Book Review: Season of Marvels: Viking Tales by Deb Houdek Rule
This is a collection of four speculative fiction short stories on the general theme of “Vikings” from the small label press Variations On a Theme.
“Viking -Trojan War” is an after-action report about 8th Century Viking raiders suddenly materializing on the USC campus due to the Temporal Physics department getting a bit careless. The narrative voice is apparently one of the college administrators, and sudden bits of informality suggest that this is the draft version of his or her report rather than the final one. Lightly humorous.
“The Last Ship” is set in Greenland during the 15th Century, after the supply ships from Norway stopped coming. A shepherd sings an old song from the pagan times, and one last ship arrives. Did she call it, or was the ship doomed to begin with, and the survivor less monster than alien?
“Season of Marvels” is closer to the fantasy side. Kieran, Irish slave of Einar the Earless, wants his freedom. And in this Icelandic winter where marvels and dark magic are on the rise, he might be able to get it.
“Borealis”, on the other hand, is more inclined to science fiction. An orphan boy who forms a bond with a cat (possibly psychic in nature) is drafted by a secret organization. That organization drops him without a briefing on a planet with a Norse-like culture that’s been stagnating for centuries. Culture shock ensues.
This last story has the most potential to be turned into a full novel, or even a series, as Brock deals with Chimaera and its mysterious goals.
They’re all decent stories, with four very different moods. The paperback is perhaps a bit overpriced for the size, but I see the Kindle version is inexpensive, or free if you already have Kindle Unlimited.
Consider this one if you like Viking-themed stories, or as a gift for someone who does.
Book Review: The Book of Van Vogt by A.E. van Vogt
In 1972, DAW Books was a brand new publishing company started by noted speculative fiction editor Donald A. Wollheim. Its mission statement was to publish quality science fiction books that had not previously appeared in paperback. (As opposed to reprinting old books with a new title, as often happened in the paperback market.) For their fourth publication, Mr. Wollheim reached out to A.E. van Vogt for a collection of old and new stories, trusting to name recognition to sell the book. I mention this because the inside front page is devoted to this information rather than a teaser for the contents.
There are seven stories in this collection, starting with a brand new one, “The Timed Clock.” It’s set at a dinner party, and the host tells the tale of how he became his own grandfather. Is he playing a joke on his guests, or does the clock in the hall have special powers?
“The Confession” is a weird story about a man who can’t quite remember why he doesn’t meet his girlfriend any more, or why he took a menial job sweeping floors when he used to be quite wealthy. And he has visions of a future where things are better, but it’s impossible to see how he got from here to there. Could it have anything to do with the hypnotist whose stage act he participated in? An ambiguous ending. Content note: attempted rape.
“The Rat and the Snake” is set on the homefront during World War Three. Mark Grey loves feeding rats to his pet python, especially hearing their tiny screams. But the availability of rats has dried up due to rat-catchers being drafted and pet stores put on rationing. Mark finds a government research station filled with lab rats, and doesn’t question how easy it is to get inside and steal some. Poetic justice ensues.
“The Barbarian” is a reprint from the 1940s. In the far future, the Linn Empire rules Earth, and has successfully conquered Mars and Venus. But now a new threat arises from Europa, a barbarian horde that looks as though it will sweep aside the decadent empire. Clane Linn, a priest-scientist and acting leader of Linn, is the only hope of dealing with Czinczar. Czinczar is far more intelligent than the title of “barbarian” would imply. Clane is despised by many in the empire (including his late uncle, the former leader) for being a “mutant.” We never learn the extent of his mutation, except that his clothing is designed to conceal the shape of his shoulders. He is, by 21st Century standards, the nicest guy in his government.
“Ersatz Eternal” concerns three men who have crashlanded on an alien world. One of them is insane, but that may make him the best suited to survive in this new environment.
“The Sound of Wild Laughter” concerns Marie Hazzard, a physicist who has been in a loveless (and sexless on her part) marriage with the philandering and maniacally jealous Carl Hazzard for over a decade. She is briefly relieved when Carl dies, only to learn that his brain has been kept alive and able to communicate. The situation winds tighter and tighter, as Dr. Marie must deal not only with her semi-deceased husband, but three greedy men who think they know what really happened.
That story is heavy on the misogyny, most directly from the noxious Carl, but also from the other men trying to manipulate Marie–and she has some internalized misogyny to deal with as well. There’s some dubious consent sex.
And we wrap up with “Lost: Fifty Suns”, reprinted from the 1950s. In the very far future, descendants of humans who fled to the Magellanic Cloud centuries past learn that the government of Earth has now reached their galaxy. While the representatives of Earth claim now to be more inclusive of genetic minorities, they will not stand for there being an independent star nation anywhere in the universe.
The Earth ship issues an ultimatum: Either the civilization of the Magellanic Cloud reveals itself and surrenders, or the Star Cluster will come looking for them with planet-destroying weapons.
This is especially relevant to Captain Maltby, as he is secretly the hereditary ruler of the “Mixed Men”, a new genetic minority that arose from crossbreeding different strains of humanity. Gifted with strange powers, the Mixed Men tried to take over their galaxy’s civilization, only to be beaten back by force of numbers. Some of the Mixed Men think this is a golden opportunity to make a deal with the Earthlings to become local satraps, while many others want to use the ultimatum to pressure their own civilization into giving them back civil rights. Captain Maltby must try to decide what is best for his people, and convince them to accept it.
We also get to see the viewpoint of Lady Laurr, commander of the Earth ship. Her crew has already been on this mission of mapping the Magellanic Cloud for ten years, and was looking forward to going home when they stumbled on evidence of the Magellanic civilization. While their technology is highly advanced, they’re still looking for maybe fifty inhabited star systems out of millions of suns; it could take another decade to locate the Magellanic civilization provided this ultimatum doesn’t flush them out. Lady Laurr faces legal mutiny if she doesn’t get results quickly.
The ending has one side’s efforts and infighting go all for naught. Somewhat surprisingly, this story passes the Bechdel Test.
Of the stories, I liked “The Rat and the Snake” best; to the point with no faffing about. “The Sound of Wild Laughter” goes on too long and has too much misogyny that isn’t challenged for my tastes.
If you like van Vogt’s stuff, this isn’t his most famous work, but is pretty representative. Those who are new to him might want to try Slan or The Voyage of the Space Beagle nstead.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.