Book Review: The Baker Street Peculiars written by Roger Langridge, art by Andy Hirsch
It is 1933 in the city of London, and what appears to be a stone lion from Trafalgar Square is running wild in the streets. Three children from different walks of life (and a dog) have separately decided to chase down the lion to learn what’s going on. They eventually lose the trail, but meet the legendary detective Sherlock Holmes, who engages them for a shilling each to be his new Irregulars. They’ll investigate the supposed living statue while he’s busy with other cases.
But wait; assuming Sherlock Holmes wasn’t just made up by Arthur Conan Doyle, didn’t he retire to a bee farm in Sussex before World War One? There’s more than one odd thing going on here!
This volume collects the four issues of last year’s children’s comic book series of the same name. As a modern period piece, it’s a bit more diverse than the comic papers that would have been published back in the day.
Molly Rosenberg is a whip-smart girl, who wants to be a detective. Her kindly but conservative tailor grandfather has forbidden her formal education as he’s afraid she’s already too learned to attract a good husband.
Rajani Malakar is an orphan of Bengali descent who was raised (when not confined to juvenile institutions) by professional thief Big Jim Cunningham. Big Jim had an alcohol-related fatality a bit back, and she’s had to make her way alone with petty theft. Rajani is probably the oldest of the children, as she’s hit puberty.
Humphrey Fforbes-Davenport is the youngest son of a large upper-crust family. Evidently he was unplanned and unwanted, as he was shipped off to a harsh boarding school as soon as possible, with only a golden retriever named Wellington as a valet. (Wellington doesn’t talk, so his level of intelligence is difficult to gauge.) Over the course of the story, Humphrey learns to weaponize his class privilege (within his own class, of course, it’s never done him any good, so he didn’t even realize he had it.)
As it happens, Molly’s cultural background is especially useful in this case, as the villain is Chippy Kipper, the Pearly King of Brick Street, a self-willed golem. Chippy has the mind of a small-time protection racketeer, but has realized that the ability to bring statues to life gives him an army with which he could take over the city–maybe the world!
The kids are on their own through most of the adventure. The sole representative of the law enforcement establishment is PC Plank, who’s intellectually lazy, and would rather arrest known riffraff Rajani than investigate any other possible criminals. Sherlock Holmes is…elsewhere…much of the time, and Daily Mirror reporter Hetty Jones is well behind the children in her investigations.
The art is cartoony, with several Sherlockian in-jokes hidden in the background. This serves to soften somewhat the several off-screen deaths.
This volume should be suitable for middle-schoolers on up. Parents may want to be ready for discussions on period sexism and ethnic prejudice. (There’s also a subplot about dog farts.)
It appears that this may be the first in a series about the kids–I should mention that despite the Holmes connection, this and potential future volumes seem more about the “weird adventure” than mysteries.
In 1995, there was fighting in Bosnia, O.J. Simpson was on trial for murder, and a man named Morrie Schwartz was teaching his last class about life. It met on Tuesdays, and the student was sportswriter Mitch Albom. Twenty years before, Mitch had been Morrie’s student in sociology classes at Brandeis University, and now that Morrie was dying of ALS, he reconnected with his old teacher for a series of conversations.
Like many people, Mitch’s life after college hadn’t gone as planned, his musical career not panning out. After the early death of a beloved relative, his priorities shifted, and he found success in writing about sports. But when he saw Morrie being interviewed by Ted Koppel on Nightline (the first of three interviews), Mitch realized he had lost touch with someone important to him, and the wisdom of that man.
Morrie Schwartz had been an unusual man all along, and had dedicated much of his years to learning how to live his own life. He had developed a set of aphorisms that distilled this philosophy into understandable chunks. When his amyotrophic lateral sclerosis (Lou Gherig’s disease) began to take away his ability to engage in everyday activities, Morrie sent out his aphorisms into the world to those he thought might be interested. And they brought the world back to him, notably Ted Koppel, and through him, Mitch Albom.
As it happened, a newspaper strike left Mitch with some spare time to come visit his old professor, and he made more time when they reconnected. They decided that Mitch would come again and again on Tuesdays, a day that was special to them, and they would discuss subjects like death and marriage. The plan was for Mitch to write a book the proceeds of which would help pay for Morrie’s substantial medical bills.
This is that book, a bestseller that has spawned a TV movie and stage play, and changed many lives. A new edition has been released for the twentieth anniversary, with a new afterword catching up with what’s happened with Mr. Albom since the end of the book.
The book intersperses valuable lessons about life and related topics with flashbacks to their relationship in college and biographical information about Morrie that helps explain how he became the teacher so admired by so many people.
It’s very well written; the outcome is known from the beginning, so the journey is the important part. If what Morrie has to say sometimes seems trite or cliched, that’s because much of it is things we already knew, even if we ignore them in the hustle and pain of everyday existence.
My one caveat is that sometimes this sort of philosophy has been weaponized against people who are suffering systemic poverty and oppression to tell them that they shouldn’t fight back, but simply accept their lot.
The subject matter of death and dying may be a bit heavy for younger readers, but this book has been used in high school classes.
Recommended for people who haven’t gotten around to this book yet who are interested in philosophy and life lessons.
Disclaimer: I received a copy of this book from the publisher to facilitate this review. No other compensation was offered or requested.
Disclaimer: I received this Advance Review Copy as a Goodreads giveaway for the purposes of this review. No other compensation was requested or offered. Some changes may be made before the final publication date of 4/25/17–for example, the index isn’t included in this version.
This book opens with Movie Night at the German embassy in Norway, April 1940. The film shown to Norwegian government officials was Baptism of Fire, a documentary about the invasion of Poland in 1939. Afterwards, the German ambassador made a speech that roughly translates into English as “Nice country you Norwegians have here. It’d be a shame if anything happened to it.” Four days later, the Nazis invaded.
Rather than turn over the reins to local fascist Vidkun Quisling as the invaders wanted, King Haakon VII and the remnants of the Norwegian government fought a running battle until they could be evacuated to Britain, where they joined other European governments in exile. Soon, this “Last Hope Island” and the embattled people sheltered by it were the only thing standing between Nazi Germany and complete victory on the Western Front.
This volume discusses various aspects of the joint efforts of Occupied Europe and the British against the Nazis. From the early gift of an ULTRA machine by Polish cryptographers so that the British could read German codes, through the contributions of combat-experienced Polish and Czech pilots in the Battle of Britain, the Norwegian gift of its merchant marine, and Resistance fighters of all descriptions, the governments in exile (and General de Gaulle’s Free French) gave invaluable help. The BBC’s transformation from a stuffed-shirt government branch to a voice of truth and freedom that brought words of encouragement from exiled leaders is detailed.
But all was not beer and skittles. Pre-War resentments and cultural attitudes often caused misunderstandings and in-fighting. As it turned out, the British didn’t have the world’s best spy agency, just the world’s best spy novelists, with both MI6 and the Special Operations Executive (who were supposed to be creating and working with Resistance networks) making bungle after bungle. And once the Soviet Union and the United States entered the war, Britain’s focus shifted to appeasing these powerful allies even when it went against the interests of the occupied countries. (This culminated in the shameful betrayal of Poland and Czechoslovakia to the Russians.)
After the war, while the formerly occupied countries of Europe were and remained thankful to Britain and its people for all the help given, they also knew that they couldn’t rely on the island nation to protect them. So new alliances were formed, and greater cooperation established, eventually leading to the creation of the European Union.
Quite a bit of this is material I had not known before, partially because much of my WWII history reading was done in the 1970s, while some of the source documents were still classified, and partially because my sources were USA-centric. Various people involved get a stronger focus because they survived the war and became famous, such as Audrey Hepburn, who was trapped in occupied Holland.
There are scattered illustrations (possibly more in the finished product), extensive endnotes, a bibliography, and the full book will have an index. The writing is clear, and this book should be suitable for bright high school students and up.
The benefits of hindsight are very evident throughout (the end material may or may not be updated to reflect Brexit.) I do recommend this book to those curious about the relationship between Britain and Occupied Europe; however it is at the same time a fairly narrow subject, but covering a multitude of intersecting fields. I would recommend having to hand a more general WWII history for reference, and checking the bibliography for more specific works on individual people and incidents. (The author explains in her foreword that Greece and Yugoslavia were completely cut out of the book due to their different circumstances, so readers with an interest in those countries will definitely need to seek out other material.)
This volume, written in the 1980s, is a survey of patterns of immigration into urban areas of the United States between 1830-1930 (approximately.) It covers those who came to stay, those who just came to get a nest egg to improve life in their home country, and those who intended to go back but just never got around to it. Mr. Bodnar was and still is a professor of history at Indiana University.
The general theme of this book seems to be “it’s complicated.” The immigrant experience was not uniform, with their reactions and outcomes varying considerably depending on their initial motivations for emigration, the areas they came from, their initial social class and starting capital, and what part of America they ended up in. Trying to fit the immigrants into a single narrative that fits a particular philosophy doesn’t really work, according to Professor Bodnar.
It’s pretty dry stuff, starting with a chapter on the countries immigrants came from and focusing on when various regions had their largest numbers go. This isn’t a book for the casual reader.
The most interesting chapter for me was on religion and how their faiths both influenced how immigrants adapted to American life, and were forced to adapt themselves. Often there were clashes between those who felt they were (ethnicity) first, (religion) second, and those (especially religious leaders) who felt the reverse. One example was Slovak immigrants who were suspicious of their priests and ministers who preached in favor of Hungarian rule of the homeland. (It was later confirmed that the Austro-Hungarian Empire did indeed pay off religious leaders to spout pro-Hungarian propaganda in the U.S.)
Another conflict that often came up was between the urge to embrace Americanization and blend into their new society, and the fear of losing the unique cultural elements of their homeland or religious beliefs. This often led to a preference for parochial or ethnicity-based schools rather than putting children into the public school system.
There are extensive end notes, a bibliography and index, as well as a handful of black-and-white pictures.
Again, this isn’t a book for the casual reader, but is best suited for college students and up who are doing serious research on the subject of immigration. For most people, I’d recommend one of the many fine memoirs of immigrant families available at your local library.
Book Review: Famous Nathan by Lloyd Handwerker and Gil Reavill
Disclaimer: I received a copy of this book through a Goodreads giveaway for the purpose of writing this review. No other compensation was requested or given.
Nathan’s Famous was the number one hot dog stand in the world for several decades, and synonymous with the Coney Island experience. It was the creation of Nathan (originally Nachum) Handwerker, an immigrant who worked his way up from grinding poverty to being a successful businessman. This book is primarily his story, told by his grandson.
According to the book, Nathan was born in a Jewish shtetl in Galicia (now part of Poland) in 1892. At the time, the region was occupied by Austria, and was proverbial for its inhabitants’ poverty. His father Jacob was a shoemaker who was usually unemployed and his mother sold vegetables as a sideline whenever the chance came up. Nathan grew up constantly hungry and early on decided he wanted to be in the restaurant business. Over time, his hard work and good business sense got him enough money to buy passage to America in 1912.
To make it in business, you need a strong work ethic, canny business sense…and a walloping dose of good luck. Nathan had all three, and by 1916 had learned enough English and accumulated enough savings to open his own “grab joint” selling frankfurters and lemonade from a tiny storefront on Coney Island. His initial partner backed out when initial sales weren’t good, but Nathan found a good price point and soon became able to stay open all year, expanding the store and his menu bit by bit.
After a year or so, the initially nameless joint became “Nathan’s”, and then “Nathan’s Famous” as business boomed. Nathan used a business philosophy of fast service, a limited menu and consistent high quality to grow his enterprise. (This was later independently discovered by the McDonalds brothers, though the highness of quality is debatable.)
A big believer in family, Nathan brought over almost all of his clan from Europe as well as marrying and having children of his own. He didn’t let nepotism stand in the way of good business practice, though, once firing his older brother the same day he hired him for failure to follow procedure. He was a very hands-on manager, and ran a tight ship; his contentious personality meant that he often fought with his top workers, but it also bred loyalty. He integrated his staff very early on and was generous with benefits, but was firmly against unions.
Nathan’s Famous was huge, and the book describes its interactions with American history. But by the time Nathan’s sons Sol and Murray moved into management positions under him, times were changing. The brothers had clashing ideas about where the store and its brand should be going, and did not work together well. Coney Island was losing its place as a tourist attraction, helped along by a city planner who wanted to gentrify the area. (Unfortunately, his plans had the opposite effect, crashing the local economy and increasing crime.) And chain fast food places became the standard.
The original Nathan’s Famous has never closed, but is no longer in family hands, and in the modern day, it’s more famous as a hot dog brand than as a destination.
Most of the material about Nathan’s early life is derived from a single interview done with him by another of his grandsons, so should be taken with a grain of salt. The book also talks about some Nathan’s Famous legends and whether they are based on truth or the result of a public relations campaign.
There’s quite a bit of time spent on the logistics and mechanics of running a grab joint in the early part of the Twentieth Century, which will be useful to people who have always wondered about that sort of thing. There’s also family drama, as well as details about some of the long-time employees.
To be honest, the book never really grabbed me, but I think it will be of great interest to hot dog aficionados and those who are nostalgic for the Nathan’s Famous of yore. Each chapter has a black and white photo heading. Also, there are end notes (functional but lackluster) and a bibliography for further reading.
Comic Book Review: Essential Tomb of Dracula, Volume 2 mostly written by Marv Wolfman and art by Gene Colan.
When the Comics Code restrictions on horror were loosened in the 1970s, DC primarily went in for horror anthology comics, while Marvel Comics based entire series around horrific heroes and villains. One of these was the classic (and public domain) character of Vlad Tepes, aka Count Dracula.
This series revealed that Bram Stoker’s book (highly recommended if you haven’t read it, by the way) was highly fictionalized, and Dracula had not in fact finally died at the end of it, only being very inconvenienced. He had been various places, doing various things, temporarily being put of commission now and then…and this storyline opened with him once again being awakened to start his reign of terror anew.
Opposing the Lord of Vampires was a crew of vampire hunters including Quincy Harker (the son of Jonathan and Mina), now an elderly man confined to a wheelchair by injuries received in past battles with Dracula; Rachel van Helsing (great-granddaughter of Professor van Helsing) a crossbow-wielder who wasn’t always as effective as she’d like; Frank Drake, a descendant of Dracula (before becoming a vampire) who had wasted his wealth and had to man up over the course of the series; and Taj Nital, an Indian man who had been rendered mute when Dracula injured his throat. Independent of them were Blade, who only hunted Dracula because he hated all vampires due to the murder of his mother by Deacon Frost, and Hannibal King, a detective that Deacon Frost had turned into a vampire, who avoided taking blood from living humans.
Of course, Dracula didn’t just have vampire hunters after him, but people who either wanted to become lord of all vampires themselves or otherwise exploit him. The most persistent of these was Doctor Sun, a Chinese scientist who’d been turned into a disembodied brain hooked up to a computer, who wanted to take over the world.
At the start of this volume, Dracula learns of the current whereabouts of an artifact called the Chimera, which re-sparks his desire to conquer the world himself. (He’d had to put that on hold as a vampire army large enough to take over would promptly drink the rest of humanity to extinction, and then where would they be?) Fortunately for the world, Dracula is not the only one after the artifact, and it ends up smashed.
Dracula has noticed his powers waning, and this leads him to a near-final confrontation with Quincy Harker, before learning that it is in fact Doctor Sun behind it, and the action moves to Boston. There the cast adds nebbish “true vampire story” writer Harold H. Harold and lovely but ditsy secretary Aurora Rabinowitz, who act as comic relief.
After the Doctor Sun situation is resolved, Dracula takes control of a local Satanist cult and marries a woman named Domini, who he believes will give him a proper heir. (The leader of the Satanists, of course, has other plans.)
Mixed throughout this volume are soap-opera subplots involving the various supporting cast, and interludes of Dracula’s adventures in other times and places. Marv Wolfman’s writing is often excellent, but he sometimes doesn’t consult previous issues, resulting in some minor continuity glitches. Gene Colan’s art is more consistently outstanding, and fits the mood well, especially in this black and white reprint. (Some stories from the Giant-Size side series are included, with art by the less impressive but very competent Don Heck.)
Make no mistake, Dracula is the main villain here, and rare is the issue where he does not murder at least one innocent person just to remind us of that. Much of his time is taken up with petty revenge against people who have crossed him and when he acts against other villains, it’s usually out of pride or personal vendetta. Every once in a while, he does show a moment of kindness, but the door soon slams shut when his darker nature prevails. Because he’s the title character, Dracula has what TV Tropes calls “Joker Immunity”; he can never be permanently killed off, only temporarily thwarted, so the heroes seem ineffectual. (Quincy Harker broods about this frequently.)
These stories do take place in the Marvel Universe, though this series avoids most of the implications of that. Brother Voodoo helps Frank Drake through a bad patch in his life, and Doctor Strange actually temporarily kills Dracula (but is hypnotized not to notice it’s not permanent until later.)
In addition to the expected violence (but relatively little gore–the Comics Code was still in effect), Dracula’s attacks on women are often treated in a sexualized manner. There are some instances of suicide, both voluntary and forced. Dracula is also depicted as being racist (mostly against Blade) and sexist (he is not at all kind to the memory of Lucy Westerna.)
And speaking of sexism, one story includes a woman who’s a bit of a “straw feminist”; the owner of a fashion house who only hires women even if a man would be more competent at the job (except one dress designer who might be gay given the coding) and who has an enormous grudge against the various men who tried to keep her down. Dracula agrees to kill her enemies in exchange for information she can get more efficiently than he, but leaves her in a sticky situation at the end of the story.
Despite often high melodrama, there are some very well-written moments as well.
Recommended for vampire comics fans, Blade fans who want to see his early adventures, and those who enjoy Gene Colan’s art.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
Book Review: Slow Dancing Through Time by Gardner Dozois in collaboration with Jack Dann, Michael Swanwick, Susan Casper and/or Jack C Haldeman II.
The art of collaboration is an interesting one; two authors (rarely three) blending their skills to create a story neither could produce individually. Ideally, the reader should be able to see the fingerprints of the collaborators, but not the seams between them. Gardner Dozois wrote a number of fine collaborations in the 1970s and 80s, before taking on a full-time job as editor for Isaac Asimov’s Science Fiction Magazine.
This volume reprints fourteen of those stories, along with essays by the collaborators on the collaboration process, and afterwords for each story written by Mr. Dozois. (It also has a list of his other collaborations if you want to hunt them down.) The stories cover science fiction, fantasy and horror, with a couple of them on the edge between genres.
The first story is “Touring” (with Jack Dann & Michael Swanwick), in which Buddy Holly gets a chance to perform with Elvis Presley and Janis Joplin. It’s a Twilight Zone type story, although the language is saltier than Rod Serling would ever have been allowed to air. The book ends with “Down Among the Dead Men” (with Jack Dann), a chilling tale of a vampire trapped in a Nazi concentration camp. It was quite controversial at the time, and still packs a punch, despite where the horror genre went during the Nineties.
Standouts include “A Change in the Weather” (with Jack Dann), a bit of fluff about dinosaurs that hinges on the last line (and provided the endpaper illustration), “Time Bride” (with Jack Dann) about the use of time travel to emotionally abuse a girl (and with a downer ending as the cycle continues), and “The Clowns” (with Susan Casper & Jack Dann), another chiller featuring a little boy who sees clowns that no one else can.
Some of these stories may be hard to find elsewhere, such as “Snow Job” (wth Michael Swanwick.) This tale of a con artist and a time-traveling cocaine addict first appeared in High Times, which can be difficult to find back issues of.
Overall, the quality of the stories is good, but budding writers may find the essays on collaboration more useful to them. Recommended to speculative fiction fans.
Comic Book Review: Child of the Sun written by Michael Van Cleve, art by Mervyn McCoy
Disclaimer: I was provided with free downloads of this comic book for the purposes of review. No other compensation was offered or requested.
It is 1300 B.C.E., and the people of Israel have fallen into wickedness. Thus they are unprepared when the People of the Sea invade and conquer their land. But all is not lost, it seems, for a divine messenger tells of a baby soon to be born. A baby that will be named Samson.
This is an independently published comic book series loosely based on the Biblical story of Samson. How loosely? One of the supporting characters is Heracles of Zorah, who may or may not be the Heracles of Greek myth. I have to hand the first two issues.
After a nearly silent prelude showing the advent of the People of the Sea and the annunciation of Samson’s impending birth, the comic skips ahead to introduce us to Heracles, who then meets the now-teenage Samson after a drunken celebration (as Samson does not drink alcohol, he is the clear-headed one here.) Heracles takes Samson to Timnath, and introduces him to Adriana, a priest of Astarte, goddess of love and sex.
The naive Samson falls in love with Adriana, but her life has made her cynical about such things, and her job is, after all, to give sexual pleasure. While Samson’s Nazirite vows don’t prevent him from having sex, they do cause some friction between the couple, and he strongly objects to Adriana having sex with people who are not him. She seems to be warming up to him when Samson punches out a man who wanted to rape her.
And cue a flashback to Samson’s childhood and him pulling the head off an oversized cobra.
The third issue concerns “Samson’s riddle”, one of those Bible stories where no one comes off well. At the beginning of the feast celebrating his wedding to Adriana, Samson sets a riddle that cannot be answered without knowing an experience only he had. The guests are not well pleased, and cheat in an ugly way, causing the marriage to collapse almost immediately.
This comic is “suggested for mature readers” due to violence, sex , lots of nudity and a rape scene. I really can’t recommend it to more conservative Christian readers.
The art is pretty good–primarily in black and white, with color for important or emotionally relevant pages by Jonathan Hunt. The depiction of women is heavy on the “sexy”; mostly excused in these issues by the majority of women in question being in the entertainment industry, but Samson’s mother is in a distractingly iffy pose during the annunciation.
It’s not quite clear where the plot is going, as the scenes flit back and forth in time. This series is set for seven issues, so presumably the fourth issue will be clearer as to the direction the author intends.
It’s difficult to judge a mini-series by only the beginning–the creators may pull everything together nicely, or it could fall flat. If it sounds like it may be your sort of thing, please consider buying the individual issues to support the creators and increase the chances they’ll be able to finish and release a collected edition.
This is a biography of Surinder “Suri” and Edda (nee Jeglinsky) Sehgal, the founders of the Sehgal Foundation. That foundation helps rural villages in India achieve clean water, improved agriculture, better education and more honest government, as well as funding conservation and ecological efforts around the world.
Both of them were refugees as children, Suri when his family wound up on the wrong side of the border during the partition of Pakistan and India, and Edda when her home in Silesia was about to be overrun by the Soviet Army during the end of World War Two (and then was attached to Poland in the post-war process.)
Suri grew up to become a crop scientist, specializing in hybrid corn, and came to America to pursue his graduate studies. Edda was invited to the U.S. to serve as the au pair for the Henry Kissinger family. They met and fell in love. Suri got a job with Pioneer, creating their first international research station in Jamaica, and the couple got married.
They settled down in Iowa and raised a family, and with a combination of hard work, diplomacy and good management skills, Suri rose to eventually become the president of Pioneer’s overseas operations. Unfortunately, there was a management change at the company, and the new CEO felt uncomfortable with the decentralized nature of Pioneer at the time.
According to this book the new management of Pioneer fired Suri and attempted to frame him for stealing trade secrets, as well as gutting a joint venture in India that Mr. Sehgal had an independent interest in. (A book from the perspective of the Pioneer management might tell the story differently.) The ensuing lawsuits were settled in Suri’s favor, and the independent company he rebuilt was successful enough to create the Foundation.
There’s a lot to like about this book. Suri and Edda’s life experiences are interesting and shed light on areas not often brought to the attention of most Americans. Edda is very much depicted as Suri’s partner who he could not have succeeded without. If the text sometimes seems overly flattering, this is understandable due to it being written specifically to promote the Sehgal Foundation.
I found the writing style a little flat. A discussion of the children’s part-time jobs is given the same tonal feel as Suri’s trek across India as a shoeless refugee to find a relative whose location he only knows by a general region, which could use a bit more emotional weight.
There are genealogical charts at the beginning of the book (there are a lot of relatives that come in and out of the story) and a color photograph section in the middle. Citations are done in footnotes, and there is no index.
Proceeds from the sale of this book go to the Sehgal Foundation, so that might influence your decision whether or not to purchase.
I would especially recommend this books to readers with an interest in immigrant stories.
Disclaimer: I was provided with a free copy of this book by the author for the purpose of undertaking this review. No other compensation was involved or requested.