Anime Review: Erased (Japanese title Boku Dake ga Inai Machi “The Town Without Me”or “The Town Where Only I Am Missing”)
The year is 2006, and Jun “Yuuki” Shiratori is on Death Row for the abduction and murder of three children back in 1988. Very few people still believe that he’s innocent, considering the substantial circumstantial evidence against him. One of them is Satoru Fujinuma, a struggling manga artist and part-time pizza delivery driver. Satoru feels somewhat responsible for failing to save the other children (including one of his personal friends) and not convincing the adults that the simpleminded Yuuki was not the killer. As a result, Satoru has had difficulty moving forward in life. But he’s about to get another chance.
It turns out that Satoru has been blessed/cursed with a power he calls “Revival.” When a tragedy strikes that he could avert, Satoru’s timeline reruns over and over until he fixes the problem. Unfortunately, this usually works out badly for Satoru himself, so he is made even more frustrated by it.
Satoru’s mother drops by for a visit, and witnesses an event that sparks memories–for the first time she is able to realize that Satoru was right back then, and makes the connection to who the killer really was. Except that the killer recognized her too, and murders her, framing Satoru for it. Revival kicks in–
–And Satoru wakes up as his eleven year old self in 1988, before the murders began. He determines that he needs to stop the killings to change the future, starting with saving the pretty but aloof Kayo Hinazuki, one of his classmates. But how?
This 2016 anime series was based on a manga by Kei Sanbe, condensing 44 chapters into 12 episodes. A couple of subplots were axed, the endgame is speeded up, and the events reworked a bit so that each anime episode save the last ends on a cliffhanger.
Satoru starts the series as an unenthusiastic person who worries that he’s a hollow shell; he helps people with his Revival power not out of any interest in helping them, but because it’s the right thing to do. Over the course of the plotline, as he meets or re-meets people who genuinely wish him well and assist him, Satoru lightens up and learns that he doesn’t have to shoulder burdens alone.
This is important when it comes to Kayo; her situation is more complex than Satoru initially realizes, and working alone he can only delay her death, not stop it. This results in a reverse Revival, as he must return to the future to gather more clues.
There’s some use of cultural allusion. A reproduction of The Last Supper painting gives some quick foreshadowing, and the Ryuunosuke Akutagawa story “The Spider’s Thread” is something that the killer uses as a metaphor. As a child, Satoru was heavily into the superhero shows of the time, and some real ones are mentioned.
Content warnings: Child abuse is an important part of the 1988 section of the plotline, and domestic violence more generally. Yuuki is framed as a pedophile by the killer swapping out his porn collection (we see some scantily-clad women on magazine covers.) And of course the serial killing. I’d rate this for senior high students and up.
Recommended for those looking for a thriller with fantasy elements and a bit of comedy (child Satoru with adult Satoru’s memories often makes slips of the tongue.)
Comic Book Review: Essential Daredevil Vol. 4 edited by Stan Lee and Roy Thomas
Created in 1964 by Stan Lee and Bill Everett, Daredevil is Matt Murdock, a blind lawyer. He was struck in the face with radioactive material as a teen while shoving a blind man out of danger, which both blinded Matthew and gave him extraordinary senses. When his father “Battlin’ Jack” Murdock was murdered for refusing to throw a boxing match, Matt donned a bizarre devil-themed costume to avenge him. He then continued to use the Daredevil identity to fight crime and help people.
This volume contains Daredevil #75-101, plus an important issue of the Avengers, #111. Gerry Conway wrote most of these issues with Gene Colan on pencils. (As usual, Colan’s work looks great in black and white.)
We open with Matt having mostly broken up with his long-time romantic interest, Karen Page, who is pursuing an acting career. They’re both having second thoughts, so it’s several issues before they move on and Daredevil can devote his full attention to Natasha Romanova, the Black Widow (who got to share the cover title for a while.)
#75 seems to be a filler issue, with Matt and his law partner and best friend Foggy Nelson visiting South America. Daredevil battles a revolutionary calling himself “El Condor” after a local hero. It’s an interesting story because it’s clear that El Condor’s identity was supposed to be a last-page reveal (always wears a mask, the one person who sees his face reacts with shock, and there’s a character who the story logic says it had to be) but El Condor simply dies (crushed by a statue of the original!) and then Matt leaves the country without El Condor’s true identity even being mentioned.
Then begins a long sequence with the mysterious “Mr. Kline” acting against Daredevil and Matt Murdock in various ways. First he sponsors a mad scientist’s experiments that wind up turning a man named William “Bull” Taurus into the Man-Bull. A nice touch in this story is that Bull has his own mini-gang and a character named “Freakface” explains why he’s personally loyal to Bull. At the same time, Kline begins to blackmail Foggy, who at this point is New York City’s district attorney.
Then Kline frees the Owl from prison and provides the gliding financier advanced technology to attack Daredevil. At the same time, he manipulates the Black Widow into meeting Daredevil as part of a long-term backup plan. As well, the reader learns that “Mr. Kline” is not as we might have thought one of Daredevil’s old enemies, but an android (MK-9) controlled by an even more mysterious master which codenames it “Assassin.”
Kline’s next maneuver is sending out the Scorpion, who acts somewhat out of character (actually an android), and is apparently killed by the Black Widow. The Assassin then has Foggy insist on prosecuting Natasha for murder (her background as a Communist spy prejudices people against her.) The trial is rigged further by Mr. Hyde (another android) murdering the coroner and replacing him with a duplicate.
The trial ends when all the evidence is destroyed by an explosion, but Black Widow is still under suspicion. She heads to Switzerland, where the Assassin springs the backup plan of having her convince Matt Murdock to undergo an operation to restore his eyesight.
The secret boss is finally revealed to be…no one we could have reasonably guessed. Baal, a computer from the far future, is trying to avert a disaster in the past that Daredevil (and Iron Man of all people) will eventually cause. Trying to kill him has failed, though they have managed to prevent Foggy Nelson from eventually becoming the president of the United States. But restoring Matt’s eyesight will also eliminate Daredevil.
The plan doesn’t work because too obvious, and a deus ex machina prevents Baal from reverting to the “kill Daredevil” idea.
After a couple of transitional issues which resolve the Karen Page subplot, Matt Murdock moves to San Francisco with Black Widow and her chauffeur Ivan, taking a set of rooms in her house there. At this point in time, the Comics Code prevented unmarried characters from sleeping together.
The local police are less than enthused about their new vigilantes, especially Commissioner “Ironguts” O’Hara. It takes him a long time to warm up to the colored longjohns set, even though they’re a big help against powered criminals like Electro and the Purple Man. (The latter has a flashback sequence to explain how he escaped from jail–which is missing a crucial panel.)
Another lengthy plotline involves Project Four, the very first case Natasha ever worked on as a spy, and the return of her first partner, Danny French. Danny is ethically bankrupt (he’s now a private detective introduced working both sides of a blackmail case) but winds up having some redeeming qualities. A new Mister Fear also shows up, but is a red herring.
Gerry Conway wraps up his run with the return of the Man-Bull, and Steve Gerber takes up the writing chores as of issue #97. He introduces another mysterious mastermind who is empowering seemingly random people for unknown purposes, starting with Mordecai Jones, the Dark Messiah.
This plotline is interrupted by a guest appearance of Hawkeye, Black Widow’s former love interest, who wants to see if he can rekindle the relationship. No, but it does lead into an Avengers crossover. They need DD and BW’s help against Magneto, who has managed to mind control the X-Men and most of the Avengers, and is trying to seize the United States’ nuclear arsenal. (This includes a really skeevy scene of Magneto compelling the Scarlet Witch to dance for his pleasure, which would get even skeevier in hindsight once she was retconned into being his daughter.)
Daredevil turns down an Avengers membership (at this point his supersenses are not sufficiently tuned to allow him to work in a large team) but Natasha accepts. He thinks that means she’s leaving him.
Issue #100 has Daredevil being interviewed by Rolling Stone and recapping his origin for the readers, in between bouts of mass hallucination. The latter turns out to be the work of Angar the Screamer, an aging hippie being controlled by the mysterious mastermind previously mentioned. Black Widow returns (she plans to commute to Avengers meetings) and they manage to drive Angar off…for now.
The good: Gene Colan art, some nifty villain appearances, Black Widow getting to be competent most of the time, random civilians getting the gumption to fight back against criminals on their own.
Less good: Matt Murdock’s internal monologues tend to the verbose at best, Daredevil too often feeling he needs to protect Black Widow from danger even though she’s repeatedly shown her competence, gratuitous scenes of Natasha dressing/undressing/showering in a way we don’t see Matt doing, Marvel’s writers just not “getting” the counterculture or feminism despite theoretically catering to them, and the Marvel soap opera formula meaning that Matt can never just be happy for an entire freaking issue without finding something to angst about, often completely unnecessarily.
That said, this is a decent run on the title (though nowhere near the quality of Frank Miller’s first run) and worth checking out at the library.
Book Review: The Tuesday Club Murders by Agatha Christie
Author Raymond West has what he thinks is a smashing idea. A series of Tuesday night gatherings where the six people present discuss mysteries they’ve run across, particularly juicy murders. In addition to himself, there’s an artist, a lawyer, a clergyman, a retired Scotland Yard commissioner, oh, and his Aunt Jane. She’s a darling maiden aunt who has seldom left her home village, and is obsessed with knitting, but she might have an insight or two. But he needn’t have worried about her falling behind, for Miss Marple knows a thing or two about human nature.
Agatha Christie’s beloved elderly lady of detection first appeared in these short stories beginning in 1927. The collection of them in a book (originally titled The Thirteen Problems) didn’t happen until 1932, so The Murder at the Vicarage (1930) is the first Miss Marple book. The format of the first six stories is the Tuesday night meetings, beginning with “The Tuesday Night Club” and ending with “The Thumb Mark of St. Peter.” Then Sir Henry Clithering, the retired Scotland Yard man, gets Miss Marple invited to a dinner party where six more mysteries are told, from “The Blue Geranium” to “The Affair at the Bungalow.”
The last story, “Death by Drowning” has Miss Marple ask Sir Henry to look into a young woman’s apparent suicide–she’s figured out what actually happened, but has no proof.
Miss Marple’s primary method is finding analogies. Although she has seldom left her largish village of St. Mary Mead, Aunt Jane has had a long life and a keen interest in the people around her (and an ear for gossip.) Thus she can almost always find something in her past that is reminiscent of the case at hand, and gives her the clues she needs.
Despite the title, not all of the stories involve a murder; “Ingots of Gold” for example is about a robbery. Some of the tales may be more difficult for a reader to unravel due to them becoming dated; one relies on older British slang, while another requires a knowledge of obsolete work practices. On the other hand, one of the tales has a trick ending of the type that made Ms. Christie’s work famous. There’s some period sexism and classism, and one story involves domestic abuse.
While not Agatha Christie’s best work, and Miss Marple would have some character development in later books, (she’s kind of smug here) these are fun short mysteries that are very much of a time and place.
Barry Martin is not as young as he looks. He’s had three years of engineering in college, and two years training as a pilot. But he looks like a teenager, and a perception that he was too young to handle a man’s job caused him to wash out of the Navy’s pilot program. Now Barry is trying to get a job at Starwing Airplane Company as a test pilot, but things are not going well. The owner, Porter J. Hamlin, has banned Barry from his office! But Barry isn’t licked yet.
This 1939 boys’ air adventure novel (my copy is a Comet Books reprint from 1948) originally appeared as a serial in Boy’s Life magazine, the house organ of the Boy Scouts of America. Starwing is pretty transparently a fictional version of Boeing, with a touch of Hughes Aircraft. Mr. Brier set the story in the Pacific Northwest, as he did with most of his books, being most comfortable where he lived.
When Barry’s mentor becomes ill, the young man is able to use a contract loophole to demonstrate his test pilot skills to Mr. Hamlin, and seeing Barry in action is enough to overcome the older man’s objections. Barry is hired as a junior pilot, but then experiences difficulty winning over the senior pilots. Not only do they resent the implication that they’re over the hill (a media report on Barry doesn’t help) but the last junior pilot they had turned out to be crooked.
The Skycruiser of the title turns out to be an experimental aircraft Mr. Hamlin wants to build, an enormous passenger plane that will be the equivalent of a luxury liner. Rival companies would like to steal the plans for the Skycruiser, as it requires several innovative designs just to handle minor functions, let alone get the thing to fly; and if they can’t get that, sabotaging the prototype would work too. There’s an ever-present threat of industrial espionage.
But there’s plenty of work for Barry even in his regular job, as he tests planes and flies rescue missions. Barry’s pretty much married to his work–when he isn’t flying airplanes, he’s maintaining them or reading about them, and seems at something of a loss when he has to kill time without access to airplanes.
After a trip to Canada to deliver a cargo plane and demonstrate its features, Barry is approached by a smooth-talking man who offers him a job at double the salary. This turns out to be crooked pilot Deat Proctor (yes, that’s as phony a name as it sounds). Barry plays it cagey with Proctor, not promising anything in hopes of discovering what the criminal is up to. Unfortunately, this convinces Starwing senior pilot Steve Cline that Barry is in cahoots with Proctor, and every step Barry takes to try to prove himself innocent only puts him further under suspicion.
By the end of the book, Barry’s brave and intelligent actions allow the criminals to be captured, and he is now friends with the senior pilots. (There’s a sequel titled Skyblazer in which Barry has South American adventures.)
The writing is direct and free from frills, and there’s little objectionable subject matter, so this book would be suitable for middle grade readers (with a dictionary for a bit of technical vocabulary) on up. There’s no romance, but the only women seen are wives and have tiny roles at best. The primary and recommended audience, though, is boys with an interest in air adventure stories. There appears to have been a 2007 reprint which should be affordable, but the collector will probably want this heavily illustrated edition.
Comet Books was evidently a short-lived imprint of Pocket Books that issued reprints of popular juvenile fiction, both boys’ and girls’ (one of the volumes listed in the back is the first entry in the Sue Barton, Student Nurse line.)
Overall, this is a well-written boys’ adventure book; a little dated, but well worth looking up.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.
Book Review: The Four False Weapons by John Dickson Carr
Richard Curtis, junior partner at the law firm of Curtis, Hunt, D’Arcy & Curtis, is beginning to regret his career choice. The office-bound life of a solicitor is dreadfully dull for a young man that longs for adventure and secret missions! Just as he is about to succumb to utter boredom, Mr. Hunt, the acting senior partner, calls Richard in for a conference. It seems that Ralph Douglas, a wealthy young client of the firm, has noticed odd things going on at a villa near Paris that he rents but does not live at. It’s probably nothing important, but can Richard dash across the Channel to check in with Mr. Douglas?
As it happens, Ralph is in a bit of a delicate situation between his fiancee Magda Toller, her overprotective mother, and his ex-lover Rose Clonec. The villa in question was where he put up La Clonec while they were together; it’s supposed to be shut up tight, but someone’s been there recently and turned on the electricity and laid in a supply of champagne. Ralph can’t contact Rose directly to ask if she’s responsible without arousing the suspicions of Mama Toller.
When the men drive out to the villa, they find a maid who claims that Ralph was there last night (he claims he wasn’t.) Worse, they find the corpse of Ms. Clonec in an upstairs bedroom. There are multiple potential murder weapons in the room, but are any of them what actually caused her death? If Ralph’s telling the truth, then it’s a pretty sweet frame job, but who would do this, and why? Good thing famous police detective Bencolin has been called out of retirement for this one last case!
John Dickson Carr (1906-1977) was considered a master of the “locked room” mystery, where a crime seems impossible, but this one (the fifth and last Bencolin book) isn’t so much a locked room, as one with too many and contradictory clues that Bencolin must sift through. At one point early on, he declares that he knows who done it, but not why or how–a couple of chapters later, new evidence turns it upside down, and now he claims to know why and how, but no longer who!
While the puzzle pieces are being assembled, Richard tries to act in the best interests of his client while falling in love with Magda. This romance subplot is possibly the least necessary element of the book, and comes across rushed and forced. Much more fun are the antics of newspaper reporter and amateur sleuth Jean-Baptiste Robinson, who keeps guessing almost right. (He also sports a Hitler mustache, which in 1937 was just eccentric, but a couple of years later would have gotten him lynched.)
The climax is a high-stakes card game where Richard must play Basset, a lost game of kings, to reveal the final clue Bencolin needs to prove who murdered Rose Clonec. This ramps up the suspense considerably as Richard doesn’t know whether he needs to win or lose to achieve the detective’s goal.
This isn’t Carr’s best work, but is a fun, light read; worth looking up at your local library if you enjoy older mysteries.
Comic Book Review: The Fix, Volume 1: Where Beagles Dare written by Nick Spencer, art by Steve Lieber
Disclaimer: I received this book as a Goodreads giveaway for the purpose of writing this review. No other compensation was requested or offered.
Roy and Mac are crooked cops in Los Angeles. Unfortunately, they’re not very good at being crooked. Or cops. They’ve gotten themselves deep into debt with the Mob, and now the local crimelord wants them to do him a favor. A large favor that’s going to take more smarts than these two have put together…and involves a beagle named Pretzels.
Of course, the actual plot is much more complicated than that, and most of this first volume of the comic book series is dedicated to setting up the many moving pieces of the story, some of which Roy and Mac have no clue about. There’s at least one scene which makes me wonder if there’s going to be a sudden genre change in the next volume. This does create the problem that my opinion of the series might drastically change based on how well all the pieces fit together in the back half of the story.
Roy is our narrator, a sleazy grifter who isn’t as smart as he thinks he is, and tries to project a “lovable rogue” image without being likable. His schemes succeed less often because they’re well thought-out than that they are so stupid and audacious that people don’t realize it was an actual plan. That, and a crooked Internal Affairs officer is covering for him. Roy doesn’t learn from his mistakes, and operates under the assumption that everyone else is secretly just as awful as he is, but covering it up better, or stupid.
Mac is slightly more sympathetic, being the follower type–he could have developed some decency if he had a better friend than Roy. Mac is vaguely aware that following Roy’s lead always gets them in worse trouble, but doesn’t know any other way of doing things.
I should mention that this is a comedy, with riffs on Hollywood option deals, anti-vaxxers and celebutantes, among other targets. Most of the humor is vulgar, with body fluids, sexual references and foul language, as well as some gory violence played for laughs. It’s got a “Mature Readers” rating for a reason.
The art is okay, but I really want to point up Ryan Hill’s coloring job as his work carries several sequences where pencils & inks just aren’t enough.
Overall? Again, a lot will depend on the conclusion of the series and how well all the moving pieces mesh together. I don’t really care much what happens to Roy or Mac, but at this point I do want to know what is up with Pretzels and hope he succeeds at bringing down the criminals.
Recommended to fans of the creators–others should wait until the second volume is confirmed up to snuff.
Book Review: The Sculthorpe Murder by Karen Charlton
Disclaimer: I received a Kindle download of this book as a Goodreads giveaway for the purpose of writing this review. No other compensation was offered or requested.
The year is 1810, and Bow Street Runner Detective Stephen Lavender has been called from his native London to Northamptonshire. It seems that an elderly man, William Sculthorpe, has been robbed and murdered. The most likely suspects are a gang known as the Panthers, whom the local authorities have been unable to put their hands upon. But when Lavender and his friend Horse Constable Ned Woods investigate at the request of a wealthy noblewoman, they find clues that suggest otherwise. Most notably, the testimony of Sculthorpe’s son Billy who actually saw the murderers. But he’s an unreliable witness who talks about “dark elves”, so has been mostly ignored.
This is the third Detective Lavender mystery, and I have not read the previous volumes. According to the author’s notes, her main character is loosely based on the life and activities of a real Stephen Lavender, who was an officer of the Bow Street magistrates. Likewise, this book’s case is based on one Mr. Lavender actually solved, though Ms. Charlton took liberties with even the bare bones account provided by historical records.
Billy Sculthorpe has Down syndrome (called “cretinism” in the story because Dr. Down hadn’t even been born yet, let alone started studying the condition.) Lavender quickly realizes that despite his moderate mental disability, and a vivid imagination fed by spooky stories his recently deceased Mum had told him, Billy is a talented artist and has a good memory. Billy’s testimony leads the detectives to discover clues about William Sculthorpe’s actual past and other possible motivations for his murder.
The sleepy village of Middleton and its surroundings turn out to have many dark secrets that get turned up by the murder investigation, multiplying the number of suspects. There are even ties back to London, which allows Lavender’s love interest Magdalena and other city-bound characters to make an appearance. Meanwhile, Constable Woods finds his own past catching up with him.
As often happens with historical mysteries, Stephen Lavender as the protagonist is perhaps just a little too enlightened for the times he’s living in, believing in religious tolerance and treating the women in his life with respect for their intelligence and opinions. Woods is a bit more believable as a person of the early Nineteenth Century, but not so much so as to make him unsympathetic.
I found the solution to the mystery satisfying; genre-savvy readers will spot one of the murderers very early on, and clues as to how it was done are abundant. Much of the last part of the book is Detective Lavender negotiating just how many of the crimes he’s uncovered must come to light, and which must face justice of a more subtle sort.
Possible trigger issues: There’s some discussion of spousal abuse and animal abuse in the backstory, including the fact that it was even more difficult to get out of an abusive marriage in the Eighteenth Century than it is today. There are some slurs hurled by less sympathetic characters towards Billy because of his condition, a bit of slut-shaming, and anti-Catholic slurs.
Recommended to fans of the historical mystery sub-genre.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.
The generation ship known to its inhabitants as The Ark holds the last fifty thousand humans in the universe. Er, make that 49,999…and falling. When brilliant geneticist Edmond Laraby goes missing only a few weeks before the Ark is finally going to reach humanity’s new home in Tau Ceti (which should be impossible due to the tracking device implanted in everyone’s skull when they’re born), it’s up to Detective Bryan Benson to discover what happened.
Benson must find out what happened to Laraby, and puzzle out the motive. Was it his taste in stolen art? Something to do with his work on adapting plants to the conditions on the new planet? A personal dispute? Or something more sinister? Benson needs to find out fast, or more people are going to die, and failure could mean the end of the human race!
A couple of centuries from now, it’s discovered that a black hole is headed for Earth; there was just enough time to build a huge ship to take fifty thousand humans (chosen for genetic stability and general usefulness) from around the world to the nearest inhabitable planet. This universe doesn’t have faster than light travel, so it’s taken some more centuries to get there, with generation after generation being born and dying.
Benson’s direct ancestors faked their genetic records to get aboard, and got caught harboring a deadly inherited condition. The disease was excised, but the scandal has tainted the family line ever since, resulting in a tradition of being the lowliest of hydro-farmers. But Bryan Benson managed to break out of that by becoming a star athlete at the future sport of Zero, and then becoming the chief security officer of the Avalon half of the Ark.
It’s been something of a sinecure up until now; the Ark’s population is much better-behaved than an equivalent number of people on Earth That Was. So Benson has been pretty relaxed about the job, having an affair with an subordinate and taking time out to watch the final Zero series before the ship arrives. He has a lot of catching up to do when there’s a serious crime to investigate.
It’s interesting to compare this book to One in Three Hundred, the last story I reviewed about the remnants of humanity fleeing a dying Earth. In that one, the governments of Earth decided to go with the cheapest mass-produced ships possible and let the pilots decide which people to bring based on their own values and circumstances, with a low probability of individual success. So the population of the new world was essentially random. Here, the governments decided to build one ship with the maximum probability of success and hand-pick the survivors (with about the same numbers who actually make it through.)
As Benson’s investigation continues, he learns to his great surprise that there are a few secrets that have managed to survive the centuries; but murder investigations tend to turn up things people would prefer to stay buried, even if they’re not directly connected to the mystery. Some of the characters have surprising depths, while others are exactly what they appear.
Benson is a decent viewpoint character, sarcastic and fallible. In a hard-boiled mystery, he’s a detective that hasn’t finished cooking. The romantic relationship subplot is okay, but nothing to write home about.
There’s some good lines, too. My personal favorite is “The last time this gun was fired, sixteen million people died.”
Recommended for people who enjoy SF-flavored mystery stories, and fans of generation ship stories.