Book Review: Classic American Short Stories

Book Review: Classic American Short Stories compiled by Michael Kelahan

This book is more or less exactly what it says in the title, a compilation of short(ish) stories written by American authors, most of which are acknowledged as classics by American Lit professors.  The stories are arranged by author in roughly chronological order from the early Nineteenth Century to the 1920s to stay safely in the public domain.

Classic American Short Stories

The fifty-one stories included begin with Washington Irving’s “Rip Van Winkle”, a tall tale about a henpecked husband who drinks ghostly beer and sleeps for twenty years, right through the American Revolution.  The book ends with “Winter Dreams” by F. Scott Fitzgerald.  A young man from Minnesota finds great success in the laundry business, but heartache when the woman he loves cannot settle for just him.  In between are ones that are very familiar to me, like “The Telltale Heart” by Edgar Allen Poe (a murderer confesses his crime in an effort to prove his sanity) and stories that were new to me, like “The Revolt of ‘Mother'” by Mary E. Wilkins Freeman (a New England woman, tired of an unkept promise, takes matters into her own hands.)

There’s a wide variety of genres represented, from “realistic” slice of life stories through mystery and fantasy to outright horror.  The chronological order highlights the changing social attitudes depicted in the stories, particularly the two Edith Wharton stories about divorce.  Women are reasonably well-represented, and there are a couple of writers of color as well.

Of course, just because a story is “classic” does not mean it will appeal to everyone.  I found Henry James’ novella “The Aspern Papers” (literary buff infiltrates the household of a famous poet’s ex-lover in an effort to gain any memorabilia she might have of him) tedious and predictable.  I am not alone in this, but many other readers have found it fascinating.

Content issues:  Many of these stories have elements of period racism, sexism and classism; sometimes it’s dealt with within the story itself, but other times it pops up as a nasty surprise.  “Paul’s Case” by Willa Cather, about a boy who wants the finer things in life without the tedium of putting in decades of hard labor to get them, deals with suicide.

This is a Barnes & Noble collector’s edition, and is quite handsome and sturdy, with a leather binding, gilt-edged pages and a silk bookmark for a reasonable price.  However, the fact that it has a “compiler” rather than an editor is telling.  There are scattered typos; I do not know if they were caused by errors in transcription, or if the sources were not scrutinized carefully enough.  The author bios at the end are not quite in alphabetical order, and miss out Washington Irving altogether.

Overall, most of these stories are worth reading at least once, and many are worth rereading over the years.  Highly recommended to people who don’t already have their favorites from this collection in a physical book, or are curious about the stories they haven’t read yet.  It’d also make a nice gift for your bookworm friend or relative.

Comic Book Review: Showcase Presents Super Friends

Comic Book Review: Showcase Presents Super Friends by Various

Back in the 1970s, there was a Saturday morning cartoon titled Superfriends.  It featured several superheroes from DC Comics,, plus “Junior Super Friends” Wendy and Marvin, trainee superheroes with their pet Wonderdog.   Each episode taught valuable life lessons to kids across America.  While reruns of the cartoon continue even today, younger fans may not be aware there used to be a tie-in comic book as well.

Showcase Presents Super Friends

Because the Comics Code of the time was surprisingly less restrictive than the Standards & Practices Board that governed children’s broadcasting, the writers of the comic book had more flexibility to put in story elements that explained how the team worked, and the full range of the heroes’ powers.  The book took place in a close parallel of the DC universe, so other superheroes could guest star.

Now, I said the writers could be more flexible than the TV show, but I am still amazed that they got away with mass murder as a plot point in the third issue.  Some of the deaths even happened on panel!  And they weren’t even reversed by the end of the story.  To explain, a mad scientist captures over a hundred supervillains (none of whom were established characters) and disintegrates them to create the World-Beater, which has all their powers combined.

After a few issues, the comic book explained (as the show never did) the change from the first season’s Marvin and Wendy, to the later Wonder Twins, aliens named Jan and Zayna.   This was a truly epic plot which also introduced a slew of international superheroes who later joined the mainstream DCU as the Global Guardians.  (It also gave the comic some much-needed ethnic diversity.)

Many creators worked on the series, but the distinctive art of Ramona Fradon is perhaps most representative.

Aside from the mass murder, this is a kid-friendly title; there are some dated attitudes that parents might want to discuss with their children.  The writing is typical for the time period, and certainly better than the television show.

Recommended for fans of the Superfriends cartoon and nostalgic comics fans.

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