Book Review: Daughter of the Pirate King

Book Review: Daughter of the Pirate King by Tricia Levenseller

Disclaimer: I was provided with an Advance Reader’s Edition for the purpose of writing this review; no other compensation was offered or requested.  There will be changes in the final product; the one I know about is that the published version will have a darker cover, less “chick lit” and more “piratey.”

Daughter of the Pirate King

We first meet Alosa disguised as a cabin boy on a ship that’s been captured by the pirate ship the Night Farer.  Despite this, she is soon spotted as a woman, and the very prize Captain Draxen and his brother/first mate Riden attacked to find.  Soon Alosa is secured in the Night Farer‘s brig, and a ransom demand is being made to her father, Kalligan the Pirate King.

Just as Alosa had planned.  For the brothers have one third of a legendary treasure map, and the only way to get on their ship to steal it was to be invited.  But though Alosa is clever and skilled, there are a few secrets she doesn’t know, and that could sink her mission before the fortnight is out.

This adventure novel is aimed at the higher end of young adult, with a protagonist who doesn’t hesitate to kill people if that’s what’s needed to accomplish her job.  Alosa has had a rough, even abusive, childhood being trained up to become a worthy successor to her father.  As a result, she has quite an edge, and her first-person narration often puts other people down in the process of showing herself to be good enough to please her father.

The one person on the enemy crew who can keep up with her acid tongue is Riden, who is perhaps a bit more compassionate than is safe for a pirate.  It comes as no surprise to the reader when the two start falling in love despite their respective positions.  The romance might be obvious, and take up more time than the action, but the banter is nice.

Alosa at times comes across as smug, especially when she reminds us that she’s holding back to hide her true awesomeness, but that does make the moments when the rug is pulled out from under her more satisfying.

The world building is minimal; it’s the Age of Sail but with a vastly simplified political situation, and a fantasy element that becomes more important in the last third of the novel.  While most of the immediate plot threads are wrapped up, this is a bit too obviously a book with a sequel coming soon.

Content:  In addition to the child abuse mentioned above, sexual assault is something Alosa thinks about a lot, due to her circumstances.  There’s some heavy petting scenes, but the characters never go all the way.  Also torture just off-stage.

Primarily for pirate story fans who do not mind a heavy romance subplot.

Book Review: Rad Women Worldwide

Book Review: Rad Women Worldwide by Kate Schatz

Right up front, I have to say that the title is the most annoying thing about this book.   Did anyone ever use “rad” as an adjective unironically?  That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume.  There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.

Rad Women Worldwide

This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety.  There are scientists, athletes and entertainers, politicians and even a princess!  The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers.  (A couple of these biographies moved me to tears.)  Many of the women covered I had heard of before, but a few were new to me.

The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.

This book also wears its politics on its sleeve, obvious in the selection of women to write about.  Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back.  The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”

As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent.  Many of these women were controversial during their lifetimes, and some of them are still controversial now.  A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies.  I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.

I expect that this book will end up in  a lot of elementary school libraries.  I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.

Disclaimer:  I received a copy of this book from Blogging for Books for the purpose of writing this review.  No other compensation was offered or requested.

Comic Book Review: Essential Ms. Marvel Vol. 1

Comic Book Review: Essential Ms. Marvel Vol. 1 by Various

In 1976, Marvel Comics felt the time was right for another try at a overtly feminist superhero to appear in a solo book.  (Their first stab was 1973’s The Cat, who became Tigra.)  Someone, probably Gerry Conway, who would be the first writer on the series, remembered the existence of Carol Danvers, a supporting character in the Captain Marvel series who early on had had an experience that could be retconned into a superhero origin.  The name was deliberately chosen to reference feminism, and the first issue had a cover date of January 1977.

Essential Ms. Marvel Vol. 1

Ms. Marvel’s backstory came out in bits and pieces over the course of the series, so I am going to reassemble it in in-story chronological order.  Carol Danvers was a Boston, Massachusetts teenager who loved science fiction and wanted to become an astronaut and/or a writer.  She was very athletic and whip-smart.  Unfortunately, her father was a male chauvinist pig who felt that the most important thing for a young woman to do was marry a good man and have kids.  (In his partial defense, this would have been in the Fifties.)  He told Carol that he would not be paying for her to go to college, as the limited funds would be needed for her (not as bright but his dad’s favorite) brother’s education.

Carol pretended to have given up, and after graduating high school with honors, continued a part time job until her eighteenth birthday.  At that point, without telling her family, she enlisted in the United States Air Force.  Her father never forgave her for this defiance.  Somehow Carol got into flight school and became an officer and one of the Air Force’s top jet pilots.  Then she transferred into intelligence and became a top operative, partnering with her mentor/love interest Michael Rossi and rising to the rank of major.  (At some point, her  brother died in Vietnam.)

NASA recruited Major Danvers out of the Air Force to become their security chief at Cape Canaveral.  While there, she became entangled in events surrounding Mar-Vell, the Kree warrior who became known to Earthlings as Captain Marvel.  Carol was attracted to the mysterious hero, but that went nowhere as he already had a girlfriend.   During a battle with his turncoat superior, Colonel Yon-Rogg, Mar-Vell saved Carol from exploding Kree supertechnology.  At the time, no one noticed that the Psyche-Magnitron’s radiation had affected Ms. Danvers.

While the Mar-Vell mess wasn’t really Carol’s fault, she hadn’t covered herself in glory either, and her security career floundered.   Between the time we last saw her in the Captain Marvel series and her own series, Carol had decided to try her other childhood dream and wrote a book about her experiences at NASA.  (Apparently it was a bit of a “tell-all” as some at the agency are angry about it when they appear in this series.)  She also began experiencing crippling headaches and lost time, and consulted psychiatrist Michael Barnett.  Dr. Barnett was at a loss for a diagnosis but began falling in love with his client.

Which brings us to Ms. Marvel #1.  An amnesiac woman in a “sexy” version of Captain Marvel’s costume (plus a long scarf that was a frequent combat weakness) suddenly appears in New York City to fight crime.  She soon acquires the moniker of Ms. Marvel.  At the same time, Carol Danvers has been tapped by J. Jonah Jameson to become the editor of Woman magazine, a supplement to his Daily Bugle newspaper.  JJJ is depicted as being rather more sexist than in his Spider-Man appearances to better clash with Ms. Danvers over the direction the magazine should be taking.

Mary Jane Watson befriends the new woman in town (her friend Peter Parker appears briefly, but Spider-Man never does in this series.)  But their bonding is cut short by another of Carol’s blackouts.  Across town, the Scorpion, who has a long standing grudge against Jameson, has captured the publisher and is about to kill him when Ms. Marvel appears to save the day.

Eventually, it is discovered that Carol Danvers and Ms. Marvel are the same person, but having different personalities due to Ms. Danvers being fused with Kree genes and having Kree military training implanted in her brain.  Thanks to this, she has superhuman strength and durability, and a costume that appears “magically” and allows her to fly (until she absorbs that power herself.)  From her human potential, Ms. Marvel has developed a “seventh sense” that gives her precognitive visions.  Unfortunately, they’re not controllable and often make her vulnerable at critical moments.

Much later, the personalities are integrated as Carol learns to accept all of her possibilities.  Ms. Marvel fights an assortment of villains, both borrowed from other series (even Dracula makes a cameo!) and new ones of her own, especially once Chris Claremont starts writing her.  The most important is the mysterious shape-shifter Raven Darkhölme, who considers Carol Danvers her arch-enemy, even though they have never met.  Carol doesn’t even  have Raven on her radar!

In issue #19, Ms. Marvel finally meets up again with Mar-Vell for the first time since her transformation, her origin is finalized, and they part as friends.  The next issue has Carol change her costume to one that looks much less like Mar-Vell’s. but is still pretty fanservice oriented (like a swimsuit with a sash, basically.)  It’s considered her iconic look.  Shortly thereafter, Carol is fired from Woman (she missed a lot of work) and Dr. Barnett starts getting pushy about advancing their romantic relationship.

And then the series was cancelled.  Ms. Marvel was still appearing as a member of the Avengers team, but that was about to change as well.

In the now notorious Avengers #200 (not reprinted in this volume), Carol Danvers is suddenly pregnant despite not having been in  a relationship in some time.  The pregnancy is hyperfast, and the baby is delivered within 24 hours.  The child, Marcus, rapidly ages to young adulthood and explains that he is the son of time traveler Immortus, who’s been stuck in  the Limbo dimension all his life.  In order to escape, he had brought Ms. Marvel to Limbo, and seduced her with the aid of “machines” so that he could implant his “essence” inside her.  He then erased her memories of these events and sent her back to Earth so that Marcus could be born within the timestream.

Marcus’ presence is causing a timestorm, and a device he is building only seems to make the storm worse, so Hawkeye destroys it.  Sadly, it turns out the device was meant to “fix” Marcus so that he would not be detected as an anomaly, and without it, Marcus must return to Limbo.  Ms. Marvel volunteers to go back with him, because she is now in love with the man and wants to stay with him forever.  None of the other Avengers find this the least bit suspicious, and it’s treated as a happy ending for the character.

But come Avengers Annual #10, which is in this volume, Chris Claremont got the chance to respond to that.   Raven Darkhölme had since been revealed as Mystique, leader of the Brotherhood of Evil Mutants  One of the Brotherhood, Rogue, ambushes Carol Danvers in San Francisco, where Ms. Danvers has been living incognito.  Rogue is a power parasite, able to steal the abilities and memories of her prey.  Still clumsy with her powers, Rogue steals Ms. Marvel’s powers and memories permanently; attempting to hide the results, she dumps the victim off a bridge.

Spider-Woman just happens to be nearby and rescues the amnesiac Carol.  The arachnid hero then calls in Professor Charles Xavier of the X-Men to assist in figuring out what happened.  Professor X is able to restore many of Carol’s memories from her subconscious, but not all of the emotional connections.

Meanwhile, the Avengers battle the Brotherhood, which is trying to break some of its members out of prison.  Once that’s settled, they go to meet Carol.  She explains that Marcus made a fatal mistake in his calculations.  By being born on Earth, he’d not made himself native to the timestream, but he had made himself out of synch with Limbo.  Thus the rapid aging he’d used to make himself an adult on Earth couldn’t be turned off, and he was dead within a week.  This freed Carol from the brainwashing, and she was able to figure out just enough of the time travel tech to get home.  And then Carol rips into the Avengers for not even suspecting there was something wrong.  Once freed of the brainwashing, she recognized the rape for what it was and didn’t want anything to do with those who had condoned it.  Chastened, the Avengers leave.

(One bizarre bit is that Carol Danvers is established as being 29.  Nope.  Sorry, not even if she got promoted first time every time in her military career.  She’d be a minimum of 32 by the time she made major, was in that rank for at least a few years, and then there’s her next two careers.)

The volume also contains the Ms. Marvel stories from Marvel Super-Heroes Magazine #10-11, which have the plotlines originally intended for issues #24 & 25 of the series.   Here we learn that Mystique’s grudge against Ms. Marvel was caused by a self-fulfilling prophecy that Rogue meeting Carol Danvers would cost Rogue her soul/life.  As Mystique had adopted Rogue as a daughter, she felt that the best way to protect the power parasite was to kill Ms. Marvel in advance.   The last few pages are obviously drastically rewritten to have Carol vanish from the timestream (and thus invisible to precognition) for a while before returning and the plot of Annual #10 kicking in.

After the issues published in this volume, Carol Danvers went through several different name and power set changes, before becoming the current Captain Marvel.  She’s scheduled for a movie in the relatively near future.

Good bits:  Lots of exciting action sequences, and some decent art by Marvel notables like John Buscema and Dave Cockrum.  (Have to say though that Michael Golden’s art looks much less good without color.)  Despite some clumsiness at the beginning, Claremont does a good job with Carol’s characterization, peaking with her interactions with the mutated lizards known as The People.

Less good bits:  Carol’s costumes are clearly designed with the male audience in mind, rather than any kind of practicality.  Many male characters seem to feel obliged to use words like “dame” and “broad” much more than they came up in conversation even back in the Seventies.  Male (and male-ish) villains seem to default to trying to mind-control Ms. Marvel into serving them–this is one reason why Marcus succeeding at it jars so badly.  And Dr. Barnett suddenly getting so pushy about the relationship and his plans to convince Carol to give up being Ms. Marvel seems off-and we would never have found out why as he was scheduled to be murdered in the next issue.

Most recommended to fans of the current Captain Marvel series who want to see where the character came from; other Marvel Comics fans might want to check it out from the library.

Book Review: The Hollow-Hearted

Book Review: The Hollow-Hearted by C.A.  Bryers

Things are not going well for Natke Orino.  After having to leave her old job as a secret agent, Natke has moved to the Odyssan Archipelago to form her own exploration company.  But her rivals seem to be always one step ahead getting to new archaeological sites and Natke’s financial backers have stopped funding her.  Also, her barely-kept-secret relationship with her second in command Fuorento is at a crisis point.  If she doesn’t have a success soon, she may need to admit defeat and go to work for a smug competitor.

The Hollow-Hearted

That’s when Natke’s information expert L’Anne reveals that there’s been an earthquake on a remote island associated with legendary assassin Cary the Hollow-Hearted.  It’s exposed what may be the cave system that Cary made her final stand in, and if an explorer found proof of Cary’s existence, they’d be set for life!  Natke quickly gets her small (and rapidly dwindling) company aship, and they are on their way to Hollow Rock.

But although they seem to be the first expedition to arrive, it’s soon clear the explorers are not alone, and whoever or whatever else is on the island, it’s hostile.  Natke must battle for both her life and her career, but will victory cost her heart?

This novella is a prequel to The 13th Paragon duology by the same author.   The genre is unclear, so let’s call it science fiction for now.  It’s set in a world where technology was once at a higher level, but is swiftly regaining ground.  Natke and Fuorento were supporting characters in the duology, and this fills in an important piece of their mutual background.

As a short work, this is fast-paced, and sheds characters quickly (not all by death, thankfully.)  Sadly, some of the characters I liked best were vanished from the story for the all-important final confrontation to work better.  And those who have read the work this is a prequel to will know at least some of the end already.

Overall, this is a light read that will most appeal to fans of the author’s other works.

Book Review: The Snow Queen

Book Review: The Snow Queen by Hans Christian Andersen

Kay and Gerda are best friends who live in adjacent garrets, and often visit each other across the roof, where their parents have installed flower boxes with rosebushes.  They are like brother and sister, and very happy together until one day Kay’s personality changes.  He has been pierced in heart and eye by shards of the Devil’s distorting mirror, so now Kai only sees the flaws and ugliness of people, and his heart is slowly turning to ice.

The Snow Queen

In mid-winter, Kay recklessly goes sledding without Gerda or any other companion, and winds up hitching his sled to the sleigh of the Snow Queen.  As it happens, the queen of all snow has seen Kay before, and decides to keep him, kissing away his memory of family and friends.  Everyone else is convinced that Kay has frozen to death or drowned in the river, but Gerda is not so sure.  When the weather thaws, Gerda goes looking for Kay, having many adventures along the way.

This is one of the many fairy tales written by Hans Christian Andersen (1805-1875), one of Denmark’s most famous authors.  First printed in 1844, it’s also one of his longest fantasy works (but still only about forty pages without illustrations) and much acclaimed.  It’s been adapted many times, and has inspired other works such as the movie Frozen.

Since this is a public domain story, easily downloadable for free from Project Gutenberg, or available at your local library in the children’s section, the main reasons to look at this particular edition are the fresh translation by Jean Hersholt and illustrations by Finnish-heritage artist Sanna Annukka.  The language flows well (though parents will want to read it with their children the first go-round to explain some of the words.)   The illustrations are striking, and perhaps a little frightening in places (this would be a good time to introduce young readers to the variety of Scandinavian art.)  The art is very stylized, which works well for the magical beings involved in the story.

The Snow Queen is very much steeped in Scandinavian Christian folklore, from the hobgoblin who is in fact the Devil and his cruel mirror, to Gerda’s prayers bringing angels to defend her in time of need.  It’s stated that Gerda’s simple faith and innocence give her power–it never occurs to her that it’s odd to be able to speak to flowers (but not get much out of the exchange) or that a robber girl will suddenly choose to help her on her quest rather than kill her.

And this tale is surprising rich in  female characters: the wise Grandmother, alien Snow Queen, selfish Flower Witch, clever Princess and wild Robber Girl, as well as sweet Gerda herself.  Some of these characters would make good stories with their own adventures.  It’s notable that there is no confrontation with the Snow Queen at the end–she’s away on a business trip when Gerda arrives to free Kay.  Perhaps this is for the best, as someone must see that snow gets where it belongs.

One aspect that may be troubling for parents is that after Kay is affected by the distorting mirror, he only finds beauty in mathematics, logic and symmetry.  He’s noted for being able to do arithmetic in his head–with fractions!

The book has sturdy covers and thick pages, so should survive frequent re-reading by youngsters well.  Recommended to families that don’t already have a copy of this classic tale, and people who like this style of art.

Disclaimer:  I received a copy of this book from Blogging for Books for the purpose of writing this review.  No other compensation was requested or offered.

And now, let’s have the trailer of a Finnish movie adaptation!

Manga Review: Pretty Guardian Sailor Moon 3

Manga Review: Pretty Guardian Sailor Moon 3 by Naoko Takeuchi

Usagi Tsukino doesn’t look much like hero material at first glance.  She’s clumsy, not the sharpest knife in the drawer, and a bit of a crybaby.  But Usagi has a secret heritage, and when talking cat Luna seeks her out, Usagi becomes the bishoujo senshi (“pretty guardian”) Sailor Moon!  Now gifted with magical powers, Sailor Moon must seek out the other guardians and defeat the monsters of the Dark Kingdom to save the world.

Pretty Guardian Sailor Moon 3

This 1991 manga series was groundbreaking in many ways.  The mahou shoujo (“magical girl”) subgenre of fantasy manga and anime had been around since the 1960s, inspired by the American TV show Bewitched, but was primarily about cute witches, fairy princesses and ordinary girls who were gifted power by witches or fairies who used their magic to help people with their day to day problems and maybe once in a while fight a monster or two.  Takeuchi blended this with the traditionally boy-oriented sentai (“warrior squad”) subgenre to create magical girl warriors whose primary thing was using magical powers to defeat evil.

It was also novel for being a shoujo (girls’) manga with an immediate animated adaptation as Takeuchi developed the series in coordination with Toei.  The manga ran monthly while the anime was weekly, so the animated version has lots of “filler” episodes that don’t advance the plot but do expand on the characterization of minor roles.  Indeed, it’s better to think of the manga and anime as two separate continuities.

Both manga and anime were huge hits, though the versions first brought to America were heavily adulterated.  American children’s television wasn’t ready for some of the darker themes of some of the episodes, and the romantic relationship of Sailors Neptune and Uranus blew moral guardians’ minds.  More recently, new, more faithful translations have come out, and there’s a new anime adaptation, Sailor Moon Crystal that sticks closer to the manga continuity.

The volume to hand, #3, contains the end of the Dark Kingdom storyline.  Wow, that was quick.   Once forced into a direct confrontation, Queen Beryl isn’t really much more formidable than her minions; only the fact that she has a brainwashed Prince Endymion (Tuxedo Mask) on her side makes the fight difficult.  Queen Metallia, the true power behind the throne, on the other hand, is a world-ending menace and it will take everything our heroes have plus Usagi awakening to her full heritage to defeat it.

Takeuchi had originally planned for her heroines to die defeating Metallia and ending the series there, but the anime had great ratings, and both Toei and her manga’s editor felt that this would be too much of a downer.  After some floundering, the editor suggested the new character “Chibi-Usa” and her startling secret, and Takeuchi was able to come up with a plotline from there.

So it is that just as Usagi and Mamoru are getting romantic, a little girl who claims her name is also Usagi drops out of the sky to interrupt.  “Chibi-Usa” looks a lot like a younger version of our Usagi, and is on a mission to reclaim the Silver Crystal (despite the fact that she seems to be wearing a Silver Crysal herself.)  She infiltrates Usagi’s family, much to the older girl’s irritation.

At the same time, a new enemy appears, the Black Moon.  Led by Prince Demande and advised by the mysterious Wiseman, they seek not only the Silver Crystal but a being called the “Rabbit.”  Their initial ploy is to send out the Spectre Sisters to capture the Sailor Senshi one by one.  The Spectre Sisters are very much evil counterparts of the Senshi, each having an elemental affinity and interests matching one of the heroes.  The first two, Koan and Berthier, are destroyed in battle, but not before they remove Sailor Mars and Sailor Mercury from the board.

In a subplot, a new minor character is introduced, an underclassman of Mamoru’s whose job is shilling Mamoru and his fine qualities.  This is actually kind of helpful, as Tuxedo Mask had spent most of the Dark Kingdom arc either being mysterious or unavailable.  This allows us more insight into who this Mamoru person is when he’s not around Usagi.

Rei and Ami get some development in their focus chapters, but seemingly mostly so that the Spectre Sisters can have similar interests.

Some of this comes off as cliche now, but that’s because Sailor Moon was such a strong influence on magical girl stories that came afterward.  Here’s where many of the tropes started!

The art is very good of its kind, and again seems less distinctive now because of imitators.

Recommended for magical girl fans, teenage girls and romantic fantasy fans.

Comic Book Review: The Last Sacrifice #1

Comic Book Review: The Last Sacrifice #1 Original story by Joe Hart, adaptation by Stuart Moore, art by Michael Montenat

Disclaimer:  I received a Kindle download of this item as a Goodreads giveaway for the purpose of writing this review.  No other compensation was offered or requested.

The Last Sacrifice #1

In the not too distant future, female to male birth ratios have declined drastically for unknown reasons, called the Dearth.  Civilization has started breaking down as various groups panic and begin hoarding woman and girls, quickly devolving into kidnapping and imprisonment.

Fifteen year old Janie Tenner and her sister have been hiding out in an abandoned house in the mountains of Washington, but Janie is sick of being on the run and quarrels with her sister.  As a result, she is captured by a group that is trying to solve the Dearth with science (and getting nowhere) while her sister may have escaped.

Several months later, the research compound is attacked by a cult; in the confusion Janie escapes, but is wounded.  She’s rescued by a man named Tom, who appears not to be associated with the cult; but is he really a better option?

This comic book series is set in the world of Joe Hart’s Dominion trilogy, which is not yet complete.  Normally when I do comic book reviews, I prefer to work with collected volumes, as they give a fuller picture of the story and whether it’s worthwhile continuing.  But this first issue is all there is so far.  And it’s pretty lean pickings.  There’s little character development; other than Janie we don’t spend more than a couple of pages with any of the characters, and Janie is focused on escaping from, then to, her older sister.

There’s a few pages in flashback to a women’s shelter just before things started getting really bad–presumably one or more of the characters from that sequence will be showing up in the main storyline.

The art is adequate, but my Kindle doesn’t support color, and the art was not optimized for grayscale reproduction; if your reader supports color, it should work better for you.

There is discussion  of abortion and dark hints at what the cults do to the women they capture.  It’s not clear what the researchers are hoping to find with Janie; all we see done are blood tests.  (According to reviews of the book trilogy, the author may not understand how sex selection of fetuses works.)

I’ll note that some similar dystopian scenarios were presented in the Sisters of the Revolution anthology I reviewed a bit back, and generally done better in those short stories.

Right now I cannot honestly recommend this comic book to anyone, and hope that future issues are much improved.

 

Comic Book Review: Wonder Woman ’77 Volume 1

Comic Book Review: Wonder Woman ’77 Volume 1 written by Marc Andreyko

Back in the 1970s, live-action television series with a woman in the lead were rare creatures indeed, and one of the best was Wonder Woman, starring Lynda Carter.  It migrated from ABC (where it was set during World War Two) to CBS in 1977, and it is this “modern day” series that this comic book series is based on.

Wonder Woman '77 Volume 1

In this version, Wonder Woman works for the Inter-Agency Defense Command in her secret identity of Diana Prince, along Steve Trevor, Jr.  Steve may or may not know  that Diana is also Wonder Woman, but at least in these issues, he doesn’t officially know or make a fuss about it. They have access to the latest 1970s technology, including the advanced computer IRA, but Wonder Woman’s powers and compassion are usually the main key to victory.

Where this comic book series varies from the TV version is that the live-action version used none of WW’s comic book supervillains, so versions of these compatible with the show’s look and feel are inserted.

The first story takes place mostly at a disco, where a Soviet defector scientist must be protected from mind-controlling songstress Silver Swan.  Diana’s outfit for this is based on the “white pantsuit” look she had during a brief period where the comics depowered her (to make her more “relevant.”)

The second story opens with Diana waking up in a world where she is not Wonder Woman or Diana Prince, but a mentally ill woman named Donna Troy.  There are some nifty references to the Cathy Lee Crosby TV movie, and the post-Crisis WW continuity.  Diana must figure out what’s going on and fight her way back to the reality she knows.

Next, there is a story that uses the Barbara Minerva version of long-time supervillain the Cheetah.  It brings in elements of the Priscilla Rich version of the character as well–Dr. Minerva is driven by jealousy when the museum she works for dismantles her prize exhibit involving years of scholarship and hard digging for a Wonder Woman-centric publicity grabber.  This allows the Cheetah spirit to take over her body so that Barbara can try to get her revenge.  The climax is a showcase for Diana’s gentle spirit being able to overcome Cheetah’s command of great cats.

Original (so far as I know) villain Celsia takes center stage next.  Due to a nuclear power plant accident that killed her home town, Celsia can project both heat and cold.  She is determined to punish the men who placed profit over life and safety.  We also get a version of the Atomic Knights, including a not-named Gardner Grayle.

And finally Diana has an encounter with the swamp monster Solomon Grundy on Halloween.  Grundy may not be the real monster here…  (Warning: domestic abuse.)

The issue is filled out with an essay by Andy Mangels about the television show, plus a gallery of covers and concept art.

One of the things I really like about this series is Wonder Woman’s dedication to non-lethal force, something that has largely been lost in recent years.  Yes, punching bad guys is an important part of her problem-solving style, but whenever possible, she uses truth and compassion to bring about resolutions.  This Wonder Woman smiles a lot, and inspires others to be better people.

Some of the 1970s elements do come across a bit cheesy, but this is not entirely a bad thing, as they fit with the feel of the show.  On the other hand, the very episodic stories mean that there’s no character growth or deeper characterization–what you see is all you are going to get.

The art is okay, with Diana and Steve being on model most of the time.

Recommended to fans of the TV show, Wonder Woman fans who prefer a lighter style and younger readers.  (It should be okay for tweens with a little parental guidance.)

And let’s enjoy that theme tune!

Book Review: Wintersmith

Book Review: Wintersmith by Terry Pratchett

Tiffany Aching is a witch in training.  She in some ways is already a very powerful witch, and has endured some hard lessons that required growing up fast.  But she’s also very much a girl who’s almost thirteen.  Miss Treason, on the other hand, is over a century old and has not been a “girl” in a very long time.  So when she tells Tiffany not to move during a dance, it doesn’t occur to her to explain what the dance is or why moving during it is a bad idea.  Tiffany senses a spot in the dance that seems to be shaped for her, and her feet dance her right in.

Wintersmith

That was a huge mistake, as the dance is the change of seasons.  And now the Wintersmith, the personification of winter, has become fascinated by Tiffany.  He sees her as the Summer Lady somehow in his time, and wants to hold her forever.  And if Tiffany doesn’t make it to spring, then spring will never come…..

This is the third Tiffany Aching book within the Discworld setting; the first book in the sequence is The Wee Free Men.  Tiffany is a farm girl who grew up in sheep-herding country called The Chalk.  She’s very practical and straightforward, which serves her well in witchcraft.  (In the Discworld setting, witchcraft, while it certainly includes a heaping of magic, is more about being a “wise woman” who provides skills and knowledge to a rural area.)  On the other hand, she is very young and has many things to learn, and sometimes Tiffany will get her back up and turn stubborn at the wrong moment.

Tiffany is aided as always by the Nac Mac Feegles, tiny blue men that combine the more disturbing aspects of Smurfs with the more violent aspects of highland Scotsmen stereotypes.  They have their own special dialect, and there’s a glossary at the front that also helps readers and parents know what they’re in for with the Feegles.  The tiny men provide much of the comic relief in the book, and are usually annoyances, but they are helpful when pointed in the right direction.

As well, Tiffany interacts with the community of witches, from the fearsome Miss Treason who has mastered the art of Boffo, through the harsh but highly competent Granny Weatherwax and jolly Nanny Ogg to the vain and in way over her head Annagramma.  Each of them has lessons to teach Tiffany (yes, even Annagramma has her uses) and help her on the way in her Story.

And Roland, the baron’s son, Tiffany’s friend who is a boy, comes into play as he has his own problems, but sets them aside for the time being to be the Hero that the Story needs at a crisis point.  His highly unpleasant aunts sound like they will be an issue in the next volume.

The Wintersmith, of course, is the antagonist of the book.  As the anthropomorphic personification of the idea of winter, it isn’t evil.  But Tiffany’s mistake has thrown the Wintersmith out of balance, and unbalanced winter is highly dangerous.  Worse, it’s trying to make itself more human without understanding what that means or caring about the effects it has on others.  It chillingly (pun intended) follows a children’s rhyme about what “makes a man” until it gets to the most important ingredients and just skips those.  It’s both funny and scary when the Wintersmith tells random people “I am a human being.”

A nice twist of the book is that it starts with a version of the final showdown between Tiffany and the Wintersmith, then rewinds the story, reminding the reader “the future is always a bit wobbly.”  When we reach the ending again, things are somewhat different.

This is listed as a “Young Adult” book but should be fine for precocious middle-schoolers on up.  Some parents may be disturbed by references to sex and childbirth (no gory details), but it makes sense in setting; Tiffany’s a farm girl with older sisters in a society that doesn’t shy away from those topics.  But the important thing here is relationships and learning how to say “no” to ones that are not a good idea.  Younger readers should probably start with the first Tiffany Aching book.

Recommended to fantasy fans, young readers and fans of practical, straightforward women.

Book Review: China Dolls

Book Review: China Dolls by Lisa See

It is 1938, the tail end of the Great Depression, and San Francisco is trying to shake off its blues with a World’s Fair on Treasure Island.  They’re going to need a lot of employees for that, and the prospect of a job draws Grace Lee all the way from Ohio.  She’s from a small town where her parents were the only other people of Chinese ancestry; all these other people who look kind of like her is a bit of a shock.

China Dolls

It turns out that the World’s Fair can’t use a Chinese dancer, but there’s a nightclub called the Forbidden City that’s hiring, and they only want Chinese.  On her way there, Grace gets some help from Helen Fong, a young woman from a traditionalist family, and when they arrive, they meet Ruby Tom, a vivacious woman who’s changed her name because Japanese-Americans have an even tougher time getting good jobs than Chinese-Americans.

The three women try out together, and although only two are chosen at that time, they form a life-long bond.  However, each of them has secrets in their past, and those combine with their ambitions to turn them against each other as well.  World War Two in particular raises the stakes, and their careers and friendship may never recover.

This book is loosely based on real life Asian-American entertainers of the mid-20th Century, and there’s an interview with some of those real people at the end of the paperback edition I read.

Grace makes a good viewpoint character for the first part of the novel; her parents were very insistent on her being “American” so she’s a complete newcomer to Chinese-American culture and the full array of prejudice faced by Asian-Americans outside of her small town.  The reader learns along with her.  Helen and Ruby also have sections from their viewpoints, but at first are concealing details from the reader as well as their friends–we don’t learn some important information about Helen until nearly the end of the book.

Some of the behavior of the protagonists is pretty shabby, and a couple of the betrayals go well beyond what would break most friendships permanently.  Some readers may find it impossible to believe that the characters even speak to each other after what happens.

All three protagonists also have romantic difficulties.  Mistakes are made, and attitudes change over the years.  One of the characters winds up in a relationship that’s considerably less than ideal from just about every angle.

As you might have guessed, period racism and sexism play a considerable part in the story, as well as period homophobia.  Grace’s backstory involves domestic abuse.  There’s some use of period slurs, lampshaded towards the end by a modern-day (1980s) college student asking pointed questions about the attitudes of the past.

I’d recommend this book to people curious about the “chop suey circuit” that Asian-American performers were shunted into during the Twentieth Century–the “Random House Reader’s Circle” edition is designed for use by book clubs.

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