Disclaimer: I received this Advance Review Copy as a Goodreads giveaway for the purposes of this review. No other compensation was requested or offered. Some changes may be made before the final publication date of 4/25/17–for example, the index isn’t included in this version.
This book opens with Movie Night at the German embassy in Norway, April 1940. The film shown to Norwegian government officials was Baptism of Fire, a documentary about the invasion of Poland in 1939. Afterwards, the German ambassador made a speech that roughly translates into English as “Nice country you Norwegians have here. It’d be a shame if anything happened to it.” Four days later, the Nazis invaded.
Rather than turn over the reins to local fascist Vidkun Quisling as the invaders wanted, King Haakon VII and the remnants of the Norwegian government fought a running battle until they could be evacuated to Britain, where they joined other European governments in exile. Soon, this “Last Hope Island” and the embattled people sheltered by it were the only thing standing between Nazi Germany and complete victory on the Western Front.
This volume discusses various aspects of the joint efforts of Occupied Europe and the British against the Nazis. From the early gift of an ULTRA machine by Polish cryptographers so that the British could read German codes, through the contributions of combat-experienced Polish and Czech pilots in the Battle of Britain, the Norwegian gift of its merchant marine, and Resistance fighters of all descriptions, the governments in exile (and General de Gaulle’s Free French) gave invaluable help. The BBC’s transformation from a stuffed-shirt government branch to a voice of truth and freedom that brought words of encouragement from exiled leaders is detailed.
But all was not beer and skittles. Pre-War resentments and cultural attitudes often caused misunderstandings and in-fighting. As it turned out, the British didn’t have the world’s best spy agency, just the world’s best spy novelists, with both MI6 and the Special Operations Executive (who were supposed to be creating and working with Resistance networks) making bungle after bungle. And once the Soviet Union and the United States entered the war, Britain’s focus shifted to appeasing these powerful allies even when it went against the interests of the occupied countries. (This culminated in the shameful betrayal of Poland and Czechoslovakia to the Russians.)
After the war, while the formerly occupied countries of Europe were and remained thankful to Britain and its people for all the help given, they also knew that they couldn’t rely on the island nation to protect them. So new alliances were formed, and greater cooperation established, eventually leading to the creation of the European Union.
Quite a bit of this is material I had not known before, partially because much of my WWII history reading was done in the 1970s, while some of the source documents were still classified, and partially because my sources were USA-centric. Various people involved get a stronger focus because they survived the war and became famous, such as Audrey Hepburn, who was trapped in occupied Holland.
There are scattered illustrations (possibly more in the finished product), extensive endnotes, a bibliography, and the full book will have an index. The writing is clear, and this book should be suitable for bright high school students and up.
The benefits of hindsight are very evident throughout (the end material may or may not be updated to reflect Brexit.) I do recommend this book to those curious about the relationship between Britain and Occupied Europe; however it is at the same time a fairly narrow subject, but covering a multitude of intersecting fields. I would recommend having to hand a more general WWII history for reference, and checking the bibliography for more specific works on individual people and incidents. (The author explains in her foreword that Greece and Yugoslavia were completely cut out of the book due to their different circumstances, so readers with an interest in those countries will definitely need to seek out other material.)
Magazine Review: Ellery Queen’s Mystery Magazine, January 1977 edited by Ellery Queen
Having enjoyed a recent issue of this magazine, I decided to root around for an older copy. This one was published in December 1976, but the cover date was a month ahead. Frederic Dannay (half of the “Ellery Queen” writing team) was still editor at this point, as he would be until 1981!
We open with “Jode’s Last Hunt” by Brian Garfield. Mr. Garfield is better known as the writer of Death Wish, which was turned into a hit movie starring Charles Bronson. This story, his first in EQMM, stars Sheriff Jode, who was a big hero in his Arizona county when he first started. But that was a couple of decades ago, and between competent policing and a naturally low crime rate, Jode hasn’t hit the headlines in years. When a former rodeo and movie star turns eco-terrorist, the near-retirement sheriff sees one last chance at fame. This one was collected in Great Tales of Mystery and Suspense in 1985.
“The Final Twist” by William Bankier is set at a small advertising firm where the boss is a bad person who managed to offend each of his workers individually and as a group. His employees decide he needs to die, but they want to make it look like suicide. How can they best use their skills to this end? This one was turned into an episode of Alfred Hitchcock Presents in 1986.
1976 was the year of the Bicentennial, the 200th anniversary of the signing of the Declaration of Independence. Thanks to that, there was a huge market for stories set during the American Revolution and 1776 in particular. Fitting in one last story on the theme for the year is “The Spirit of the ’76” by Lillian de la Torre. It details a bit of secret history when Benjamin Franklin’s grandson is kidnapped and Dr. Sam: Johnson is tapped to track the lad down, with the help of faithful Boswell, of course. The story perhaps is too eager to have Mr. Boswell praise the inventive American, especially given the political situation. This one was collected in The Exploits of Dr. Sam: Johnson, Detector in 1987.
“To Be Continued” by Barbara Callahan is about a young soap opera fan who discovers that she has an unexpected connection with one of the characters. There’s a surprisingly sympathetic portrayal of a gay man for the time period, but the treatment of mental illness may strike some readers poorly. I did not find any reprints of this one.
“C as in Crooked” by Lawrence Treat is a police procedural starring Detective Mitch Taylor. He’s assigned to look into a burglary involving a very rich and important man (which is why a homicide detective is working a burglary case.) Mitch quickly notices that the person in charge of security for that and several other robbed homes is an ex-police officer. Personal problems for both Mitch and his boss delay the investigation until the next morning, when it has become a murder case. Mitch cracks the case, but he may not get the credit. I did not find any reprints of this one.
“‘Twas the Plight Before Christmas” by Hershel Cozine is a poem parodying the famous A Visit from Saint Nicholas and has Santa Claus being murdered by Ebenezer Scrooge. Don’t worry, kids, there’s a happy ending.
There are two “Department of First Stories” (authors being professionally published for the first time) entries in this issue. “After the Storm” by L.G. Kerrigan is a short piece about a murder during a rainstorm. It’s vivid but slight. “A Pair of Gloves” by Richard E. Hutton is a chiller about a man trying to buy a Christmas present despite the presence of a downer street person who seems to have a grudge against the store. The ending is telegraphed. Neither seems to have been reprinted.
Four brief columns follow, two of book reviews (one blatantly pushing items for sale by the magazine’s publisher), one of movie reviews (The Seven-Per-Cent Solution and Marathon Man are highlighted) and a short interview with Dick Francis, former jockey and famous for his racing-related mysteries.
“With More Homage to Saki” by Isak Romun is a short tale of a wealthy gourmet who will do anything to keep his personal chef working for him, up to and including blackmail. But the chef has prepared his own delicious dilemma. Foodies will enjoy this one best, I think. Another I cannot find a reprint of.
Next up is from “The Department of Second Stories”, where EQMM also bought the author’s second effort. “The Thumbtack Puzzle” by Robert C. Schweik features Professor of Bibliography Paul Engle. During a talk the professor is giving, the narrator (his bookstore-owning friend) discovers that a visiting chemist’s work has been tampered with, and perhaps stolen. There’s only a handful of viable suspects, but which, and can it be determined with only a thumbtack as a clue? The solution hinges on the peculiarities of German typewriters. No reprint here, either.
“Raffles and the Shere Khan Pouch” by Barry Perowne has the gentleman thief (and devoted cricket player) and his sidekick Bunny visiting India. There they run into Rudyard Kipling and Madame Blavatsky while attempting to steal rubies. This is made more complicated by a British diplomatic pouch having gone missing, making the authorities more alert. There’s perhaps a bit too much coincidence for the story to be plausible, and the epilogue spells out who Kipling is for particularly obtuse readers, but Raffles is always a delight. This story was reprinted in Raffles of the M.C.C. in 1979.
“Please Don’t Help the Bear” by Ron Goulart is the sad tale of a Hollywood animator with a fur allergy and a penchant for another man’s wife. Mr. Goulart is perhaps better known for his science fiction, but mostly for his humor, though this time it’s gallows humor. The narrator is his “Adman” character who has a habit of meeting murderers and murder victims and never saving one. This story may or may not be reprinted in Adam and Eve on a Raft: Mystery Stories published in 2001.
“Etiquette for Dying” by Celia Fremlin concerns a woman whose social climber husband has taken ill at a dinner party whose hostess is well above their class. Is he just rudely drunk or is there something more sinister going on? This one is reprinted in A Lovely Day to Die and Other Stories (1984).
And finally, we have a story by prolific author Edward D. Hoch, “The Problem of the Christmas Steeple.” It’s a Dr. Sam Hawthorne story, as the retired physician remembers the winter of 1925. A parson is found stabbed to death in a steeple, the only suspect being the “gypsy” chief found in the steeple with him. But due to physical infirmity, that suspect could not have committed the murder. The treatment of “gypsies” may rankle modern readers, but it’s a story written in the 1970s about the 1920s. This story was reprinted in Diagnosis: Impossible: The Problems of Dr. Sam Hawthorne (1996).
There are also a couple of limericks by D.R. Bensen, typical of the genre.
This is overall a good issue, with some fine writers. You can try combing garage sales, but you might have better luck contacting other collectors.
And now, an audio adaptation of “The Problem of the Christmas Steeple”:
This volume, written in the 1980s, is a survey of patterns of immigration into urban areas of the United States between 1830-1930 (approximately.) It covers those who came to stay, those who just came to get a nest egg to improve life in their home country, and those who intended to go back but just never got around to it. Mr. Bodnar was and still is a professor of history at Indiana University.
The general theme of this book seems to be “it’s complicated.” The immigrant experience was not uniform, with their reactions and outcomes varying considerably depending on their initial motivations for emigration, the areas they came from, their initial social class and starting capital, and what part of America they ended up in. Trying to fit the immigrants into a single narrative that fits a particular philosophy doesn’t really work, according to Professor Bodnar.
It’s pretty dry stuff, starting with a chapter on the countries immigrants came from and focusing on when various regions had their largest numbers go. This isn’t a book for the casual reader.
The most interesting chapter for me was on religion and how their faiths both influenced how immigrants adapted to American life, and were forced to adapt themselves. Often there were clashes between those who felt they were (ethnicity) first, (religion) second, and those (especially religious leaders) who felt the reverse. One example was Slovak immigrants who were suspicious of their priests and ministers who preached in favor of Hungarian rule of the homeland. (It was later confirmed that the Austro-Hungarian Empire did indeed pay off religious leaders to spout pro-Hungarian propaganda in the U.S.)
Another conflict that often came up was between the urge to embrace Americanization and blend into their new society, and the fear of losing the unique cultural elements of their homeland or religious beliefs. This often led to a preference for parochial or ethnicity-based schools rather than putting children into the public school system.
There are extensive end notes, a bibliography and index, as well as a handful of black-and-white pictures.
Again, this isn’t a book for the casual reader, but is best suited for college students and up who are doing serious research on the subject of immigration. For most people, I’d recommend one of the many fine memoirs of immigrant families available at your local library.
Book Review: Great Historical Coincidences by Pere Romanillos
“Serendipity” is the good fortune that comes when you discover something useful or interesting while you were looking for something else. Knowing how to grasp the opportunity offered by serendipity is one of those skills that every scientist and artist should have at their disposal. This book, originally published as ¡Menuda chiripa! Las serendipias más famosas covers many instances of serendipity, mostly in the area of science.
After a lengthy introduction on the subject of serendipity and fortunate coincidences, there are 49 essays on individual discoveries divided by scientific field. We begin with physics and Archimedes’ Principle (and the origin of “Eureka!”) and end with archaeology and the terracotta soldiers of Qin. Many of the stories were familiar to me, such as the melting chocolate bar that revealed the existence of microwaves; while others were new to me, such as the origin of the Pap smear.
This book is heavily illustrated and the translation by Janet Foster uses language that should make this book suitable for bright junior high students on up. (Some parents may find discussion of the biology of sex unsuitable for their kids.) There’s some clumsy phrasing from time to time. There’s no index or citations, but there is a bibliography to search for more information–much of it in Spanish.
This is one of those books primarily meant as a present; the treatment of each discovery is short and only covers highlights and often context is missing. Consider it for a budding scientist or history buff, perhaps as a pair with the same author’s Great Historical Blunders.
Right up front, I have to say that the title is the most annoying thing about this book. Did anyone ever use “rad” as an adjective unironically? That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume. There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.
This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety. There are scientists, athletes and entertainers, politicians and even a princess! The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers. (A couple of these biographies moved me to tears.) Many of the women covered I had heard of before, but a few were new to me.
The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.
This book also wears its politics on its sleeve, obvious in the selection of women to write about. Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back. The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”
As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent. Many of these women were controversial during their lifetimes, and some of them are still controversial now. A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies. I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.
I expect that this book will end up in a lot of elementary school libraries. I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.
Disclaimer: I received a copy of this book from Blogging for Books for the purpose of writing this review. No other compensation was offered or requested.
Book Review: Perry Rhodan 10: The Ghosts of Gol by Kurt Mahr
Following clues retrieved from the distant past, Perry Rhodan continues to search for the secret of immortality. Accordingly, the crew of Stardust II is searching a particular sector of the galaxy for structural anomalies. Soon, they discover a particular signal coming from a supergiant planet which is quickly dubbed Gol. Despite the misgivings of his Arkonide allies Khrest and Thora, Rhodan orders a landing. Once there, Rhodan and the others must brave the bizarre inhabitants and lethal environment of Gol to find the next clue left by the mysterious guardian of the secret.
The Perry Rhodan series has been published weekly since 1961 in Germany, with over 2800 novellas in the still-continuing original continuity, as well as numerous spin-offs. The first installment, written by series creators K.H. Scheer & Walter Ernsting, had the first moon landing happen in 1971. U.S. Space Force Major Perry Rhodan and his crew find a stranded alien spaceship captained by the impetuous beauty Thora, assisted by frail scientist Khrest. While Arkonide technology is eons ahead of Earth’s, their society has become stagnant and decadent, and it is soon arranged for a trade of alien science for the exploration assistance of the vital Earthlings.
Rhodan swiftly (but not entirely without opposition) unites Earth, and then leads it against an invasion of more hostile aliens. With that out of the way, he’s free to search for immortality. It’s not much of a spoiler to say that he eventually finds it and he and several of his allies become immune to aging, allowing for the vast timescale of the series.
This volume (which translates Issue #16 of the German edition) is part of the Ace Books reprint series which ran from 1969-1978, translated by Wendayne Ackerman and edited by her husband Forrest J. Ackerman. At this point the series was published monthly as a “bookazine”, with a film review column (this issue was First Spaceship on Venus) and letters section. Sadly, the vast majority of the series has never been officially translated into English.
Kurt Mahr (pen name of Klaus Otto Mahn) was trained as a physicist, which gives his technobabble a feeling of verisimilitude. It’s clear that he enjoyed trying to figure out what conditions might be like on a 900+ gravities planet and how the heck our heroes were going to get around on it. The inhabitants of Gol are energy beings who exist primarily in a higher dimension and provide a unique hazard to the three-dimensional humans.
This story is in the pulp SF tradition, heavy on the exciting things happening, light on characterization. Rhodan is very much the omni-competent hero, inventing a new branch of physics during one of the chapters to solve a technical problem. The person who shows the most personality is Thora, whose back and forth with Rhodan suggests that she’s sweet on him but not willing to admit it even to herself. There’s no overt sexism in the text, but the gender ratio of the crew is such that there are only two named women in a crew of at least one hundred.
There are several mutants with psychic powers in the crew of the Stardust II; the majority of them are Japanese (though I am dubious about the name Tanaka Seiko for a male characters.) It’s not made clear in this volume if this is due to the atom bombs giving that area extra radiation or just coincidence.
The novella concludes with a bit of a cliffhanger; Rhodan has succeeded in finding the next place to go, but the ship’s new location isn’t anywhere in known space and they have no idea how to get back.
While this is an exciting, fast-paced read, the series is hard to find, being decades out of print. Recommended primarily to fans of German science fiction of the old school.
The year is 1917, the place, somewhere in France. British troops are dug into trenches, not too far from the German troops in their trenches. This particular part of the front line is the location of Captain Edmund Blackadder (Rowan Atkinson.) Experience has taught him that the British strategy of sending men “over the top” in waves to assault the German lines just results in dead soldiers, and the captain has no interest in dying. He hatches scheme after scheme to get himself away from the front lines, or at least delay the fatal charge.
In this effort, Captain Blackadder is badly assisted by his second, Lieutenant George (Hugh Laurie), an upper-class twit who believes all the propaganda about honor and glory, and the company batman (military servant), Private S. Baldrick (Tony Robinson) who is profoundly stupid but does the best he can. They try to outwit the mad General Melchett (Stephen Fry) who thinks that using the same tactic that has failed eighteen times in the past will surely trick the Germans this time, and Captain Kevin Darling (Tim McInnerny) a rear echelon bureaucrat who is determined to kiss up to the general in order to stay safely behind the lines.
This was the fourth and final series of Blackadder, each short (six episodes) season using mostly the same actors in similar roles in different times, as though they were reincarnations. Blackadder himself seems to improve somewhat over the ages–his first incarnation is both very evil and stupid, and slightly lessens those qualities in each subsequent variant. Captain Blackadder is bright (but not quite bright enough) and his goal isn’t particularly wicked (not dying) but retains much of his ancestors’ contempt for everyone around him and skill at insults.
Many of those insults are quite funny, and there are many other laugh out loud moments as the characters react to the situations they find themselves in. I did not care as much for the gross-out gags involving Baldrick’s cooking (he ran out of real coffee in 1914.) And to be honest, since the show aired in 1989, rape jokes have lost much of their luster.
The treatment of World War One is satirical, focusing on the futility and loss of life it entailed, and the divide between the courage of the soldiers and the poor leadership of the commanding officers. Some historians feel the series went too far with this, and warn that this is after all a work of fiction.
Especially striking is the final episode, “Goodbyeee”, in which the Big Push is ordered at last. The mood turns more somber as Captain Blackadder’s plans to escape fail one by one. Lieutenant George realizes that all his friends are dead and he doesn’t want to die himself. Baldrick asks the obvious question, “why can’t we all just go home?” and no one can give him a good answer. Even Captain Darling is ordered into the charge as General Melchett fails to understand that this “reward” for loyal service is the last thing Darling wants.
In the final moments, the soldiers leave the trench and go into battle–their fate is left unsaid, but the screen fades to a field of poppies, symbolic of the fallen of WW1. It’s a bleak ending for a comedy.
The cast is excellent, and the writing good (despite some gags falling flat.) I’d recommend watching all the Blackadder series in order, but if you have a special interest in World War One, this part stands on its own.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
Comic Book Review: Essential Tomb of Dracula, Volume 2 mostly written by Marv Wolfman and art by Gene Colan.
When the Comics Code restrictions on horror were loosened in the 1970s, DC primarily went in for horror anthology comics, while Marvel Comics based entire series around horrific heroes and villains. One of these was the classic (and public domain) character of Vlad Tepes, aka Count Dracula.
This series revealed that Bram Stoker’s book (highly recommended if you haven’t read it, by the way) was highly fictionalized, and Dracula had not in fact finally died at the end of it, only being very inconvenienced. He had been various places, doing various things, temporarily being put of commission now and then…and this storyline opened with him once again being awakened to start his reign of terror anew.
Opposing the Lord of Vampires was a crew of vampire hunters including Quincy Harker (the son of Jonathan and Mina), now an elderly man confined to a wheelchair by injuries received in past battles with Dracula; Rachel van Helsing (great-granddaughter of Professor van Helsing) a crossbow-wielder who wasn’t always as effective as she’d like; Frank Drake, a descendant of Dracula (before becoming a vampire) who had wasted his wealth and had to man up over the course of the series; and Taj Nital, an Indian man who had been rendered mute when Dracula injured his throat. Independent of them were Blade, who only hunted Dracula because he hated all vampires due to the murder of his mother by Deacon Frost, and Hannibal King, a detective that Deacon Frost had turned into a vampire, who avoided taking blood from living humans.
Of course, Dracula didn’t just have vampire hunters after him, but people who either wanted to become lord of all vampires themselves or otherwise exploit him. The most persistent of these was Doctor Sun, a Chinese scientist who’d been turned into a disembodied brain hooked up to a computer, who wanted to take over the world.
At the start of this volume, Dracula learns of the current whereabouts of an artifact called the Chimera, which re-sparks his desire to conquer the world himself. (He’d had to put that on hold as a vampire army large enough to take over would promptly drink the rest of humanity to extinction, and then where would they be?) Fortunately for the world, Dracula is not the only one after the artifact, and it ends up smashed.
Dracula has noticed his powers waning, and this leads him to a near-final confrontation with Quincy Harker, before learning that it is in fact Doctor Sun behind it, and the action moves to Boston. There the cast adds nebbish “true vampire story” writer Harold H. Harold and lovely but ditsy secretary Aurora Rabinowitz, who act as comic relief.
After the Doctor Sun situation is resolved, Dracula takes control of a local Satanist cult and marries a woman named Domini, who he believes will give him a proper heir. (The leader of the Satanists, of course, has other plans.)
Mixed throughout this volume are soap-opera subplots involving the various supporting cast, and interludes of Dracula’s adventures in other times and places. Marv Wolfman’s writing is often excellent, but he sometimes doesn’t consult previous issues, resulting in some minor continuity glitches. Gene Colan’s art is more consistently outstanding, and fits the mood well, especially in this black and white reprint. (Some stories from the Giant-Size side series are included, with art by the less impressive but very competent Don Heck.)
Make no mistake, Dracula is the main villain here, and rare is the issue where he does not murder at least one innocent person just to remind us of that. Much of his time is taken up with petty revenge against people who have crossed him and when he acts against other villains, it’s usually out of pride or personal vendetta. Every once in a while, he does show a moment of kindness, but the door soon slams shut when his darker nature prevails. Because he’s the title character, Dracula has what TV Tropes calls “Joker Immunity”; he can never be permanently killed off, only temporarily thwarted, so the heroes seem ineffectual. (Quincy Harker broods about this frequently.)
These stories do take place in the Marvel Universe, though this series avoids most of the implications of that. Brother Voodoo helps Frank Drake through a bad patch in his life, and Doctor Strange actually temporarily kills Dracula (but is hypnotized not to notice it’s not permanent until later.)
In addition to the expected violence (but relatively little gore–the Comics Code was still in effect), Dracula’s attacks on women are often treated in a sexualized manner. There are some instances of suicide, both voluntary and forced. Dracula is also depicted as being racist (mostly against Blade) and sexist (he is not at all kind to the memory of Lucy Westerna.)
And speaking of sexism, one story includes a woman who’s a bit of a “straw feminist”; the owner of a fashion house who only hires women even if a man would be more competent at the job (except one dress designer who might be gay given the coding) and who has an enormous grudge against the various men who tried to keep her down. Dracula agrees to kill her enemies in exchange for information she can get more efficiently than he, but leaves her in a sticky situation at the end of the story.
Despite often high melodrama, there are some very well-written moments as well.
Recommended for vampire comics fans, Blade fans who want to see his early adventures, and those who enjoy Gene Colan’s art.
Comic Book Review: Showcase Presents Men of War edited by Paul Levitz
In 1977, African-American male leads in mainstream comic books were still countable on one hand (and don’t even ask about African-American women!) But this also had the effect of making a comic with a black person on the front attention-getting. And I suspect that at least some of the creation of “Gravedigger” came from that fact.
Gravedigger was the lead feature in DC Comics’ last-launched war comics series of the Bronze Age, Men of War. He is introduced as Sergeant Ulysses Hazard, a polio survivor who threw himself into intense physical training (including martial arts) to overcome his handicaps. Despite his superior physical condition and combat skills, Hazard was consigned to a segregated battalion and assigned to funeral detail (thus his codename.) After his heroics saved lives (except his best military friend) and defeated Nazi troops, the white officers ignored his contributions and denied his request for reassignment to a combat unit.
In the second issue, Hazard somehow gets back to the U.S. and single-handedly infiltrates the Pentagon War Room to demonstrate his skills. A character identified in that issue as the Secretary of War but in later issues demoted to an undersecretary (as his sliminess would have been a slur on the character of Henry L. Stimson, the actual Secretary at the time) decides to use Hazard as a political pawn. If “Gravedigger” fails on one of the suicidal missions, he can be written off, but if he succeeds, the Undersecretary can take credit.
Now Captain Ulysses Hazard so that he can pull rank when necessary, Gravedigger returns to Europe and takes on a number of commando missions ranging from rescuing art from the Nazis to destroying an experimental mini-sub. There are guest appearances by a couple of DC’s other war comics characters, and the final issue features Gravedigger actually leading Easy Company (normally the job of Sergeant Rock) for a few hours.
Gravedigger was basically “military Batman”, performing superheroic feats on a regular basis. To be fair, this is common in comic books about commando-style solo characters, but if you are a stickler for realism, look elsewhere. Later in the series, he gets a cross-shaped facial scar to make him more distinctive looks, important in comic books. He even gets an archnemesis, Joseph Goebbels, Nazi Minister of Propaganda, who enlists mad science in a massive scheme to rid the Reich of this one commando.
In the next to last story, Gravedigger personally saves the lives of Winston Churchill and Franklin Delano Roosevelt, though an opportunity is missed to have Captain Hazard bond with FDR over their mutual experience with polio.
In addition to the expected violence, there’s also period racism, ableism and anti-Semitism (the last confined to Nazi characters.)
The back-up features varied from issue to issue. “Enemy Ace” featured Baron Hans von Hammer, “the Hammer of Hell”, a World War I German fighter pilot. He was depicted as noble and honorable, one of a dying breed of warrior outdated by brutal modern warfare. Some of the stories have art by Howard Chaykin, who is not as well served by the black and white reprint as the other artists.
“Dateline: Frontline” was about American reporter Wayne Clifford, covering World War Two while the U.S. was still neutral, and having his naivete chipped away bit by bit. He struggles with censorship, the temptation of writing the story to suit the person who can give you access, and the moral gray areas of war.
“Rosa” features a spy working in the late 19h Century who is loyal to no country, and has the habit of switching accents in every sentence either to disguise his nationality or (as he claims in a somewhat dubious origin story) because he is literally a man without a country. His name might or might not actually be Rosa. Most notable for having a character switch sides between chapters for plot convenience.
This volume contains all 26 issues, and is not brilliant but is decent work by journeymen creators. Worth picking up if you are a war comics fan, or interested in the history of African-American characters in comic books.