Comic Book Review: Showcase Presents: Batman, Volume 6

Comic Book Review: Showcase Presents: Batman, Volume 6 edited by Julius Schwartz

By 1971, the Batman television show had been off the air long enough that its sales boost to the Batman and Detective Comics series had faded, and with it, the incentive to model the magazines on the show.  Bruce Wayne moved from stately Wayne Manor to a penthouse in downtown Gotham City and started a charitable organization for victims of crime.  Dick “Robin” Grayson went off to college on the other side of the state, and guest-starred infrequently.  And most of Batman’s regular rogues’ gallery took a vacation.

Showcase Presents: Batman Volume 6

This freed up space for a more somber tone, although this run certainly had its own silliness, such as a return engagement by the Ten-Eyed Man, whose optic nerves had been transplanted into his fingers.  And Two-Face made an appearance for the first official time since the 1950s.  But quite a few of the stories had Batman facing off against ordinary murderers and organized crime…as well as what appeared to be ghosts and psychic powers.

This volume covers Batman 229-236 and Detective Comics 408-416.  The first story, “Asylum of the Futurians” pits the Caped Crusader against a group of apparent lunatics who’ve captured a photographer in the mistaken belief he possesses psychic abilities that will make him their leader.  (It’s never clear that the Futurians actually have ESP; it certainly doesn’t help against Batman; but then how do you explain the sudden impulse he had to investigate the neighborhood?)

Several stories are topical to the 1970s.  Thinly veiled versions of consumer advocate Ralph Nader and “participatory journalist” George Plimpton make guest appearances.  Stories featuring youth activism and black radicals have aged poorly; the latter mixes in a police corruption subplot, the end of which supposedly fixes injustice in the legal system of Gotham City.  Batman’s platitudes towards the radicals he’s fighting/helping come off as tone-deaf.

Other stories focus on Batman as the World’s Greatest Detective, revealing at the end the one clue he noticed where the criminal slipped up.  One, taking place at a production of Macbeth, involves the literal pricking of Batman’s thumbs.

The most notable plotline was the first appearances of Ra’s al Ghul and his daughter Talia.  Talia appeared first, helping Batman bring down Dr. Damien Darrk of the League of Assassins, who had fallen out with her father.  Then Ra’s contrived a scenario where both Robin and Talia were kidnapped in order to test Batman’s fitness to marry Talia (who had fallen for Bruce) and eventually take over his shadowy empire.

As created by writer Denny O’Neil and artists Dick Giordano and Neal Adams, Ra’s al Ghul was a mastermind in the Fu Manchu style (particularly the later novels.)  He controlled a vast criminal network, but did not consider himself a criminal, but rather humanity’s eventual savior.  Over his long life, Ra’s had become convinced overpopulation was the root of all the Earth’s problems.  Therefore he was going to do something about that.

Like Fah Lo Suee before her, Talia was conflicted between loyalty to her father and the desire to jump the hero’s bones.  Ra’s respected Bruce’s intelligence and skills enough to allow them to be mated, but only if Batman accepted a place as the Demon’s Head’s heir presumptive.  And no, Batman was not impressed by the “kill most of humanity to save the rest” plan.

After several encounters, Batman decides to take down Ra’s al Ghul once and for all, assembling a small team of specialists to help.  (This was the first appearance of the Matches Malone disguise, as Batman’s attempt to recruit the hitman went awry.)  After much ado, they finally catch up to the mastermind, or rather his corpse.

Except that it turns out Ra’s has access to something called the Lazarus Pit, which allows him renewed life and vigor at the cost of temporary insanity.  (This puts a different cast on an earlier story where Talia had supposedly believed her father dead.)  Eventually, Batman and Ra’s al Ghul must duel in single combat to determine which of them shall triumph in the last story of the volume.

This is nifty stuff, with some crackerjack writing and excellent art.  On the other hand, Talia’s personality is entirely defined in this storyline by her relationships with men, and she wavers back and forth between them as the plot demands.

Overall, this is a good run of Batman, and well worth requesting for the library, or even buying if you are a big Batman fan.  (Batgirl has a couple of blink-and-you’ll-miss-it cameos.)

Book Review: The Baker Street Peculiars

Book Review: The Baker Street Peculiars written by Roger Langridge, art by Andy Hirsch

It is 1933 in the city of London, and what appears to be a stone lion from Trafalgar Square is running wild in the streets.  Three children from different walks of life (and a dog) have separately decided to chase down the lion to learn what’s going on.  They eventually lose the trail, but meet the legendary detective Sherlock Holmes, who engages them for a shilling each to be his new Irregulars.  They’ll investigate the supposed living statue while he’s busy with other cases.

The Baker Street Peculiars

But wait; assuming Sherlock Holmes wasn’t just made up by Arthur Conan Doyle, didn’t he retire to a bee farm in Sussex before World War One?  There’s more than one odd thing going on here!

This volume collects the four issues of last year’s children’s comic book series of the same name.  As a modern period piece, it’s a bit more diverse than the comic papers that would have been published back in the day.

Molly Rosenberg is a whip-smart girl, who wants to be a detective.  Her kindly but conservative tailor grandfather has forbidden her formal education as he’s afraid she’s already too learned to attract a good husband.

Rajani Malakar is an orphan of Bengali descent who was raised (when not confined to juvenile institutions) by professional thief Big Jim Cunningham.  Big Jim had an alcohol-related fatality a bit back, and she’s had to make her way alone with petty theft.  Rajani is probably the oldest of the children, as she’s hit puberty.

Humphrey Fforbes-Davenport is the youngest son of a large upper-crust family.  Evidently he was unplanned and unwanted, as he was shipped off to a harsh boarding school as soon as possible, with only a golden retriever named Wellington as a valet.  (Wellington doesn’t talk, so his level of intelligence is difficult to gauge.)  Over the course of the story, Humphrey learns to weaponize his class privilege (within his own class, of course, it’s never done him any good, so he didn’t even realize he had it.)

As it happens, Molly’s cultural background is especially useful in this case, as the villain is Chippy Kipper, the Pearly King of Brick Street, a self-willed golem.  Chippy has the mind of a small-time protection racketeer, but has realized that the ability to bring statues to life gives him an army with which he could take over the city–maybe the world!

The kids are on their own through most of the adventure.  The sole representative of the law enforcement establishment is PC Plank, who’s intellectually lazy, and would rather arrest known riffraff Rajani than investigate any other possible criminals.  Sherlock Holmes is…elsewhere…much of the time, and Daily Mirror reporter Hetty Jones is well behind the children in her investigations.

The art is cartoony, with several Sherlockian in-jokes hidden in the background.  This serves to soften somewhat the several off-screen deaths.

This volume should be suitable for middle-schoolers on up.  Parents may want to be ready for discussions on period sexism and ethnic prejudice.  (There’s also a subplot about dog farts.)

It appears that this may be the first in a series about the kids–I should mention that despite the Holmes connection, this and potential future volumes seem more about the “weird adventure” than mysteries.

Audio Review: If We Were Villains

Audio Review: If We Were Villains by M.L. Rio

Eleven years ago, seven drama students entered their fourth year at the prestigious Dellecher Classical Conservatory.  Now, a decade after the end of that school year, one of those students, Oliver Marks, is being released from prison.  Former police detective Colborne has never entirely bought the official version of what happened, and Oliver agrees to finally tell the truth of that year.  Or at least a truth.

If We Were Villains

The highly competitive nature of the school and constantly interacting with each other have made the seven students their own little troupe with defined roles.  But a couple of the students have begun resenting their typecasting, and natural born star Richard is on the verge of snapping.  Even when Richard is removed from the picture, the fractures in the group widen until the tragic climax.

This is a debut novel from Shakespearean scholar M.L. Rio, and is full of William Shakespeare’s words and ideas.  The theater kids often quote (or misquote) Shakespeare’s plays to each other in their dialogue, and sometimes to confused or annoyed outsiders.  A basic familiarity with the Bard of Avon will vastly enhance your enjoyment of the story.

The main characters are the kind of “party hearty” kids I did not get on well with in college; their substance abuse is a large factor in how badly their actions go off the rails, and the sexual shenanigans certainly didn’t help.  And of course, keeping secrets from the adults on campus who could have solved many of the issues early on makes things even worse.  (While I am on content issues, warning for rough language, slut-shaming and domestic abuse.)

Oliver has pressures outside school as well, as his parents are unsupportive of his career goals and one of his sisters has an eating disorder that needs them to redirect their limited financial resources.  (Oliver is alas completely unempathetic towards his sister’s problems.)  And some of the other students have even worse family situations, one of the reasons they’ve bonded with each other instead.

Once having established that the main characters are not the kind of people who make smart choices, the stage is set for the inevitable spiral into tragedy, mirrored by the plays they’re performing.

The version of the novel I’m reviewing is the audiobook from Macmillan Audio, and read by Robert Petkoff, himself an actor experienced in Shakespearean drama.  His voice is well suited to the text (though there were times when I could not distinguish between female characters) and conveyed emotion well.

However, the audiobook experience was sometimes difficult for me.  I sometimes missed important words, especially early on, and “rewinding” the CD was trickier than simply turning back pages to recheck lines.  On the good side, portions of the book are written in a semi-script style that made it clear who was speaking, very helpful when all the main characters are in the same room.

The physical presentation of the audiobook is barebones, just a box containing plain white sleeves for the ten CDs.  There are no liner notes (it would have been both helpful and apropos to provide a dramatis personae), nor a quick bio of Mr. Petkoff.

While this novel has mystery elements, it fits more comfortably into the “contemporary” subgenre.  Perhaps that New Adult category I’ve heard of.  Recommended to Shakespeare buffs, theater kids and fans of last minute twists.

Disclaimer:  I received a copy of this audiobook from the publisher to facilitate this review.  No other compensation was requested nor offered.

Comic Book Review: Oni Press Starter Pack 2016

Comic Book Review: Oni Press Starter Pack 2016 by various

While I spend many of my comics-related posts on this  blog talking about the Big Two’s superhero comic books, there are a number of worthy small press comics companies that put out interesting material every year.  Oni Press has put out an affordable collection of seven first issues from various series they’ve printed over their existence.

Oni Press Starter Pack 2016

Leading off this trade paperback is The Sixth Gun by Cullen Bunn & Brian Hurtt.  This horror-western about a collection of cursed firearms is as it happens something I have reviewed before.  I won’t repeat myself here, but note that the series lasted eight collected volumes in its main storyline, with three extra graphic novels of spinoff stories.  Pretty impressive!

Letter 44 by Charles Soule and Alberto Jiménez Alburquerque is science fiction.  When incoming president Stephen Blades reads a letter left for him by his predecessor, he learns that many of the bizarre actions taken by Francis T. Carroll were based on information not shared with the American people..  It seems that there are aliens doing…something…in the asteroid belt.  President Carroll felt it was most important for America to arm itself just in case the aliens are hostile, thus his warmongering activities on Earth that have made a mess of foreign policy while neglecting domestic issues that are coming to a head.

The United States also sent a secret manned space mission out to the location of the alien activity in an effort to learn more; they’re just now coming close to their destination.  The astronauts have concealed certain information from their Earth-bound mission controllers…among other things, one of them is pregnant.

There are some pretty clear parallels to the Bush/Obama transition, with mentions of lies about weapons of mass destruction, and a white conservative president with a bad reputation on the economy and war being replaced with a darker-skinned liberal.  But as the series progresses, the special circumstances lessen those similarities as President Blades tries a very different approach to the same situation President Carroll faced.

Meanwhile, the astronauts learn the truth behind the alien presence, and we learn the backstory of their mission.

The Bunker by Joshua Hale Fialkov & Joe Infunari starts with five recent college graduates going out to the woods to bury a time capsule.  Except that they find themselves uncovering a bunker with four of their names on it.  A bunker that contains items alleging to be from the post-apocalyptic future, including letters from their future selves.

It seems that by their actions, the quintet will bring about the near-extinction of the human race.  But not doing so might create an even worse future.  It’s not clear if the future selves are trying to create a time loop, or avert one.

This was a double-sized first issue, so a lot goes on.  This does include nudity and on-page sex, as well as some nasty violence and strong language.  The last page twist is foreshadowed, but still pretty shocking.

Stumptown  by Greg Rucka and Justin Greenwood appears to be the first issue…of the third series.  Private detective Dex Parios participates in an amateur soccer match (her team loses) before going to a professional game of footy with her brother Ansel and friend Mercury.  It’s hometown Portland vs. Seattle, and autographs after!  But afterwards, Dex and Ansel find a badly beaten (maybe dead) Mercury in the bushes.  Is it hooliganism or a crime unrelated to sports?

Greg Rucka is well known for his crime comics, but the soccer elements took up most of the issue for a slow start.

Helheim by Cullen Bunn & Joëlle Jones takes place somewhere up North during the Sixth Century.  A stockaded village is caught in a war between witches.  A raiding party is chased by warriors of the witch Groa who soon become the undead.  A man named Rikard keeps having visions of himself weeping tears of blood.  When the village itself is breached, Rickard is beheaded, but that’s not the end of his participation in the war.  Especially if his lover Bera has anything to say about it!

Rikard is relatively nice for a Norseman of the time, not happy about abandoning comrades or turning over loved ones to the enemy as a peace offering.  His father is made of sterner stuff, but neither of them is fully prepared for what happens next.

Kaijumax by Xander Cannon is a considerable change of pace.  The world has long been infested with monsters who ran rampant over the human civilizations.  But now the humans have developed a way to give themselves giant superpowered forms (ala Ultraman) and have been capturing the kaiju they see as criminals, placing them on an island prison.

One of the latest inmates is Electrogor, who claims to have been just out looking for food for its children.  Alas, the humans take poorly to kaiju eating their power supplies.  Electrogor knows the humans are after its children, and it appeals to E68FE3 (“Hellmoth”), a monster that’s about to be released on a technicality, to help the kids out.

E68FE3 wants a return favor though, and the resulting altercation puts Electrogor in solitary confinement.  It’s only then that a guard lets Electrogor know that the “technicality” Hellmoth was released on is that there are no living witnesses to its crimes.  Especially the children.

Despite the cartoony art and many jokes, this series is a commentary on the American prison system and the abuses rampant within it.  So Not For Children.

We finish with The Life After by Joshua Hale Fialkov & Gabo.  Jude sleepwalks through his life, every day seeming exactly like every other day.  Perhaps a little too much exactly like every other day–how many times can one woman drop her handkerchief on the bus?  But today is different.  Today, Jude picks up the handkerchief and tries to get it back to the woman.

It seems like the world is out to stop him, and it starts getting much weirder, but Jude eventually does catch up to the woman, and seemingly breaks her out of her routine as well.  This disturbs secret watchers who say that no one has escaped in two thousand years.

Shortly thereafter, Jude meets Ernest Hemingway, who believes that everyone in their city is in fact a suicide, and this is the afterlife.

Some nifty use of panels and other art tricks, reminiscent of the Franco-Belgian style.

Content note:  the woman’s flashback includes on-panel prostitution, gore and childbirth as well as suicide.

There’s a wide assortment of genres represented here, and this is a good choice to pick up if you’re unfamiliar with Oni Press and want to know which series you might like.  Based on these first issues, I’m least impressed with The Bunker which skews even more cynical than I have a taste for.

Book Review: The Play of Death

Book Review: The Play of Death by Oliver Pötzsch

Disclaimer:  I received a Kindle download of this book through a Goodreads giveaway to facilitate this review.  No other compensation was offered or requested.

The Play of Death

The year is 1670, and the people of Oberammergau are preparing their every-ten-years Passion Play…though some of them think it might be sacrilegious to be doing so four years early.  When the actor playing Jesus Christ is found actually crucified on the prop cross, the villagers suspect the Devil is afoot.  The deaths of other actors in the manner of the Biblical figures they’re portraying certainly lends credence to that hypothesis.  Or perhaps it’s God’s wrath, and there’s always the slim possibility of less supernatural murderers.

As it happens, medically trained bathhouse operator Simon Fronwieser is in town to enroll his son Peter in grammar school.  The town medicus having recently died, Simon is drafted to examine the crucified body for clues and treat the town’s sick people.  He’s soon joined by his father-in-law Jakob Kuisl, the hangman of Schongau, who has come with the district secretary to investigate the strange goings-on.

But are these murders tied in to the wooden Pharisees?  The little men from Venice?  Ancient pagan sacrifice?  The wrathful quaking of the very mountain under which Oberammergau sits?  As the mysteries mount, can the medicus and hangman survive?

This is the sixth in The Hangman’s Daughter mystery series to be translated into English; I have not read any of the previous volumes.  Naturally, the hangman’s daughters also come into the story.  Magdalena is pregnant with what she hopes will be her and Simon’s third child, and waits anxiously for her husband back in Schongau.  But Barbara has just reached the age where she is flirting with young men, and she attracts the attentions of a lustful doctor.

When Barbara rejects her unwelcome suitor and Jakob backs her up, the doctor vows vengeance and soon he’s using his political connections to have Barbara accused of witchcraft.  (It doesn’t help that the young woman has books containing spells under her bed.)  There’s a conspiracy on the Schongau town council, and Magdalena must make the perilous voyage to Oberammergau to alert her menfolk to the danger.

There’s a lot going on in this book, and much of the solution is figuring out which of the mysterious happenings are directly connected to each other, which are outliers, and which are just coincidence.  There’s some topical material:  Jakob is struggling with his binge drinking, and the Oberammergau villagers both exploit and hate the immigrant laborers who have come to their valley.

Content issues:  In addition to the expected violence (including a suicide), there’s also rape and child abuse in the story.  Torture occurs off-stage; as the hangman, Jakob is a skilled torturer, but prefers to avoid this part of his job whenever possible (he’s okay with torturing people he personally knows to be guilty.)  Other hangmen are not so scrupulous.  Classism is a constant issue.  (This leads me to a translation quibble:  while “dishonorable” might be a direct translation of the German word for despised occupations, the connotations in English make it a bad fit.)

Good:  The plot is nicely convoluted, providing plenty of cliffhanger moments, while wrapping up nicely with no important threads dangling.

Not so good:  Some of the villains are cardboard cutouts, with no redeeming qualities to explain how they got into the positions they occupy.

Recommended for fans of historical mysteries, especially those who haven’t read a German mystery yet and might enjoy the setting.

Book Review: Minnesota Vice

Book Review: Minnesota Vice by Ellen & Mary Kuhfeld

As I have mentioned before, Minnesota has many fine mystery and crime writers.  Mary Kuhfeld is probably best known under the pen name Monica Ferris, under which she has written nineteen Betsy Devonshire Needlework Mysteries.  (Thus the subtitle “Monica Ferris Presents” for these self-published books.)  Ellen Kuhfeld is also an experienced mystery writer, and they collaborated on several stories for Alfred Hitchcock’s Mystery Magazine in the 1980s.

Minnesota Vice

Of the ten stories in this collection, the first six are collaborations, and the first four are set in Hedeby, Minnesota, a largish town in the fictitious Hedeby County.  The police detective team of Jack Hafner and Thor Nygaard is introduced in “An Ill Wind.”  A sudden blizzard snows in the town, making Hafner and Nygaard the only officers able to respond to a report of murder.  With all the outdoor clues buried under new-fallen snow, how will the detectives figure out which of the obvious suspects is guilty?

“Allergic to Death” takes place in a warmer season, as a man with lethal allergies apparently decides to take a walk in a pollen-laden garden.  Simple enough, but one of the relatives insists on a cremation before an autopsy can be ordered.  Honoring the wishes of the deceased, or covering up something more sinister?

“The Scales of Justice” concerns a traveling salesman who gets caught cheating at poker.  Since the game itself was unlawful, the man can’t be arrested.  Nygaard decides to treat the fellow to some traditional Norwegian hospitality.  This story will be funnier if you’re familiar with Norwegian-American customs.

In “Night Light”, there’s a UFO, leading to suspicions that a murder and disappearance may have alien involvement.  This is Hafner and Nygaard’s toughest case yet!

“Timely Psychiatric Intervention” features a government think tank that actually has a counselor handy to head off any of their scientists going mad.  But the nature of McCain’s project may make Dr. Bach’s repeated attempts to help him moot.

In “A Specialist in Dragons”, Baron Halfdan’s daughter has been abducted by a dragon.  He seeks the help of his local wizard, Wulfstan.  Unfortunately, Wulfstan’s not up to the task of tracking a dragon, and a series of increasingly expensive specialists needs to be called in.  Can Halla be rescued before the Baron runs out of gold?

The next four stories are solo efforts by Ellen Kuhfeld.  “The Old Shell Game” concerns a museum curator that notices a valuable fossil has gone missing.  It’s not anywhere on the grounds,  but it’s impossible for this large item to have left the premises without being seen.  How did it vanish?

“Thorolf and the Peacock” stars a Viking merchant (who is also the star of Ellen Kuhfeld’s book, Secret Murder) who is insulted by a flamboyant trader.  Thorolf decides to treat the fellow to some traditional Norwegian hospitality.  (In a slightly different manner than in “The Scales of Justice.”)

The next two stories were printed in speculative fiction magazines in the 2000s.  “Dances with Werewolves” has the investigative team of Scott & Scott hired to determine if a man’s new girlfriend is a Were.  This one contains a twist genre-savvy readers will spot quickly.

“Cycles of Violence” is a sequel to that tale, in which Bjorn the bartender must deal with a Wendigo invasion.  It’s easier to do that when you’re a werebear!

The bane of self-published works, there are a few typos, including an error in the table of contents.

As a hodgepodge of previously un-reprinted stories, this volume may not satisfy mystery purists (even though most of them were printed in a mystery genre magazine.)  That said, these are fun stories of which I liked “Allergic to Death” best.  I felt “Dances with Werewolves” was the weakest, probably because I spotted the twist far too early.

Recommended to Minnesotans (especially mystery fans) and fans of the Monica Ferris books.

Disclaimer:  I received a copy of this book from the authors to facilitate this review.  No other compensation was requested or offered.

 

 

Book Review: The Big Time | The Mind Spider and Other Stories

Book Review: The Big Time | The Mind Spider and Other Stories by Fritz Leiber

Have you ever noticed that something isn’t in the place you last remembered putting it?  That an event you remember happening one way is described as happening a different way in  the history books?  Perhaps you have suddenly felt that you weren’t even  the person you thought you were?  Maybe you’re going insane…or maybe it’s the Change Wars.

The Change Wars are fought over the entire breadth and depth of time and space, two factions known as Spiders and Snakes battling to have the course of universal history go their way.  It’s not precisely clear what the two sides want, if one is good and the other evil or if human morality even applies, or what the victory conditions would be.  It is known that both sides lift people out of their own timelines shortly before their deaths to become Doublegangers, to act as Soldiers or Entertainers or other, more obscure occupations relevant to the Change Wars.   This Ace Double is largely concerned with those Doublegangers and how the Change Wars affect them.

The Big Time

The Big Time is set in The Place, a building-sized rest station outside of normal time-space.  A number of Entertainers are quartered there to help Soldiers recover physically and emotionally between Change War battles.  Our narrator is Greta Forzane, who died in the Nazi invasion of Chicago in the late 1950s.  This makes her affair with Erich von Hohenwald, formerly an Oberleutnant in the army of the Third Reich, rather fraught.  It doesn’t help that his idea of fun sex involves giving her bruises.

If one side or the other manages to score a major victory, the Big Change can have effects on the Doublegangers’ original timelines, giving the Doublegangers phantom memories.  Erich was snatched from his personal timeline when he died on a Norwegian battlefield, but now he has memories of having lived long enough to become the hated Commandant of Toronto.  And if the Big Change makes the original person die before they “originally” did, it kills the Doubleganger.

Thus, each time The Place’s Door opens, the Change Winds may bring nightmares or even death.  This time it has deposited six Soldiers of varying start times, two of which are aliens (but from within Earth’s solar system) and one a warrior woman from ancient Crete.  The problem begins with a new recruit, a British poet from World War One, who has some idealistic notions bordering on mutiny.

While everyone is reacting to his incendiary rhetoric, somehow The Place undergoes Introversion, being completely cut off from normal space-time.  And the only device that can open it back up has vanished, despite a lack of plausible hiding places.  Oh, and just to add to the pressure, an atomic bomb has been activated and will kill everyone within thirty minutes.

This novel won the Hugo for Fritz Leiber (1910-1992) in 1958 after being serialized in Galaxy Magazine.  One of its interesting features is that it’s a “bottle episode” taking place in only one location, a large stage-like area with curtains separating different parts, and most of the action placed in the reception area.  I could easily see this being adapted for an (expensive) play or a juiced up episode of The Outer Limits.

As it is, there are almost too many characters, and a couple of them turn out to be red herrings who get almost no development.  Once they’re whittled out, the tension rises considerably.

Sex is only alluded to, and Erich never hits Greta during the story, but it’s clear that it’s an expected part of her (and the other Entertainers’ ) job if that’s what the Soldiers need to unwind.

There are a lot of interesting ideas going on here; it’s certainly worth hunting down for science fiction fans.

The Mind Spider and Other Stories

The Mind Spider and Other Stories makes up the other half of this Ace Double, six short stories from about the same publication years.

“The Haunted Future” says it’s set in the early 21st Century, but the timeline works better if it’s the middle 21st Century.  The peaceful community of Civil Service Knolls rests outside of New Angeles.  It is almost time for the annual Tranquility Festival, when the locals celebrate how nice and quiet it is in their bedroom community.   Yes, everything is smooth going in this happy village.

Except that the community members are snapping into violent insanity at an alarming rate, and now some people are claiming that a creature of darkness haunts the sky and peeps in their windows.  Judistrator Wisant is trying to keep these disturbing facts from becoming more widely known, but when his own daughter stops wearing clothing and starts stabbing pillows, some begin to wonder about Wisant’s stability.

This is a cautionary tale about a society that has pursued tranquility and conformity too far, until insanity has become the only escape into individuality.  It’s leavened by humorous touches–Bermuda shorts and sandals are now mandatory men’s business attire.

“Damnation Morning” is  the first of three Change Wars stories.  A man is recruited by the Spiders, and must flee an unknown doom.  Once again, the mysteriousness of the Spiders and Snakes’ true natures is emphasized, particularly with the twist ending.  (Content note: suicide.)

“The Oldest Soldier” starts in a liquor store as old soldiers swap stories.  Max has the best stories, but they can’t be true, can they?  Except that when one of his drinking companions accompanies Max home, there’s something crouched on the fire escape that is not of Earth, and Max realizes that he must return to his unit.  This one was clearly Lovecraft-influenced.

“Try and Change the Past” has a Snake recruit get a rare opportunity to alter his own death.  Turns out the universe has ways of preventing that, which makes the Big Changes even more impressive.  An impressive use of contrived coincidence.

“The Number of the Beast” is a change of pace.  The police chief of High Chicago must discover which of four telepathic aliens murdered a peace delegate from Arcturus, all the aliens being sworn to silence on the matter unless the Young Lieutenant correctly divines the guilty party.  If he guesses correctly, the assassin will give itself up truthfully.  But if he guesses incorrectly, the falsely accused alien’s race will declare war on the Earthlings.  The Young Lieutenant consults his retired predecessor on this mystery.  You have all the clues they do; can you divine the true meaning of the Number of the Beast?  Some casual sexism.

“The Mind Spider” rounds out the book with the tale of the telepathic Horn family.  Five mutants who can communicate with each other mentally, the Horns are horrified to discover that there is a sixth telepathic presence on Earth.  Horrified because it is not human, and because it was imprisoned in Antarctica for the crime of stripping planets of their life-supporting environments.  It has waited eons for telepaths it can summon to free it.  One of the Horns manages to get a mind shield up in time, but can he stop his relatives without killing them?

“Try and Change the Past” is perhaps the best of these stories, and “The Number of the Beast” more of a logic puzzle than anything else.

If you can get this in the Ace Double form, swell.  “The Big Time” has been reprinted separately; the other stories may take a bit more tracking down.

Book Review: The Tuesday Club Murders

Book Review: The Tuesday Club Murders by Agatha Christie

Author Raymond West has what he thinks is a smashing idea.  A series of Tuesday night gatherings where the six people present discuss mysteries they’ve run across, particularly juicy murders.  In addition to himself, there’s an artist, a lawyer, a clergyman, a retired Scotland Yard commissioner, oh, and his Aunt Jane.  She’s a darling maiden aunt who has seldom left her home village, and is obsessed with knitting, but she might have an insight or two.  But he needn’t have worried about her falling behind, for Miss Marple knows a thing or two about human nature.

The Tuesday Club Murders

Agatha Christie’s beloved elderly lady of detection first appeared in these short stories beginning in 1927.  The collection of them in a book (originally titled The Thirteen Problems) didn’t happen until 1932, so The Murder at the Vicarage (1930) is the first Miss Marple book.  The format of the first six stories is the Tuesday night meetings, beginning with “The Tuesday Night Club” and ending with “The Thumb Mark of St. Peter.”  Then Sir Henry Clithering, the retired Scotland Yard man, gets Miss Marple invited to a dinner party where six more mysteries are told, from “The Blue Geranium” to “The Affair at the Bungalow.”

The last story, “Death by Drowning” has  Miss Marple ask Sir Henry to look into a young woman’s apparent suicide–she’s figured out what actually happened, but has no proof.

Miss Marple’s primary method is finding analogies.  Although she has seldom left her largish village of St. Mary Mead, Aunt Jane has had a long life and a keen interest in the people around her (and an ear for gossip.)  Thus she can almost always find something in her past that is reminiscent of the case at hand, and gives her the clues she needs.

Despite the title, not all of the stories involve a murder; “Ingots of Gold” for example is about a robbery.  Some of the tales may be more difficult for a reader to unravel due to them becoming dated; one relies on older British slang, while another requires a knowledge of obsolete work practices.   On the other hand, one of the tales has a trick ending of the type that made Ms. Christie’s work famous.  There’s some period sexism and classism, and one story involves domestic abuse.

While not Agatha Christie’s best work, and Miss Marple would have some character development in later books, (she’s kind of smug here) these are fun short mysteries that are very much of a time and place.

Book Review: Classic American Short Stories

Book Review: Classic American Short Stories compiled by Michael Kelahan

This book is more or less exactly what it says in the title, a compilation of short(ish) stories written by American authors, most of which are acknowledged as classics by American Lit professors.  The stories are arranged by author in roughly chronological order from the early Nineteenth Century to the 1920s to stay safely in the public domain.

Classic American Short Stories

The fifty-one stories included begin with Washington Irving’s “Rip Van Winkle”, a tall tale about a henpecked husband who drinks ghostly beer and sleeps for twenty years, right through the American Revolution.  The book ends with “Winter Dreams” by F. Scott Fitzgerald.  A young man from Minnesota finds great success in the laundry business, but heartache when the woman he loves cannot settle for just him.  In between are ones that are very familiar to me, like “The Telltale Heart” by Edgar Allen Poe (a murderer confesses his crime in an effort to prove his sanity) and stories that were new to me, like “The Revolt of ‘Mother'” by Mary E. Wilkins Freeman (a New England woman, tired of an unkept promise, takes matters into her own hands.)

There’s a wide variety of genres represented, from “realistic” slice of life stories through mystery and fantasy to outright horror.  The chronological order highlights the changing social attitudes depicted in the stories, particularly the two Edith Wharton stories about divorce.  Women are reasonably well-represented, and there are a couple of writers of color as well.

Of course, just because a story is “classic” does not mean it will appeal to everyone.  I found Henry James’ novella “The Aspern Papers” (literary buff infiltrates the household of a famous poet’s ex-lover in an effort to gain any memorabilia she might have of him) tedious and predictable.  I am not alone in this, but many other readers have found it fascinating.

Content issues:  Many of these stories have elements of period racism, sexism and classism; sometimes it’s dealt with within the story itself, but other times it pops up as a nasty surprise.  “Paul’s Case” by Willa Cather, about a boy who wants the finer things in life without the tedium of putting in decades of hard labor to get them, deals with suicide.

This is a Barnes & Noble collector’s edition, and is quite handsome and sturdy, with a leather binding, gilt-edged pages and a silk bookmark for a reasonable price.  However, the fact that it has a “compiler” rather than an editor is telling.  There are scattered typos; I do not know if they were caused by errors in transcription, or if the sources were not scrutinized carefully enough.  The author bios at the end are not quite in alphabetical order, and miss out Washington Irving altogether.

Overall, most of these stories are worth reading at least once, and many are worth rereading over the years.  Highly recommended to people who don’t already have their favorites from this collection in a physical book, or are curious about the stories they haven’t read yet.  It’d also make a nice gift for your bookworm friend or relative.

Magazine Review: Ellery Queen’s Mystery Magazine, January 1977

Magazine Review: Ellery Queen’s Mystery Magazine, January 1977 edited by Ellery Queen

Having enjoyed a recent issue of this magazine, I decided to root around for an older copy.  This one was published in December 1976, but the cover date was a month ahead.  Frederic Dannay (half of the “Ellery Queen” writing team) was still editor at this point, as he would be until 1981!

Ellery Queen's Mystery Magazine January 1977

We open with “Jode’s Last Hunt” by Brian Garfield.  Mr. Garfield is better known as the writer of Death Wish,  which was turned into a hit movie starring Charles Bronson.  This story, his first in EQMM, stars Sheriff Jode, who was a big hero in his Arizona county when he first started.  But that was a couple of decades ago, and between  competent policing and a naturally low crime rate, Jode hasn’t hit the headlines in years.  When a former rodeo and movie star turns eco-terrorist, the near-retirement sheriff sees one last chance at fame.  This one was collected in Great Tales of Mystery and Suspense in 1985.

“The Final Twist” by William Bankier is set at a small advertising firm where the boss is a bad person who managed to offend each of his workers individually and as a group.  His employees decide he needs to die, but they want to make it look like suicide.  How can they best use their skills to this end?  This one was turned into an episode of Alfred Hitchcock Presents in 1986.

1976 was the year of the Bicentennial, the 200th anniversary of the signing of the Declaration of Independence.  Thanks to that, there was a huge market for stories set during the American Revolution and 1776 in particular.  Fitting in one last story on the theme for the year is “The Spirit of the ’76” by Lillian de la Torre.  It details a bit of secret history when Benjamin Franklin’s grandson is kidnapped and Dr. Sam: Johnson is tapped to track the lad down, with the help of faithful Boswell, of course.  The story perhaps is too eager to have Mr. Boswell praise the inventive American, especially given the political situation.  This one was collected in The Exploits of Dr. Sam: Johnson, Detector in 1987.

“To Be Continued” by Barbara Callahan is about a young soap opera fan who discovers that she has an unexpected connection with one of the characters.  There’s a surprisingly sympathetic portrayal of a gay man for the time period, but the treatment of mental illness may strike some readers poorly.  I did not find any reprints of this one.

“C as in Crooked” by Lawrence Treat is a police procedural starring Detective Mitch Taylor.  He’s assigned to look into a burglary involving a very rich and important man (which is why a homicide detective is working a burglary case.)  Mitch quickly notices that the person in charge of security for that and several other robbed homes is an ex-police officer.  Personal problems for both Mitch and his boss delay the investigation until the next morning, when it has become a murder case.  Mitch cracks the case, but he may not get the credit.  I did not find any reprints of this one.

“‘Twas the Plight Before Christmas” by Hershel Cozine is a poem parodying the famous A Visit from Saint Nicholas and has Santa Claus being murdered by Ebenezer Scrooge.  Don’t worry, kids, there’s a happy ending.

There are two “Department of First Stories” (authors being professionally published for the first time) entries in this issue.  “After the Storm” by L.G. Kerrigan is a short piece about a murder during a rainstorm.  It’s vivid but slight.  “A Pair of Gloves” by Richard E. Hutton is a chiller about a man trying to buy a Christmas present despite the presence of a downer street person who seems to have a grudge against the store.  The ending is telegraphed.  Neither seems to have been reprinted.

Four brief columns follow, two of book reviews (one blatantly pushing items for sale by the magazine’s publisher), one of movie reviews (The Seven-Per-Cent Solution and Marathon Man are highlighted) and a short interview with Dick Francis, former jockey and famous for his racing-related mysteries.

“With More Homage to Saki” by Isak Romun is a short tale of a wealthy gourmet who will do anything to keep his personal chef working for him, up to and including blackmail.  But the chef has prepared his own delicious dilemma.  Foodies will enjoy this one best, I think.  Another I cannot find a reprint of.

Next up is from “The Department of Second Stories”, where EQMM also bought the author’s second effort.  “The Thumbtack Puzzle” by Robert C. Schweik features Professor of Bibliography Paul Engle.  During a talk the professor is giving, the narrator (his bookstore-owning friend) discovers that a visiting chemist’s work has been tampered with, and perhaps stolen.  There’s only a handful of viable suspects, but which, and can it be determined with only a thumbtack as a clue?  The solution hinges on the peculiarities of German typewriters.  No reprint here, either.

“Raffles and the Shere Khan Pouch” by Barry Perowne has the gentleman thief (and devoted cricket player) and his sidekick Bunny visiting India.  There they run into Rudyard Kipling and Madame Blavatsky while attempting to steal rubies.  This is made more complicated by a British diplomatic pouch having gone missing, making the authorities more alert.  There’s perhaps a bit too much coincidence for the story to be plausible, and the epilogue spells out who Kipling is for particularly obtuse readers, but Raffles is always a delight.  This story was reprinted in Raffles of the M.C.C. in 1979.

“Please Don’t Help the Bear” by Ron Goulart is the sad tale of a Hollywood animator with a fur allergy and a penchant for another man’s wife.  Mr. Goulart is perhaps better known for his science fiction, but mostly for his humor, though this time it’s gallows humor.  The narrator is his “Adman” character who has a habit of meeting murderers and murder victims and never saving one.  This story may or may not be reprinted in Adam and Eve on a Raft: Mystery Stories published in 2001.

“Etiquette for Dying” by Celia Fremlin concerns a woman whose social climber husband has taken ill at a dinner party whose hostess is well above their class.  Is he just rudely drunk or is there something more sinister going on?  This one is reprinted in A Lovely Day to Die and Other Stories (1984).

And finally, we have a story by prolific author Edward D. Hoch, “The Problem of the Christmas Steeple.”  It’s a Dr. Sam Hawthorne story, as the retired physician remembers the winter of 1925.  A parson is found stabbed to death in a steeple, the only suspect being the “gypsy” chief found in the steeple with him.  But due to physical infirmity, that suspect could not have committed the murder.  The treatment of “gypsies” may rankle modern readers, but it’s a story written in the 1970s about the 1920s.  This story was reprinted in Diagnosis: Impossible: The Problems of Dr. Sam Hawthorne (1996).

There are also a couple of limericks by D.R. Bensen, typical of the genre.

This is overall a good issue, with some fine writers.  You can try combing garage sales, but you might have better luck contacting other collectors.

And now, an audio adaptation of “The Problem of the Christmas Steeple”:

https://www.podomatic.com/podcasts/eqmm/episodes/2015-12-01T09_27_41-08_00

 

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