Book Review: The History of Opera for Beginners by Ron David
Opera is one of the great art forms, blending theater and music into a powerful emotional experience. But it also has a stereotype of being incomprehensible melodrama that boring rich people drag their unwilling spouses to. And many of the books about opera are written by scholars who got their Doctor of Musicology degrees in the subject and expect you to follow along.
This volume is by an interested layman who presumes that you have very little knowledge on the subject and want a good place to start. It begins with the roots of opera in older forms of musical theater, then moves on to Italy in the Sixteenth Century, where the opera as such was invented. It covers the spread of opera across Europe and the major composers that created the most popular or influential pieces.
Then there’s a section on the part of opera that’s most accessible to the casual fan, the singers. It talks about what castrati were, and the historical performers we know about because the audience wrote about them. There’s rather more material about singers who have been recorded, starting with Enrico Caruso (who should probably replace Columbus as the official Italian-American holiday celebration.)
This is followed by a selection of the “best” operas with plot descriptions (most fit in a single page as opera tends to very thin plotlines.)
The book winds up with the author’s thoughts on where to proceed if you’re interested in more scholarly approaches to opera, a bibliography, and a guide to his favorite Youtube clips.
The general tone is snarky humor, enhanced by comedic art from Sara Woolley.
Recommended primarily for casual music fans, bright teenagers who want to know more about opera, and as a gag gift for opera lovers.
Speaking of Youtube, let’s all enjoy Luciano Pavarotti singing “Nessun Dorma” (“None Shall Sleep”).
Book Review: Octavia’s Brood edited by Adrienne Maree Brown and Walidah Imarisha
One of the many uses of science fiction is to talk about current issues in a speculative setting. One can posit a world in which current trends have become exaggerated to dystopian levels, or where a solution has been found to a current problem and what that would result in, or imagine how a change in the past would affect an issue…or even just go the allegory route by, say, having anti-Martian prejudice stand in for anti-immigrant prejudice of the current day.
This anthology is dedicated to science fiction stories on the theme of social justice issues. It’s dedicated to the memory of Octavia Butler (1947-2006) a Hugo-winning author of works that touched on such themes as racism, alienation and the environment. There are twenty stories and two essays by a variety of experienced and first-time authors.
The first story is “Revolution Shuffle” by Bao Phi. Two Vietnamese-American young people in the middle of a zombie apocalypse are about to liberate an internment camp for Asian and Middle Eastern-descended people. It seems that in this future, the zombie infestation was declared a terrorist attack, and the most likely suspects were locked up in special facilities to maintain zombie-attracting pistons “for their own protection.” It reads like the first chapter of a YA dystopia novel.
The last fictional story is “children who fly” by Leah Lakshmi Piepzna-Samarasinha. It’s a future starring her daughter in a globally-warmed Oakland, trying to preserve what’s left of the community through group disassociation. “Evidence” by Alexis Pauline Gumbs also uses heavy author insertion in foretelling a future where material goods are no longer important but personal growth is.
Several stories are clearly in the Afrofuturism mode, such as “Lalibela” by Gabriel Teodros, about a time-traveling Ethiopian king.
The most stylistically interesting piece is “Sanford and Sun” by Dawolu Jahari Anderson, which is a script format tale about junk dealer Fred G. Sanford encountering cosmic funk musician and philosopher Sun Ra. It’s a neat concept, but the “jokes” reminded me of just how much Redd Foxx’s comedic delivery skills carried the Sanford and Son show. Without specifically imagining him in the role at all times, the lines fall flat.
Some of the stories feel like incomplete fragments. “Aftermath” by LeVar Burton (about an African-American scientist developing a cure for Parkinson’s Disease, only to be kidnapped by people who want to skin her alive) and “Fire on the Mountain” by Terry Bisson (an alternate history where the Civil War went very differently indeed) are open about this as they are previews of longer books. Others come off as essays more than stories.
Of the stories in this volume, the one I liked best was “The Long Memory” by Morrigan Phillips. It takes place in an archipelago where people known as Memorials can access the memories of the Memorials who have come before them, back to the beginning of their line. These Memorials have become an important part of the society as the rulers must consult them and their knowledge of history before each important decision.
A wealthy and ambitious politician has become an enemy of the Memorials for reasons including the fact that they remember his ideas turn out badly. He manages to get enough of the government on his side to imprison the Memorials.
The protagonist organizes a hunger strike in an effort to bring the politician to the negotiating table (and also to remind the people that the Memorials have been locked up.) She naturally wants herself and her colleagues to be freed, but also comes to the realization that the people of the Archipelago have leaned on the Memorials for long-term memory so much that they’ve lost the capacity to remember history for themselves.
The essays are “Star Wars and the American Imagination” by Mumia Abu-Jamal, which is about pretty much what you’d think, and “The Only Lasting Truth” by Tananarive Due, which is about Octavia Butler herself, her work, and her legacy.
There’s also a foreword, introduction and outro discussing the themes and importance of the works included, and a set of author bios.
This collection is “important” more than “good”; the quality of submissions is uneven, but they are nevertheless interesting to read and contemplate, and I look forward to seeing the future work of many of these authors. If you have an interest in social justice themes or Afrofuturism, please consider picking this book up.
Comic Book Review: Blue Monday, Vol. 2: Absolute Beginners by Chynna Clugston Flores
Disclaimer: I received this volume through a Goodreads giveaway for the purpose of writing this review. No other compensation was offered or requested.
Bleu L. Finnegan isn’t precisely your normal high school girl growing up in 1990s Northern California. For one thing, there’s the blue hair, which she’s had since at least elementary school (though it’s not clear if it’s natural.) She’s also way more into then-contemporary musicians than the average person, and most of the people she hangs out with are equally excited about such things.
Bleu is also very typical of teenage girls, simultaneously interested in and disgusted by teenage boys, and with a schoolgirl crush on handsome Jefferson High teacher Mr. Bishop. Oh, and for some reason a pooka named Seamus has taken an interest in her. Maybe not so typical after all.
This was Chynna Clugston Flores’ first series, created when she was barely older than the characters she was writing. It had a manga-esque art style back when that was uncommon and innovative. It also had musical cues for which songs should be playing at any point in the story–I think that will be most evocative for Nineties kids, as some of the references have faded in the past twenty years.
In many ways, this is like a naughtier version of the classic Archie Comics formula; romantic hijinks, comedy and a touch of the supernatural. The kids are rather more open about the sexual nature of their attractions, use more foul language than I am comfortable with (and yet sometimes use comic-book symbol swearing instead), and consume alcohol. On the other hand, the teenagers are not actually sexually active (as of this volume), and the nudity tends to be peek-a-boo.
In this volume, a fancy-dress party is ruined by too much booze, which leads to a couple of the boys taking a video of Bleu bathing. The fallout of this leads to continued embarrassment for our protagonist, as the contents of the video are vastly exaggerated by gossip. One of the boys, Alan Jackson, finally admits he’s interested in Bleu and tries to ask her out on a date, despite the girls thrashing him in soccer.
That date turns into a disaster, largely because their friends are pulling a series of pranks on the couple. Teenagers are mean!
It seems that whatever town Jefferson High is in, it has a high Irish-American population, though only Clover Connelly’s family appears to be directly from the Emerald Isle. And then there’s “Monkeyboy” whose hairstyle hides his eyes at all times.
The art has been recolored by Jordie Bellaire, who did a very good job except for one obvious goof–or perhaps that happened in post-production.
This will, I think, most appeal to Nineties kids who enjoyed the series when it first appeared, but should be suitable for older teenagers on up who enjoy romantic comedy.
Magazine Review: The American Scholar Spring 1977 Edited by Joseph Epstein
The American Scholar is a quarterly production of the Phi Beta Kappa Society, published since 1932. Its primary focus is non-fiction essays, but it also features poetry, book reviews and since 2006 fiction. I happened across an old issue, was intrigued by one of the essay titles, and decided to review it. At the time it was published, I was in my sophomore year of high school, Jimmy Carter was president of the United States and James Dobson founded Focus on the Family.
Leading off the issue is “The Despairing Optimist” by René Dubos. It discusses the various international conferences held during the 1970s. The essay describes their well-meant aims and somewhat less than impressive results. Professor Dubos reckons that the best approach is to set world-wide goals but work out individual approaches to getting things done as different areas of the world need specific tactics to deal with their specific problems. “Think globally, act locally.” (Professor Dubos is said to be one of the possible originators of the motto when he was advising the Stockholm United Nations Conference on the Human Environment in 1972.)
“Observing the Sabbath” by Aristides (probably a pen name) is about the custom of Sunday as a day of rest, and how that was changing in the modern age. Less a span of enforced inactivity, and more a time of enjoying oneself as religion became less of a factor and just having some time off work became more of one.
“Freedom of Expression: Too Much of a Good Thing?” by John Sparrow talks about whether there should be laws against obscenity and pornography. He discusses various objections to these laws, and attempts to address them. On balance, Mr. Sparrow is in favor of having at least some laws on the subject, even if it’s difficult to precisely define obscenity without actually being subjected to it. Generally, he seems to favor “community standards” laws.
“The Limits of Ethnicity” by Howard F. Stein and Robert F. Hill addresses the then recent upswing in “ethnic pride” groups in the United States, and they note that at least part of the impetus appears to have come from the civil rights advances of African-American people. “Racism is a WASP problem, we Croatian-Americans or Italian-Americans have no culpability here–besides, we’re oppressed groups too.” The authors feared attempts to re-segregate neighborhoods by moving all the people from one ethnic heritage together, making those of other heritages uncomfortable.
One of the weaker essays is “The Tyranny of Harmony” by John P. Sisk. It starts out talking about the music of the spheres, which supposedly had perfect harmony, and eventually gets around to suggesting that an excessive love of harmony resulted in Nazi Germany. The logic is forced.
“Rest in Prose: The Art of the Obituary” is by William Haley, who was editor of the London Times for many years. He speaks of the obituary as a literary form, as history, and as an editorial comment on the worth of a person. He’s especially enamored of the obituaries published by the Times. Mr. Haley is a good writer and I enjoyed this essay.
“A Literature Against the Future” by James Stupple is the essay I bought the magazine for. He notes that in the 1970s science fiction had become the subject of serious university study. (Though he’s quick to point out that the colleges offering these courses tended to be second-rank.) His main premise is that SF isn’t really serious, important literature. Like many critics in the 1970s, he thought that real science showing that Mars is lifeless would kill the field, leaving only science fantasy. Indeed, he suggests that science fiction would quickly become no more relevant than Kabuki or country western. (Well, okay, maybe country western.) From our perspective in the future, it’s easy to see where Mr. Stupple went wrong. (The only other thing I could find by him in a Google search was half an essay on Ray Bradbury; he liked Bradbury’s stuff as fantasy.)
The final essay is “The Provincial Towns” by Barnett Singer, who wrote about his experiences the previous year touring the less-populated areas of France. He chronicles the dying of an old way of life, but then old ways of life are always dying. It’s rather sentimental, but he also notes that the young people seem okay with the changes.
The poetry is all that modern stuff I don’t care much for. The best of the lot is “On the Language Which Writes the Lecturer” by Jeanne Murray Walker. “English merely comments on the structure of another language concerning which nothing can be said.”
There are several book reviews, all of books I have never heard of. The most positive review is of The Autumn of the Patriarch by Gabriel Garcia Márquez. Sadly, despite the enthusiasm of the reviewer, it sounds dreadful. There are also a lot of book ads. Most of these are the barest snippets that seem to have been written by someone who doesn’t know anything about selling books.
The other kind of advertisement is for colleges–apparently the main audience was expected to be bright high school students looking for a place to get further education. Saint Olaf!
Last is Letters to the Editor, very erudite people criticizing essays and reviews (in one case, a book reviewer is allowed to respond.)
It’s an interesting assortment of subjects, most of which don’t feel dated. If you happen to spot a copy of this magazine at a garage sale, it’s worth a look. The American Scholar is still published, and you can read more recent essays at their website here: https://theamericanscholar.org/about-us/
Over the Easter weekend, I went to Minicon, the Minnesota Scientifiction Society’s yearly convention. This was the 50th convention, although not the fiftieth year, as a couple times early on it was held twice yearly. To mark the milestone, the convention ran four days instead of the usual three, and had a whole bunch of Guests of Honor.
Unfortunately, I was only able to take one day off work, so missed the Thursday events altogether. I arrived Friday morning at the RadiShTree Hotel in Bloomington (it’s been a Radisson, Sheraton and now a Doubletree) and realized this was my thirtieth Minicon! Wow! The registration desk was well-organized and I soon had my badge with Michael Whelan art and programs.
The first panel I attended was an interview of Jane Yolen (perhaps best known for children’s fantasy books, but she also wrote The Devil’s Arithmetic, a historical fiction novel about the Holocaust) by a local writing group, the Scribblies. Ms. Yolen mentioned that she didn’t get her doctorate because her thesis was on the use of fairy tales in childhood education and the gatekeepers didn’t like that. It’s since become a standard text Touch of Magic and she has six honorary doctorates now.
Then it was time for the only panel I was on, “Anime and Manga for Speculative Fiction Fans.” Somehow Programming missed my repeated messages offering to moderate the panel and picked one of the panelists at random. The panel discussion was a bit weaker than I would have liked, but there were still many items mentioned, and you can see a list in my just previous post.
From there I went to an interview of Tom Doherty, the publisher of Tor, which is a big science fiction and fantasy label. He talked about the challenges facing the book publishing industry, including the loss of small regional book distributors and smaller chain bookstores. That means it’s harder to reach casual readers who would pick up a book if they happened to see one, but won’t make a special trip to the big box store.
Then it was “Publishing After the Door Slams” which was about the alternatives to major publishers (who after all want to print books that they think will sell.) Apparently one segment of e-publishing that makes money hand over fist is Big Beautiful Woman erotica–a market that apparently is starved for content.
Next up, the Brandon Sanderson interview (he finished the Wheel of Time series, but is a good author in his own right.) He talked about taking a job as night clerk at a quiet hotel so he would have plenty of time to write. After that I went to the Terry Pratchett Memorial; several of the attendees had known him well, including Greg Ketter, owner of Dreamhaven Books and the one who convinced Sir Terry to come to Minicon 40.
The hugest event of the night was the reunion of fan favorite local band Cats Laughing (X-Men fans will remember Kitty Pryde jamming with them once.) I do poorly in crowded concert venues, so skipped it, but heard bits and pieces as I visited several room parties. Love tasty food, and some parties had very nice items.
On Saturday, I cruised the art show/science exhibit/hucksters room after breakfast–Some beautiful art by Michael Whelan and also by local artists.
Then I attended an interview of Larry Niven (Ringworld) and heard about his many collaborations and how they worked (the Internet has been a real boon to the process.) There was more of this at the “Adventures in Collaboration” panel immediately afterward.
I don’t remember too much of the “Social Pressure in Fandom” panel, although harrassment policies were mentioned. I was too busy mentally preparing for the mass signing event. “The Evolving Business of Books” had more Tom Doherty–he stressed that e-books were not a threat, but an opportunity, as were audiobooks. Tor is teaming up with NASA to create books to get kids interested in space-related career fields.
“Deviance in Fiction” discussed the role of bad behavior in creating a story–there was general agreement that sometimes too much is too much and it spoils the book for that reader. (Lord Foul’s Bane and a particularly hideous act by the protagonist early on was given as an example of a point at which several of the people in the room gave up on the book.)
“I’m a Cover Shopper” was a panel about the role of covers in attracting readers–the trend is towards covers that look good in a two-inch size on Internet sites. We also discussed whether the writer should have input on the cover image. (yes, but not control. One example was given of an author who insisted the picture on the cover match the colors described in the book; this made the cover a mess of brown and gray.)
Sunday morning meant one more sweep; I’d won a couple of things from the art room and could now use the rest of my budget to buy books. I enjoyed a panel on “Linked Short Stories and Serial Novels” where we discussed Dickens, “fix-ups” (two or more short stories rewritten into a longer work) and other fun topics.
After officially checking out of my hotel room (and thus having to carry my luggage everywhere) I checked out the latter half of “Collaborative Creative Projects” which was about art installations primarily. The slideshow stalled on a particularly disturbing image that distracted me for the rest of the panel.
My last panel was “Middle Grade Optimism vs YA Dystopia”, talking about the difference between writing for the “middle grade” and “young adult” markets. It was emphasized that these were largely artificial distinctions. However, a general rule of thumb is that middle grade books are given to the child by a parent, teacher or librarian; while young adult is when they begin seeking out books on their own (and start disdaining “this is inappropriate for your age group” comments.)
Closing ceremonies were fun as usual; next year’s convention will have Seanan McGuire of Newsflesh and Incryptids fame.
Tell me about your most recent convention experience, or a gathering you hope to attend in the near future!
Book Review: 100 Wicked Little Witch Stories edited by Stefan Dziemianowicz, Robert Weinberg & Martin H. Greenberg
This was my Halloween season read this year, an anthology commissioned for the Barnes & Noble stores in 1995. There are indeed one hundred stories in this hefty tome, averaging about six pages. They are not all about wicked witches, however–some witches are good, some are just mischievous and others are hard to pin down on a moral spectrum.
The volume opens with “Gramma Grunt” by Donald L. Burleson, about a man returning to the streets of his youth and regretting joining in the taunting of an old woman; and ends with “Wall of Darkness” by Basil Wells, about a piece of architecture that should be left strictly alone. The oldest story (1933) is “The Mandrakes” by Clark Ashton Smith, one of his Averoigne stories, in which a murdered woman gets revenge through the title plants (though her murderer really should have known better.) Most of the stories, however, are exclusive to this book.
As might be expected, most of these short tales depend heavily on a twist ending, but a few play it straight with an ending foreshadowed throughout. Sometimes good people win the day, other times evil triumphs, at least for now. There are many variations in kinds of witches as well, the most bizarre of which is “Fish Witch” by Lois H. Gresh, with a witchlike species of marine life; it’s got a garbled ending.
Some standouts include:
“The Only Way to Fly” by Nancy Holder: An aging witch who’s lost most of her magic through disuse is on a plane to her retirement home. Does she have one last spark in her?
“There’ll be Witches” by Joe Meno: Danny is haunted by witches that make him wet the bed. Too bad the grownups never see them!
“Beware of That for Which You Wish” by Linda J. Dunn: A woman who wants a son consults a wiser woman; the wheel turns.
“The Devil’s Men” by Brian Stableford and “The Caress of Ash and Cinder” by Cindie Geddes, a nicely matched pair of stories about witch hunts seen from the victim’s point of view, yet with mirrored perspectives.
“The Mudang” by Will Murray: A skull collector discovers a two for one bargain in Korea.
There’s a few duds as well, but they’re short and over quickly.
Scattered among the stories are a few with scenes of rape, abuse, suicide and other triggery subjects. There’s also a few iffy ethnic portrayals and those of you who are witches may not like some of the more negative portrayals.
You can probably find this for a modest price from Barnes & Noble; I see it’s been reprinted several times. Or try the library if you just want to read the bits by your favored authors.
A troop train carrying soldiers to a base near New York City has typical troopers California, Dakota, Jersey and Tex on board. Only Jersey has a steady girl, and he’s hoping they have some time before being shipped overseas to see her. California’s never even kissed a girl, and Dakota has sworn off romance for the duration. Tex would like a new girl, but it seems unlikely.
Meanwhile, several young hostesses get ready to work at the Stage Door Canteen. This is a special servicemen’s club set up near Broadway where celebrities volunteer their time and talent to entertain the troops. One of the women, Eileen, is less interested in the volunteer work than in being noticed by a Hollywood or Broadway scout, so she can advance her acting career.
Our troopers get passes as their ship is not ready to leave, so they come to the Stage Door Canteen. Despite the restrictions (the hostesses are there to lend a friendly ear and dance partners to the lonely soldiers; no physical affection or outside dating allowed) Dakota and Eileen find romance blossoming. Too bad there’s a war on!
This 1943 film is a tribute to the real-life canteen, and can be fairly described as star-studded. Musicians like Count Basie and Benny Goodman, comedians like Ed Bergen and Harpo Marx, and many cameos from performers like Lunt & Fontanne and Johnny Weismuller. In real life, the canteen probably didn’t feature all these people at once, but all of them did appear at the Stage Door Canteen or the West Coast Hollywood Canteen at one time or another.
The story is paper-thin, only there to connect together the music and comedy acts. The music is first-rate, and the format allows a variety of musical genres, from swing to religious. The comedy is a bit more dated, and younger viewers may find themselves lost trying to figure out who some of these people are. The wartime setting is often mentioned, with as many different types of servicemembers crammed in as possible, including the Allied forces.
That leads to a bit of puzzlement at one point where Chinese airmen are set to sail to China–from New York City. (There are some mild ethnic slurs towards the Japanese.)
The film is long by 1940s standards, over two hours, but is in the public domain so you can probably find a good version online or on cheap DVD. Highly recommended for fans of any of the artists involved–your kids may want to skip right to the music bits.
In fact, let’s have a moment with Gracie Fields singing “The Lord’s Prayer.”
Book Review: Trafficking in Magic, Magicking in Traffic edited by David Sklar & Sarah Avery
Disclaimer: I received this book as a Goodreads giveaway on the premise that I would review it.
This fantasy anthology has a dual theme, as indicated by its title; magic as transaction, and magic while traveling. The former theme brings to mind the classic Faustian bargain story, and the preface mentions that the editors got a bushel full of them, only a few making the cut.
There are eighteen stories, nine for each theme, divided into groups of three by subtheme, such as “Bad Roads.” Most of the stories are new, but some have been previously printed. Some standouts include:
“Ghost Diamonds” by Scott Hungerford. A woman and her niece discover that compressing crematorium ashes into a diamond allows calling the ghost of the deceased. But they aren’t the only ones who have made this discovery, and someone’s been switching the ghost diamonds with fakes. But why?
“Across the Darien Gap” by Daniel Braum. A guide attempts to take a hunted woman through the rain forest between Central and South America. His two-dimensional thinking may doom them. This one has been made into an episode of Psuedopod, a horror podcast, and is now being lengthened into a book.
“Only a Week” by Joyce Chng. This one might actually be science fiction, set in a futuristic Chinatown. A courtesan seeks to regain her youthful beauty, but the medicine has side effects and can be taken only for one week….
“And the Deep Blue Sea” by Elizabeth Bear. A courier must cross the postapocalyptic Southwest to deliver vital supplies. But a deal she made years ago is coming due. Can Harrie finish her delivery with the devil himself in the way?
There’s a good diversity of protagonists, and both happy and sad endings. A couple of stories are perhaps a little too cliche, but the quality is generally good.
Unlike many small press books I’ve read lately, the proofreading is excellent.
I would recommend this book to fantasy fans in general, and modern fantasy fans in particular.
Book Review: My Soul Is a Witness by Marsha Hansen
Disclaimer: I received this book as a Goodreads giveaway on the premise that I would review it.
Marsha Hansen is a concert vocalist and inspirational speaker who sings and teaches about African-American sacred music. This book is an extension of that, writing about spirituals and their messages.
Because of slavery, those kidnapped and sold from Africa and their descendants had a very different experience of Christianity than their purchasers and enslavers. They identified strongly with Job and the Israelite slaves in Egypt. (Indeed, some white people who preached to slaves deliberately skipped the Exodus story, or changed the ending to have the Israelites voluntarily going back into slavery.)
Since literacy among slaves was discouraged (and in some states illegal), music was one of the few ways they could express their religion, and the songs sung at camp meetings became the spirituals we know of today.
The book comes with a CD of Ms. Hansen, her friends and family performing many of the songs discussed. Several were recorded at family gatherings, with the rest being done in a more formal studio setting. Some of the home recordings are a bit rougher than is to my taste, with the drum drowning out bits of the lyrics. Those of you who prefer an “authentic” sound may like those tracks better.
The writing is stirring, explaining the significance and emotional resonance of each song. I found it moving. This book would be best appreciated, I think, by those with a fondness for spirituals, but anyone with an interest in Christian music will probably enjoy it. There’s also a discussion of slavery in the Bible and how verses were taken to justify cruel oppression. We now interpret those passages differently, and so our understanding grows.
Book Review: The 36 Ancient Chinese Strategies for Modern Business by Lan Bercu
Disclaimer: I received this book as a Goodreads giveaway on the premise that I would review it.
Beginning some time in the late 1970s, when it became obvious that Japan had become an economic powerhouse, American businesses began taking an interest in Asian philosophies that might explain why companies from those areas were doing so well, especially in industries where America was faltering. Thus, books for business explicating on The Five Rings, The Art of War and so forth have been written and often sold well.
This is the latest book in that tradition. The author was born and raised in Vietnam, where The 36 Strategies, a text on warfare believed to have been compiled during China’s Warring States period, is read by schoolchildren. She has since found the information included helpful in her career as a speaker on business and international matters.
The main text is divided into thirty-six short chapters, one for each strategy. Each starts with a short story about ancient Chinese warfare, then one or more examples of how modern businesses have implemented these strategies, whether by name or by chance. This is followed by translation into more basic tips, and questions for the business to ask itself based on the strategy.
Some of the strategies have poetic sounding titles, like “slough off the cicada’s golden shell” or “borrow a corpse to resurrect a soul”, while others are more plain-spoken, like “kill with a borrowed knife.” The strategies themselves, however, tend to be simple to understand, if sometimes difficult to apply to a given situation. That last bit is why they’re arranged by type; some are better when you have a clear advantage, others when you’re on the defensive or in a losing position.
It should be noted that the more literal applications of some of these strategies to business, such as “replace the beam with rotted timbers” and “deck the tree with false blossoms” may be considered unethical, and in some cases are outright illegal. The author points out that businesses (and customers) should be aware of these strategies anyway, to help defend against them.
The short chapters and copious examples make this a good read for the busy person on the go; this is one time I would suggest buying the e-book version. The book comes with an ad for the author’s services, bibliography and an index.
The utility of this book will depend on whether you already have another of the books relating the 36 strategies to business. If so, you may not need this one. This book also has a lot of synergy with The Art of War, so you may want to invest in one of the business books that concentrate on that text as well.
In war, do not repeat the tactics that have gained you one victory. Rather, let your methods be determined by the infinite variety of circumstances. — Sun Tzu