequel.

Mecha fans are likely to find the show too generic for their tastes, with the fights somewhat downplayed.  Several episodes have little or no giant robot action at all!  But the more sober take and slower-paced episodes might appeal to viewers reluctant to watch more flashy mecha shows.  Parents should be advised that a couple of episodes have scenes where the characters are undressed (but tastefully blocked) and there is of course some bloody violence.  Probably not suitable below junior high.

Book Review: The Cloak Society #3: Fall of Heroes

Book Review: The Cloak Society #3: Fall of Heroes by Jeramy Kraatz

Disclaimer :  I received this book as a Goodreads giveaway on the premise that I would review it.   My copy was an uncorrected proof; some changes may be present in the final product.

The Cloak Society #3: Fall of Heroes

This review has SPOILERS for the first two books in the trilogy, The Cloak Society and Villains Rising.  If you’re the sort of reader whose experience is lessened by having surprises revealed, you may want to check out a review for the first book instead.

Alex Knight was brought up in the Cloak Society, trained by his parents Shade and Volt to fight against the oppression of the Rangers of Justice, for the glory of the Society and its eventual takeover of the world for its own good.  Exposure to the outside world changed Alex’s perspective, and he turned against the Cloak Society.

In this volume, the Society has succeeded in killing, imprisoning or controlling all the Rangers, and replacing them with villains posing as “the New Rangers.”   With the help of their super-powered minions, the Deputies, they have Sterling City, Texas, in a stranglehold.

Alex now leads a ragtag team of kids mixing former Rangers trainees and Cloak Society defectors (and apparently a stray they picked up along the way.)   They have a plan to rescue the remaining real Rangers, but Alex’s mother Shade is cunning and pragmatic; she’ll use the resistance’s actions to advance the Society’schemes.

This is the third volume in a children’s (ages 8-12) superhero trilogy.  There’s a bit of advanced vocabulary, but this is usually explained in the dialogue, as one of the team (Misty) is a couple of years younger than the others, and needs these explanations.

There’s a fair bit of violence, and at least one character dies on-stage; Alex has to deal with his feelings about this, as he’s partially responsible.  If the young reader is particularly sensitive, they may not be ready for this book.

No mushy stuff, although determined shippers might see a hint of attraction between Alex and shapeshifting heroine Kirbie.

The author has gone to some trouble balancing out the powers and thinking about their implications so that none of the characters is too weak or powerful.  Non-powered people are also important and useful characters.

Older readers might find the story a bit simplistic philosophically, but I think there are enough shades of grey for the intended audience to have their imaginations sparked.

This book will be on sale 9/30/14; I’d recommend looking at the first two books in the trilogy (probably available through your library) to see if it’s suitable for your kids.

Update to add:  I have now discovered that this book was packaged through Full Fathom Five, a company that has abusive contract terms for their authors.  (You may be familiar with their most successful product, I am Number Four.)  This may influence your decision to purchase.

 

 

Book Review: Consumed

Book Review: Consumed by David Cronenberg

Disclaimer:  I received this book as a Goodreads giveaway on the premise that I would review it.  The copy I read was an uncorrected proof, and changes may be made in the final product.

Naomi and Nathan are photojournalists, specializing in lurid crime and medical stories respectively.  They’re what my generation called “hip” and up to date with all the latest technology.  The two are in a mostly stable relationship, though they spend little time together, snatching moments of intimacy when their paths cross.

Consumed

As the story begins, Nathan is doing a story on breast surgery in Budapest, while Naomi has fastened on a news item about a French philosophy professor who has apparently killed and eaten his wife.  Their investigations lead them further apart physically, one to Canada and the other to Japan, but the stories they pursue are more closely intertwined than they could have guessed.

Mr. Cronenberg is, of course, a famous movie director, with credits like The FlyThe Dead Zone and Cosmopolis.  This is his first published novel, cue out in September 2014.

There’s a lot of brand name dropping, and technological fetishism; it’s very “now”, which makes me suspect that in twenty years’ time, the book will have aged badly.  But at this point in time, it’s still fresh.

It’s hard to pin down a genre here–let’s say somewhere between psychological thriller and techno-thriller, with the meaning of and reasons for much of what’s going on left obscure until very near the end.

Naomi and Nathan aren’t particularly likable protagonists.  They’re self-absorbed, low on journalistic ethics, and have a habit of letting their story subjects co-opt them.  Nathan makes a particularly horrible mistake early on which screws up their relationship.  Naomi is confronted more than once with her lack of cultural depth.  On the other hand, better people wouldn’t have gotten into the fixes they do, which are essential to moving the story along.

Some readers are likely to find this book intensely creepy, as there are themes of cannibalism, deformity, insanity, bodily infirmity, insects and disease throughout.   There’s also a lot of talk about sex, even outside the sex scenes.

I found the ending less than satisfying–the story answers a few of the questions, then abruptly stops with a final mind screw and the actual fates of several people up in the air.

If you’re a big fan of Cronenberg movies, this bears a strong resemblance to one of them, and is likely to please.  People with weak stomachs should skip this book.

This may be fixed in the final version, but there’s a use of Japanese honorifics that will be teeth-grinding for those who’ve studied the language–and since both characters in the scene are native speakers of Japanese, they don’t have any excuse.

Magazine Review: Conjunctions: 51 The Death Issue

Magazine Review:  Conjunctions: 51 The Death Issue edited by David Shields and Bradford Morrow

Conjunctions is a literary journal published twice a year by Bard College.  Each issue contains essays, short fiction, poetry and less classifiable writing on a given subject, with this issue being about death.  Literary journals tend to have a connotation of pretentiousness, and death is one of the primal subjects, so I approached this 2008 issue with a bit of trepidation.

Conjunctions 51

The issue starts strong with an essay entitled “The Sutra of Maggots and Blowflies” by Sallie Tisdale.  It’s a stomach-churning but very informative look at flies, Buddhism, and the Buddha nature of flies.  The ending piece is “Andalucia” by H.G. Carrillo, the story of a writer mourning his artist lover, who has died of AIDS.

In between, the most memorable pieces are Joyce Carol Oates’ “Dear Husband”, a chilling suicide note; and “St. Francis Preaches to the Birds” by David Ives, a not-quite-working comedic play about the saint’s encounter with vultures.  Several of the pieces caused me to shed a tear.  Sadly, as I cannot make head or tail of the appeal of modern poetry, I feel unable to comment on whether any of the poetry was good.   Two pieces are illustrated with photographs, the only visual art in the issue.

With forty pieces altogether, this is a thick volume that takes some grit to get through.  I understand that the Oates story is in one of her own anthologies, so if noir fiction is your thing, you might want to check that out.   The rest is a mixed bag; see if your library system has a copy of this or other issues so you can see if Conjunctions is something you want to subscribe to.

“I am merely departing”–Lucius Seneca.

Book Review: The Green God

Book Review: The Green God by L. Ron Hubbard

Disclaimer:  I received this book as a Goodreads giveaway on the premise that I would review it.

The Green God

This is another in the line of pulp reprints put out by Galaxy Press, and continues their tradition of excellent physical quality.  I should also give a shout-out to GP’s distinctive shipping materials.  This time, the focus is on adventures in the exotic land of China.

“The Green God” is an exciting tale of Lieutenant Bill Mahone of Naval Intelligence.  It seems someone has stolen a jade idol, and the city of Tientsin has erupted in riots.    There’s a minimum of exposition, and the lieutenant is in constant danger from the first sentence.  Among other things, he is buried alive according to the customs of the local Chinese.

Bill takes quite a beating over the course of the story, and it eventually becomes a bit much for him still to be moving, even by pulp standards.  There’s some on-screen torture, so be advised.

“Five Mex for a Million” is novella length, and requires a bit of explanation for the title.  A “Mex” was a Mexican peso, which was used as a trade coin with and in China from 1732-1949.  As it happens, Captain Royal F. Sterling has five Mex and a small silver coin in his pockets at the beginning of the story.

That’s not very much money for a man on the lam for murder (it was self-defense) from the Chinese military.   He goes to the Thieves’ Market in Peking to buy local clothes for a disguise, but sees a mysterious chest and purchases it on a whim.  The chest carries the ideograms for “Good luck”, “Long life” and “Happiness.”  The contents of the chest?  That would be a spoiler, but it leads Captain Sterling on an adventure to Outer Mongolia.

This story has a bit of romance, rushed though it may be.  Sandra Kolita starts the story as a damsel in distress, but pulls her own weight quite well once Royal gets her out of the initial fix.  Just don’t ask for realistic character development for anyone involved.

Both stories treat the Chinese as superstitious at best, and expendable fanatics at worst.  This was typical of pulp stories of the time, but is still jarring to modern readers.

There is also a preview of “Spy Killer”, the lead story in the next volume.  Violent sailor Kurt Reid jumps ship when he’s falsely accused of murder, but on land he may be in more danger from Varinka Savischna, sultry Russian spy.

There is a glossary of terms that may be unfamiliar to 21st Century readers, which should be helpful to most.  As with all volumes in the set, the book is fitted out with the stock prologue and author biography.  Because the book is such a fast read, and the repeated material makes it even shorter than it looks, casual readers may want to check their library or used book stores.

Still, this is exciting stuff, with non-stop action–great for a night’s escape from the everyday world.

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