Comic Book Review: Oni Press Starter Pack 2016

Comic Book Review: Oni Press Starter Pack 2016 by various

While I spend many of my comics-related posts on this  blog talking about the Big Two’s superhero comic books, there are a number of worthy small press comics companies that put out interesting material every year.  Oni Press has put out an affordable collection of seven first issues from various series they’ve printed over their existence.

Oni Press Starter Pack 2016

Leading off this trade paperback is The Sixth Gun by Cullen Bunn & Brian Hurtt.  This horror-western about a collection of cursed firearms is as it happens something I have reviewed before.  I won’t repeat myself here, but note that the series lasted eight collected volumes in its main storyline, with three extra graphic novels of spinoff stories.  Pretty impressive!

Letter 44 by Charles Soule and Alberto Jiménez Alburquerque is science fiction.  When incoming president Stephen Blades reads a letter left for him by his predecessor, he learns that many of the bizarre actions taken by Francis T. Carroll were based on information not shared with the American people..  It seems that there are aliens doing…something…in the asteroid belt.  President Carroll felt it was most important for America to arm itself just in case the aliens are hostile, thus his warmongering activities on Earth that have made a mess of foreign policy while neglecting domestic issues that are coming to a head.

The United States also sent a secret manned space mission out to the location of the alien activity in an effort to learn more; they’re just now coming close to their destination.  The astronauts have concealed certain information from their Earth-bound mission controllers…among other things, one of them is pregnant.

There are some pretty clear parallels to the Bush/Obama transition, with mentions of lies about weapons of mass destruction, and a white conservative president with a bad reputation on the economy and war being replaced with a darker-skinned liberal.  But as the series progresses, the special circumstances lessen those similarities as President Blades tries a very different approach to the same situation President Carroll faced.

Meanwhile, the astronauts learn the truth behind the alien presence, and we learn the backstory of their mission.

The Bunker by Joshua Hale Fialkov & Joe Infunari starts with five recent college graduates going out to the woods to bury a time capsule.  Except that they find themselves uncovering a bunker with four of their names on it.  A bunker that contains items alleging to be from the post-apocalyptic future, including letters from their future selves.

It seems that by their actions, the quintet will bring about the near-extinction of the human race.  But not doing so might create an even worse future.  It’s not clear if the future selves are trying to create a time loop, or avert one.

This was a double-sized first issue, so a lot goes on.  This does include nudity and on-page sex, as well as some nasty violence and strong language.  The last page twist is foreshadowed, but still pretty shocking.

Stumptown  by Greg Rucka and Justin Greenwood appears to be the first issue…of the third series.  Private detective Dex Parios participates in an amateur soccer match (her team loses) before going to a professional game of footy with her brother Ansel and friend Mercury.  It’s hometown Portland vs. Seattle, and autographs after!  But afterwards, Dex and Ansel find a badly beaten (maybe dead) Mercury in the bushes.  Is it hooliganism or a crime unrelated to sports?

Greg Rucka is well known for his crime comics, but the soccer elements took up most of the issue for a slow start.

Helheim by Cullen Bunn & Joëlle Jones takes place somewhere up North during the Sixth Century.  A stockaded village is caught in a war between witches.  A raiding party is chased by warriors of the witch Groa who soon become the undead.  A man named Rikard keeps having visions of himself weeping tears of blood.  When the village itself is breached, Rickard is beheaded, but that’s not the end of his participation in the war.  Especially if his lover Bera has anything to say about it!

Rikard is relatively nice for a Norseman of the time, not happy about abandoning comrades or turning over loved ones to the enemy as a peace offering.  His father is made of sterner stuff, but neither of them is fully prepared for what happens next.

Kaijumax by Xander Cannon is a considerable change of pace.  The world has long been infested with monsters who ran rampant over the human civilizations.  But now the humans have developed a way to give themselves giant superpowered forms (ala Ultraman) and have been capturing the kaiju they see as criminals, placing them on an island prison.

One of the latest inmates is Electrogor, who claims to have been just out looking for food for its children.  Alas, the humans take poorly to kaiju eating their power supplies.  Electrogor knows the humans are after its children, and it appeals to E68FE3 (“Hellmoth”), a monster that’s about to be released on a technicality, to help the kids out.

E68FE3 wants a return favor though, and the resulting altercation puts Electrogor in solitary confinement.  It’s only then that a guard lets Electrogor know that the “technicality” Hellmoth was released on is that there are no living witnesses to its crimes.  Especially the children.

Despite the cartoony art and many jokes, this series is a commentary on the American prison system and the abuses rampant within it.  So Not For Children.

We finish with The Life After by Joshua Hale Fialkov & Gabo.  Jude sleepwalks through his life, every day seeming exactly like every other day.  Perhaps a little too much exactly like every other day–how many times can one woman drop her handkerchief on the bus?  But today is different.  Today, Jude picks up the handkerchief and tries to get it back to the woman.

It seems like the world is out to stop him, and it starts getting much weirder, but Jude eventually does catch up to the woman, and seemingly breaks her out of her routine as well.  This disturbs secret watchers who say that no one has escaped in two thousand years.

Shortly thereafter, Jude meets Ernest Hemingway, who believes that everyone in their city is in fact a suicide, and this is the afterlife.

Some nifty use of panels and other art tricks, reminiscent of the Franco-Belgian style.

Content note:  the woman’s flashback includes on-panel prostitution, gore and childbirth as well as suicide.

There’s a wide assortment of genres represented here, and this is a good choice to pick up if you’re unfamiliar with Oni Press and want to know which series you might like.  Based on these first issues, I’m least impressed with The Bunker which skews even more cynical than I have a taste for.

Movie Review: Destroy All Monsters

Movie Review: Destroy All Monsters

It is the close of the Twentieth Century, and the United Nations has achieved two major goals.  There is now a permanent scientific base on the moon, and a way has been found to safely and humanely contain Earth’s giant monsters on a remote island dubbed Kaijuland (Monsterland in the dub.)   World peace also seems to have been achieved but no one directly says so.

Destroy All Monsters
It took most of the movie to get here, but at last we have all the monsters!

Of course, it would be a pretty dull monster movie if the status quo remained that way, so shortly after a UFO is seen lurking near the moon base, a mysterious gas cuts off all contact with Kaijuland.  Soon, the monsters that should be on the island are spotted in capital cities around the world, destroying property and causing death…except in Tokyo.  That arouses suspicion since Japan is the closest large land mass near Kaijuland, and all the monsters normally gravitate there.

Captain Katsuo Yamabe and the crew of the spaceship Moonlight SY-3 are assigned to investigate.  They are shocked to discover that the staff of Monsterland (including Captain Yamabe’s sweetheart Kyoko Manabe) are now cheerfully directing the monsters to attack using previously unknown technology.  It turns out that aliens called Kilaaks are responsible.  The Kilaak have decided to colonize Earth and they’re not keen on human civilization.

Most of the movie is Captain Yamabe and his allies investigating the Kilaak threat and attempting to find some way of breaking their mind control over humans and monsters, with sporadic monster attacks to spice things up.  But in the final reel, we are treated to the kaiju battle action we’ve been waiting for, as Godzilla and the other Earth monsters go up against the Kilaak and space monster King Ghidorah.

This 1968 film is considered one of the weaker entries in the Godzilla franchise, as the writers had largely run out of good ideas, and the monsters weren’t really scary anymore.  The plot is thin and the acting minimal.  But it’s got that cool monster battle at the end, with Minilla actually being useful for a moment.  I also appreciate the optimistic future in which humanity lives and lets live with its giant monsters.

As of this writing, both subbed and dubbed versions are up on Crunchyroll, and recommended to kaiju fans as a pleasant popcorn movie.

Book Review: Kaiju: Lords of the Earth

Book Review: Kaiju: Lords of the Earth edited by Essel Pratt

Kaiju (“strange beast”) is primarily a subgenre of the monster movie that became codified in Japan.  They’re mostly gigantic monsters that are nigh-unstoppable by conventional armaments, and run around destroying cities or fighting other giant monsters.  The seeds of the story type were sown in the original King Kong movie, but it was Gojira (“Godzilla”) that codified it, and inspired most of the later examples.

Kaiju: Lords of the Earth

This is a collection of sixteen short stories and poems on the theme of kaiju, all appearing here for the first time.  The book opens with “Call of the Vailathi” by John Ledger, a poem that cautions that even when the kaiju is on your side, it is still a destructive force.  …At least it has a rhyme structure, that’s good.  The closing tale is “Unleashed in the East” as fracking releases a monster from the Java Sea, and two airline pilots must make a decision between saving themselves and saving the world.

I really enjoyed “The Wolf and the Rabbit” by Alice J. Black, in which a disaffected pub worker connects with another random survivor, and finds the will to do what must be done in this crisis.  If the monster seems too easily dispatched, there are hints it wasn’t the only one.

Also good is “Frankentop” by Amanda M. Lyons, which is told from the perspective of an artificial intelligence that both wants to be loved, and to protect itself.  Unfortunately, the latter is easier than the former.  Internet references abound.

“I Awoke…Wutoomba!” by Roy C. Booth homages the Marvel monster comics of the late Fifties and early Sixties.  Jack Lieiber, writer of fantastic fiction, travels to a South Seas island and runs into an assortment of stock characters, including the title monster.  This one is mostly going to please Marvel fanboys who get all the in-jokes.

Most anthologies have a dud or two, but seldom to the level of “The Plastic Centipede” by R.T. Sirk.  The monster itself is a cool idea, a giant centipede made of discarded mannequin parts and the vengeful spirits of a gangster’s victims.  But spellchecker typos, misplaced commas, badly structured sentences and characterization by telling, not showing make this story come off like the first draft of a fanfic, rather than a professionally published story.  This is clearly a failure of editing, as these banes of small press publishing should have been caught early on.

“A Day at the Racetrack” by Essel Pratt is also sub-par, as waste in a stock car racetrack’s inner pond turns animals giant-sized.  Regional stereotypes are played for broad humor, as are potty jokes.

The rest are decent enough stories.   Due to the very uneven quality, I would recommend this book only to kaiju fanatics or fans of a particular author for that one story.

 

Book Review: Infinity Two

Book Review: Infinity Two edited by Robert Hoskins

Infinity was a series of paperback science fiction anthologies from Lancer Books in the early 1970s.  Its primary draw was that all the stories were new, not having been previously printed in magazines.  By this point, science fiction writers were allowed to mention sex and other controversial topics (thank you, Dangerous Visions) but they did not always do so in a healthy manner.

Infinity Two

The introduction, “The Alien Among Us”, talks about ecology and pollution, and the possibility that some force is trying to kill off the human race.

“Murphy’s Hall” by Poul and Karen Anderson is one of the more experimental pieces, tying together several failed space missions and the miserable life of a boy left behind on Earth.  Depressing ending, but one that seems all too plausible now.

“The Monster in the Clearing” by Michael Fayette is an Adam and Eve story, with a computer giving instructions on how not to screw up humanity’s second chance.  The National Rifle Association is one of the things the new god plans to ban.  However, when did humans ever do what they were supposed to?

“The Scents of IT” by J.F. Bone stars Xar Qot, a member of the Mallian species, which are essentially sentient lobsters with a society based on cannibalism.  When a couple of pesky visitors come to the planet, Xar Qot sees a way to help his human ally George Banks, and advance his own ambitions.  I’m going to talk about this story and some possibly triggery subject matter in the Spoilers section below.

“The Road to Cinnabar” by Ed Bryant is another experimental piece, this one about a labor organizer in a far future city that seems to be dying.  The ending is kind of blah, with a bit of philosophy.

“The Technological Revolution” by James E. Gunn is a horror piece when a woman’s labor-saving devices all go on the fritz at once.  Is there a conspiracy of the machines to kill her, or is the ghost of her Luddite grandmother running a false flag operation?

“Elephants” by K.M. O’Donnell is a depressing piece about the last circus performance of the universe–very stylistic and fatalistic.

“The Other Way Around” by Howard L. Myers is set in the Dark Ages, as a teller of tales tracks down Merlin.  Merlin is not what you’d imagine, and he’s discovered a terrible truth about time travel.  Also kind of depressing.

“Legion” by Russell Bates continues the trend of depressing stories as a multiple transplant recipient is unable to cope with what has happened to him.

“Gorf! Gorf! Gorf!” by William F. Nolan is at the other end of the seriousness spectrum, as a frog eats a bunch of growth pellets and grows to kaiju size.  Now the government needs to try to solve the problem.  The story abruptly moves from New York to California and backin a nonsensical way, and the ending is an anticlimax.

“Timesprawl” by Anthon Warden is back to depressing.  A recently unemployed man gets the chance to relive the last year of his life, which he plans to use to take revenge–but there’s an icky twist.

“In Entropy’s Jaws” by Robert Silverberg has a telepath come unstuck in time with random fugues of flashback and flashforward.  Unlike some of the other stories here, Mr. Silverberg makes the experimental format work well for him.  Probably the best story in this volume.

“Reunion” by Arthur C. Clarke closes out the book with the return of the human race’s true progenitors.  It seems they have a cure for the plague that made them flee millenia ago…but will the Earthlings want it?  Edgy then, kind of silly now.

Overall, a mediocre collection, I’d recommend it to Silverberg completeists and garage sale pickups and not much else.

SPOILERS

So, “The Scents of IT“.   Mr. Bone was a professor of Veterinary Medicine, which may explain the focus on alien biology.   This is clearly meant to be a silly pun-based story, but it turns out to be really problematic by today’s standards.  We learn that the evil feminists have triumphed and turned humanity into a matriarchal society (more like a thin veneer of matriarchy over an egalitarian  society, really.)  George Banks laments that social conditioning prevents him from just raping the woman he wants.

The woman in question is Shirley Copenhaver, who despite being so pretty even sentient lobsters can tell, refuses to give George Banks (or any other man) the sex he deserves.   Banks is also upset with her because she’s an ethnologist who does her job, studying alien cultures and writing books about them.  Which indirectly resulted in the destruction of one such culture when a corporate entrepreneur read the book and realized how to commercially exploit them.  Why Banks doesn’t blame the entrepreneur  who actually did the deed is unclear.

Xar Qot realizes that the pheromone male Mallians exude that allows them to dominate and predate upon the more numerous females also works to some extent on human women.  So he sets up a situation where Banks can “seduce” (commit chemically-assisted rape) Copenhaver, as apparently Banks doesn’t consider this to be rape.

The next day,  when Copenhaver has recovered her senses and is understandably furious at Banks and Xar Qot, she walks into an ambush and is chemically-assisted raped again.  This makes her fall in love with Banks and give up her career to be his housewife.   Banks and Xar Qot  then mass-produce the pheromone which the men of humanity use to overthrow the matriarchy and install a patriarchy, as is the proper status of society.  Happy endings all around!

Well, except for gender-queer human Hector Marks, who is eaten alive just before he can finish his book on Mallian culture.

This story is…wow.  Just no.   I am aware it’s supposed to be comedy, but the passage of time has spoiled the joke.

Comic Book Review: Kill All Monsters! Volume One: Ruins of Paris

Comic Book Review: Kill All Monsters!  Volume One: Ruins of Paris written by Michael May; illustrated by Jason Copland

The kaiju (giant monsters) subgenre is a pretty good fit for comic books.  With an unlimited “special effects budget”  they can pack monsters and mayhem into a story that would be prohibitively expensive to shoot on film.

Kill All Monsters, Vol. 1

This series takes advantage of that, but because printing costs are the limitation, the pages are in black and white.  The story (no relation to the Toho movie of the same title) begins in media res, with three giant robots battling monsters in a ruined Paris.  In short order we are introduced to the robot pilots,  Dressen of England, Akemi of Japan, and Spencer of America (who is missing his legs.)

Our protagonists manage to defeat the monsters, but damage to one of the machines means they have to stay in Paris while a mechanic is airlifted in from their home base in Africa.  We learn that the atomic tests of the 1950s apparently spawned these giant monsters, and mankind has been fighting a losing battle with them ever since.  Only the protagonists’ mysterious benefactor Rashad has been able to come up with machines that can fight the monsters on their own terms.

While ruined, the city of Paris still has inhabitants of a sort, and mysteries begin to unfold.  Meanwhile, a subplot advances concerning a self-aware robot named Archer, which is meant to assist…or replace? the human pilots.

There’s plenty of slam-bang action, a little hard to follow at first until we learn who the players are.  The robots are all distinctive, and it’s fairly easy to tell the cast from one another.

The series is marketed for young adults, although none of the focus characters seem to be in that age group.  If your kids enjoyed Pacific  Rim or the latest Godzilla movie, this should be safe and enjoyable for them.

The second volume is not yet out; if you prefer closure, you may want to wait for that one to be published.

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