Manga Review: Rin-Ne Volume 25

Manga Review: Rin-Ne Volume 25 by Rumiko Takahashi

Quick recap:  Rinne Rokudo is a shinigami, a psychopomp who guides stray spirits to the afterlife for rebirth.  But he’s part-human, so he has to use (often expensive) tools to make up for his weak powers.  That, plus debts his deadbeat father Sabato saddled him with, and being seriously unlucky, keeps Rinne in dire poverty.

Rin-Ne Volume 25

Fortunately, Rinne has his black cat familiar Rokumon and Sakura Mamiya, a mostly normal schoolgirl who can see spirits and is blessed with common sense, to help him.  See previous reviews for more.

This volume opens in June, the rainy season in Japan.   There have been reports that a ghost in a bridal gown and veil has been haunting the neighborhood, looking for a wedding chapel.  Rinne and Sakura quickly discover that the old wedding chapel was turned into a cafe, but why the ghost bride was looking for it is a bit more complicated than it appears.

The final story concerns a summer fireworks display.  Each year for the last three years, one of the shells has burst into the form of a kanji (Chinese ideogram), a different one each year, though they look similar.  Behind this mystery is a tale of heartbreak and ineptitude.

In between, the major story is the discovery of forged shinigami gold licenses.  These licenses show the bearer to be an expert in sending spirits to the afterlife, and come with an increased salary and other perks.  (Rinne only has a silver license.)  To no one’s surprise, Rinne’s father Sabato is the man behind the forgeries.

What does cause surprise is that Sabato’s model for the forgeries is his own genuine gold license.   He’s always been a slacker who would rather come up with get rich quick schemes than work as a shinigami, so how did he get that–in high school, no less?  Time for Rinne to finally get some answers from the old man!

Also in this volume are stories involving new recurring characters Annette Hitomi Anematsuri, a teacher who is descended from a French witch and thus has some magic powers she’s not that good with; and Ayame Sakaki, a miko (shrine maiden) who has a crush on inept exorcist Tsubasa Jumonji (who has a crush on Sakura, who has feelings for Rinne, who has feelings for Sakura but won’t do anything about them because of his poverty.)

The stories continue to be funny and the art is good, but none of them advances the main plot or introduces important characters, so you could probably skip this volume if you’re on a budget.

Manga Review: Weekly Shonen Jump (2017)

Manga Review: Weekly Shonen Jump (2017) by various

This is my blog’s fifth anniversary!  And thus this is my sixth annual review of the state of Weekly Shonen Jump, the online version of the popular manga anthology Weekly Shounen Jump.

Weekly Shonen Jump 2017

The online edition, being aimed at the North American audience, is substantially different from the Japanese newstand edition.  Several of the Japanese serials are not considered suitable for translation, and instead monthly serials from other magazines are brought in to fill pages.

Let’s take a look at what’s currently running.

Weekly

“One Piece” by Eiichiro Oda: The epic series about stretchable pirate Luffy D. Monkey and his wacky crew on a world that’s mostly ocean continues to be the tentpole for Shonen Jump.  The current story centers around cook and ladies’ man Sanji, who was kidnapped by his abusive birth family to be married into the Big Mom pirate clan.  The arc appears to be winding down as the wedding went about as well as one written by George R.R. Martin, and now the Straw Hats crew and their temporary allies are attempting to escape Big Mom’s territory.  That will depend on whether Sanji and his would-be bride Pudding can create the perfect substitute wedding cake in time!  Cast bloat continues to make this series move at a snail’s pace, but oh! what characters.

“My Hero Academia” by Kohei Horikoshi: Deku, formerly one of the Quirkless minority on a world where 80% of people have superpowers, has been gifted with One For All, a rare transferable quirk that will someday make him the world’s greatest superhero, if it doesn’t kill him first.  That’s why he’s enrolled in the superhero training school Yuuei High, along with a number of other niftily powered teens.  This series has just finished an arc in which Deku aided in rescuing a little girl from an attempt to make the Yakuza big time again by wiping out superheroes.  The baddies’ plans were smashed, but not without cost.  This continues to be one of the best battle manga around, with plenty of neat characters and fun battles.  Plus it’s nice to see optimistic treatment of superheroes.  The last arc did, however, kind of shortchange the female heroes.

“Dr. Stone” by Riichro Inagaki & Boichi: For reasons yet unknown, humanity was petrified nearly four thousand years ago.  A handful of people have been unpetrified, most prominently Senkuu, a high school science prodigy.  He now strives to bring the wonders of scientific knowledge and technology back to this world of stone.  This series is new for 2017, and is notable for its emphasis on smarts and facts as a way to get ahead.  (The first few chapters made it look like Senkuu’s strong but not very bright friend Taiju was the protagonist, but he’s since been moved offstage.)  For the last umpteen chapters, Senkuu has been trying to gain access to a primitive village whose priestess may have information he needs–if he can cure her of her mysterious illness.  His rapid introduction of useful things like glass and magnetism helped, but since this is a shonen manga, it all came down to a fighting tournament.

“Black Clover” by Yuuki Tabata: In a world where everyone can use magic, Asta was the only person who seemed to have no mana or talent.  That is, of course, until his power turned out to be summoning anti-magic swords!  Asta has joined the Magic Knights misfits squad known as the Black Bulls, and dreams of becoming the Wizard King!  After several attacks by a terrorist group known as the Eye of the Midnight Sun, a strike force has been cobbled together of the most effective Magic Knights (plus Asta) to attack what appears to be the Eye’s headquarters.  This series is kind of generic, and average in quality, but does the battle manga thing well enough to keep people reading.

“Food Wars: Shokugeki no Souma” by Yuuto Tsukada & Shun Saeki: Souma Yukihira is a cocky young chef being trained at the prestigious Totsuki Culinary Institute, a cooking-obsessed high school with a 1% graduation rate.  He must battle to prove his skills are worthy of being a top chef.  Currently, we are finally approaching the finals of the team shokugeki (cooking battle) between the Elite Ten under the evil Director Azami and the rebels led by Souma.  With both sides whittled down, we may next year finally see Erina in action, as her cooking ability has been hyped since Chapter Two without ever being seen in the present tense.  The ecchi elements have been toned down since the early chapters, but we still do see naked women (and men) from time to time.

“Robot X Laserbeam” by Tadatoshi Fujimaki: Also new for 2017!  A stoic boy, Robato Hatohara, nicknamed “Robo” for his apparent lack of emotion, discovers that he has a special gift for golf, and then that it is the one thing that truly excites him.  By the creator of the hit series “Kuroko’s Basketball”, this series tries to do the same thing with professional golf.   Amazingly, after Robo is introduced to the love of the sport, the manga skips the entirety of his high school career, and we’re now reading Robo’s professional debut match against a South African giant.  I find most of the characters, except lovable goof Dorian Green (the afore-mentioned giant) bland and uninteresting, but the creator has a good reputation.

“We Never Learn” by Taishi Tsuitsui: Also new for 2017!  Nariyuki Yuiga comes from an impoverished family and despite not being above average intelligence, uses hard studying and learning techniques to get excellent grades, just below math genius Rizu Ogata and humanities expert Furuhashi Fumino.  If he could get the special VIP Scholarship recommendation from his school, Nariyuki might be able to get into a first-class college, make it into a decent job and move his family up to middle class.  The principal dangles this prospect in front of the young fellow, but first he must successfully tutor Rizu and Furuhashi, as they want to get into colleges that specialize in majors the opposite of their strong suits!  As the teens begin to learn how to deal with their studies, they also begin developing feelings for each other.  This “harem” romantic comedy has since added a third girl for Nariyuki to tutor, athlete Uruka Takemoto, as well as a couple of other young women that probably aren’t really in the love market but provide other fanservice.  I find this series a bit cringey, especially as it’s moved away from the study skills premise, and I would like to see more male friends for Nariyuki.  The fanservice art is nice.

“The Promised Neverland” by Shirai Kaiu & Demizu Posuka: Children raised in a happy orphanage discover that instead of being adopted by loving families, they’re actually being raised to be eaten by demons.  The children have finally escaped from the orphanage, only to discover that the person they were hoping to meet to take them to safety hasn’t been at the rendezvous point in years.  Emma and Ray are currently proceeding to the next rendezvous point with a nameless older survivor, but Emma abruptly finds herself in a demon noble’s canned hunt.  This series continues to be excellent.

Monthly

“Blue Exorcist” by Katou Kozue: Rin Okumura may be the son of Satan, but he defies his demonic heritage to join a school for demon-hunting exorcists.  Currently, Mephisto has been badly wounded, weakening the barriers between Earth and Gehenna.  More personally, Rin’s brother Yukio appears to be going over to the dark side, may be the one who shot Mephisto, and is invited to join the Illuminati.  This time we may be looking at a permanent threat escalation.

“Seraph of the End” by Takaya Kagami, Daisuke Furuya & Yamato Yamamoto: After a plague wipes out most of humanity, the remainder are either enslaved by vampires, or ruled by armies that use demons as weapons.  Yuichiro escapes the vampires and joins the Japanese Imperial Demon Army to avenge his fallen friends, but discovers over time that the JIDA might not be the good guys either.  Currently, Yuichiro has reunited with his old friend Mikaela, who has become a (weak) vampire himself, and they have allied with the remains of Yuichiro’s squad and some rebel vampires against the true threat…God?  Seriously?

“One Punch Man” by ONE & Yusuke Murata: Saitama was once an unemployed loser who dreamed of becoming a hero that could defeat any opponent with one punch.  After some training, he became exactly that, but learned to his sorrow that ultimate power is ultimately boring.  This superhero parody is considerably deeper than you might have guessed.  Currently, it’s in a long arc where the Hero Association faces two threats: the Monster Association that is its opposite number, and Garou, a man who hates stories where heroes always win.

“Boruto: Naruto Next Generations” by Ukyo Kodachi & Mikio Ikemoto: A sequel to the enormously popular Naruto manga, this one features his son Boruto and other second generation ninja in a world that has been at peace for a while.  Currently, Boruto and his team have been diverted from their ninja gadget testing mission to check up on some missing scouts.  They’ve been told not to engage any enemies, but this is after all a shounen manga.  This series has been surprisingly good for a cash-in sequel.

“Yu-Gi-Oh! Arc V” by Shin Yoshida, Masahiro Hikokubo & Naohito Moyashi: Yuya Sakaki is a Duel Monsters (children’s card game) player with multiple personalities (that at some point were actual people) who’s come back from the future in search of the GOD card that will end the world unless properly contained.  I think.  This series is a confusing mess.

“Hunter X Hunter” is back on hiatus due to creator bad health, and it looks like the “Ruroni Kenshin: Hokkaido Arc” has been suspended indefinitely as the creator has been arrested for possession of child pornography.  (Ow.)

Despite some relative duds, Weekly Shonen Jump online still remains one of the best bargains in manga, with several excellent series.

Manga Review: Platinum End Volume 3

Manga Review: Platinum End Volume 3 Story by Tsugumi Ohba, Art by Takeshi Obata

Quick recap:  Mirai Kakehashi has had a miserable life as an abused orphan, but when he attempts suicide, he is rescued by an angel.  Nasse, the Angel of Purity, informs Mirai that he’s been chosen to join a contest to determine the next person to be God.  Currently, Mirai is allied with his classmate and crush Saki Hanakago and her sponsor, Revel the Angel of Trickery.  They’re opposed to the mysterious Metropoliman, who wears a superhero costume and has already murdered several God candidates.

Platinum End Volume 3

As this volume opens, Mirai and Saki have been tracked down by yet another candidate, Nato Mukaido.  He’s a businessman who used to work in the fashion industry before he developed terminal cancer.  His sponsor is Baret, Angel of Knowledge.  Nato is pretty sure he’s not going to survive the full 999 days of the contest even if he’s not murdered, so his primary objective is not letting the amoral Metropoliman become God.

Nato isn’t lying, so Mirai and Saki ally with him, despite Mirai’s reservations about killing even in self defense.

We also learn Metropoliman’s secret identity and part of his motivation for becoming God, which I won’t spoil here.  His sponsor is Meyza, the Angel of Greed.  He needs a new plan to draw out his enemies, and takes inspiration from a friend.

Metropoliman breaks serial killer Mimimi Yamada out of prison and enslaves her using the red arrows of love.  He equips her with wings and red arrows, then gives her instructions of who to target.  The plan is to draw out God candidates who won’t allow a superhuman serial killer to operate due to their own moral standards.

And it’s at this point I need to issue a Content Warning:  A pre-adolescent child is placed in a sexual situation on-page before being murdered.

Our protagonists recognize that Mimimi is bait for a trap, but come up with a plan to deal with her that might not leave them too vulnerable to Metropoliman.  They might have underestimated the masked man’s ruthlessness and access to resources, though, and things look dire at the end of the volume.

The art continues to be top-rate, and it’s always fun to watch very smart characters attempt to outplan each other.

Nato’s a good choice as an ally character, someone who temporarily outshines the main protagonist but is doomed by backstory, so will soon give back the spotlight.

Metropoliman:  To quote Brooklyn 99, “Cool motive.  Still murder.”

Mimimi is much less interesting, combining the most irritating characteristics of Misa in Death Note with a skeeviness that is just repulsive to me.

And that’s why I am not unreservedly recommending this series any more.  The skeevy parts made this volume much less enjoyable for me.  Approach with caution.

Anime Review: Jojo’s Bizarre Adventure: Diamond Is Unbreakable

Anime Review: Jojo’s Bizarre Adventure: Diamond Is Unbreakable

Josuke Higashikata (the kanji for his name can also be read as “Jojo”) has lived all his life in the northeastern coast city of Morioh with his single mother and his police officer grandfather.   When he was a small child, he became deathly ill for several weeks, and at one particularly dangerous moment, the family was helped by a passing stranger with a distinctive hairstyle which Josuke later adopted in gratitude.  Ever since recovering from his illness, Josuke has been able to manifest a Stand, a psychic projection that allows him to smash things and then fix them (he doesn’t have to put them back together in the original configuration.)  He calls his Stand Crazy Diamond.

Jojo's Bizarre Adventure: Diamond Is Unbreakable

On the first day of high school, he and his new classmate Koichi Hirose meet a mysterious stranger who turns out to be Jotaro Kujo, a marine biologist who is Josuke’s nephew.  Say what?!  It seems that Josuke’s father is Joseph Joestar, an aging millionaire who had a brief affair with Josuke’s mother some years back.   Jotaro is his grandson by Joseph’s marriage.  The family only now discovered Josuke’s existence, so Jotaro came to establish contact and deal with any legal issues…and also warn Josuke that there is a hidden evil in Morioh.  And so the bizarre adventure begins!

This is the fourth installment of the Jojo’s Bizarre Adventure series of series about the Joestar family, based on the manga by Hirohiko Araki.  The story is set in 1999, the near future at the time (which might explain some of the bizarre fashions the school-age characters are allowed to wear to school…but I doubt it.)  It’s a strong contrast to the previous installment, Stardust Crusaders.  Instead of a race against time across an entire continent, it’s about a number of incidents that interrupt the daily lives of people in a single small city.  Unlike the world-conquering DIO, the ultimate villain of Diamond Is Unbreakable just wants to be left alone to live a quiet life as a serial killer.

However, this series also strongly ties back to the earlier ones.  In addition to the returning characters of Jotaro and Joseph, this storyline reveals at least some of the mysteries behind the power of Stands.  It turns out there are arrows tipped with meteoric stone; anyone pierced by them gains a Stand, but not everyone survives the process.  This is how DIO got his Stand (and somehow passed the change down to everyone related to Jonathan Joestar, whose body he was wearing at the time), and created many of his minions.

After the events of Stardust Crusaders the stone arrows wound up in Morioh, and several people have been pierced (and in addition people who were born with Stands have moved to the city, as Stand users tend to attract each other as if it were fate.)  Most of these people are at least initially hostile–it’s good that Josuke has friends!

Josuke’s Stand reflects his central trait of compassion, but his kindness is leavened by being much more of a “teenager” than Jotaro ever was.  He likes goofing around and more than once comes up with a get rich quick scheme based on his and other people’s powers.  He’s also very touchy about his hair.  Josuke is initially hostile to the now-seemingly senile Joseph, but eventually warms to his old man.

Koichi is a short, wimpy fellow who initially does not have the fighting spirit to survive being imbued with a Stand, and only lives due to Josuke healing him.  He undergoes the most character development of the heroes, learning how to use his Stand Echoes (which evolves along with him) and finding his true courage.  His personality is less off-putting than Josuke’s, and he makes more friends, even getting a love interest!

Okuyasu Nijimura is initially an enemy, but this is largely due to the influence of his brother Keicho, who was creating Stand users to find a solution for their father, who had been a hidden servant of DIO and became severely mutated as a result.  After Keicho’s murder by a would-be crimelord, Okuyasu joined the heroes to get revenge, and quickly became Josuke’s best friend.  Okuyasu’s simple but powerful Stand The Hand is seldom used to full advantage as he is kind of stupid.  (“I’m not very bright, you know” is Okuyasu’s catchphrase.)  He’s also most of the comic relief.

Jotaro Kujo is still the same stoic badass we saw back in Stardust Crusaders, but more educated.  He appears relatively seldom, preferring to concentrate only on the main enemies, but is much feared by the villains due to his Platinum Star Stand having a time stop ability, and having managed to defeat DIO.

About midway through the story, we also meet Rohan Kishibe, an extraordinarily gifted and arrogant manga artist whose stand, Heaven’s Door, allows him to read people like a book.  Literally.  Rohan turns out to have a deeper connection to Morioh’s mysteries than he ever suspected, and becomes allied with the heroes.

The unique Stand abilities and the differing personalities of the main characters allows for interesting battles-it’s seldom as simple as overpowering an enemy, but requires lateral thinking, use of the environment and quickly understanding the implications of how the Stands interact.

The anime adaptation has been slightly rearranged to foreshadow the existence of the final villain and make the flow a little more even.  Still, there are a few episodes that feel like padding.  (The best of these, “Let’s Eat Italian!” is a brilliant inversion of a common episode plot in the third series–in that one, any time our heroes entered a shop or eatery with a bizarre-acting proprietor and weird things happened, it was a deadly trap, while in this episode, the outcome is entirely different.)  I had to force myself to finish the episode that introduces Mikitaka, who is probably an alien, as it was just too sitcom.

The source material was aimed at boys, so it’s not too surprising that there is less for female characters to do.  The most prominent is Yukako, a classmate of Koichi’s who falls in love with him,  Unfortunately, she is a yandere (sweet on the outside, stalker-crazy on the inside) girl who makes Koichi very uncomfortable before learning to dial it back a few notches, at which point he begins to return her interest.  Sadly, despite her fearless nature and useful Love Deluxe Stand, which allows her to control her hair even when it’s detached from her, she fades from the story once she reforms and doesn’t help out in any further battles.

Then there’s Reimi, a ghost bound to the alleyway she died near, and who has important clues to the final villain.  A small role, and she’s not very powerful, but does get a couple of great scenes.

As a violent action series where two of the villains are serial killers, there’s quite a lot of blood in various scenes (though actual wounds are blacked out) and one episode has full-frontal male nudity.  One villain has committed rape in their backstory, but doesn’t get a chance for it in the present day.  There’s also an extended and really creepy subplot in the later episodes that may be too uncomfortable for some viewers for spoilery reasons.

Due to trademark issues, many of the Stands (which have music-relateed names) have been renamed in the subtitles.  Crazy Diamond, for example, is renamed “Shining Diamond” even though you can still hear the characters saying the original name in English.

Overall, this series is a lot of fun for fans of superpowered battles.  If you liked the previous installments, you will probably enjoy this one–if your watching of Jojo starts here, you might be a bit confused for the first few episodes relying on readers remembering previous events.

Manga Review: Servant X Service 1

Manga Review: Servant X Service 1 by Karino Takatsu

In a certain city in a certain prefecture of Japan, the Health & Welfare Department has hired three new people.  Yutaka Hasebe, a highly competent slacker; Lucy (etc.) Yamagami, a strait-laced woman with an improbable name,  and Saya Miyoshi, an under-confident woman who has a tendency to speak bluntly when pushed too far.  Together, they learn the ropes at their new jobs as public servants.

Servant X Service 1

This is a gag manga by a former government worker, with the majority of the story done in four-panel strips.  (The format is called 4-koma in Japan.)  Much of the humor will be appreciated by anyone who’s worked in an office or served the public, while some bits (like the backstory behind Yamagami’s name) need some explaining to people who are unfamiliar with Japanese culture.  And of course many aspects are exaggerated or outright made up for humor, such as the boss who works from home and uses a stuffed rabbit robot as his stand-in.

According to the author notes, this series was originally published in a magazine that only ran on the fifth Friday of a month, so it took four years for there to be enough material for the first volume.  A switch to monthly publication meant the second volume only took a year.  (Both are included in this omnibus edition.)

The art is adequate; it’s easy to tell the characters apart, and backgrounds are generally irrelevant, so seldom appear.  The main subplot is that Hasebe begins to be romantically attracted to Yamagami, who is obtuse to his intentions, making his flirting with her not have the intended result.

Hasebe flirts with a lot of women, in a way that would get him fired in any real office, even a Japanese one–because this is a comedy, he’s only reminded that it’s inappropriate and occasionally bopped on the head.  And some readers may find the running gag about the size of Yamagami’s breasts (large) annoying.

There is an anime adaptation, which I have previously reviewed, and it is amazing how well it worked, turning short gag strips into coherent 22 minute episodes.

Recommended to fans of office-based comedy.

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