Anime Review: Erased (Japanese title Boku Dake ga Inai Machi “The Town Without Me”or “The Town Where Only I Am Missing”)
The year is 2006, and Jun “Yuuki” Shiratori is on Death Row for the abduction and murder of three children back in 1988. Very few people still believe that he’s innocent, considering the substantial circumstantial evidence against him. One of them is Satoru Fujinuma, a struggling manga artist and part-time pizza delivery driver. Satoru feels somewhat responsible for failing to save the other children (including one of his personal friends) and not convincing the adults that the simpleminded Yuuki was not the killer. As a result, Satoru has had difficulty moving forward in life. But he’s about to get another chance.
It turns out that Satoru has been blessed/cursed with a power he calls “Revival.” When a tragedy strikes that he could avert, Satoru’s timeline reruns over and over until he fixes the problem. Unfortunately, this usually works out badly for Satoru himself, so he is made even more frustrated by it.
Satoru’s mother drops by for a visit, and witnesses an event that sparks memories–for the first time she is able to realize that Satoru was right back then, and makes the connection to who the killer really was. Except that the killer recognized her too, and murders her, framing Satoru for it. Revival kicks in–
–And Satoru wakes up as his eleven year old self in 1988, before the murders began. He determines that he needs to stop the killings to change the future, starting with saving the pretty but aloof Kayo Hinazuki, one of his classmates. But how?
This 2016 anime series was based on a manga by Kei Sanbe, condensing 44 chapters into 12 episodes. A couple of subplots were axed, the endgame is speeded up, and the events reworked a bit so that each anime episode save the last ends on a cliffhanger.
Satoru starts the series as an unenthusiastic person who worries that he’s a hollow shell; he helps people with his Revival power not out of any interest in helping them, but because it’s the right thing to do. Over the course of the plotline, as he meets or re-meets people who genuinely wish him well and assist him, Satoru lightens up and learns that he doesn’t have to shoulder burdens alone.
This is important when it comes to Kayo; her situation is more complex than Satoru initially realizes, and working alone he can only delay her death, not stop it. This results in a reverse Revival, as he must return to the future to gather more clues.
There’s some use of cultural allusion. A reproduction of The Last Supper painting gives some quick foreshadowing, and the Ryuunosuke Akutagawa story “The Spider’s Thread” is something that the killer uses as a metaphor. As a child, Satoru was heavily into the superhero shows of the time, and some real ones are mentioned.
Content warnings: Child abuse is an important part of the 1988 section of the plotline, and domestic violence more generally. Yuuki is framed as a pedophile by the killer swapping out his porn collection (we see some scantily-clad women on magazine covers.) And of course the serial killing. I’d rate this for senior high students and up.
Recommended for those looking for a thriller with fantasy elements and a bit of comedy (child Satoru with adult Satoru’s memories often makes slips of the tongue.)
Book Review: Classic American Short Stories compiled by Michael Kelahan
This book is more or less exactly what it says in the title, a compilation of short(ish) stories written by American authors, most of which are acknowledged as classics by American Lit professors. The stories are arranged by author in roughly chronological order from the early Nineteenth Century to the 1920s to stay safely in the public domain.
The fifty-one stories included begin with Washington Irving’s “Rip Van Winkle”, a tall tale about a henpecked husband who drinks ghostly beer and sleeps for twenty years, right through the American Revolution. The book ends with “Winter Dreams” by F. Scott Fitzgerald. A young man from Minnesota finds great success in the laundry business, but heartache when the woman he loves cannot settle for just him. In between are ones that are very familiar to me, like “The Telltale Heart” by Edgar Allen Poe (a murderer confesses his crime in an effort to prove his sanity) and stories that were new to me, like “The Revolt of ‘Mother'” by Mary E. Wilkins Freeman (a New England woman, tired of an unkept promise, takes matters into her own hands.)
There’s a wide variety of genres represented, from “realistic” slice of life stories through mystery and fantasy to outright horror. The chronological order highlights the changing social attitudes depicted in the stories, particularly the two Edith Wharton stories about divorce. Women are reasonably well-represented, and there are a couple of writers of color as well.
Of course, just because a story is “classic” does not mean it will appeal to everyone. I found Henry James’ novella “The Aspern Papers” (literary buff infiltrates the household of a famous poet’s ex-lover in an effort to gain any memorabilia she might have of him) tedious and predictable. I am not alone in this, but many other readers have found it fascinating.
Content issues: Many of these stories have elements of period racism, sexism and classism; sometimes it’s dealt with within the story itself, but other times it pops up as a nasty surprise. “Paul’s Case” by Willa Cather, about a boy who wants the finer things in life without the tedium of putting in decades of hard labor to get them, deals with suicide.
This is a Barnes & Noble collector’s edition, and is quite handsome and sturdy, with a leather binding, gilt-edged pages and a silk bookmark for a reasonable price. However, the fact that it has a “compiler” rather than an editor is telling. There are scattered typos; I do not know if they were caused by errors in transcription, or if the sources were not scrutinized carefully enough. The author bios at the end are not quite in alphabetical order, and miss out Washington Irving altogether.
Overall, most of these stories are worth reading at least once, and many are worth rereading over the years. Highly recommended to people who don’t already have their favorites from this collection in a physical book, or are curious about the stories they haven’t read yet. It’d also make a nice gift for your bookworm friend or relative.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.
Magazine Review: Ellery Queen’s Mystery Magazine July 2016 edited by Janet Hutchings
Frederick Dannay, who along with Manfred B. Lee wrote the Ellery Queen mystery stories, was asked by Mercury Press to be the editor of a new magazine that would print a higher class of detective stories than the general run of pulps, with the first issue of EQMM coming out in 1941. At first it was a reprint magazine, featuring classic tales by writers like Agatha Christie and Cornell Woolrich. But by the seventh issue, new stories began to appear, and one, “The Bow Street Runner” by Samuel Duff, was that author’s first professional sale.
Over the years, Mr. Dannay sought out new writers to appear in “The Department of First Stories”, many of whom went on to great success. His successors have carried on that tradition, and as part of the magazine’s 75th Anniversary celebration, the July issue #898 features new stories by authors who got their start in EQMM.
“The Staff of Asclepius” by Stephen Saylor features his Roman sleuth Gordianus the Finder. This one is set in his youth, when Gordianus and a friend were on a trip to see the Seven Wonders of the World. They winter in Rhodes, home of the fabled Colossus. During their enforced idleness, Gordianus learns of a shipping magnate named Rhosander who has suffered several bouts of illness, then miraculously recovered due to wacky cures he dreamed of in the temple of the healing god. Perhaps these episodes are the symptoms of some underlying illness…but they could also be slow poison. The illustration has male rear nudity, which is germane to the story.
“Department of First Stories: A History” by Marvin Lachman reveals the material I cited at the beginning of this review, but in much, much more detail, including a list of some of the most famous writers to debut in the magazine and their accomplishments.
“The Granite Kitchen” by David Morrell is a monologue to a real estate agent by a woman selling her home. She’s obsessed with making her homes just so, always moving on to a bigger project once she has it right. And either she has the unluckiest bunch of family and friends I have ever seen, or…. Chilling.
“Blog Bytes” by Bill Crider is a regular column of mystery-related internet sites; this time focusing on fans of the Ellery Queen stories.
“The Jury Box” by Steve Steinbock is a more traditional book review column. Among other works, this month it mentions several novels starring famous writers as the detectives, including A Riot Most Uncouth by Daniel Friedman, which I reviewed a while back.
“Get Them Out” by Nancy Pickard has a homeless man kicked out of a shelter for making a disturbance. The new janitor at an apartment building offers him a place to sleep in the basement, but his motives may not be altruistic. Ends on an ambiguous note.
“Black Monday” by John H. Sherman is a first story. Howard, a lab technician at a hospital, has been having problems with alcohol and painkiller addiction, and has missing time. His dreams of swimming have gone dark, and he can’t remember what he did last night.
“The Red Tattoo” by Percy Spurlark Parker is a noirish tale featuring Las Vegas private eye Trevor Oaks. He’s hired to find a man’s missing identical twin; the only clue is that the twin was seen in LV with a woman who had a red tattoo.
“The Hangman” by David Dean is the story of a cops-and-robbers game gone south, and the years later sequel. Depressing.
“Flight” by Trina Corey is set in a nursing home during the Vietnam War era (I suspect to avoid easy fixes by technology.) Rachel is crippled by multiple sclerosis, unable to speak or write. Perhaps that’s why a murderer has taken to coming into her room at night to gloat, knowing that she can’t tell anyone. But Rachel still has her mind, and there’s a young nurse that hasn’t lost her ability to care yet, and maybe there’s a way to stop the killer.
“The Man from Away” by Brendan DuBois takes place in New Hampshire and Boston. People tell Amos Wilson he’s too gullible, that his estranged wife is a gold digger he’s better off without. But when she is accidentally killed by tourists who then vanish, Amos feels obligated to do something about it. He may be long-suffering, but he’s not stupid. Satisfying.
“Consuming Passion” by Martin Edwards is about two old friends, one a master chef, the other a restaurant critic, having dinner together. It does not end well.
“The Peter Rabbit Killers” by Laura Benedict closes out the issue with a little girl whose mother has an obsession with cleanliness, and a neighbor girl who is bullying and not at all clean. Another creepy tale.
Overall, a strong issue with many fine stories. I liked “Flight” the best, while “Black Monday” and “The Hangman” were less well done. This issue is certainly worth picking up while the anniversary celebration is still on.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
Horror anthologies are like a box of chocolates. One story might be crunchy frog, another spring surprise, while a more disappointing one is just maple cream. (Seriously, maple cream?) This is because horror tends to be a balancing act between what the writer finds scary and what the reader does. Two different readers looking at the same story may fiercely debate whether it’s terrifying or just kind of gross.
This particular anthology is listed as “contemporary horror” which seems to mean mostly recent stories, set close to the present day. Other than that, there’s no real overarching theme or subgenre requirements. After an introduction that talks a bit about why people read horror stories (among other things, to feel horrified), the opening story is “God of the Winds” by Scathe meic Beorh, a hallucinatory piece that is at least partially about the tendency of white people to appropriate Native American mysticism in stupid ways. The final story is “Out of the Light” by Anna Taborska, a Lovecraftian-feeling story about a man who gets too heavily invested in reading a horror anthology. Hmm.
I was a bit disappointed that the piece by big-name author Ramsey Campbell (“Britain’s most respected living horror writer”) was a reprint from 1988. Which is not to say that “Welcomeland” itself wasn’t a fine story. It concerns a man returning to his home town which has been partially rebuilt into a failed amusement park. Or has it succeeded at its true purpose? It doesn’t feel dated.
Also outstanding is Christine Morgan’s “Nails of the Dead” which looks at Norse mythology from the point of view of a very minor character with a small but important job. Of local interest to me is “Just Another Ex” by Roy C. Booth and Axel Kohagen. A man is sent to find another man who may be unfaithful to his loved one. His reward is non-standard.
There were some typos, most clustered in “Spencer Weaver Gets Rebooted” by Thomas A. Erb, about a bullied high schooler who gets pushed too far. Because of this, and the rather immature feel of the plot points, it felt more like something a high school student would write than something for a professional anthology. (“Did I mention the head bully has a small penis? Well he does.”)
This is an “18+” book, which has sex, rape, foul language, torture and in some cases excessive focus on body fluids. Happy endings are few. But with twenty-eight widely varying stories, there’s something for almost every horror fan. Recommended for the horror buff who wants to try some new authors.