Book Review: Age of Daredevils by Michael Clarkson
This book covers two generations of the William “Red” Hill family of Niagara Falls, Ontario. They were river men, swimmers, rescue workers, boat handlers–and some of them were driven to perform dangerous stunts. And around Niagara Falls, the most daring stunt imaginable was to go over the Horseshoe Fall in a barrel. The Hills, father and sons, were involved in most of the attempts at this feat until the 1950s.
Parts of the story are fascinating; the first survivor of a deliberate attempt to go over the falls was a woman in her sixties, Annie Taylor. And there’s quite a bit of family drama, particularly in the sibling rivalry of Red’s sons “Junior” and Major. I found the contrast between the acceptance of ultimate risk and the careful shaving off of every bit of lesser risk that could be managed a fair assessment of the character of a daredevil.
The author is a local newspaper reporter who knew the Hills in his youth and has extensively interviewed several of them over the years. This means that certain details are covered in great depth (and often repetitively), but others are given short shrift–later attempts to go over the falls alive that didn’t involve the Hill family are summarized in a paragraph or two, despite sounding just as fascinating in their backgrounds. The book also engages in mind-reading from time to time, reporting what a person who did not survive likely felt during certain events.
There’s an extensive sources section and chapter notes, but no index. This is more of a memoir than a formal history. I should note that there is discussion of suicides related to the Niagara River.
Recommended for those who have a fascination with daredevils and especially those who have an interest in the Niagara Falls phenomenon.
Manga Review: Showa 1926 1939 a History of Japan by Shigeru Mizuki
This is the first volume of Shigeru Mizuki’s massive history of Japan during the reign of Emperor Hirohito, the “Showa Era,” It was a long reign, covering most of the Twentieth Century, from 1926-1989. In addition to the larger story of Japan, it is also his autobiography, as Mizuki’s earliest childhood memories coincide with the beginning of that era.
This volume opens several years earlier, with the Great Kanto Earthquake of 1923 which devastated Tokyo. The repercussions of this, combined with fiscal mismanagement, created a financial crisis that crippled Japan’s economy. The optimism and liberalization of the Taisho period took a huge hit. Japan struggled along until 1929 and the worldwide effects of the Great Depression hit.
A combination of the Red Scare (the belief that Communists were about to take over), military successes and government incompetence led to the rise of right-wing organizations, especially military cliques. Japan became ever more aggressive against its neighbors in Asia, setting up the puppet state of Manchukuo and grabbing ever more territory from China.
Japan became a rogue state, leaving the League of Nations when that body attempted to intervene in its conquests. Only Nazi Germany and Fascist Italy recognized Manchukuo, and Japan’s alliance with those nations was about to drag it into World War Two.
This is a “warts and all” history, which covers events that many Japanese schoolkids might not be taught in official classes, or have glossed over for them. There are many painful topics in here, so despite childish hijinks in the parts dealing with Shigeru’s early life, I would recommend it for senior high school students and up.
Warts and all is also how Mizuki depicts himself as a child and young man. Naturally athletic but lazy, bright but unmotivated, sensitive but engaging in fights both as part of a gang and solo. It will take the horrors of war (as depicted in the third volume) to force him into a responsible adult life. Perhaps he got some of it from his father, who is shown as a Micawber-like optimist despite his economic woes.
There’s a lot of names and dates, so the end-notes are very helpful–you still might want to have Wikipedia open to assist with some of the more obscure bits and to cross-reference what else was going on in the world at the time. Some bits come across as very dry, making the personal stories a relief.
The art may be jarring for those unused to Mizuki’s style; many pages are drawn directly from photographs in a realistic style, while others are done in a very loose, cartoony fashion. It’s also kind of weird to have Nezumi-Otoko (Rat-man) as the narrator of the more serious history portion-he would not seem the most reliable of narrators.
Overall, not as interesting as the third volume, which features Shigeru’s most harrowing experiences, but well worth seeking out from the library.
Book Review: Famous Nathan by Lloyd Handwerker and Gil Reavill
Disclaimer: I received a copy of this book through a Goodreads giveaway for the purpose of writing this review. No other compensation was requested or given.
Nathan’s Famous was the number one hot dog stand in the world for several decades, and synonymous with the Coney Island experience. It was the creation of Nathan (originally Nachum) Handwerker, an immigrant who worked his way up from grinding poverty to being a successful businessman. This book is primarily his story, told by his grandson.
According to the book, Nathan was born in a Jewish shtetl in Galicia (now part of Poland) in 1892. At the time, the region was occupied by Austria, and was proverbial for its inhabitants’ poverty. His father Jacob was a shoemaker who was usually unemployed and his mother sold vegetables as a sideline whenever the chance came up. Nathan grew up constantly hungry and early on decided he wanted to be in the restaurant business. Over time, his hard work and good business sense got him enough money to buy passage to America in 1912.
To make it in business, you need a strong work ethic, canny business sense…and a walloping dose of good luck. Nathan had all three, and by 1916 had learned enough English and accumulated enough savings to open his own “grab joint” selling frankfurters and lemonade from a tiny storefront on Coney Island. His initial partner backed out when initial sales weren’t good, but Nathan found a good price point and soon became able to stay open all year, expanding the store and his menu bit by bit.
After a year or so, the initially nameless joint became “Nathan’s”, and then “Nathan’s Famous” as business boomed. Nathan used a business philosophy of fast service, a limited menu and consistent high quality to grow his enterprise. (This was later independently discovered by the McDonalds brothers, though the highness of quality is debatable.)
A big believer in family, Nathan brought over almost all of his clan from Europe as well as marrying and having children of his own. He didn’t let nepotism stand in the way of good business practice, though, once firing his older brother the same day he hired him for failure to follow procedure. He was a very hands-on manager, and ran a tight ship; his contentious personality meant that he often fought with his top workers, but it also bred loyalty. He integrated his staff very early on and was generous with benefits, but was firmly against unions.
Nathan’s Famous was huge, and the book describes its interactions with American history. But by the time Nathan’s sons Sol and Murray moved into management positions under him, times were changing. The brothers had clashing ideas about where the store and its brand should be going, and did not work together well. Coney Island was losing its place as a tourist attraction, helped along by a city planner who wanted to gentrify the area. (Unfortunately, his plans had the opposite effect, crashing the local economy and increasing crime.) And chain fast food places became the standard.
The original Nathan’s Famous has never closed, but is no longer in family hands, and in the modern day, it’s more famous as a hot dog brand than as a destination.
Most of the material about Nathan’s early life is derived from a single interview done with him by another of his grandsons, so should be taken with a grain of salt. The book also talks about some Nathan’s Famous legends and whether they are based on truth or the result of a public relations campaign.
There’s quite a bit of time spent on the logistics and mechanics of running a grab joint in the early part of the Twentieth Century, which will be useful to people who have always wondered about that sort of thing. There’s also family drama, as well as details about some of the long-time employees.
To be honest, the book never really grabbed me, but I think it will be of great interest to hot dog aficionados and those who are nostalgic for the Nathan’s Famous of yore. Each chapter has a black and white photo heading. Also, there are end notes (functional but lackluster) and a bibliography for further reading.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
Comic Book Review: Essential Tomb of Dracula, Volume 2 mostly written by Marv Wolfman and art by Gene Colan.
When the Comics Code restrictions on horror were loosened in the 1970s, DC primarily went in for horror anthology comics, while Marvel Comics based entire series around horrific heroes and villains. One of these was the classic (and public domain) character of Vlad Tepes, aka Count Dracula.
This series revealed that Bram Stoker’s book (highly recommended if you haven’t read it, by the way) was highly fictionalized, and Dracula had not in fact finally died at the end of it, only being very inconvenienced. He had been various places, doing various things, temporarily being put of commission now and then…and this storyline opened with him once again being awakened to start his reign of terror anew.
Opposing the Lord of Vampires was a crew of vampire hunters including Quincy Harker (the son of Jonathan and Mina), now an elderly man confined to a wheelchair by injuries received in past battles with Dracula; Rachel van Helsing (great-granddaughter of Professor van Helsing) a crossbow-wielder who wasn’t always as effective as she’d like; Frank Drake, a descendant of Dracula (before becoming a vampire) who had wasted his wealth and had to man up over the course of the series; and Taj Nital, an Indian man who had been rendered mute when Dracula injured his throat. Independent of them were Blade, who only hunted Dracula because he hated all vampires due to the murder of his mother by Deacon Frost, and Hannibal King, a detective that Deacon Frost had turned into a vampire, who avoided taking blood from living humans.
Of course, Dracula didn’t just have vampire hunters after him, but people who either wanted to become lord of all vampires themselves or otherwise exploit him. The most persistent of these was Doctor Sun, a Chinese scientist who’d been turned into a disembodied brain hooked up to a computer, who wanted to take over the world.
At the start of this volume, Dracula learns of the current whereabouts of an artifact called the Chimera, which re-sparks his desire to conquer the world himself. (He’d had to put that on hold as a vampire army large enough to take over would promptly drink the rest of humanity to extinction, and then where would they be?) Fortunately for the world, Dracula is not the only one after the artifact, and it ends up smashed.
Dracula has noticed his powers waning, and this leads him to a near-final confrontation with Quincy Harker, before learning that it is in fact Doctor Sun behind it, and the action moves to Boston. There the cast adds nebbish “true vampire story” writer Harold H. Harold and lovely but ditsy secretary Aurora Rabinowitz, who act as comic relief.
After the Doctor Sun situation is resolved, Dracula takes control of a local Satanist cult and marries a woman named Domini, who he believes will give him a proper heir. (The leader of the Satanists, of course, has other plans.)
Mixed throughout this volume are soap-opera subplots involving the various supporting cast, and interludes of Dracula’s adventures in other times and places. Marv Wolfman’s writing is often excellent, but he sometimes doesn’t consult previous issues, resulting in some minor continuity glitches. Gene Colan’s art is more consistently outstanding, and fits the mood well, especially in this black and white reprint. (Some stories from the Giant-Size side series are included, with art by the less impressive but very competent Don Heck.)
Make no mistake, Dracula is the main villain here, and rare is the issue where he does not murder at least one innocent person just to remind us of that. Much of his time is taken up with petty revenge against people who have crossed him and when he acts against other villains, it’s usually out of pride or personal vendetta. Every once in a while, he does show a moment of kindness, but the door soon slams shut when his darker nature prevails. Because he’s the title character, Dracula has what TV Tropes calls “Joker Immunity”; he can never be permanently killed off, only temporarily thwarted, so the heroes seem ineffectual. (Quincy Harker broods about this frequently.)
These stories do take place in the Marvel Universe, though this series avoids most of the implications of that. Brother Voodoo helps Frank Drake through a bad patch in his life, and Doctor Strange actually temporarily kills Dracula (but is hypnotized not to notice it’s not permanent until later.)
In addition to the expected violence (but relatively little gore–the Comics Code was still in effect), Dracula’s attacks on women are often treated in a sexualized manner. There are some instances of suicide, both voluntary and forced. Dracula is also depicted as being racist (mostly against Blade) and sexist (he is not at all kind to the memory of Lucy Westerna.)
And speaking of sexism, one story includes a woman who’s a bit of a “straw feminist”; the owner of a fashion house who only hires women even if a man would be more competent at the job (except one dress designer who might be gay given the coding) and who has an enormous grudge against the various men who tried to keep her down. Dracula agrees to kill her enemies in exchange for information she can get more efficiently than he, but leaves her in a sticky situation at the end of the story.
Despite often high melodrama, there are some very well-written moments as well.
Recommended for vampire comics fans, Blade fans who want to see his early adventures, and those who enjoy Gene Colan’s art.
Book Review: Lobster Johnson: The Satan Factory by Thomas E. Sniegoski
Disgraced doctor Jonas Chapel, on the run from the mob in Mexico, stumbles across a mysterious skeleton dripping a fluid that turns humans into monsters. Soon thereafter Chapel’s back in New York, teaming up with the very gang boss who’d ordered the hit on him to take over all the gangs in the city. Or so mobster Rocco Fazzina thinks, but Dr. Chapel’s ambitions are larger than that. Only the masked man known as the Lobster and his few agents are aware of the Satan Factory and the threat it poses to all human life!
The Lobster is a character first appearing in the Hellboy comic books by Mike Mignola. He was a vigilante of the 1930s, dead in the present day, and had become known at “Lobster Johnson” through a series of ever less accurate fictionalizations. For the purposes of this book, the body of the story is a previously unknown manuscript that predates all other fictionalizations, and may have been written by an agent of the Lobster himself.
That agent (under the alias Jacob Hurley) is a former police officer who’d been framed for corruption when he dared speak out against it, and after several years in prison, released to become an unemployable homeless man. He’s recently been recruited by the Lobster to keep an eye on the city’s underbelly. As this is the twilight period of history after the start of the Depression but before the end of Prohibition, there is a thriving Hooverville for Jake to get information from.
As a new agent of the Lobster, Jake serves as the viewpoint character to introduce us to the team. We also get scenes from the viewpoint of the Lobster, but these are all directly connected to his fight against crime and tell almost nothing about his personal life beyond dark allusions to tragic events that motivated him to become the Lobster, and perhaps gave him his “not a normal human” status.
The Lobster is much in the Spider mode, branding fallen foes with his lobster claw emblem, and killing scores of monsters as well as any gangster that crosses his path (that isn’t killed by something else.)
We get a bit more insight into the backgrounds of villains Chapel and Fazzina, and how they got started on their paths to darkness. By the end, however, there’s almost nothing left of Dr. Chapel’s original personality as the owner of the skeleton starts taking him over to spread its army of monsters.
This book is very much is the pulp tradition with lots of fast moving action and not much time spent on introspection. Also in the pulp tradition, there’s a glitch–as I hinted at above, “Lobster Johnson” was a name attached to the Lobster only much later than the purported date of the manuscript, and yet the narrative slips and calls him that a couple of times.
Primarily for Mike Mignola fans who didn’t get enough of the Lobster in the comics, but should also go well for fans of pulp heroes in general.
It is 1938, the tail end of the Great Depression, and San Francisco is trying to shake off its blues with a World’s Fair on Treasure Island. They’re going to need a lot of employees for that, and the prospect of a job draws Grace Lee all the way from Ohio. She’s from a small town where her parents were the only other people of Chinese ancestry; all these other people who look kind of like her is a bit of a shock.
It turns out that the World’s Fair can’t use a Chinese dancer, but there’s a nightclub called the Forbidden City that’s hiring, and they only want Chinese. On her way there, Grace gets some help from Helen Fong, a young woman from a traditionalist family, and when they arrive, they meet Ruby Tom, a vivacious woman who’s changed her name because Japanese-Americans have an even tougher time getting good jobs than Chinese-Americans.
The three women try out together, and although only two are chosen at that time, they form a life-long bond. However, each of them has secrets in their past, and those combine with their ambitions to turn them against each other as well. World War Two in particular raises the stakes, and their careers and friendship may never recover.
This book is loosely based on real life Asian-American entertainers of the mid-20th Century, and there’s an interview with some of those real people at the end of the paperback edition I read.
Grace makes a good viewpoint character for the first part of the novel; her parents were very insistent on her being “American” so she’s a complete newcomer to Chinese-American culture and the full array of prejudice faced by Asian-Americans outside of her small town. The reader learns along with her. Helen and Ruby also have sections from their viewpoints, but at first are concealing details from the reader as well as their friends–we don’t learn some important information about Helen until nearly the end of the book.
Some of the behavior of the protagonists is pretty shabby, and a couple of the betrayals go well beyond what would break most friendships permanently. Some readers may find it impossible to believe that the characters even speak to each other after what happens.
All three protagonists also have romantic difficulties. Mistakes are made, and attitudes change over the years. One of the characters winds up in a relationship that’s considerably less than ideal from just about every angle.
As you might have guessed, period racism and sexism play a considerable part in the story, as well as period homophobia. Grace’s backstory involves domestic abuse. There’s some use of period slurs, lampshaded towards the end by a modern-day (1980s) college student asking pointed questions about the attitudes of the past.
I’d recommend this book to people curious about the “chop suey circuit” that Asian-American performers were shunted into during the Twentieth Century–the “Random House Reader’s Circle” edition is designed for use by book clubs.
Marcia Lloyd is an upper-crust socialite who is not as wealthy as she used to be. Not by any means broke, but when she comes to her summer home, Sunset, in New England, she can only afford to employ a handful of servants for a house that needs a dozen or so. Still, Marcia is looking forward to a break from Depression-Era New York City–until she discovers that her brother Arthur’s ex-wife Juliette Ransom is in town. The conniving Juliette insists on staying at Sunset, being rather vague about her reasons for being on the island.
Juliette is known for her expensive tastes and fondness for playing with men’s affections, so it’s perhaps not too surprising when she goes out riding one day and never comes back. Some time later, her corpse turns up, and it’s pretty obviously it was murder. But who did it? Was it Marcia, our narrator? Arthur, who can no longer afford the ruinous alimony payments? The mysterious painter Allen Pell, who knows Juliette from somewhere but won’t say more? Any of the dozen or so men of “the summer people” Juliette partied with in the past. or perhaps a local? Or a complete stranger?
Mary Roberts Rinehart (1876-1958) was a prolific author perhaps best remembered for her mysteries; she was at one point known as “the American Agatha Christie.” This book is an example of the “Had I But Known” school of mystery writing, where a character (usually female) has incomplete information, or fails to grasp the significance of the information she has, and makes blunders that cause the mystery to be harder for the investigators to solve.
Marcia often mentions bits from further along in the story–“I did not know then who Juliette had seen in the town” and fails to get clues to the sheriff in a timely manner because she doesn’t realize they are clues. In the early part of the novel, she also doesn’t reveal what she knows about the activities of her brother Arthur as she’s trying to protect him, muddying the waters. But Marcia is scarcely the only one at fault, Arthur and several other male characters also make mistakes that tangle up the investigation to avoid scandal or pursue their own agendas. Plus the murderer is of course not telling the police anything.
The book is very much a period piece; not just because of the vanishing way of life Marcia and the “summer people” represent, but the little cultural references. For example, “Bank Night at the movies” is mentioned offhand. In 1938, Ms. Rinehart’s readers would have instantly understood; nowadays most readers will need to consult Wikipedia.
One amusing bit is that the house is wired with bells to summon servants, and these keep going off at random intervals when no one’s there, despite the electrician claiming all the wires are functioning correctly. Marcia tells us right up front that the bells have nothing to do with the mystery, and they are still unexplained at the end, even after the title of the book is finally explained. (This part may or may not be based on something that happened at Mary Roberts Rinehart’s real-life Maine summer house.)
There’s also a romantic subplot, as Marcia develops a thing for Allen Pell, and vice-versa, despite the very real possibility that he’s a multiple murderer.
Content issues: There’s a fair amount of classism, some period sexism, a couple of ethnic slurs and discussion of suicide. Marcia and most of the other characters smoke heavily and drink alcohol (overuse of alcohol leading to tragedy is a plot point.)
While not Ms. Rinehart’s best known work, this is a fun read if you are willing to put up with the characters acting rather stupidly and some twists that seem to come out of nowhere. Recommended for fans of old-fashioned mystery novels.
Magazine Review: The Blueroad Reader: Stardust and Fate edited by John Gaterud
Yes, this is yet another literary magazine; I picked up a bunch inexpensively at the book fair. This one seems to take its title from Jack Kerouac’s writing; this first issue was published in 2007.
The index is unusual for this kind of magazine. Rather than a linear index, or arranged by subject or type of literature, it’s by author. It also doesn’t distinguish between fiction and non-fiction–while some pieces sound more fictional than others, you will need to make up your own mind.
Insert my usual comments about modern poetry here. The most interesting ones for me are “Postcards to Mike” by Ed McManis, a set of verses describing a school trip to Europe, the small disasters and odd moments of traveling with students.
A couple of the pieces are very much written in 2006, and feel dated now with their jabs at the Bush administration. Deserved jabs, but still. “Letter from Iceland” by Bill Holm and “Letter from London” by Donna R. Casella are both most interesting as time capsules, I think.
Best of the prose pieces from my point of view was “O Mary, Where Art Thou?” by Suzanne Lillian Bunkers. It’s an examination of the various appearances of Mary, mother of Jesus, with an emphasis on the sites that the author has personally visited. One of the qualifications for authenticating a visit by Mary, it turns out, is conformity with Catholic doctrine. If your vision of Mary has her advocating ordination of women, you’re out of luck officially.
Overall, the theme is of road trips and journeys. Many of the pieces are sad or bittersweet; others are nostalgic. I do not know if any further volumes were published by Blueroad Press.
As with other literary magazines I’ve reviewed, it seems decent if this kind of literature is your thing.
This is a biography of Surinder “Suri” and Edda (nee Jeglinsky) Sehgal, the founders of the Sehgal Foundation. That foundation helps rural villages in India achieve clean water, improved agriculture, better education and more honest government, as well as funding conservation and ecological efforts around the world.
Both of them were refugees as children, Suri when his family wound up on the wrong side of the border during the partition of Pakistan and India, and Edda when her home in Silesia was about to be overrun by the Soviet Army during the end of World War Two (and then was attached to Poland in the post-war process.)
Suri grew up to become a crop scientist, specializing in hybrid corn, and came to America to pursue his graduate studies. Edda was invited to the U.S. to serve as the au pair for the Henry Kissinger family. They met and fell in love. Suri got a job with Pioneer, creating their first international research station in Jamaica, and the couple got married.
They settled down in Iowa and raised a family, and with a combination of hard work, diplomacy and good management skills, Suri rose to eventually become the president of Pioneer’s overseas operations. Unfortunately, there was a management change at the company, and the new CEO felt uncomfortable with the decentralized nature of Pioneer at the time.
According to this book the new management of Pioneer fired Suri and attempted to frame him for stealing trade secrets, as well as gutting a joint venture in India that Mr. Sehgal had an independent interest in. (A book from the perspective of the Pioneer management might tell the story differently.) The ensuing lawsuits were settled in Suri’s favor, and the independent company he rebuilt was successful enough to create the Foundation.
There’s a lot to like about this book. Suri and Edda’s life experiences are interesting and shed light on areas not often brought to the attention of most Americans. Edda is very much depicted as Suri’s partner who he could not have succeeded without. If the text sometimes seems overly flattering, this is understandable due to it being written specifically to promote the Sehgal Foundation.
I found the writing style a little flat. A discussion of the children’s part-time jobs is given the same tonal feel as Suri’s trek across India as a shoeless refugee to find a relative whose location he only knows by a general region, which could use a bit more emotional weight.
There are genealogical charts at the beginning of the book (there are a lot of relatives that come in and out of the story) and a color photograph section in the middle. Citations are done in footnotes, and there is no index.
Proceeds from the sale of this book go to the Sehgal Foundation, so that might influence your decision whether or not to purchase.
I would especially recommend this books to readers with an interest in immigrant stories.
Disclaimer: I was provided with a free copy of this book by the author for the purpose of undertaking this review. No other compensation was involved or requested.