Magazine Review: Saucy Romantic Adventures August 1936

Magazine Review: Saucy Romantic Adventures August 1936 by various

This was one of the “spicy” pulp magazines, sold “under the counter” to readers wanting something more titillating than the standard action fare.  By modern standards, this is pretty tame stuff, mostly consisting of descriptions of women’s naked bodies (minus genitalia) and strong hints that the characters engage in extramarital sex.  The reason this particular issue was reprinted by Adventure House is because the Domino Lady is on the cover (painted by Norman Saunders).  But we’ll get back to her.

Saucy Romantic Adventures August 1936

The lead story is “Yeomen of the Woods” by Armstrong Livingston (almost certainly a psuedonym.)  It takes place during the Anarchy, the war between King Stephen and Empress Matilda in 12th Century England.  Four people traveling through the woods are set upon by bandits led by John o’ the Glade.  John, it turns out, is in the style of Robin Hood (who traditionally is said to have lived some decades later.)

The wealthy knight is held for ransom, and his squire set to fetch it.  A poor monk returned from the Far East is treated with a bit more respect.  As for the stripling lad, it turns out to be a maiden in boy’s clothing.  Alais has in fact come to the woods to find John and request his help.  Her father is a craftsman, and false rumors of his wealth have reached the ears of Baron Raymond de Gondrecourt.

As a result, the wicked baron has captured Alais’ father and is trying to compel the old man to tell where his treasure is hid.  Since there is no treasure, the baron will no doubt resort to torture unto death to force the old man to speak words he does not have.

John doesn’t have the forces to invade Gondrecourt Castle, but comes up with a plan to trick the baron and one of his neighbors (who the baron is at odds with) into fighting each other away from their castles, then have a third lord of better character mop up the survivors while John and his men use a ruse to take the small garrison that will be left at Gondrecourt.  This works, up to a point, but it turns out that Gondrecourt’s castellan is a wily old fellow and more than a match for John’s strategy.

The monk turns out to have brought gunpowder back from China, a very useful item.  Too bad that history must be preserved!

Honestly, this story contains no “spicy” bits whatsoever and could easily have been printed in any of the standard adventure pulps.  There’s period ethnic prejudice between the Normans and Saxons, and the monk uses some unfortunate language to describe the Chinese.

“Emeralds Aboard” by Lars Anderson is the Domino Lady tale.  Ellen Patrick was a California socialite until her father was murdered by the crooked political machine.  To avenge her father and maintain her lifestyle, Ellen donned a domino mask, cape and backless white dress to become the Domino Lady.  She steals from the rich (particularly corrupt politicians) and takes a cut for herself before giving the rest to the poor.  She was one of only a handful of masked mystery women in pulp fiction.

In this story, Ellen is returning from vacation in Hawaii when she learns that the snooty wife of a corrupt politician is aboard, and sporting some valuable emeralds.  Also aboard is “Fingers” Deshon, a known jewel thief, and part of a gang that has a grudge against the Domino Lady.  Ellen must find a way to lift the gems and deliver her rival to justice, with the unwitting assistance of a handsome ship’s officer.

The cover depicts a scene from the story, as Fingers (disguised as a ship’s officer) whips the concealing deck chair blanket off Domino Lady.  The clown in the background is seasick and doesn’t see any of this.  Later, Ellen starts a striptease to distract Fingers, but he doesn’t get to see much before she knocks him out.

An amusing but slight story.

“Cupid By a Nose” by Ernie Phillips takes us out West, to a young farm girl hoping to make some money by competing in a rodeo.  What Clara Lou doesn’t know is that the women’s competitions in this particular traveling rodeo are fixed to make sure that the owner’s daughter Vesta always wins.

Vesta’s fiance Bob Carter takes a shine to Clara Lou pretty much instantly–he’s telling her that he loves her later that night.  Vesta understandably reacts badly to this, framing Carter for running off Clara Lou’s handsome trained horses.  That leaves Clara Lou with just Cupid, a scarred, scrawny-looking cayuse.

This being an underdog tale, Clara Lou and Cupid outperform expectations, even winning the big race.  The crooked judges try to disqualify Clara Lou in favor of Vesta, but Carter shows up with Clara Lou’s other horses and the proof of wrongdoing just in time to save the day.

The insta-love thing aside, I liked that both the male and female leads got to shine and contribute to the solution of the story’s problem.

“Aloha Oe” is set in Hawaii.  Bim Arlen, recent Annapolis graduate, is on shore leave on the big island.  Taking a walking tour, he’s shocked yet intrigued when he spots a young woman skinny-dipping on a remote beach.  After waiting for her to put her clothes back on, Bim introduces himself to Kee.

Kee is a local mixed race girl, who is “white-passing” at a small distance.  She works as a schoolteacher in Honolulu, but is on vacation here in her tiny home village.  Bim and she fall in love almost instantly and are soon engaged with the blessing of her father.

Except that then Bim remembers that all his relatives are racist, and the Navy officers’ wives society isn’t much better.   He’s not sure he has the moral courage to stand up to them, nor does he want to subject Kee to their scorn.  Bim’s cold feet lead to an apparent suicide.  You suck, Bim.

“The Lover of the Moon Girl” by Hector Gavin Grey, is schlock science fiction.  Zane Hansard, an unusually handsome and strapping astronomer, discovers that a spaceship from the moon is about to land near his Pasadena observatory.  He rushes to tell his boss, only to discover that said boss is in league with the moon invaders–indeed, he was the one who invited them here!

Cecelia, the moon girl, comes from a society that uses artificial wombs, and knows not the concept of love between a man and a woman.  (Or any of the variants you might have thought of.)  One hot kiss later, Cecelia has converted to the Earth cause, and winds up pumping babies out the old-fashioned way.

It’s exactly the sort of thing that gives pulp SF a bad reputation, with bad science, plot holes galore and a terrible romance plotline.

“Dark Lady” by Mohammed El Bey is set in Egypt.  Archaeologist Nelson Cliff bears an amazing resemblance to the statues of Amen-Ra the Second, whose tomb he is excavating.  His headman Abu has been acting suspiciously of late, far less efficient and effective than when they started.

Things come to a head when a young woman from a nearby city comes to the dig claiming to be Ayesha, wife of Amen-Ra.  Nelson is not amused, but a series of incidents indicates that even if she isn’t a reincarnation of the ancient queen, the girl has some peculiar gifts.  Abu’s trap works, but not before he himself is destroyed.

Murky story, and the villain is ill-defined.

“Mockery” by Marie Forgeron is a short-short.  A man meets his ex-wife on a cruise ship back from Hawaii.  It turns out this was deliberate; she’s gotten divorced from the man she dumped him for, and is ready to let bygones be bygones.  Unfortunately for both of them, the man has a subtle and horrific plan for revenge.  An effective little chiller.  (Some offhand racism.)

The issue is rounded out with “Our Days are Numbered” by Patricia Peabody.  It’s a numerology column, which strikes first with the note that it’s hard to get any pleasure out of numerology if you don’t believe in it.

This is a nifty little reprint.  If you’re just interested in the Domino Lady, her stories have been collected into their own book.

Book Review: Hector and the Search for Happiness

Book Review: Hector and the Search for Happiness by François Lelord

Once upon a time, there was a psychiatrist named Hector, who was very good at his job.  But he didn’t feel that he was as good as he needed to be, because he had patients who were unhappy, and he didn’t know how to make them happy.  So he did what any sensible person would do, and went on a round the world trip to learn more about happiness.

Hector and the Search for Happiness

This is the first novel by M. Lelord, which was a big hit in France, then Europe and then did well enough in the United States to be turned into a movie.  It’s spawned two sequels as well.  The book is essentially a self-help book written as a children’s story.  The language used is simple, and it should be readable even by people who aren’t strong readers, with short chapters.

Hector travels from country to country, meeting up with old friends who now live in those countries, and learning something about happiness in each place.  He also spends time “doing the thing that people in love do” with several different women, which is not something I’d put in a children’s book, and I have to wonder if they’d even do it in France.

If you take the book as a series of events designed to introduce different concepts about happiness, it’s mildly amusing and has some good points.  However, the language sometimes comes off condescending (perhaps a translation problem?) and there’s a lot of male gaze going on here when the narrator talks about Hector’s interactions with pretty women.

The story plays coy with the reader by not naming countries except China; most of them will still be recognizable from context.  They’re mostly seen from Hector’s very privileged viewpoint  (sometimes he even admits it).  And perhaps one of the inadvertent lessons of the book is “happiness is easier if you’re friends with a powerful crimelord.”

All that said, I can see why this book was a hit with certain audiences.  If you like your self-help tips mixed with an actual story, this  is one with plenty of interest-holding events.  If, however, you react badly to perceived condescension, this book may not be your best choice.

Disclaimer:  This book review was sponsored through GoFundMe as an incentive reward.

And now, here’s the trailer for the movie.  https://www.youtube.com/watch?v=iWFVAIbIkS4

 

Comic Book Review: Essential Defenders Vol. 6

Comic Book Review: Essential Defenders Vol. 6 written (mostly) by J.M. DeMatteis, Pencils by Don Perlin

The Defenders are one of Marvel Comics’ more oddball teams, beginning with a line-up of Doctor Strange, Hulk, Silver Surfer and the Sub-Mariner, four of Marvel’s most powerful characters who did not belong to other teams.  After a couple of pilot stories, the “non-team” first assembled in Marvel Feature #1 in 1971 to battle the alien Scientist Supreme Yandroth, and shortly thereafter got their own continuing series.

Essential Defenders Vol. 6

With four such volatile personalities, it was difficult to justify them staying together very long, and the warrior woman Valkyrie was added to the group to give them “texture” and a reason to cooperate.  Other members soon followed, either long-term or temporarily, and the Defenders got a reputation for being whoever happened to show up when danger struck, with Dr. Strange being the linchpin of the group.

This volume covers Defenders issues #107-125, and a couple of extras from 1982-83.  We open in the aftermath of a major plotline involving a group of self-proclaimed super-patriots trying to take over America with a group of powerful telepaths.  These telepaths and Kyle “Nighthawk” Richmond combined their mental powers to blow up the bad guys’ base, apparently dying in the process.  As the assembled heroes reel in shock during the aftermath, a stray minion of the super-patriots manages to get the drop on Valkyrie, killing her.

SPOILERS AHOY FROM THIS POINT!

It turns out that due to her convoluted backstory, involving the Asgardian goddess Amora the Enchantress, Valkyrie isn’t quite dead yet.  The heroes split into two groups when Amora offers a deal to restore Valkyrie to full life.  This plotline ends with Valkyrie restored to her true form of Brunnhilda, and no longer with the curse of being unable to fight women.  (She also loses some of her disdain of men in the process.)

Several members of the Defenders are lost in transit back from Asgard, but before that plotline bears fruit, there are solo issues focusing on Eric Simon “Devil-Slayer” Payne and Patsy “Hellcat” Walker.  Then there’s Avengers Annual #11. which features the return of perennial Defenders villain Nebulon.  He and his wife Supernalia clash, pitting the Avengers and Defenders against each other.

This is followed by Marvel Team-Up #119, which features Spider-Man and Isaac “Gargoyle” Christians in a story about aging and the acceptance of same.  Isaac has some insight into these matters as he was already a senior citizen when he made the Faustian bargain that made him a living gargoyle.

The missing Defenders turn out to have been transported to Earth-S, a parallel universe where the main hero group is the Squadron Supreme, a parody of/homage to the Justice League.  On their earth, Kyle Richmond is President of the United States.  Which would be great if he weren’t under the mental control of the alien known as Overmind.  As is most of the Squadron, saving only Hyperion (their version of Superman), who is suffering from lethal radiation poisoning.

And Nighthawk, “our” Kyle Richmond, is helping him out, having been transported to this Earth by the group mind that were once human telepaths.  He brought in the missing Defenders, who now summon the rest of the team for a moon mission to keep the Overmind from conquering the rest of the universe.

Except it turns out that “our” Kyle Richmond is actually “their” Kyle Richmond, given Nighthawk’s memories by the group mind.  But wait, then who’s the President?  It’s actually Null the Living Darkness, which has been puppeteering the Overmind to draw attention away from its protective shell.  The climax is kind of disappointing as it’s the group mind’s show, co-opting everyone else for a battle of wills with the ultimate darkness, only to have Null destroy itself with its own inner light.

So in the aftermath, “our” Kyle Richmond is as really dead as a Marvel superhero gets (not coming back from the dead until 1998!); Earth-S’ Kyle Richmond regains his true memories and reunites with his old teammates (who would go on to the Squadron Supreme miniseries, one of the best superhero stories ever); the group mind inhabits the currently vacant body of the Overmind; and the Defenders return to their own Earth.  (With a slight detour for some of them in a Dr. Seuss-inspired adventure.)

The next few issues weave together the resolution of the Patsy Walker/Daimon “Son of Satan” Hellstrom romance, Hank “Beast” McCoy’s growing irritation with the Defender’s “non-team” ethos… and the return of the Elf with a Gun.  This last had been a subplot during the Steve Gerber run, involving an elf with a gun popping up and seemingly murdering random people.  It was abandoned when Gerber left the book with the apparent death of the elf in an accident.

Mr. DeMatteis wanted to change the direction of the book, so revived the elf (now revealed to be multiple identical beings) as the agent of a time tribunal that was attempting to prevent the destruction of Earth.  Removing random Earthlings had not done the trick, so the tribunal had to convince the four original Defenders that they must never all be in the same room together again.  Unfortunately, the elf took over the narration for a couple of issues, and he was written as a very annoying character.

The resignation of the four founders gave Beast the opportunity to reconfigure the group as the New Defenders (complete with title change as of #125).  He roped in his old X-Men teammates Iceman and Angel, holdovers Valkyrie and Gargoyle, and new member Heather “Moondragon” Douglas.  A powerful telepath who had a revolving door hero/villain history, she had been released into the custody of the Valkyrie to re-learn human values.  (The Overmind simply disappeared between issues; this would become a plot point later.)

This began a period in which the New Defenders were an official team, with rules and such.  But that’s for Volume Seven.

Overall, a decent run with consistent art, and some good character focus stories.  Some of the writing is a bit heavy-handed with the morals; there’s a consistent theme of learning to have hope even in a world full of loss and pain.  The Dr. Seuss inspired story will either be laugh out loud funny or a total miss depending on your tastes.

Recommended to fans of the characters or 1970s Marvel storytelling.

 

Manga Review: Vagabond Volume 2

Manga Review: Vagabond Volume 2  by Takehiko Inoue

Quick recap: In 17th Century Japan, failed soldier Shinmen Takezo has reinvented himself as wandering swordsman Miyamoto Musashi.  Dedicating his life to perfecting his own style of swordsmanship, he travels to Kyoto and starts a feud with the Yoshioka school of kendo.  Unknown to him, his childhood friend Matahachi is also in town, and accidentally sets fire to the Yoshioka dojo.

Vagabond Volume 2

This volume opens with Musashi being nursed back to health by the rough-edged Buddhist monk Takuan.  Realizing he still has a long way to go, Musashi decides to travel to Nara, there to pit himself against the spear style of the Hōzōin Temple monks.  A chance encounter with an elderly gardener may be more valuable than any battle.

Musashi is distracted by thoughts of his other childhood friend, the lovely Otsu.  She’s now the servant of a master of the Yagyu style of swordsmanship, who Yoshioka Denshichiro has come to train with in preparation for his next duel with Musashi.

Others are also on the road.  Gion Toji of the Yoshioka school is tracking Musashi to kill him, and is none too restrained about maiming other people along the way.

Matahachi’s on the run because of the arson thing, and a chance encounter allows him to also reinvent himself as the respected warrior Sasaki Kojirō.  His sections of the story are tragicomedy, as he keeps having good intentions, but the flaws in his character prevent him from following through in a crisis, and we watch him make excuse after excuse for doing less than he ought.

Miyamoto Musashi is better at learning from his mistakes; while he is not the sharpest katana in the armory, he’s partially grasped the concept of critical thinking and examining his own mindset.  Still has a long way to go before being the best swordsman in Japan though.

The successor to the Hōzōin spear style, Inshun, has his own issues.  He’s a natural combat genius who has never known “fear”, or had a truly serious challenge to his skills until now.  Thus his growth has stalled; Inshun must learn how to deal with defeat to become stronger.  His multi-chapter duel with Musashi is the centerpiece of this volume.

The art is stellar, but much of the credit for the plot and characterization must go to Eiji Yoshikawa, author of the novel this manga is an adaptation of.

There’s a lot of violence in this volume, some of it quite bloody.  There’s also a brief sex scene with female nudity–this is a “mature readers” title.

This continues to be a good choice for fans of samurai action stories.

Comic Book Review: Oni Press Starter Pack 2016

Comic Book Review: Oni Press Starter Pack 2016 by various

While I spend many of my comics-related posts on this  blog talking about the Big Two’s superhero comic books, there are a number of worthy small press comics companies that put out interesting material every year.  Oni Press has put out an affordable collection of seven first issues from various series they’ve printed over their existence.

Oni Press Starter Pack 2016

Leading off this trade paperback is The Sixth Gun by Cullen Bunn & Brian Hurtt.  This horror-western about a collection of cursed firearms is as it happens something I have reviewed before.  I won’t repeat myself here, but note that the series lasted eight collected volumes in its main storyline, with three extra graphic novels of spinoff stories.  Pretty impressive!

Letter 44 by Charles Soule and Alberto Jiménez Alburquerque is science fiction.  When incoming president Stephen Blades reads a letter left for him by his predecessor, he learns that many of the bizarre actions taken by Francis T. Carroll were based on information not shared with the American people..  It seems that there are aliens doing…something…in the asteroid belt.  President Carroll felt it was most important for America to arm itself just in case the aliens are hostile, thus his warmongering activities on Earth that have made a mess of foreign policy while neglecting domestic issues that are coming to a head.

The United States also sent a secret manned space mission out to the location of the alien activity in an effort to learn more; they’re just now coming close to their destination.  The astronauts have concealed certain information from their Earth-bound mission controllers…among other things, one of them is pregnant.

There are some pretty clear parallels to the Bush/Obama transition, with mentions of lies about weapons of mass destruction, and a white conservative president with a bad reputation on the economy and war being replaced with a darker-skinned liberal.  But as the series progresses, the special circumstances lessen those similarities as President Blades tries a very different approach to the same situation President Carroll faced.

Meanwhile, the astronauts learn the truth behind the alien presence, and we learn the backstory of their mission.

The Bunker by Joshua Hale Fialkov & Joe Infunari starts with five recent college graduates going out to the woods to bury a time capsule.  Except that they find themselves uncovering a bunker with four of their names on it.  A bunker that contains items alleging to be from the post-apocalyptic future, including letters from their future selves.

It seems that by their actions, the quintet will bring about the near-extinction of the human race.  But not doing so might create an even worse future.  It’s not clear if the future selves are trying to create a time loop, or avert one.

This was a double-sized first issue, so a lot goes on.  This does include nudity and on-page sex, as well as some nasty violence and strong language.  The last page twist is foreshadowed, but still pretty shocking.

Stumptown  by Greg Rucka and Justin Greenwood appears to be the first issue…of the third series.  Private detective Dex Parios participates in an amateur soccer match (her team loses) before going to a professional game of footy with her brother Ansel and friend Mercury.  It’s hometown Portland vs. Seattle, and autographs after!  But afterwards, Dex and Ansel find a badly beaten (maybe dead) Mercury in the bushes.  Is it hooliganism or a crime unrelated to sports?

Greg Rucka is well known for his crime comics, but the soccer elements took up most of the issue for a slow start.

Helheim by Cullen Bunn & Joëlle Jones takes place somewhere up North during the Sixth Century.  A stockaded village is caught in a war between witches.  A raiding party is chased by warriors of the witch Groa who soon become the undead.  A man named Rikard keeps having visions of himself weeping tears of blood.  When the village itself is breached, Rickard is beheaded, but that’s not the end of his participation in the war.  Especially if his lover Bera has anything to say about it!

Rikard is relatively nice for a Norseman of the time, not happy about abandoning comrades or turning over loved ones to the enemy as a peace offering.  His father is made of sterner stuff, but neither of them is fully prepared for what happens next.

Kaijumax by Xander Cannon is a considerable change of pace.  The world has long been infested with monsters who ran rampant over the human civilizations.  But now the humans have developed a way to give themselves giant superpowered forms (ala Ultraman) and have been capturing the kaiju they see as criminals, placing them on an island prison.

One of the latest inmates is Electrogor, who claims to have been just out looking for food for its children.  Alas, the humans take poorly to kaiju eating their power supplies.  Electrogor knows the humans are after its children, and it appeals to E68FE3 (“Hellmoth”), a monster that’s about to be released on a technicality, to help the kids out.

E68FE3 wants a return favor though, and the resulting altercation puts Electrogor in solitary confinement.  It’s only then that a guard lets Electrogor know that the “technicality” Hellmoth was released on is that there are no living witnesses to its crimes.  Especially the children.

Despite the cartoony art and many jokes, this series is a commentary on the American prison system and the abuses rampant within it.  So Not For Children.

We finish with The Life After by Joshua Hale Fialkov & Gabo.  Jude sleepwalks through his life, every day seeming exactly like every other day.  Perhaps a little too much exactly like every other day–how many times can one woman drop her handkerchief on the bus?  But today is different.  Today, Jude picks up the handkerchief and tries to get it back to the woman.

It seems like the world is out to stop him, and it starts getting much weirder, but Jude eventually does catch up to the woman, and seemingly breaks her out of her routine as well.  This disturbs secret watchers who say that no one has escaped in two thousand years.

Shortly thereafter, Jude meets Ernest Hemingway, who believes that everyone in their city is in fact a suicide, and this is the afterlife.

Some nifty use of panels and other art tricks, reminiscent of the Franco-Belgian style.

Content note:  the woman’s flashback includes on-panel prostitution, gore and childbirth as well as suicide.

There’s a wide assortment of genres represented here, and this is a good choice to pick up if you’re unfamiliar with Oni Press and want to know which series you might like.  Based on these first issues, I’m least impressed with The Bunker which skews even more cynical than I have a taste for.

Comic Book Review: Joe Kubert Presents

Comic Book Review: Joe Kubert Presents by Joe Kubert and others

Joe Kubert (1926-2012) was one of the all-time great comic book artists.  The bulk of his work was done for DC Comics, including many Hawkman and Sergeant Rock stories. Joe Kubert Presents was his final series, a tribute to him by the company he’d done so much for.   Mr. Kubert was given free rein to choose which stories to do, and which other creators he wanted to share the spotlight with.  Rather than risk an announcement of the series ahead of time only to not be able to deliver (this had happened to him before), Mr. Kubert insisted on having several issues “in the can” before it was put on order forms for retailers.  The sixth issue was nearly complete when he died.

Joe Kubert Presents

The first issue leads off with “Hawkman”; this iteration is closest to the science fiction-inspired Silver Age version, but not in continuity with any previous story.  Katar Hol and his partner Shayera (Hawkgirl) are sent from the utopian planet Thanagar to observe Earth up close and determine what steps should be taken in the future.  The Thanagarians worry that the Earthlings will not mature out of their destructive behavior before they develop interstellar travel.

The aliens land in Africa, observe the wanton slaughter of wildlife and environmental destruction, and decide to visit a nearby village.  Unfortunately, this particular village sits atop a toxic waste dump; the poverty-stricken villagers have become economically dependent on the storage fees.  The villagers worry that the Thanagarians have come to stop the practice and react badly.

While I understand the good intent of the story, it really does look like technologically advanced white people lecturing primitive native Africans on proper respect for the environment.  And the Hawks destroy the natives’ livelihood and leave without considering that consequence, so their victory leaves a bitter aftertaste.

“Spit” is a recurring feature about an orphan who runs away from the orphanage and winds up stowing away on a whaling ship.  In short vignettes, he suffers much abuse, but eventually learns how to survive at sea and decides to become a whaler.  The first few chapters are in sepia tone, but the finale is mostly in full color.  One (landlubber) character is implied to be a pedophile, but is thwarted before he can do anything.

“The Redeemer” is three chapters of a series Mr. Kubert solicited back in the 1980s before he discovered he wouldn’t be able to deliver it on time.  Jim Torkan is the title character, a man who reincarnates across time and space  to gain the wisdom he will need to eventually save the human race from itself.  He is the target of the Infernal One, who sends agents to tempt Torkan from the path of righteousness, so that the Redeemer will be under his control.

The first two chapters take place in the far future, as Torkan is a scientist whose space station is invaded by murderous robbers seeking a chemical he’s developed that can control minds.  His love interest is actually an agent of the Infernal One who tries to convince him to join up with the would-be dictator to save his own skin.  The third chapter has Torkan as an ex-Confederate soldier just after the Civil War.  The story carefully avoids mentioning what the Confederacy fought for beyond “justice and right” (hint: slavery), but it was all a waste and Torkan is without purpose.  He gets involved in a treasure hunt, but at the end discovers something more precious than gold: himself.

“Farewell” was Kubert’s last Sergeant Rock story.  The son and grandson of one of Easy Company’s soldiers visit a D-Day beach and the cemetery nearby.  They discuss the possible death of Rock, but in the end it doesn’t matter if he is buried here–a piece of each soldier who fell rests with every other soldier.

“The Biker” is about a wounded Afghanistan veteran and motorcyclist who bunks down for the night in an abandoned house.  But maybe not as abandoned as it looks.  Some excellent coloring work here.

Then there are two stories written by Joe Kubert, but with art by other people.  “The Ruby” (art by Henrik Jonsson) is about bandits attacking a Himalayan temple–it turns out to be a possible origin story for an obscure DC character.   “Devil’s Play” (art by Brandon Vietti) is a Kamandi story, as the last boy on Earth battles the animal-men that have taken over the planet.  This story offers a different explanation for the Great Disaster than usual.

The series also contained several “U.S.S. Stevens” stories by Sam Glanzman, telling tales of his WWII service aboard that destroyer.  “The Figurehead” is the most interesting of these, featuring an eccentric crewmate of Mr. Glanzman’s who may or may not have had unusual abilities (it’s possible that this is a sailor’s yarn and he’s pulling our leg a bit.)  This material has been collected separately, along with Mr. Glanzman’s other memoirs.

Brian Buniak gives us “Angel and the Ape”, based on the Bob Oksner series about private detectives Angel O’Day (an attractive human woman) and Sam Simeon (a cartoonist who also happens to be a gorilla.)  It’s not quite in continuity with any other appearance of the characters, but as a comedy strip, continuity was never a huge issue.  The pair are hired to prevent a restaurateur from being murdered; they do so but he is shot anyway, and they have to figure out whodunnit.  After they solve that case, a reporter gets the story of their origin (or at least Angel’s version.)  There’s an energy and attention to humorous background details reminiscent of early Mad, but sometimes the exaggerated art style can go a bit off.

If you are a fan of Joe Kubert’s art, this volume is a must-have; if you’re indifferent to that, the stories are only average, and the problematic material may knock this down a star or two for you.  I liked this very much.

Manga Review: Lone Wolf & Cub Omnibus 1

Manga Review: Lone Wolf & Cub Omnibus 1 written by Kazuo Koike, art by Goseki Kojima

Ogami Itto was once a samurai warrior of high rank, the official executioner for the shogunate.  He had a lovely wife and new son; life was good.  But another clan was ambitious, and framed Ogami for treason.  Under sentence of execution and with his wife murdered, Ogami asked his infant son to make a choice between merciful death and life on the run. now Ogami is a ronin, and an assassin for hire.  If you need someone dead, and you can find them, you can hire the Lone Wolf assassin who travels with his cub.

Lone Wolf & Cub Omnibus 1

This classic manga series was popular enough to spawn a series of live-action movies, a television series and several spin-off manga.  It was also influential outside of Japan, notably influencing the art and storytelling style of Frank Miller (who provided the cover for this omnibus edition.)  As such, it was one of the first manga series to be translated for the emerging American market, using the expensive and painstaking “double-flipping” method to make it read left to right.

This volume contains the first three volumes of the Japanese version, and these stories are very episodic, focusing on an difficult assassination, a particular facet of feudal Japanese life, or a philosophical point.  It is not until several stories in that anyone recognizes Ogami for who he is, and even longer before even a partial explanation of his past.

Ogami is a stoic character who works hard not to give away his emotions; his tenderness towards Daigoro is almost entirely seen in his actions, not his face.  This does not prevent him from placing his son in danger if it will help with an assassination plan.  Daigoro himself is one of the most ambiguous characters I’ve ever read.  He seems most of the time to act like the small child he is, but in other instances is far too mature for his age, even allowing for the massive trauma Daigoro has undergone in his short life.  It makes him kind of creepy to be honest.

The art is dynamic and varied, able to handle both exciting battles and calm scenes of nature.  There’s a fair amount of reused faces, which with the episodic stories make the manga feel like a television series with a limited pool of guest star actors.

As expected from a samurai revenge story, there is plenty of violence and death; not all of Ogami’s assassination targets are evil people deserving of death.  In particular in this volume, one target is a Buddhist priest who must die for political reasons–he teaches Ogami how to attain mu (“emptiness”) which allows the assassin to strike without projecting sakki  (“killing intent”).  This becomes an important part of Ogami’s personal sword style going forward.

There is also quite a bit of female nudity, and at least one rape/murder scene.  Ogami himself is decent to the women he meets, but feudal Japanese society is not a good place for them.

Because of its influence on the subgenre of samurai manga, this series is well worth reading and rereading.  Recommended for fans of this sort of thing.

Book Review: Nexus

Book Review: Nexus by Ramez Naam

In the not so distant future, technologies for human alteration and augmentation have advanced rapidly, so that many people are considered “transhuman” and there are a few that are possibly “post-human.”  One of the new developments is Nexus, a “nanodrug” that allows humans to communicate mind-to-mind to some degree.

Nexus

Kaden Lane and his friends have developed a new variant of Nexus they call Nexus Five.  It makes the effects of Nexus permanent and gives the user new capabilities that are near or at superhuman levels.  Young and idealistic, they want to help the world with this new technology.  Samantha Cataranes and the agents of the Emerging Risks Directorate want to protect humanity from the misuse of new technologies like Nexus Five, even if it means holding back progress by the strongest means available.  These two groups, and several more, are on a collision course.

After several horrible incidents (one of which Samantha was a direct survivor of) involving various new human enhancement technologies, the governments of the world decided that people who had passed a certain line were no longer human in the legal sense, and thus had no human rights.  In the U.S., the ERD has taken this to an extreme, censoring, imprisoning or even killing as necessary to prevent what they see as harmful alterations to humanity.  Of course, to battle criminals with these enhancements, the government agents themselves have to become transhuman, a bitter taste in Samantha’s mind.

Kaden and his friends are caught early on before they can spread Nexus Five beyond their immediate circle, and Kaden is extorted into working for the ERD.  It seems there’s this Chinese scientist, Su-Yong Shu, who is violating the international agreements on behalf of her government, and she’s taken an interest in Kaden’s work.  The ERD wants Kaden to go to a scientific conference in Thailand to be contacted by her and eventually infiltrate her laboratory.  If he doesn’t do what the ERD wants, his friends will be imprisoned incommunicado permanently.  Naturally, the agent assigned as his partner is Samantha, the one who busted him.  She is against her will dosed with Nexus Five to help in the assignment.

While firmly in the science fiction camp, this book has the structure of a techno-thriller.  Every so often, the action is interrupted for “Briefing” sections that fill in some of the future society’s backstory.  The technologies have both good points and bad ones–it’s pointed out by a minor character that because many of the enhancements are produced illegally due to the heavy restrictions, safety and side effects aren’t tested as rigorously as they would be if researching the technology was legal.

One of the things I like about this book is that most of the characters are at least trying to do the right thing.  The ERD really does good work pursuing criminals who abuse new technologies.  Kaden and his friends want to improve everyone’s lives.  Su-Yong Shu wants to protect her people, even as her government perverts her work.  A scientist-monk wants to invite people to live in harmony.  But these goals come into conflict, and there are a few people in the story whose motives are greedy and self-serving, and they force the story on to a violent path.

Kaden and Samantha both grow over the course of the story, Kaden learning to take responsibility for the consequences of his actions (and to think more carefully what those actions should be) while Samantha moves past the pain of her past to find a new way into the future.

Early on, there is a scene where a faulty “sensual enhancement program” turns a consensual encounter into involuntary sexual assault, and one character’s backstory involves rape and sexual abuse.  The abuse of mind control technology is a constant theme.

In the author’s note, he discusses the real-life technologies he’s extrapolating from–it’s fascinating stuff.

Recommended for science fiction fans up for discussions of transhumanism and the possibility of post-human people.

Movie Review: The Sorcerer and the White Snake (2012)

Movie Review: The Sorcerer and the White Snake (2012)

Fahai (Jet Li) is a Buddhist monk and abbot of a monastery who goes about the countryside with his bumbling apprentice  Neng Ren (Wen Zhang) defeating demons who harm humans and imprisoning them until they reform.  (Effectively forever for most of them.)

The Sorceror and the White Snake

Meanwhile, white snake demon Susu (Huang Shengyi) falls in love with Xu Xian (Raymond Lam), a humble herbalist.  Susu enlists the help of her green snake sister Qingqing (Charlene Choi) to win the man’s heart.

The stories collide when Fahai learns the true identity of Xu Xian’s wife.  Despite her benevolent behavior and good intentions, Fahai believes that all human-demon relationships are doomed to end in tragedy.  With this in mind, he decides to break up the marriage early, by force if necessary.  This leads to disaster even worse than that he was trying to forestall.

This 2012 Chinese fantasy film is also known as “it’s Love” and “Madame White Snake”, for those of you who might search it out.  It was released in 3-D, but the version I watched did not have that option.

Fahai is a righteous man of great spiritual power, but the rigid discipline that has given him this power has also narrowed his perspective.  This is first foreshadowed when Qingqing asks Neng Ren what the procedure is for dealing with demons who aren’t harming humans.  The apprentice admits his master has never bothered to give him any instructions for that.  To be fair, most of the demons we see are in fact harmful to humans.

Susu, in contrast, is used to following her feelings.  Her love for Xu Xian is genuine, and her presence is currently beneficial for both him and the neighborhood (she helps stop a plague.)  She has no patience for talk of potential future harm, or what is forbidden.

The boundary between the two peoples is blurred when Neng Ren is infected by the bite of a bat demon, and starts taking on demonic characteristics himself.  Qingqing shows her friendship by helping him, but her perspective is inhuman and Neng Ren ends up having to leave his monastic order.

There’s quite a bit of exciting action (kind of mandatory for a 3-D movie) and what the PG-13 rating lists as “sensuality.”  This turns out to be clothed or otherwise covered women moving in a way calculated to arouse male interest.

The ending is bittersweet at best; Fahai may have learned a valuable lesson about taking other people’s feelings into account, but it came at a great cost to everyone else.  If you’re okay with not having a happy ending, I recommend this to Jet Li fans and fantasy buffs.

Comic Book Review: The Sixth Gun Book 1: Cold Dead Fingers

Comic Book Review: The Sixth Gun Book 1: Cold Dead Fingers written by Cullen Bunn, illustrated by Brian Hurtt

Becky Montcrief’s stepfather is dying.  But the men who’ve come to their remote homestead aren’t willing to wait for him to finish.  It seems he’s been hiding a gun all these years, and they want it enough to kill for it.   In the heat of the moment after her Pa’s death, Becky grabs the gun and uses it.  This means the owlhoots now can’t take it until she’s dead, so they take her to their boss.

The Sixth Gun Book 1

Meanwhile, a man named Drake Sinclair is also looking for that gun, and he is no saint either.  He’s a step behind the owlhoots, and has to enter the enemy’s lair to retrieve the gun, and while he’s at it Becky.  It turns out her gun is one of a set of six, each with an eerie power,  which used to be owned by an insane Confederate general and his henchmen.  General Hume is dead, but he’s getting better, and he wants his gun back, no matter who stands in the way.

Soon Becky, Drake and Drake’s partner, gambler Billjohn O’Henry, are being chased down by Hume’s ghastly army.  But Becky’s gun is showing her things she’d rather not see, such as Drake’s dark past, and General Hume’s plans once he gets all six guns.

This series is a hybrid of Western action and horror, which meshes pretty well, all things considered.  The various powers of the guns, and the other supernatural occurrences, make for some great visuals.  The immediate threat is dealt with by the end of this volume, but enough plot threads are kept dangling to keep the story going strong.  (The artist told me the final volume should be out sometime next year.)

Becky is a bit naive at the beginning of the story, but soon becomes a survivor (it helps that her Pa taught her how to shoot.)  Drake’s character development is told mostly in flashback, he once willingly served Hume, but is a somewhat better man these days.  The bad guys are perhaps a little one-note, but part of the theme of the story is that they have been warped by their weapons, losing the parts of their original personalities that don’t involve killing people.

Given the genres, there’s a lot of gruesome violence and body horror.  At one point, there’s a technically naked woman, but she’s so drenched in blood that nothing shows.  Surprisingly little cussing, and some mild period sexism.  I’d say suitable for senior high students and up, maybe a bit younger for fans with morbid tastes.

Fans of the Jonah Hex series (especially the more outre storylines) and the works of Joe R. Lansdale should find this entertaining.

 

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