It’s not that Roger Wool doesn’t want to work, as such. It’s that he doesn’t want to be tied down to a single job day after day, the same desk in the same office. And he’s too well-bred for most work that involves wandering from place to place doing odd jobs as they come. Fortunately, his wealthy aunt Dame Isabel Grayce has been willing to subsidize Roger living in the manner to which he’s accustomed, in exchange for being available for her every whim.
And while opera is not Roger’s thing, the avant-garde performance put on by the alien Ninth Company of Rlaru has some interesting points. However, later that night the performers vanish into thin air, leaving their human manager struggling for an explanation. Dame Isabel learns that this was supposed to be part of a cultural exchange, and immediately puts her entire fortune behind the project of sending an Earthly opera company to the stars.
This is highly alarming to Roger, who was hoping that his aunt’s largess would continue into her will–if she goes broke on this wild adventure, there goes his inheritance! While helping to make the arrangements for the voyage, Roger meets a mysterious beauty named Madoc Roswyn, who is hellbent on coming along. Problem is, she has no musical training or other opera-useful skills, and Dame Isabel quickly sees through the secretary gag.
And so the Phoebus blasts off with a full opera company and orchestra aboard, as well as a crew led by the increasingly nervous Captain Gondar, Dame Isabel and her staff..and Madoc as a stowaway.
Jack Vance (1916-2013) wrote many fine science fiction works. This comedic novel was a stand-alone, written (so he claimed) to fit the title, rather than adding a title to a finished manuscript as was the usual custom. Mr. Vance was known for detailed alien cultures with unusual customs, and that’s on full display here.
The plot is episodic, with the Phoebus landing on new planets, meeting new strange customs, and putting on shows. Most of the performances don’t go so well for reasons ranging from getting the wrong audience to the planet being actively hostile to life as we know it.
There’s a certain amount of classism and cultural snobbery–Dame Isabel and her coterie are aghast to learn the crew has formed a washboard jazz band in their spare time. And the romantic subplot is weak. Madoc is goal-driven, leading her to some femme fatale tactics, and the resolution of that is a letdown.
But top marks for the zany culture clashes and some moments that opera fans will doubtless enjoy even more than the layman.
The Magazine of Fantasy & Science Fiction Nov/Dec 2016 edited by C.C. Finlay
The Magazine of Fantasy & Science Fiction started publication in 1949. According to Wikipedia, it was supposed to be a fantasy story version of Ellery Queen Mystery Magazine as it was at the time, classic reprints mixed with new material of a higher literary quality than was common in the pulps of the time. Science fiction was added to expand the possible pool of stories. F&SF has managed to publish fairly regularly ever since, though in recent years it’s bimonthly. It has a reputation for literate fiction.
The cover story is “The Cat Bell” by Esther M. Friesner. Mr. Ferguson is a successful actor in the early Twentieth Century, even having a fine house with servants. One of those servants, Cook, greatly admires Mr. Ferguson. Mr. Ferguson greatly admires cats, and has nineteen of them that Cook must feed every day. One day there are twenty cats, and Cook finds herself in a fairy tale. Content note: Cook suffers from several of the less pleasant “isms” and isn’t afraid to say so.
“The Farmboy” by Albert E. Cowdrey is set on a distant planet being surveyed by a scout ship. The crew has discovered a massive deposit of gold, but even if they had room to take it with them, the government would simply confiscate the wealth, giving nothing to the survey crew. Several of the crew members come up with a scheme to make themselves very rich at the expense of the rest of the crew. But if you can’t spot the sucker at the poker game, it’s probably you…some unpleasant sexism.
“Between Going and Staying” by Lilliam Rivera takes place in a future Mexico even more dominated by the drug cartels. Dolores is a professional mourner using the newest bodysuit technology. She’s been making very good money performing for the wealthy, but this funeral is personal.
There are two book review columns, one by Charles de Lint, in which he admits not being fond of psychological horror. The other is by Chris Moriarty and focuses on books about human survival.
“The Vindicator” by Matthew Hughes is the last story in his current cycle about Raffalon the thief. Raffalon is a mediocre burglar in the sort of fantasy city that has a Thieves’ Guild. For some reason a Vindicator (assassin) is after Raffalon, and the Vindicator’s Guild isn’t being helpful for calling it off. Raffalon hires a Discriminator (private investigator) and the truth turns out to be explosive.
A relatively rare Gardner Dozois story follows, “The Place of Bones.” A scholar and his companion discover the Dragonlands, where dragons go to die. More of a mood piece than a proper story.
“Lord Elgin at the Acropolis” by Minsoo Kang involves a police officer and writer meeting to consider the problem of a museum director who believes that one of the paintings in the museum is fake, despite no other evidence. Is he just crazy, or is there another explanation?
“Special Collections” by Kurt Fawver is a horror story about a library with a section you must never enter alone, which is the first rule. And then there’s the second rule….
David J. Skal reviews High-Rise for the film section, and compares it to the J.G. Ballard novel.
There’s the results of a contest for updating older science fiction works to today’s world. Including a “Dishonorable Mention” update of 1984.
“A Fine Balance” by Charlotte Ashley is set in a city where all disputes between the two major parties are settled by specially trained duelists. Except that one side doesn’t want to play by those rules any more. Very satisfying story.
“Passelande” by Robert Reed takes place in a depressing near future with electronic backups for people who can afford them. Backups who have their own feelings and motivations. This one grated on me, as I felt the characters had their motivations poorly explained/depicted.
“The Rhythm Man” by James Beamon is a variant on the legend about talented musicians selling their souls for skill or fame. A lot of set-up for one great scene at the end.
And the stories wrap up with “Merry Christmas from All of Us to All of You” by Sandra McDonald. It’s a dystopian tale of a gift-making community that ensures none of its children can truly escape. But perhaps there is a ray of hope?
There’s an “Easter egg” in the classified ads, and then an index of stories and features that appeared in 2016’s issues.
I liked “The Vindicator” and “A Fine Balance” best, though “The Cat Bell” was also quite entertaining. “Passendale” was the weakest story for me.
This magazine has consistently high quality stories and some nice cartoons; consider a print or Kindle subscription.
Comic Book Review: Saints: The Book of Blaise written by Sean Lewis, art by Benjamin Mackey
Disclaimer: I received this book through a Goodreads giveaway for the purpose of this review. No other compensation was requested or offered.
“Monster” Blaise is a heavy metal musician with “one weird trick”–his glowing hands can cure throat ailments. It’s never occurred to him to look further into this, so it’s a bit of a surprise when a mysterious archer interrupts one of Blaise’s assignations. The bowman claims to be the reincarnation of Saint Sebastian, yes that Saint Sebastian, and our protagonist is the reincarnation of Saint Blaise.
Blaise wasn’t raised Catholic, or even Christian, and is none too clear on what’s going on. But bad things are going down, and they must find the last few reincarnated saints before the end of the world. The next on the list is Lucy Sweetapple, a grocery store clerk with the gift of Sight, and whose parents own a painting of Jesus that talks to Blaise. It’s only getting weirder from here.
The author of this Image Comics-published story was raised Irish Catholic, he tells us in the foreword, and he’s combined his childhood love of the Saints with metal and comics for this series. He’s best known for his plays, and it takes a while for his comics writing to click. The art is strongly inked to give it a bit of a stained-glass feel, and works well with the story themes.
This is not a book for those who like their religion orthodox; the writer plays fast and loose with the abilities of the saints, the motivations of angels and the nature of God. The ministers who have joined up with the antagonists are from non-standard churches, and there’s a children’s crusade filled with child soldiers. Meanwhile, the protagonists’ forces include morally dubious metal bands and a demon.
While this isn’t specifically labeled “mature readers”, there’s nudity, gory violence, sexual situations and some unnecessary vulgarity. Urine drinking in the first scene for shock value, for example. Lucy attacking Blaise in the mistaken belief that he was about to sexually assault her is played for laughs, but it’s pretty obvious men have tried it enough before to make her violence an ingrained reaction.
There are some clever bits with the saints’ abilities being based on their folklore but not confined to that; and very effective artistic renderings of revelatory messages. But in places I was uncomfortably reminded of some of the excesses of early Vertigo Comics.
I think this will go over best with lapsed Catholics and comparative theology majors.
Right up front, I have to say that the title is the most annoying thing about this book. Did anyone ever use “rad” as an adjective unironically? That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume. There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.
This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety. There are scientists, athletes and entertainers, politicians and even a princess! The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers. (A couple of these biographies moved me to tears.) Many of the women covered I had heard of before, but a few were new to me.
The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.
This book also wears its politics on its sleeve, obvious in the selection of women to write about. Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back. The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”
As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent. Many of these women were controversial during their lifetimes, and some of them are still controversial now. A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies. I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.
I expect that this book will end up in a lot of elementary school libraries. I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.
Disclaimer: I received a copy of this book from Blogging for Books for the purpose of writing this review. No other compensation was offered or requested.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.
Commander Samuel Vimes of the Ankh-Morpork City Watch, Duke of Ankh-Morpork and Blackboard Monitor, has been aware in a general way that his wife Sybil owns some property in the countryside. But now that their son Young Sam is six, Sybil has decided that it’s high time that the family take a holiday to visit the ancestral manor. And she’s somehow convinced Sam’s boss, Lord Vetinari, to sign off on this.
So Sam Vimes finds himself on vacation for the first time in ever, stranded far from the smell and sounds of the city he knows so well, and at a loss how to handle himself in a rural area where he’s not got jurisdiction as a cop. But as Sherlock Holmes remarked in “The Copper Beeches”, the countryside is not free from vile sin. When Vimes discovers that there’s been a murder on his land and the oppressed cry out for justice, he’s willing to bend the definition of jurisdiction to bring the villains to heel.
This is one of the last Discworld books (only two after this one) and the last of the City Watch sub-series. While Vimes is front and center for most of the story, we do check in with many of the other continuing characters for at least a sentence. (This is one of the few Discworld books to miss out Death as a character, but that does not mean that no one dies.)
Over the course of the series, Ankh-Morpork has advanced from a parody of generic sword-and-sorcery cities that happened to share some geographical features with London to more or less a fantasy version of Victorian London–and most of this progress has happened within Sam Vimes’ lifetime. Indeed, Vimes can be said to have facilitated much of this by his dedication to law enforcement that does what is right rather than what is convenient. Another running theme of the books has been that people are people, regardless of their shape, odd customs or biological weirdness. Dwarves and trolls and even vampires have become people, with all the rights and responsibilities that come with that description. And now it is the turn of the goblins.
Goblins are the lowest of the low, considered filthy creatures with no visible culture, and treated as vermin. Enslaving them, taking their sacred objects, killing them–none of these are considered crimes by the majority of people or the written law. But Commander Vimes’ previous experiences give him some unique ways of seeing the “humanity” of goblins.
And while his efforts do yield results, Sam Vimes would not be able to fully achieve the goal of bringing goblins under the protection of the law without the aid of his socially-connected wife, an author who has her own insights into goblin culture, and several goblins who step out of their stereotype to show their worth. (Although there is some question whether Stinky is really a goblin…or something more.)
Much of the “humor” this time revolves around bodily excretions, as Young Sam has discovered the scientific wonders of poo. For those of us not keen on toilet gags, this gets a bit tiresome. There’s also a fair amount of swearing, and a discussion of “the dreadful algebra” of what to do with an infant that’s been born in a time of famine. And not all sins are forgiven.
The general quality of the writing is excellent as always, but Sir Terry’s sentimental side perhaps overwhelms the sharper edge of social satire, particularly in the ending.
Recommended to Discworld fans; newbies should probably start with Guards! Guards! which is the first of the Watch sub-series.
Have you ever wished you could have a fairy tale life? Be the hero of the story, vanquish evil, gain true love and live happily ever after? Well, the Narrative is here to help! It loves shoehorning people’s lives into the shape of fairy tales. Of course, there’s no guarantee it will slot you into one of the good roles. And have you ever noticed how much death and misery is in your average fairy tale? Plus, trying to make real life mimic magic has its limitations, often lethal ones.
And that’s where the ATI Management Bureau comes in. Using their knowledge of the Aarne-Thompson Index to Motifs in Folk Literature to spot the Narrative trying to break into reality as we know it, the ATI agents try to thwart the worst effects of the stories on innocent bystanders. The focus is on the field team led by Henrietta “Henry” Marchen, who is trying to avoid going full Snow White. She’s assisted by Sloane Winters, an obnoxious woman who has averted the Evil Stepsister role only by not having any family; Jeffrey, the team archivist (who has an affinity for shoes) and Andy, the team normal who handles social interaction.
There’s been a sudden spike in Narrative incursions lately, in particular ones that look like one fairy tale only to morph into more deadly ones. The team is forced to take on a new member with Pied Piper abilities to solve a case, but then the hits just keep on coming. Pretty soon it becomes obvious that the Narrative has a mole inside the Bureau itself!
Seanan Mcguire is the author of the October Daye and Incryptids urban fantasy series, as well as writing horror as “Mira Grant.” This book was her first try at writing a Kindle serial, with chunks published online every two weeks. (There’s also a sequel.) “Fairy tales are real” is a hot concept in recent years, with the long-running Fables comic book series, the television shows Grimm and Once Upon a Time and a fantasy series I forget the name of set in “The Realms” and having a very similar premise to Indexing.
There are some cool twists to the concept–every time a new adaptation of a fairy tale comes out, it adds variations that the Narrative can use. Thanks, Disney! Literary fairy tales with known authors like Peter Pan count too. Also, the Narrative has figured out how to change up the casting, for example putting a male character in the “Little Mermaid” role. And then there’s what Henry realizes about the roots of the Snow White story….
This is not, however, the author’s best work. She was not used to working in serial form, and it shows. In particular, the chapters repeat basic information over and over on the assumption that the reader might not have read the previous part, or at least not remember the details. This is most notable in the first half of the book. On the other hand, it’s interesting watching Ms. McGuire improve as the story goes on. (I personally would have re-edited the book to eliminate redundancy as was the custom with fix-up novels of the past, but that’s just me.)
Most of the characterization goes to Henry and Sloane, with Demi (the Pied Piper) woefully neglected for much of the book. Sloane’s battle to be wicked but not outright evil is the most enjoyable character arc.
If you’re familiar with fairy tales, you are aware that they often have dark content–there’s suicide, and rape is mentioned, in addition to the usual murder and maiming. I’m just glad “Manyfurs” and “How the Children Played Butcher” weren’t referenced.
Again, not the author’s best work, but entertaining and worth reading if you’re a fan of dark fairy tales.
For those of you new to this blog, Minicon is the Easter weekend science fiction convention put on by MN-StF every year. I’ve been going to it for somewhere around three decades now, and this year was no exception. Once again it was at the RadiShTree (Bloomington Doubletree) hotel, and I was able to secure a room in the hotel, which was ready when I checked in!
I wandered around the Art Show/Dealers’ Room/Science Exhibit for a while, then visited the Consuite for a late lunch. One of the nicest things about long-running conventions is meeting and talking to your friends you only see there–I did quite a lot of that this last weekend, as some of these folks I’ve had at least a nodding acquaintance with since the mid-Eighties.
I went to the Cinema Obscura to watch a short film titled Yesterday Was a Lie which is black and white, and involves time becoming unstuck for a detective. Problems with the sound system made the first ten minutes seem even more “noir” than was intended, but being able to hear the words thereafter didn’t help much in unraveling what was actually going on.
Then I attended the panel “It’s Tough to Be an Introvert These Days” which had all three Guests of Honor: Seanan McGuire (writer), Lojo Russo (musician) and Sara Burrier (artist) and a couple of other people talking about how they balance their social media presence with their creative and personal lives.
After that was Opening Ceremonies, which were very short this year as the new MC was no-nonsense. Dave Romm retired from the job after thirty years!
I went up to my room for a couple of hours to rest, then came down for the first panel I was on, “How to Survive a Horror Movie.” As Seanan McGuire writes horror (among other things) she was also on this panel. She got a corn-based trophy from some fans, referencing something I’m not familiar with. We had a lot of fun, and I got to use my “don’t be a security guard” line.
After that, I dropped in on a couple of parties. Dave Romm also retired from his day job, it seems, and has been spending time traveling with his mother, who was also there–the party was mostly so she could meet people. Also got a review copy of a book you’ll be hearing more about once I’ve finished with it.
Next morning, I enjoyed the consuite breakfast–big thank you to the dedicated people that make that possible every year! Then it was off to the spendy room again–unfortunately the one thing in the Art Show I’d wanted had been outbid. My niece will be getting a different birthday present. I noticed a headache coming on, but ignored it at that point so I could go to the Seanan McGuire interview.
She mentioned some things about the October Daye series that increased my desire to read it considerably. Also a fun story about her visit to Tam Lin’s Well. Afterwards, Ms. McGuire did a signing, and I got my copy of Indexing signed. (More on that book in its review.)
By that time, my headache had spiked, and my need to obtain aspirin distracted me, so I was just barely in time for my first panel of the day, “Being a Fan of Problematic Things.” I was the moderator, so I really had to be there. Much thanks to my panelists Aimee Kuzinski and Katie Clapham for being willing to do most of the talking! We covered a lot of ground, from “what does ‘problematic’ actually mean?” through “how to react when you find out something you like is problematic to other people” to “how do we teach our children about problematic elements in their fiction?”
My headache was mostly gone by the next panel, “Psy Phi” (psionic powers in comics) which I again shared with Seanan McGuire, who brought badge ribbons to vote for Jean Gray or Emma Frost as “best X-psychic.” We talked about psi powers in science fiction and how the use of them evolved, a bit about developing the ethics of telepathy, and how comics tended to give psychic powers to women, the disabled and the “othered.”
A lot of the audience was the same for the next panel I was on, “Being an X-Men Means Never Having to Attend a Serious Funeral”, which was about revolving-door deaths in comics. Mind, that’s mostly a thing with Marvel and DC–smaller companies and single-creator comics can permanently kill characters and not really hurt their bottom line. The death of a character (and subsequent return) can be done well, but too often it’s subject to lazy writing.
Did other things for a while, then the headache came back, so I took more aspirin and laid down (I love having a room at the hotel!) for a while before my last panel, “50th Anniversary of Star Trek” (The pilot was filmed in 1964, but the show didn’t hit the air until 1966.) Unfortunately, the scheduled panelist who had worked with Gene Roddenberry back in the day took ill, but we managed to find a knowledgeable substitute. Indeed, all the other panelists were way more informed about Star Trek than I am, so I fell back on the moderator’s privilege of asking questions and letting everyone else talk.
Apparently the JJ Abrams reboot is attracting new fans who can still get into the better old stuff. (I was happy to see a few people in the audience who were actually younger than Star Trek itself.)
I quickly visited a few more parties, had more conversations, got a root beer float at the Consuite, then went up to my room to watch some dubbed anime on Cartoon Network before turning in.
Woke up late, breakfast in the Consuite again, then packed for the journey home. (Checkout time is noon, and I am not made of money.) Made a last sweep through the booksellers, then it was off to “The Year in SF”. Lots of good stuff last year, the one noticeable trend was more “climate disaster” novels.
Then it was time for the “Mega Moneyduck Reveal.” “Moneyduck” is kind of like a pen and paper version of “Telephone”–you start with a word or phrase, the next person draws a picture of it, the next next person writes a description of the picture, etc. This particular game had been played on a long roll of paper all weekend. The starting phrase was “Shall we play this again next year?” and the mutations took us through sentient alcohol, suicidal teddy bears, and alien preachers to “Batman and Robin caught the Hot Dog Bandit.” Very silly.
Closing ceremonies were fun, and the assassination of the outgoing MN-StF President was accomplished by informing him that he’d been chosen as Trump’s running mate, bringing on a heart attack.
The bus ride back to Minneapolis was not so much fun–the sky had clouded over and the wind picked up, the local bus took forever to arrive, and the connecting bus drove away just as the local pulled up, requiring another half hour wait in the cold.
Comic Book Review: Vertigo CYMK edited by Scott Nybakken
Disclaimer: I received this volume from a Goodreads giveaway for the purpose of writing this review. No other compensation was offered or requested.
I don’t talk a lot about colorists. In most comics, they’re not noticed unless they really screw up, or there’s a particularly striking image. But they are an essential part of the color comics creation process. It’s the colorist who makes sure that the characters have the same color clothing and hair from panel to panel and page to page. The colorist has to choose appropriate background colors that will complement the foreground without hurting the eyes, and create mood with appropriate shades for the circumstances. It’s a difficult job and one that doesn’t get the attention it deserves.
The reason I bring this up is because this anthology comic book is all about color. It’s named after Cyan/Magenta/Yellow/blacK, the four inks used in tiny dots to create all the colors in the “four color” printing process that allowed color to work on cheap newsprint paper. For many years it was used both for the Sunday comics and comic books. The latter are printed on fancier paper now, allowing for more shades and variations, but “four-color” is a history that all comics creators know. This was originally a four-issue series with each color getting a focus.
The Cyan section leads off with “Serial Artist” by Shaun Simon (writer), Tony Akins (artist) and Andrew Dalhouse (colorist.) A struggling musician falls in love with a girl he finds “tagging” a building. When he inherited a funeral parlor, he feels obligated to make a go of that instead. His girlfriend has an idea for bringing in some business…he really should have asked more questions about that building she was putting graffiti on.
Many of the pieces aren’t full stories, but mood pieces or story fragments.
One of my favorites is “Adrift” by Jody Houser (writer) and Nathan Fox (artist who did his own colors.) A bereaved girl has a conversation with her little sister’s “Barbara Jean” doll while they wait for her grandmother’s funeral. The doll’s garish magenta clashes with the gray tones around her in a way that emphasizes she’s not of this world.
The Black section tends towards…well, darker pieces, but a couple of them play against this expectation. “Super Blackout” by Gene Luen Yang (writer) and Sonny Liew (art & colors) is about an app that allows you to erase photos on your smartphone–but that’s not its true purpose. There’s some effective use of app icons to carry the story with a minimum of dialogue.
Each section ends with a story by Fabio Moon, who does all the chores himself. They form a connected narrative about a vase artisan and his friend who lose one gallery and go in search of another. The artisan is able to see this loss as an opportunity and sees hope in the future.
While some of the pieces are weaker than others, it’s a beautiful assortment. I should mention that this is a Vertigo “mature readers” title, so there is some violence and nudity, as well as rough language. There are stories that involve suicide and rape, both off-page. (It doesn’t wallow in it like some other Vertigo series have, however.)
I’d recommend this book especially to art students to see how different colorists work with artists and writers to enhance the stories.
Book Review: The Big Book of Sherlock Holmes Stories edited by Otto Penzler
I have a fondness for Sherlock Holmes, as I am sure the majority of my readers do. Unsurprisingly, there has been a ton of Holmes fanfiction over the years. Pastiches that try to capture the feel of Arthur Conan Doyle’s prose, parodies that make fun of the detective’s odd habits, and weirder works. This is a collection of such, many done professionally by famous authors. Thus it might be better described as a big book of Sherlock Holmes-related stories.
There’s an editorial introduction, and the book proper begins with an essay by Arthur Conan Doyle regarding how and why he created Sherlock Holmes, and why he killed the character off. (The essay being written before he brought the detective back.) Interestingly, he mentions that the “arc” of a dozen individual stories designed to be collected into a book was an innovation at the time–most of the magazine authors aiming for book publication went with serialized stories. Then there are two short pieces by Doyle being silly with his own creations.
There are over eighty stories all together, most quite short. They range in time from the very first Holmes parody “An Evening with Sherlock Holmes” by J.M. Barrie (an obnoxious know-it-all engages in dueling observation with Mr. Holmes) to the very recent “The Case of Death and Honey” by Neil Gaiman (Holmes goes to China to solve one last mystery.) Several stories crossover with other fictional characters (three times with jewel thief Raffles) or real life people. Arthur Conan Doyle appears several times, but others range from U.S. President William McKinley to John Merrick, the “Elephant Man.”
There are stories as well, about Sherlockians (fans of the stories)solving mysteries, the most unusual of which is “The Martian Crown Jewels” by Poul Anderson (a Martian detective investigates the theft of the title gems.)
The selection process heavily favored stories that are historically important or are by famous writers; this means that several of the tales are not of good quality. “Sherlock Holmes and the Dasher” by the normally excellent A.B. Cox is particularly dreadful. Most of the bad stories are extremely short. Some of the stories are frequently reprinted (there’s a section of them towards the front), while others are rare.
There’s period sexism and ethnic prejudice in some of the stories. “The Marriage of Sherlock Holmes” by Gregory Breitman is particularly bad on the sexism front for purposes of humor; it fell flat for me. Suicide appears more than once, although some of them are actually murders.
The volume concludes with “The Adventure of the Marked Man”by Stuart Palmer (a Cornish man receives death threats, but he hasn’t an enemy in the world…right?)
Most of the stories are good, but due to the uneven nature of this anthology, I recommend it primarily for dedicated Sherlock Holmes fans who will appreciate the rare tales. Others should use the library, and borrow the volume to read the stories by authors they like. (I especially recommend the “Modern Victorians” section for casual fans.)