Centuries after the Catastrophe that made living on the surface of Earth too dangerous for most humans, Recoletta is a thriving underground city. Conditions have improved on the surface enough so that there are farming communities up there, but the vast majority of people would rather stay safe, thank you.
Inspector Liesl Malone of the Recoletta Municipal police force is one of the people keeping them safe. She’s just finishing up a long case involving explosives smugglers when Malone is alerted to a murder. It happened over in the wealthy part of town, so needs delicate handling. The inspector is surprised to learn that the victim is a historian, and disturbed to find that whatever he was working on at the time of his murder was stolen.
Across town, Jane Lin is a specialty laundress for the well-to-do, hand-washing and mending the clothing and other fabric items the Whitenails (so called because they don’t have to do manual labor and can wear their fingernails long) can’t trust to ordinary servants. Her best friend, reporter Fredrick Anders, informs Jane of the murder, but it has nothing to do with her. Until, that is, a missing button enmeshes her in the case.
Recoletta is a city of secrets, especially as the Council has forbidden civilians from studying “antebellum” (apparently the Catastrophe was at least partially a war) history, and also banned various kinds of literature deemed unsuitable for the current civilization. Malone and her rookie partner Rafe Sundar find themselves stonewalled by the Directorate of Preservation, which has the monopoly on historical research, even as the death toll mounts.
Jane Lin, meanwhile, keeps stumbling on clues and finds herself becoming attracted to the suave and darkly handsome Roman Arnault, who has an unsavory reputation and may or may not have anything to do with the murders. After all, not all dark deeds are connected. But many are.
The setting has a vaguely Victorian feel, with gaslight and frequent orphanings. The title comes from a poem by Matthew Arnold. But this isn’t steampunk as such, and the author doesn’t feel compelled to stick to one era for inspiration.
In the end, this book is more political thriller than mystery, with an ending that upsets the status quo and paves the way for a sequel or two.
One of the things I really like about this book is that the underground cities are not completely isolated from the outside world. You can go to the surface any time you want, visit farms and other cities, there’s even immigration! The hermetically sealed civilization has been overdone in science fiction.
A jarring note for me was the infodump characters used at one point in the narrative. They have names that are too referential to be a coincidence, and feel like the author is just trying to be cute.
Overall, a solid effort that I would recommend to the intersection of science fiction and political thriller fans.
Book Review: The Book of Van Vogt by A.E. van Vogt
In 1972, DAW Books was a brand new publishing company started by noted speculative fiction editor Donald A. Wollheim. Its mission statement was to publish quality science fiction books that had not previously appeared in paperback. (As opposed to reprinting old books with a new title, as often happened in the paperback market.) For their fourth publication, Mr. Wollheim reached out to A.E. van Vogt for a collection of old and new stories, trusting to name recognition to sell the book. I mention this because the inside front page is devoted to this information rather than a teaser for the contents.
There are seven stories in this collection, starting with a brand new one, “The Timed Clock.” It’s set at a dinner party, and the host tells the tale of how he became his own grandfather. Is he playing a joke on his guests, or does the clock in the hall have special powers?
“The Confession” is a weird story about a man who can’t quite remember why he doesn’t meet his girlfriend any more, or why he took a menial job sweeping floors when he used to be quite wealthy. And he has visions of a future where things are better, but it’s impossible to see how he got from here to there. Could it have anything to do with the hypnotist whose stage act he participated in? An ambiguous ending. Content note: attempted rape.
“The Rat and the Snake” is set on the homefront during World War Three. Mark Grey loves feeding rats to his pet python, especially hearing their tiny screams. But the availability of rats has dried up due to rat-catchers being drafted and pet stores put on rationing. Mark finds a government research station filled with lab rats, and doesn’t question how easy it is to get inside and steal some. Poetic justice ensues.
“The Barbarian” is a reprint from the 1940s. In the far future, the Linn Empire rules Earth, and has successfully conquered Mars and Venus. But now a new threat arises from Europa, a barbarian horde that looks as though it will sweep aside the decadent empire. Clane Linn, a priest-scientist and acting leader of Linn, is the only hope of dealing with Czinczar. Czinczar is far more intelligent than the title of “barbarian” would imply. Clane is despised by many in the empire (including his late uncle, the former leader) for being a “mutant.” We never learn the extent of his mutation, except that his clothing is designed to conceal the shape of his shoulders. He is, by 21st Century standards, the nicest guy in his government.
“Ersatz Eternal” concerns three men who have crashlanded on an alien world. One of them is insane, but that may make him the best suited to survive in this new environment.
“The Sound of Wild Laughter” concerns Marie Hazzard, a physicist who has been in a loveless (and sexless on her part) marriage with the philandering and maniacally jealous Carl Hazzard for over a decade. She is briefly relieved when Carl dies, only to learn that his brain has been kept alive and able to communicate. The situation winds tighter and tighter, as Dr. Marie must deal not only with her semi-deceased husband, but three greedy men who think they know what really happened.
That story is heavy on the misogyny, most directly from the noxious Carl, but also from the other men trying to manipulate Marie–and she has some internalized misogyny to deal with as well. There’s some dubious consent sex.
And we wrap up with “Lost: Fifty Suns”, reprinted from the 1950s. In the very far future, descendants of humans who fled to the Magellanic Cloud centuries past learn that the government of Earth has now reached their galaxy. While the representatives of Earth claim now to be more inclusive of genetic minorities, they will not stand for there being an independent star nation anywhere in the universe.
The Earth ship issues an ultimatum: Either the civilization of the Magellanic Cloud reveals itself and surrenders, or the Star Cluster will come looking for them with planet-destroying weapons.
This is especially relevant to Captain Maltby, as he is secretly the hereditary ruler of the “Mixed Men”, a new genetic minority that arose from crossbreeding different strains of humanity. Gifted with strange powers, the Mixed Men tried to take over their galaxy’s civilization, only to be beaten back by force of numbers. Some of the Mixed Men think this is a golden opportunity to make a deal with the Earthlings to become local satraps, while many others want to use the ultimatum to pressure their own civilization into giving them back civil rights. Captain Maltby must try to decide what is best for his people, and convince them to accept it.
We also get to see the viewpoint of Lady Laurr, commander of the Earth ship. Her crew has already been on this mission of mapping the Magellanic Cloud for ten years, and was looking forward to going home when they stumbled on evidence of the Magellanic civilization. While their technology is highly advanced, they’re still looking for maybe fifty inhabited star systems out of millions of suns; it could take another decade to locate the Magellanic civilization provided this ultimatum doesn’t flush them out. Lady Laurr faces legal mutiny if she doesn’t get results quickly.
The ending has one side’s efforts and infighting go all for naught. Somewhat surprisingly, this story passes the Bechdel Test.
Of the stories, I liked “The Rat and the Snake” best; to the point with no faffing about. “The Sound of Wild Laughter” goes on too long and has too much misogyny that isn’t challenged for my tastes.
If you like van Vogt’s stuff, this isn’t his most famous work, but is pretty representative. Those who are new to him might want to try Slan or The Voyage of the Space Beagle nstead.
According to the introduction by the editor, this book came about because there were three long science fiction stories in the to-publish pile, too long for short-story collections but too short to be their own paperback. The cover by Emsh is a good choice with the three intelligent species cooperating in some vacuum-suited endeavor. It doesn’t precisely match any of the stories inside, but gets across the ideas of “three” and “science fiction” nicely.
“There Is No Defense” by Theodore Sturgeon takes place in a far future when the races of the Solar System have devised a weapon so fearsome it is only known as the Death. This won the war against the Jovians, but so horrified everyone that there is now a complete ban against it, sponsored by the interplanetary Peace organization.
Now an invader ship has entered the system. It will not communicate. Its movements are seemingly random, as are its attacks with the power to slag small moons. Its defenses seem to make it immune to any normal weapon, and it retaliates instantly and overwhelmingly to any attack. And this is just one ship, presumably a scout for the main invasion.
It appears that there is no choice but to un-ban the Death, regardless of the damage to the Peace movement’s ethical standing. But what if the invader is immune to the Death? What then?
The story fudges on the difference between pacifism and passivism (as a lot of stories not written by pacifists do), but does show respect for the pacifist’s point of view. The invader’s secret will be more easily guessed by modern readers than the characters in the story, I think.
“Galactic Chest” by Clifford D. Simak is contemporary to 1956, when it was published. A Midwestern reporter chafes at his daily assignment of writing puff pieces for the Community Chest (a charity organization, forerunner of United Way; you may have seen the Monopoly cards.) He wants to become a foreign correspondent and cover international stories!
The newspaper editor (nicknamed “the Barnacle”) doesn’t seem to be helping, sending our protagonist off on a series of stories that seem to be wild goose chases. Finally told point-blank by the Barnacle that good reporters find their own stories, the reporter looks again at those and other incidents and notices a pattern. A pattern reminiscent of brownies (the creatures, not the confections.)
This light-hearted story is closer to fantasy than science fiction, just substituting aliens for elfin creatures. A couple of the “helpful” things they do come across as disturbing (they are okay with euthansia), but overall it’s a happy ending. The main characters drink heavily (a bartender supplies a clue to what’s going on), and it’s strongly implied that the reporter and his love interest engage in hanky-panky before marriage.
“West Wind” by Murray Leinster is set in Eastern Europe of the then near future, though country names are very carefully not used. Igor is a proud citizen of a small, militarily weak country. They have atomic power plants, true, but their neighbor to the east has actual atomic bombs, enough to turn Igor’s country to glass. The country to the east is large and militarily powerful, and has already bullied Igor’s country into ceding over one of its provinces to them.
Now the eastern nation has demanded another border province. The President of Igor’s nation has agreed to cede this province as well, without a shot fired, just all the citizens evacuated. The President did warn that any soldier entering the province would be doing so at their own risk, but that was a bluff, right?
Igor is incensed. He knows full well that the aggressor nation will not be satisfied with this bite of territory; they will soon find some excuse to demand more, or even invade outright! Igor decides to hide from the evacuation teams with a radio transmitter (he’s a news broadcaster by profession) so that he can send messages back to his people to shame them into resisting the invaders.
Igor doesn’t even get one broadcast off before he’s caught by the invaders and arrested as a spy. As the only living resident of the province, the eastern nation believes he must know something about what the President meant in his speech. Igor makes up some stories under torture, but he has no clue whether or not the veiled threat was a bluff, or what trap could possibly have been laid. The only comfort he has is an old nursery rhyme about the West Wind protecting his homeland.
There are some evocative scenes in this one, from the solitude Igor faces in the abandoned province, to a chilling calculus as the eastern dictators decide how many of their own troops need to die to make their planned invasion look like a fair fight.
The reveal itself seems unlikely given advances in our knowledge of that field of science; to quote Morbo, “it does not work like that!”
This is mid-level work by a trio of excellent authors, worth looking up if you are a fan of any of them. It doesn’t seem to have been reprinted recently so try used book stores and libraries.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
Book Review: Father of Lies | Mirror Image by John Brunner and Bruce Duncan, respectively.
Belmont Books was a minor publisher of paperback books with a specialty in speculative fiction, which lasted from 1960 to 1971. Apparently in an effort to mimic the success of Ace Doubles, they produced a series of “Belmont Doubles” that tucked two novellas into one book, but without the reversed printing that made Ace’s books distinctive. This particular volume was printed in 1968. While the two stories have little in common, the cover blurb does a good job of linking them.
“Father of Lies” is by John Brunner (Stand on Zanzibar) and features a group of seven amateur parapsychologists. After a failed attempt to find a “Nessie” type creature in another loch, one of them interests the others in investigating a circle of land in England that seems to have dropped off the memory of everyone outside it, to the point that the maps don’t match what can be observed of the territory.
The team learns that after a certain point into “the Blank Space” modern technology doesn’t work. The people inside seem to be in a medieval social stasis, and one of the team who happens to have studied older forms of English is told by the locals that there’s an ogre about. When another of the group, Miles, enters from a different direction, he learns that there’s also a dragon. He also sees modern tire treads heading into the territory and decides to investigate–then vanishes!
There’s some fascinating Arthurian stuff going on, and a couple of exciting scenes involving the ogre and dragon. Plus, Miles meets a naked modern woman named Vivien who’s about to become a human sacrifice. The tension is high in places. The title does come into play, but not as you would normally expect it to.
The characterization is kind of lacking; two of the seven parapsychology team never show up in person or have lines, and most of the rest get one personality trait each. Miles and Vivien aren’t much better off, getting “bookish fellow who finds his inner hero” and “modern independent woman with no identifiable skill set but is very brave.” The villain is also kind of shallow, childishly evil.
The ending is kind of abrupt, with the reveal of what’s been going on in a rushed infodump after an important character dies.
“Mirror Image” is by Bruce Duncan, which turns out to be a pen name for Irving A. Greenfield (Only the Dead Speak Russian). Go-go dancer Trudy Lane drops dead in the street, but when she’s autopsied an hour later, the doctor finds that she’s been dead over seventy-two hours. New York police detective Luis Santiago is saddled with this bizarre case, which only gets weirder when another Trudy Lane body shows up cut in half and stuffed in trash cans.
Meanwhile, America’s most advanced nuclear submarine, the Triton, sails out on a secret mission. There’s some concern about Petty Officer Second Class Warren Hall, who got a “Dear John” letter just before going on shore leave. He disappeared for several hours during the night, but they do know he was seen with a go-go dancer named…Trudy Lane. Hall admits that he spent time with her, but lies about another man he was seen with at the Mermaid Club. Odd.
The reader is not left in suspense long. (Imagine that meme with the guy from the History Channel saying “ALIENS”.) Yes, aliens are invading the Earth and replacing certain people with robots under their command.
The best parts of the story are the bits from the perspective of the Hall robot, which has the parts of Hall’s memories the aliens considered essential, but doesn’t really grok human behavior. It’s not quite to the level of “Hello, fellow humans.” but Hall keeps doing or saying things that set off people’s uncanny valley instincts.
The aliens appear to have some form of mind-control ability as well, but this is inconsistently portrayed. The lead alien’s exposition is deadpan enough that it’s almost funny.
It’s a decent enough story, but again the characterization is lacking, and thus the parts that should be thrilling as the submarine is taken over fall flat.
Mostly I recommend this for the John Brunner completist as the previous published version of “Father of Lies” in Science Fantasy #52 (April 1962) will be even harder to find.
Shann Lantee is a member of the Survey Corps team getting the planet Warlock ready for human colonization. Well, just barely. Without any formal education, Shann was brought along to do all the scutwork of the camp, including tending the genetically enhanced wolverines being tested as partners for human scouts. A bully has let the wolverines out of their cage to get Shann in trouble, and so the young man is well outside the camp when the Throg come calling.
The vaguely beetle-like Throg are at war with the humans; both species need Earth-like planets, but the Throg prefer letting the Terran-derived people find the planet, then snatch it away from them. The Throg kill everyone in the camp, and Shann believes himself to be the only living human on Warlock, heading into the mountains to hide.
Soon, however, he is joined by Ragnar Thorvald, the leader of the Survey team, who had happened to be off-planet during the initial raid. His return ship was shot down, and the officer decides to create the illusion that there are sentient natives on the planet. Thorvald has his reasons to believe that there are undiscovered intelligent natives on the planet, and Shann will need to uncover the secrets of Warlock if anyone is to survive the Throg invasion.
Andre Norton was born Alice Norton, and like many women writing in the 1930s (and later) was pressured into having a male-sounding pen name to sell books in a genre that wasn’t considered a woman’s field. (She later legally changed her name to Andre Alice Norton, for convenience.) Storm Over Warlock is the first of her “Forerunner” series (retroactively named when the Forerunner turned up in one of the later books.) When published in 1960, it was a “juvenile”; nowadays we’d call it “young adult.”
The story starts with the destruction of the camp, and Shann doesn’t spend a lot of time having detailed flashbacks, so we don’t get a lot of backstory for him. We do learn that he was born in an impoverished section of a mining planet, orphaned at an early age, and led a hard life–an intriguing remark indicates that he’s seen people being mind-controlled before, but does not expand on that.
There’s even less background for Ragnar Thorvald. We can gather that he’s been a successful Survey scout , since he was placed in charge of the expedition. Thorvald was distracted by his worries that Warlock has sentient inhabitants–he’s clearly barely noticed Shann Lantee existed before they’re forced together by circumstances. He also seems to have been unaware of how much a bully his younger brother Garth was, and Shann doesn’t bring it up. While he’s much more educated and competent than Shann, Thorvald is sidelined for large portions of the story, forcing Shann to make his own way.
Taggi and Togi, the wolverines, are an important part of the book, Shann’s only friends at the beginning, and often useful in survival. Since they are incapable of speech, it’s not clear to Shann or the reader how intelligent they really are.
The Throg are treated as innately hostile beings in this volume, their psychological differences with humans making compromise or cooperation impossible, and their deaths a necessity.
The Wyverns, on the other hand, are far more amenable once Shann has managed to establish communication. They may be a semi-aquatic matriarchy with psychic powers, but they share many values with the Terrans. Shann must undergo a vision quest/ordeal to win their trust, which also is where we get most of his background.
It’s worth noting that in the book, Shann Lantee’s ethnicity is ambiguous–his skin is darker than Thorvald’s even after the latter tans, and he has curly black hair–the cover goes for rather pale skin.
This is a solid action/survival story for teenage boys, with some dated attitudes. Recommended for science fiction fans. My copy is a remaindered library book, but you should be able to find an inexpensive reprint easily.
Comic Book Review: Child of the Sun written by Michael Van Cleve, art by Mervyn McCoy
Disclaimer: I was provided with free downloads of this comic book for the purposes of review. No other compensation was offered or requested.
It is 1300 B.C.E., and the people of Israel have fallen into wickedness. Thus they are unprepared when the People of the Sea invade and conquer their land. But all is not lost, it seems, for a divine messenger tells of a baby soon to be born. A baby that will be named Samson.
This is an independently published comic book series loosely based on the Biblical story of Samson. How loosely? One of the supporting characters is Heracles of Zorah, who may or may not be the Heracles of Greek myth. I have to hand the first two issues.
After a nearly silent prelude showing the advent of the People of the Sea and the annunciation of Samson’s impending birth, the comic skips ahead to introduce us to Heracles, who then meets the now-teenage Samson after a drunken celebration (as Samson does not drink alcohol, he is the clear-headed one here.) Heracles takes Samson to Timnath, and introduces him to Adriana, a priest of Astarte, goddess of love and sex.
The naive Samson falls in love with Adriana, but her life has made her cynical about such things, and her job is, after all, to give sexual pleasure. While Samson’s Nazirite vows don’t prevent him from having sex, they do cause some friction between the couple, and he strongly objects to Adriana having sex with people who are not him. She seems to be warming up to him when Samson punches out a man who wanted to rape her.
And cue a flashback to Samson’s childhood and him pulling the head off an oversized cobra.
The third issue concerns “Samson’s riddle”, one of those Bible stories where no one comes off well. At the beginning of the feast celebrating his wedding to Adriana, Samson sets a riddle that cannot be answered without knowing an experience only he had. The guests are not well pleased, and cheat in an ugly way, causing the marriage to collapse almost immediately.
This comic is “suggested for mature readers” due to violence, sex , lots of nudity and a rape scene. I really can’t recommend it to more conservative Christian readers.
The art is pretty good–primarily in black and white, with color for important or emotionally relevant pages by Jonathan Hunt. The depiction of women is heavy on the “sexy”; mostly excused in these issues by the majority of women in question being in the entertainment industry, but Samson’s mother is in a distractingly iffy pose during the annunciation.
It’s not quite clear where the plot is going, as the scenes flit back and forth in time. This series is set for seven issues, so presumably the fourth issue will be clearer as to the direction the author intends.
It’s difficult to judge a mini-series by only the beginning–the creators may pull everything together nicely, or it could fall flat. If it sounds like it may be your sort of thing, please consider buying the individual issues to support the creators and increase the chances they’ll be able to finish and release a collected edition.
Book Review: Bloodlands: Europe Between Hitler and Stalin by Timothy Snyder
The title is pretty self-explanatory; this book is about the location of the worst mass murders of the 1930s and 1940s; the part of Europe between Nazi Germany and Soviet Russia. Starting with the 1933 deliberate starvation of Ukrainians by the Soviet government, policies of mass murder were followed by both countries.
While there were also massive casualties from World War Two, this book focuses on those policies that were deliberately designed to kill as many people as possible whether this was necessary for military purposes or not. After the starvation of the Ukrainians, Stalin created the Great Terror, designed to remove anyone in the western part of the Soviet Union who might have loyalties to things other than Communism, or might be able to lead a resistance.
The Nazis got a later start, but kicked their murder into high gear when they allied with the Soviet Union to invade Poland. Both sides started slaughtering the locals, the Soviets as an extension of the Great Terror, the Nazis because Hitler wanted the area cleared of all non-Germans (but especially Jews) so that it could be colonized as the Americans did to the Wild West.
Then Hitler decided to go to war with Stalin, invading the rest of Poland, and points east to Moscow. Naturally, the murder of anyone who wasn’t a German or immediately useful to the Germans came with them. When Russia turned out to be harder to defeat than planned, the Nazis decided to ramp up killing Jews as an actual war aim–if they couldn’t actually win, they were at least going to take the Jews of Eastern Europe with them.
As the Soviet Union advanced towards the end of the war, they were no gentler than they had been before, and those caught between the two dictatorships suffered for it.
The book goes on to describe the post-war “ethnic cleansings”, where millions of people were moved across new borders to match their “nationality”, which only killed people incidentally. Then it delves into Stalin’s efforts to rewrite history and make World War Two the Great Patriotic War when the forces of imperialism attacked the heroic Soviet Union, and only the Communists (especially the Russians) fought back. Yes, some Jews were killed, but only as an incidental side effect to them being Soviet citizens.
There even seemed to be a movement by Stalin towards the end of his life to justify a new Great Terror against Soviet Jews–cut short by him dying.
This is all horrific material, and some readers may find it too strong to stomach. Along with the mass murder, there’s torture and rape. Nevertheless, it’s an important book with relevance to many modern topics, including the current state of affairs in the Ukraine.
The author believes that it’s not so much a matter of whether Hitler or Stalin was a worse mass murderer. The Bloodlands were caused by both of them, separately and working to encourage each other. Even the Western Allies are culpable to the degree they chose to overlook what Stalin was doing and had done, because Nazi Germany needed stopping. The phenomenon must be studied and understood so that we can avoid it ever happening again.
The danger is not that we might be the victims, but that under the wrong circumstances, we might become the perpetrators.
The book contains multiple maps, an extensive bibliography, end notes and index, and an abstract that summarizes the main points of the book for the “too long, didn’t read” crowd.
Disclaimer: I received this book as a Goodreads giveaway on the premise that I would review it.
The Soviet Union’s invasion of Afghanistan (1979-1989) was a turning point in history. It was often called the “Russian Vietnam” as the Soviet troops found themselves mired in battle with an enemy that had little structure, struck without warning and enjoyed strong local support. The war drained men and material with little to show for it, and displeasure with the conflict helped bring about changes in the Soviet government that led to the end of the U.S.S.R.
The United States government, working through the CIA, primarily influenced the war by partnering with the Pakistani government to funnel arms and intelligence to the mujahedinwho were fighting to free their country from Communism. The author, a former CIA agent, explains who the major players in the war were, what they hoped to accomplish and the outcomes. He shows why this operation worked so well, in contrast to other covert operations such as the infamously botched Iran-Contra deal. In addition, there is some compare and contrast of the Soviet invasion and the current Afghanistan conflict.
There are holes in the story, of course. Several key figures died even before the end of the war, and many others never wrote down their stories. Much of the details of covert actions are still classified by the various governments, and thus off-limits for public consumption. But the author has managed to get quite a bit of new information, including access to Jimmy Carter’s diary of the time. (Since President Carter wrote his memoir while the U.S. aid to the mujahedin was still a secret, his part in setting it up wasn’t in there.)
It begins with a brief history lesson on the many previous foreign invasions of Afghanistan, primarily by the British. Then there’s an examination of the Communist government of Afghanistan, which was fatally divided against itself from the beginning. It introduced much-needed reforms, but, well, Communists, which didn’t sit well with the large groups of strongly religious citizens. When the Communists proved unable to keep from killing each other, let alone control the insurgencies, the Soviets decided to roll in with their tanks, thinking it would be just like Hungary or Czechoslovakia. It wasn’t.
In addition to starting a land war in Asia, the Soviets had three leaders in a row whose health was failing, and a developing problem in Poland that kept them from moving sufficient troops and weapons down into Afghanistan. In addition, it was the first time the U.S.S.R.’s troops had seen serious combat in decades, and they just weren’t up to speed.
Meanwhile, the Pakistani government was rightfully concerned that if the Soviets took over Afghanistan, they might well be next. Especially if Russia could talk their other hostile neighbor India into helping. So they were all too ready to arm the freedom fighters, directly delivering the aid and training provided by funds from America and Saudi Arabia. However, they had very strong ideas about what kind of mujahedin they wanted to support, and their favoritism helped sow the seeds of discord after the war.
Which leads us to the Arab volunteers who came to Afghanistan to fight alongside their Muslim brothers in a jihad against the foreign and officially atheist invaders. At the time, they were only interested in throwing out people who had come uninvited and unwanted. Even Osama bin Laden almost certainly had no clue that in twenty years’ time he’d come to think that crashing airplanes into civilians was a good idea. It’s emphasized that the Arab volunteers had no direct contact with the CIA or other American forces.
The closing section looks at why this particular operation was so successful for the U.S., what happened to the people of Afghanistan after the world turned its eyes away. and how we ended up in the Afghanistan mess we have today.
There are no maps or illustrations, but there are extensive endnotes and an index. The writing is a bit dry but informative, and the writer’s biases don’t get in the way. Recommended for those who wonder what’s up with Afghanistan, and fans of the movie Charlie Wilson’s War
Comic Book Review: Showcase Presents Super Friends by Various
Back in the 1970s, there was a Saturday morning cartoon titled Superfriends. It featured several superheroes from DC Comics,, plus “Junior Super Friends” Wendy and Marvin, trainee superheroes with their pet Wonderdog. Each episode taught valuable life lessons to kids across America. While reruns of the cartoon continue even today, younger fans may not be aware there used to be a tie-in comic book as well.
Because the Comics Code of the time was surprisingly less restrictive than the Standards & Practices Board that governed children’s broadcasting, the writers of the comic book had more flexibility to put in story elements that explained how the team worked, and the full range of the heroes’ powers. The book took place in a close parallel of the DC universe, so other superheroes could guest star.
Now, I said the writers could be more flexible than the TV show, but I am still amazed that they got away with mass murder as a plot point in the third issue. Some of the deaths even happened on panel! And they weren’t even reversed by the end of the story. To explain, a mad scientist captures over a hundred supervillains (none of whom were established characters) and disintegrates them to create the World-Beater, which has all their powers combined.
After a few issues, the comic book explained (as the show never did) the change from the first season’s Marvin and Wendy, to the later Wonder Twins, aliens named Jan and Zayna. This was a truly epic plot which also introduced a slew of international superheroes who later joined the mainstream DCU as the Global Guardians. (It also gave the comic some much-needed ethnic diversity.)
Many creators worked on the series, but the distinctive art of Ramona Fradon is perhaps most representative.
Aside from the mass murder, this is a kid-friendly title; there are some dated attitudes that parents might want to discuss with their children. The writing is typical for the time period, and certainly better than the television show.
Recommended for fans of the Superfriends cartoon and nostalgic comics fans.