Comic Strip Review: The Phantom: The Complete Newspaper Dailies: Volume Two 1937-1939 written by Lee Falk, art by Ray Moore
Almost five hundred years ago, a sailor named Christopher Walker was accompanying his father on that man’s last voyage when they were attacked by the Singh Brotherhood, a bloodthirsty band of pirates. The pirates killed the rest of the crew, but Christopher survived and washed up on a beach in Bangalla. The native Bandar people, pygmies who were known as the Poison People because of their knowledge of botany and chemistry, healed the young man and brought him to the Skull Cave, supposed home of their god.
Donning ceremonial garb modeled on that vengeful spirit, young Walker became a Phantom, a Ghost Who Walks. He destroyed that iteration of the Singh Brotherhood and vowed on the skull of his father’s murderer to oppose all forms of piracy and injustice. When the Phantom died, his son took his place, and in each generation, another son takes over the role, creating the illusion that the Phantom cannot die.
This long-running comic strip was created by Lee Falk in 1936, two years after creating the also-successful Mandrake the Magician. Skilled artist Ray Moore brought the characters to life. In the first story the proto-superhero succeeds his father, who has been treacherously slain by a member of the Singh Brotherhood. (In the early stories, Bangalla is near India, but has wildlife and native customs closer to Africa at times–later on the country would move to sub-Saharan Africa.) Also early on, the Ghost Who Walks also meets Diana Palmer, who becomes the love of his life.
This volume opens with the Phantom engaging in a bit of stagecraft (with the connivance of the local witch doctor) to perform his annual duty of acting as judge for a village’s disputes. The witch doctor turns out to be aware that the Phantom is actually a series of men, but finds it useful to pretend otherwise to keep the superstitious natives in line. During his visit, the Phantom realizes that village boy Toma is actually a white kid who’s been disguised as a native via skin dye by his purported father.
Somehow, the other villagers had never cottoned on to this, but in retrospect they admit having some suspicions about Beeli’s behavior and excellent cash flow despite being the laziest man around.
The Phantom takes Tommy Reynolds to England, to search for answers as to why he was sequestered in that native village for years. There turns out to be a convoluted reason for the bizarre events, but justice is served and there’s a bittersweet ending.
After that, Diana’s meddling mother pressures the young woman into marrying one of her more suitable suitors, as it’s unlikely the masked man Diana loves will ever turn up again. Diana’s mother is wrong, but before the Phantom and Diana can tie the knot, the British government alerts the Phantom to an emergency situation in the Himalayas that only he can solve! (The star-crossed lovers wouldn’t finally get hitched until the 1970s.)
The Himalayas situation resolved, the Phantom is on his way back to Diana when he’s waylaid in Algiers. Mrs. Palmer successfully meddles by preventing the lovers’ communications from reaching each other, making each think the other has broken off the relationship.
The next story introduces Baron Grover, a modern-day pirate who would become a recurring foe of the Phantom. Grover is an actual nobleman who began piracy as a lark, only to lose all his money and thus take up the profession seriously. The Phantom has a lot of fun making it appear that he truly is immortal; this is also the first time we learn that supposedly seeing the Phantom’s real face is lethal.
Back in Bangalla, a white trader is forcing natives to become pearl divers for him, overworking them and ruining their health. Roark turns out to be trickier to deal with than he should be, as he has not only bought off the local law, but the Phantom becomes mistakenly convinced that Diana is now Roark’s wife!
The final story in this volume has the Phantom saving Diana from slave traders in North Africa–in a story where they never actually meet! Comic relief is provided by an elderly hermit who is getting more visitors in a few days than he’s had in the last forty years; and could probably resolve the romantic subplot in seconds if he were told a few pertinent details.
This is great adventure strip stuff, with Lee Falk working out just how this masked hero thing works, and getting the balance of action, humor and romance right. Over the short term, the separation of the Phantom and Diana creates a nice tension, and the misunderstandings and missed connections draw out the relationship nicely.
Because of the period it was written in, there’s some unfortunate stereotyping of native peoples, a certain amount of presumed white superiority and a bit of period sexism. (Played for laughs in the case of the hermit–“women get fat when they have children, therefore I do not regret escaping the bonds of matrimony!”)
Recommended to adventure lovers, those interested in the roots of costumed hero comics, and well worth checking out at your library!
Book Review: The Year’s Best Dark Fantasy & Horror 2014 edited by Paula Guran
Even the fastest, most dedicated readers can’t read everything that’s published each year. Not even in relatively limited genres like fantasy or horror. That’s where “Year’s Best” collections come in handy. Someone or several someones has gone through the enormous pile of short literature produced in the previous year, and winnowed it down to a manageable size of good stories for you.
Admittedly, these collections also come down to a matter of personal taste. In this case, Ms. Guran has chosen not to pick just straight up horror stories (which do not necessarily include fantastic elements) but fantasy stories with “dark” elements. She mentions in the introduction that at least some good stories were excluded because they weren’t brought to her attention–small internet publishers might not even know such a collection exists to submit to.
This thick volume contains thirty-two stories, beginning with “Wheatfield with Crows” by Steve Rasnic Tem. Years ago, a man’s sister vanished in a wheatfield. Now, he and his mother have returned to the site as darkness falls. Will history repeat?
The final story is “Iseul’s Lexicon” by Yoon Ha Lee. A spy discovers that the army occupying half her country is being aided by not-quite-human wizards everyone thought were wiped out centuries before. They are compiling a lexicon of every human language for nefarious purposes, and it is up to Iseul to find a way to stop them. In the end, she learns that there are innocent casualties in war no matter how targeted the weapon.
Some stories I particularly liked:
“The Legend of Troop 13” by Kit Reed, about Girl Scouts gone feral, and the foolish men who think to possess them. This one has a logical stinger in its tail, and very dark humor.
“Phosphorous” by Veronica Schanoes is about the women who made phosphorous matches, and their fight for better working conditions. The viewpoint character is a woman dying of “phossy jaw” caused by the poison she’s been exposed to. She is determined to see the strike through, and her grandmother knows a way–but the cost is high indeed.
“Shadows for Silence in the Forests of Hell” by Brandon Sanderson concerns a bounty hunter who must track her prey in the forest that has Three Simple Rules. Don’t start fires, don’t shed blood…and don’t run at night. So simple. But there are other bounty hunters in the forest tonight, and treachery. Some rules will be broken, and the shades will descend.
One story I didn’t care much for was “The Prayer of Ninety Cats” by Caitlin R. Kiernan, which is a description of a horror movie based on the legend of Elizabeth Bathory, the Blood Countess. There are some good scenes, but the presentation muffles the effect, taking me out of the story. There’s also use of “Gypsy” stereotypes within the film.
Most of the other stories are good to decent, and there are big names like Tanith Lee and Neil Gaiman represented. If this is the sort of genre fiction you like, it would be worthwhile to check the book out at your library–and then buy it if enough of the stories please you.
Comic Book Review: Showcase Presents: Blackhawk Volume 1 art by Dick Dillin and Charles Cuidero
In September 1939, Poland was invaded by Germany and the Soviet Union. The valiant Polish people battled bravely against the two-pronged attack, but it was to no avail. One aviator was shot down, as it happens, near his family’s farm, only to watch as it was blown to bits by a Nazi bomb. He discovered his siblings inside the ruined farmhouse, dead or dying. The aviator vowed vengeance against the Nazis, and particularly the pilot of the plane that had murdered his family, Captain von Tepp of the Butcher Squadron.
Months later in England, the aviator stewed in frustration. The RAF did not trust the Polish airmen who’d fled to their shores, thinking that because they’d lost, the Poles were inferior pilots. Unable to get in the air through the regular channels, the aviator found a small group of other pilots who were refugees (plus one American volunteer) and likewise unable to get into the fight. They pooled their resources and secretly purchased several Grumman XF5F Skyrockets, as well as supplies for them and a secret island base.
The aviator had discarded his civilian name and now went only by Blackhawk. His men were the Blackhawk Squadron, or just the Blackhawks. They operated on behalf of the Allies, but independently of any military command, striking wherever the need was greatest. After a few missions never detailed, Blackhawk and his men were able to track down von Tepp and Blackhawk took his revenge. His personal business complete, the Blackhawks were free to fly anywhere at any time to fight the Axis.
The Blackhawks first appeared in Military Comics #1 in 1941, under the Quality Comics label, and got their own title, Blackhawk, in 1944. They were very popular, at one point selling just below Superman. In 1952, they even got a film serial, starring Kirk Alyn, who’d previously played Superman in the movies.
But by 1957, sales were waning, and Quality first leased, then sold, its trademarked characters and titles to DC. Blackhawk was one of only a handful of titles to continue (the other notable one was G.I. Combat.) It kept its art team, but had an assortment of now-anonymous writers.
This volume reprints the DC run, starting with #108. At this point, the team had long been stabilized at seven members. Blackhawk (Polish/American/Polish-American) was the leader. Hendrickson (Dutch/German) was the team sharpshooter and the oldest member. Stanislaus (Polish) was generally the second-in-command–at this point he was said to have been a aerialist before the war and was quite acrobatic. Andre (French) was a mechanical engineer and a bit of a ladies’ man. Olaf (Swedish) was large and exceptionally strong. Chuck (American) was a radio specialist. And Chop-Chop (Chinese) was the team cook. We’ll get back to him.
Since the Korean War was over and Vietnam was not yet hot, the Blackhawks (now flying Lockheed XF-90 C jets) primarily fought spies, saboteurs and mechanized gangs. In the first couple of issues, their primary opponents are International Communism, the agents of whom are mostly pure evil (except the one woman who is won over by Blackhawk’s chivalrous behavior and moral rectitude.)
At a guess, these stories were left over from previous writers, as after that contemporary politics vanishes altogether, and much more time is spent on borderline to full science fiction plots. Lost civilizations, time travel, aliens, and lots and lots of robots and awesome vehicles. The team also acquired a pet between issues, a black hawk named Blackie who was of human intelligence (even able to tap out complex messages in Morse Code!)
The Blackhawks also ran into supervillains, most often a high-tech pirate calling himself Killer Shark or his marine-life themed minions. They even fought the first Mr. Freeze DC had.
The plots tended to be simple, as the stories were quite short and mostly meant for kids. There’s relatively little characterization, with each of the Blackhawks having just a few well-worn quirks.
And then there’s Chop-Chop (who did not even get a proper name until the 1980s!) It’s worth pointing out that even when he first appeared in the 1940s, Chop-Chop was exceptionally competent and good in a fight. But he was also clearly a comic relief character, short, round, and with facial features that look pretty darn racist towards Chinese people.
By 1957, this had been toned down considerably. His face was still stereotypical, but not really more so than say Olaf’s. He’d ditched the queue and lost weight, but still only came up to chest height on the other men and dressed in a “coolie” outfit that had been outdated even back in 1941.
The other Blackhawks treated Chop-Chop as an equal, and he remained good in a fight. But he also didn’t have his own plane (usually acting as navigator for Blackhawk) and sometimes gets left out of Blackhawks group activities. He’s also the sole Blackhawk to admit feeling fear, having the catchphrase “Wobbly woes!” In his one spotlight story, he’s held hostage for a time.
This was a relatively good depiction for a Chinese character in the comics of 1957-58, but sets the teeth on edge for modern readers.
Certain plot elements do get reused. There are no less than four times the Blackhawks fight counterpart teams! The first is the all-female Tigress Squadron. They don’t have a Chop-Chop or Blackie equivalent. At first Blackhawk tries to pitch that crimefighting is man’s work, but after they prove their competence, Blackhawk simply switches to criticizing their plan to execute a criminal mastermind instead of turning him over to the police. (In fairness to the Tigress Squadron, they’re entirely composed of the widows that criminal murdered after he escaped from the prison the Blackhawks delivered him to multiple times. They have good reason for wanting to make sure this time.)
Next up is the all-villain Crimson Vultures. They do have a Chop-Chop equivalent (who never does anything) as well as a crimson vulture named Crimson to fight Blackie.) Unfortunately for them, Crimson is not as smart as Blackie, and that costs them the battle.
And two entirely separate miniature robot versions of the team created by mad inventors! (Both have a Chop-Chop but not a Blackie.)
Coordination between writers was plainly not a priority. In one story, a humanoid robot intelligent enough to infiltrate a criminal gang for months is brought back after several issues of being missing, and the Blackhawks take it back to their island. In the next issue, Blackhawk needs a humanoid robot for something, and builds one from scratch, without even mentioning the previous robot, who also does not appear again in this volume.
That said, there are some tremendous machines in this series, and the War Wheel is always a joy to see in action.
Primarily recommended to older fans who fondly remember the Blackhawks from their childhood like me. Others should take advantage of interlibrary loan.
And now, here’s a trailer for the Blackhawk serial! Hawk-aa!
Sir Hubert Handesley’s weekend entertainments are to die for, so young reporter Nigel Bathgate has been told. And now, thanks to his well-to-do older cousin Charles Rankin, Nigel will have the chance to participate in one himself. The game is “Murders”, which should be jolly good fun for the middle-upper crust guests.
As it happens, Charles has brought along a new toy, a Mongolian dagger said to have associations with a Russian secret society. That knife ends up in his back when the lights go out. Did the mysterious brotherhood take revenge for learning their secrets? Did the two affairs he was having, one with a married woman, create the motive? Or did Nigel, who will inherit a pile of money from his cousin, decide to speed up the process?
Inspector Roderick Alleyn of Scotland Yard will need all his wits to unravel this puzzle!
This was the first Alleyn mystery published by Ngaio Marsh (1895-1982), a New Zealand author who cleverly left off her first name of Edith to stand out on the bookshelves. She spent a fair amount of time in Britain, but New Zealand was her home, and several of the Alleyn books take place there.
As is par for the course with British detective stories, Inspector Alleyn is a bit eccentric. He carries a notebook which he uses constantly, and claims to have a “filthy memory.” (His memory is superior to most people’s.) He’s somewhat upper-class, has an appreciation of the arts, and had originally been in the Foreign Service until an incident (unexplained in this volume) diverted him into police work.
After establishing that Nigel is almost certainly not the killer, Alleyn begins using him as a “Watson” to bounce ideas off of and explain his thought processes to. (This continues in later stories.)
There’s some exciting scenes involving the secret society, which yes, really exists and endangers several characters. The solution to the main mystery is a bit unlikely, but well established by clues in the lead-up. Unlike some other mysteries of the period, the servants in the household are noticed and have roles to play, if only minor ones for most. (A staff of about a dozen to support two members of the nobility!) I also like that Inspector Alleyn gets on well with his Scotland Yard subordinates.
One glaring thing: A use of the N-word by Nigel–keep in mind that this was written in England in the 1930s, so there’s a slightly different context.
If you enjoy Christie and Sayers, you will probably like Marsh as well. (But the volumes set in New Zealand might be of more interest to someone looking for variety.)
Here’s a TV adapation (some liberties have been taken):
Book Review: The Tuesday Club Murders by Agatha Christie
Author Raymond West has what he thinks is a smashing idea. A series of Tuesday night gatherings where the six people present discuss mysteries they’ve run across, particularly juicy murders. In addition to himself, there’s an artist, a lawyer, a clergyman, a retired Scotland Yard commissioner, oh, and his Aunt Jane. She’s a darling maiden aunt who has seldom left her home village, and is obsessed with knitting, but she might have an insight or two. But he needn’t have worried about her falling behind, for Miss Marple knows a thing or two about human nature.
Agatha Christie’s beloved elderly lady of detection first appeared in these short stories beginning in 1927. The collection of them in a book (originally titled The Thirteen Problems) didn’t happen until 1932, so The Murder at the Vicarage (1930) is the first Miss Marple book. The format of the first six stories is the Tuesday night meetings, beginning with “The Tuesday Night Club” and ending with “The Thumb Mark of St. Peter.” Then Sir Henry Clithering, the retired Scotland Yard man, gets Miss Marple invited to a dinner party where six more mysteries are told, from “The Blue Geranium” to “The Affair at the Bungalow.”
The last story, “Death by Drowning” has Miss Marple ask Sir Henry to look into a young woman’s apparent suicide–she’s figured out what actually happened, but has no proof.
Miss Marple’s primary method is finding analogies. Although she has seldom left her largish village of St. Mary Mead, Aunt Jane has had a long life and a keen interest in the people around her (and an ear for gossip.) Thus she can almost always find something in her past that is reminiscent of the case at hand, and gives her the clues she needs.
Despite the title, not all of the stories involve a murder; “Ingots of Gold” for example is about a robbery. Some of the tales may be more difficult for a reader to unravel due to them becoming dated; one relies on older British slang, while another requires a knowledge of obsolete work practices. On the other hand, one of the tales has a trick ending of the type that made Ms. Christie’s work famous. There’s some period sexism and classism, and one story involves domestic abuse.
While not Agatha Christie’s best work, and Miss Marple would have some character development in later books, (she’s kind of smug here) these are fun short mysteries that are very much of a time and place.
This volume, written in the 1980s, is a survey of patterns of immigration into urban areas of the United States between 1830-1930 (approximately.) It covers those who came to stay, those who just came to get a nest egg to improve life in their home country, and those who intended to go back but just never got around to it. Mr. Bodnar was and still is a professor of history at Indiana University.
The general theme of this book seems to be “it’s complicated.” The immigrant experience was not uniform, with their reactions and outcomes varying considerably depending on their initial motivations for emigration, the areas they came from, their initial social class and starting capital, and what part of America they ended up in. Trying to fit the immigrants into a single narrative that fits a particular philosophy doesn’t really work, according to Professor Bodnar.
It’s pretty dry stuff, starting with a chapter on the countries immigrants came from and focusing on when various regions had their largest numbers go. This isn’t a book for the casual reader.
The most interesting chapter for me was on religion and how their faiths both influenced how immigrants adapted to American life, and were forced to adapt themselves. Often there were clashes between those who felt they were (ethnicity) first, (religion) second, and those (especially religious leaders) who felt the reverse. One example was Slovak immigrants who were suspicious of their priests and ministers who preached in favor of Hungarian rule of the homeland. (It was later confirmed that the Austro-Hungarian Empire did indeed pay off religious leaders to spout pro-Hungarian propaganda in the U.S.)
Another conflict that often came up was between the urge to embrace Americanization and blend into their new society, and the fear of losing the unique cultural elements of their homeland or religious beliefs. This often led to a preference for parochial or ethnicity-based schools rather than putting children into the public school system.
There are extensive end notes, a bibliography and index, as well as a handful of black-and-white pictures.
Again, this isn’t a book for the casual reader, but is best suited for college students and up who are doing serious research on the subject of immigration. For most people, I’d recommend one of the many fine memoirs of immigrant families available at your local library.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
In a manor on the shores of Lake Nasu, an old man lies dying, surrounded by his kin. But there is no sorrow for the passing of Sahei Inugami in their eyes, only greed for the vast fortune he will be leaving to his clan. It seems that the relatives will have to wait to see how much money they get, as the will cannot be opened until the missing grandson, Kiyo, returns from Burma, where he was stranded after the war.
Famous detective Kosuke Kindaichi is called in by an assistant of the family lawyer. It seems that assistant made a terrible mistake and now realizes that murder will follow unless Kindaichi can prevent it–but the assistant is murdered in Kindaichi’s hotel room before the detective even meets him! This is only a prelude to the terrible things that will happen once the blood-colored will is read….
Kosuke Kindaichi was the most successful series character created by famous Japanese mystery writer Seishi Yokomizo, appearing in over seventy stories. (While the back of book blurb claims The Inugami Clan is the first book in the series, it’s actually at least the fifth. It is, however, the most popular volume and the only one to be translated into English.) He’s a fairly standard quirky detective–dressing in cheap, outdated clothing, stammering at emotional moments, and scratching his scalp furiously while thinking. Apparently, Kindaichi has independent means, as he’s able to lounge around in a hotel room far from his Tokyo home for a couple of months without a paying client.
The case itself is an old-fashioned puzzle box, and it takes several deaths before Kindaichi finally figures it out. All of the Inugami clan are suspicious characters, especially Kiyo, who wears a mask at all times, claiming to have been disfigured in the war. Even the lovely Tamayo, who would in other stories seem to be a innocent target, shows a cold cunning from time to time. But all the characters seem to have alibis for at least one of the murders, and the bizarre pun-based staging makes it probable the same person is behind all the events.
The setting of immediate post-World War Two Japan greatly shapes the story. The will that’s central to setting off the murders would be invalid under American law, and the slowly returning soldiers are an important plot point. (However, no mention at all is made of the American Occupation, or Americans in general.)
There are some gory corpses, an attempted rape, a torture scene told in flashback, and Sahei’s…unusual…sex life is important to several characters’ backstories. This and the older-fashioned writing style makes this book less than suitable to young readers; I would rate it for senior high-school and up.
The translation appears to be out of print in the U.S. Try inter-library loan for a mystery that will go well for fans of Ellery Queen and Agatha Christie-type stories.
Here’s the trailer for the 1976 movie version–NSFW!
Book Review: A Miscarriage of Justice by Nicholas Carter
The quiet village of Tarrytown, New York (not far from Sleepy Hollow) is rocked by scandal when Bert and Adele Denore cut their honeymoon in Cuba short. It seems someone sent poison pen letters to the hotels and casinos they had planned to visit, alleging unspeakable things about Mrs. Denore’s background. (And you know it’s unspeakable when a Cuban casino feels obliged to ban you to protect its reputation!)
Due to the unusual stationery the anonymous letters were written on, suspicion falls on Marjorie Ellsworth, a minister’s daughter that Bert had unsuccessfully wooed some time before. More evidence piles up, and postal inspector Fraser thinks he’s made his case. But Marjorie’s fiance Frank Dean is sure she’s innocent, and engages the famous detective Nick Carter. Nick soon convinces himself that Marjorie indeed is not the author of the poison pen letters..but there’s not enough evidence to convince a jury of that–and seemingly no motive for anyone to frame her!
As mentioned in my previous Nick Carter pulp reviews, he also had a stunning career as a dime novel character, with over 1000 volumes of his adventures printed. This one, originally published in 1914 a brought out in a “paperbound” edition in 1919, is one of them. My copy is barely holding together, with the covers and some of the spine missing, but all the story pages are there, so I thought I’d better read it now before it disintegrates.
The story is…of its time. Nick is easily able to discern good people from bad by their facial features (he’s a trained expert at this) and plays fast and loose with the laws of evidence. (Some dodgy legality at a court hearing is handwaved by the judge declaring it “informal.”) Marjorie is a “damsel in distress” who is pure and innocent as well as beautiful, and seems to have no skill set beyond being of good character. Adele, being French, is a conniving woman of dubious character, but a much more dynamic person with considerable spine.
There’s a small amount of violence, surprisingly none of it by the hands of the hot-tempered Frank, but this is decidedly not a murder case and the villains have no wish to make it so. There’s an unfortunate cameo by a black bellboy who speaks in heavy dialect.
Nick could probably have solved the case much faster if he hadn’t stuck to some cultural assumptions, but evidence would still have been hard to find.
Overall, this book is a disposable, quick and enjoyable read for fans of light detective fiction. It’s mostly valuable as a curiosity, but people who love old books should keep an eye out for other Nick Carter volumes.
Book Review: The Cavaliers of Death by Rosita Forbes
Lois Gilmour is a pretty nineteen-year-old and ready to be a bit independent, so she is less than thrilled when her father Charles, a wealthy importer, has arranged her marriage to middle-aged Philip Wingate, a man with a sinister reputation. It’s especially irksome, as the year is 1930, not 1830. Time to blow off some steam at a masked ball.
At the ball, Lois meets a mysterious grey-eyed man in concealing robes, who promises that she will never marry Wingate, and may be a member of the “Cavaliers of Death” who operate in Syria. He may also be responsible for a murder at the party of a man no one claims to recognize.
Soon, Lois is enmeshed in the clashing schemes of Jim Rattiker (the grey-eyed man), Wingate, the Cavaliers, a devil-worshipping cult, and the true mastermind behind all the events.
Ms. Forbes was a travel writer who specialized in the Middle East, and there are some vivid passages of description once the action in this romantic adventure reaches Syria.
There’s also plenty of action, and a guest appearance by the last of the Romanovs. Naturally, Lois and Jim quickly fall in love, but his vow of celibacy and secretive nature keep them apart for most of the story.
Lois is a damsel in distress, somewhat improved by being the viewpoint character, but a little too prone to running directly towards danger rather than away from it due to her innocence. She’s often frustrated with the men in her life refusing to explain what’s going on, even when it directly affects her. (Most of them do so in an effort to “protect” her, yes, even the antagonists.) Especially the last third of the book’s danger to Lois could have been avoided if anyone had been straight with her earlier.
The biggest fault of the book to a modern reader is its outright libel of the Yazidi people, who have never had the habit of sacrificing white women to the Peacock Angel every full moon.
There are some fun twists, but a major character dies off-stage in an anticlimatic fashion, and the suspense must be made up in other ways.
Still, if you like romantic adventure and can look past the horribly untrue depiction of minority people, this is a rarity to seek out.