My genes are in mice, and not in the banal way that Man’s old genes are in the Beasts.
Max Ritvo was diagnosed with terminal cancer at age sixteen. Aggressive treatment put him into remission for some years, but the Ewing’s sarcoma came back during his senior year at Yale. During this time, he became a noted poet; Tom Waits was a big fan, I am told. Mr. Ritvo lived long enough to see advance copies of this book. but passed in August of 2016.
Mr. Ritvo’s cancer and his impending death are pervasive themes in his poetry, but are not the only things he writes about. He speaks of his love for his wife (sometimes in disturbing imagery), and moments of joy he has had.
This Milkweed Editions volume is handsome; the cover takes from his poem “Holding a Freshwater Fish in a Pail Above the Sea.” It’s a fine tribute to the author, and would look good on your shelf.
However, all the poems in the book are the modern poetry I don’t “get.” I honestly can’t tell if these are good or bad, and don’t feel any emotional connection to the work. Thus I cannot recommend this book to the casual reader; you will need to consult the opinions of people who actually know what they are talking about.
Disclaimer: I received a free copy of this book in a giveaway; no other compensation was offered or requested.
Update: here’s a video of Mr. Ritvo reading his work.
Book Review: The Snow Queen by Hans Christian Andersen
Kay and Gerda are best friends who live in adjacent garrets, and often visit each other across the roof, where their parents have installed flower boxes with rosebushes. They are like brother and sister, and very happy together until one day Kay’s personality changes. He has been pierced in heart and eye by shards of the Devil’s distorting mirror, so now Kai only sees the flaws and ugliness of people, and his heart is slowly turning to ice.
In mid-winter, Kay recklessly goes sledding without Gerda or any other companion, and winds up hitching his sled to the sleigh of the Snow Queen. As it happens, the queen of all snow has seen Kay before, and decides to keep him, kissing away his memory of family and friends. Everyone else is convinced that Kay has frozen to death or drowned in the river, but Gerda is not so sure. When the weather thaws, Gerda goes looking for Kay, having many adventures along the way.
This is one of the many fairy tales written by Hans Christian Andersen (1805-1875), one of Denmark’s most famous authors. First printed in 1844, it’s also one of his longest fantasy works (but still only about forty pages without illustrations) and much acclaimed. It’s been adapted many times, and has inspired other works such as the movie Frozen.
Since this is a public domain story, easily downloadable for free from Project Gutenberg, or available at your local library in the children’s section, the main reasons to look at this particular edition are the fresh translation by Jean Hersholt and illustrations by Finnish-heritage artist Sanna Annukka. The language flows well (though parents will want to read it with their children the first go-round to explain some of the words.) The illustrations are striking, and perhaps a little frightening in places (this would be a good time to introduce young readers to the variety of Scandinavian art.) The art is very stylized, which works well for the magical beings involved in the story.
The Snow Queen is very much steeped in Scandinavian Christian folklore, from the hobgoblin who is in fact the Devil and his cruel mirror, to Gerda’s prayers bringing angels to defend her in time of need. It’s stated that Gerda’s simple faith and innocence give her power–it never occurs to her that it’s odd to be able to speak to flowers (but not get much out of the exchange) or that a robber girl will suddenly choose to help her on her quest rather than kill her.
And this tale is surprising rich in female characters: the wise Grandmother, alien Snow Queen, selfish Flower Witch, clever Princess and wild Robber Girl, as well as sweet Gerda herself. Some of these characters would make good stories with their own adventures. It’s notable that there is no confrontation with the Snow Queen at the end–she’s away on a business trip when Gerda arrives to free Kay. Perhaps this is for the best, as someone must see that snow gets where it belongs.
One aspect that may be troubling for parents is that after Kay is affected by the distorting mirror, he only finds beauty in mathematics, logic and symmetry. He’s noted for being able to do arithmetic in his head–with fractions!
The book has sturdy covers and thick pages, so should survive frequent re-reading by youngsters well. Recommended to families that don’t already have a copy of this classic tale, and people who like this style of art.
Disclaimer: I received a copy of this book from Blogging for Books for the purpose of writing this review. No other compensation was requested or offered.
And now, let’s have the trailer of a Finnish movie adaptation!
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.