During World War Two, Hungary was one of the Axis powers, with its own fascists led by the Arrow Cross Party. At first this seemed like a good idea, as Hungary gained back territories it had lost after the breakup of the Austro-Hungarian Empire. But late in the war, it became obvious that they were on the losing side. The Hungarian government tried to broker a separate armistice with the Soviet Union, only to have their country occupied by the Germans. As a result, they were forced to fight to the bitter end.
In late December of 1944 through February of 1945, the Soviet Army encircled the city of Budapest and besieged the troops and civilians within. It is that siege that gives us the title of this book, which contains thirteen short stories all of which tie into that event in some way, even if the characters are living in the Hungarian diaspora community in Toronto.
“The Atlas of B. Görbe” is about a struggling writer in New York City who turns to an older author of children’s books for assistance in finding his way.
“The Animals of the Budapest Zoo, 1944-1945” is set within the siege itself as the zookeepers come to realize they might not be able to keep themselves alive, let alone their charges, and the extreme steps one of the keepers takes.
“Sailor’s Mouth” takes place in Romania, where a man has come to adopt a child of Hungarian heritage. He may have become misled by his carnal urges. One of the themes in this story is “The Museum of Failed Escapes” that Judit, the woman the man is seeing, tells him about.
“The Restoration of the Villa Where Tíbor Kálmán Once Lived” concerns a deserter who joins the Communist occupation after the war. He takes over the home of a man who used to provide people with false papers to escape the Axis, and betrays their names to the Soviets one by one. But he gets the distinct feeling the villa is rejecting him…this one won an O. Henry award.
“The Beautician” is about a college student preparing his thesis paper. He finds a possible topic in the dark past of the manager of the club for Hungarian exiles in Toronto. But is that something he really wants to make known?
“Days of Orphans and Strangers” follows up on the Kálmán family mentioned in “Restoration.” One of them has been talking in his sleep, but not in the language you’d expect.
“Rosewood Queens” concerns the narrator’s relationship with her father’s lover, a collector of chess pieces (but never full sets.)
“The Encirclement” is about a lecturer on the topic of the Budapest siege, who finds himself with a persistent blind heckler who presents a different version of events. The details are too close to be fake, but that’s not the way the lecturer remembers it. I thought this story was the best in the book.
“The Society of Friends” features a long-standing love triangle among three Hungarian emigres. It reminded me a bit of the movie Grumpy Old Men. It shares a character with “Beautician.”
“The Miracles of Saint Marx” concerns a secret police officer’s search for a dissident who spreads tales of miraculous events. It becomes personal when one of those stories is about her. Also very good.
“The Selected Mug Shots of Famous Hungarian Assassins” is about a boy who handcrafts trading cards featuring what he says are Hungarian assassins. It seems to be all his imagination, until the narrator finds a book on the same topic years later… This story includes slurs against people with mental disabilities as a plot point, getting the boys in deep trouble.
“The Ghosts of Budapest and Toronto” is another tale of the Kálmán family. Ghosts are seen in two cities as separated members of the family miss each other.
“The Homemade Doomsday Machine” finishes the volume with a genius child who seeks the destruction of society and the Nazi atomic scientist who shares that interest. Has perhaps the happiest ending in the book. Has a character that seems too eager to diagnose the child as autistic, especially as she has no psychological or medical training.
Most of the stories are bittersweet, with a few downer endings. I found the writing competent but not compelling on average.
There are frequent mentions of rape, and suicide comes up a time or two. While the travails of the Jewish and Romani people in Hungary are mentioned, the emphasis is on ethnic Hungarians. There’s some period sexism and a number of the female characters express dislike of the patriarchal Hungarian family culture. Due to the heavy themes, I’d recommend this for college age and up.
Overall, I am glad I got the chance to read this. Books on the Hungarian experience are uncommon, and I discovered much I did not know. Recommended for other people wanting to broaden their experience.
Disclaimer: I received this Advance Review Copy as a Goodreads giveaway for the purposes of this review. No other compensation was requested or offered. Some changes may be made before the final publication date of 4/25/17–for example, the index isn’t included in this version.
This book opens with Movie Night at the German embassy in Norway, April 1940. The film shown to Norwegian government officials was Baptism of Fire, a documentary about the invasion of Poland in 1939. Afterwards, the German ambassador made a speech that roughly translates into English as “Nice country you Norwegians have here. It’d be a shame if anything happened to it.” Four days later, the Nazis invaded.
Rather than turn over the reins to local fascist Vidkun Quisling as the invaders wanted, King Haakon VII and the remnants of the Norwegian government fought a running battle until they could be evacuated to Britain, where they joined other European governments in exile. Soon, this “Last Hope Island” and the embattled people sheltered by it were the only thing standing between Nazi Germany and complete victory on the Western Front.
This volume discusses various aspects of the joint efforts of Occupied Europe and the British against the Nazis. From the early gift of an ULTRA machine by Polish cryptographers so that the British could read German codes, through the contributions of combat-experienced Polish and Czech pilots in the Battle of Britain, the Norwegian gift of its merchant marine, and Resistance fighters of all descriptions, the governments in exile (and General de Gaulle’s Free French) gave invaluable help. The BBC’s transformation from a stuffed-shirt government branch to a voice of truth and freedom that brought words of encouragement from exiled leaders is detailed.
But all was not beer and skittles. Pre-War resentments and cultural attitudes often caused misunderstandings and in-fighting. As it turned out, the British didn’t have the world’s best spy agency, just the world’s best spy novelists, with both MI6 and the Special Operations Executive (who were supposed to be creating and working with Resistance networks) making bungle after bungle. And once the Soviet Union and the United States entered the war, Britain’s focus shifted to appeasing these powerful allies even when it went against the interests of the occupied countries. (This culminated in the shameful betrayal of Poland and Czechoslovakia to the Russians.)
After the war, while the formerly occupied countries of Europe were and remained thankful to Britain and its people for all the help given, they also knew that they couldn’t rely on the island nation to protect them. So new alliances were formed, and greater cooperation established, eventually leading to the creation of the European Union.
Quite a bit of this is material I had not known before, partially because much of my WWII history reading was done in the 1970s, while some of the source documents were still classified, and partially because my sources were USA-centric. Various people involved get a stronger focus because they survived the war and became famous, such as Audrey Hepburn, who was trapped in occupied Holland.
There are scattered illustrations (possibly more in the finished product), extensive endnotes, a bibliography, and the full book will have an index. The writing is clear, and this book should be suitable for bright high school students and up.
The benefits of hindsight are very evident throughout (the end material may or may not be updated to reflect Brexit.) I do recommend this book to those curious about the relationship between Britain and Occupied Europe; however it is at the same time a fairly narrow subject, but covering a multitude of intersecting fields. I would recommend having to hand a more general WWII history for reference, and checking the bibliography for more specific works on individual people and incidents. (The author explains in her foreword that Greece and Yugoslavia were completely cut out of the book due to their different circumstances, so readers with an interest in those countries will definitely need to seek out other material.)
Right up front, I have to say that the title is the most annoying thing about this book. Did anyone ever use “rad” as an adjective unironically? That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume. There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.
This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety. There are scientists, athletes and entertainers, politicians and even a princess! The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers. (A couple of these biographies moved me to tears.) Many of the women covered I had heard of before, but a few were new to me.
The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.
This book also wears its politics on its sleeve, obvious in the selection of women to write about. Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back. The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”
As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent. Many of these women were controversial during their lifetimes, and some of them are still controversial now. A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies. I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.
I expect that this book will end up in a lot of elementary school libraries. I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.
Disclaimer: I received a copy of this book from Blogging for Books for the purpose of writing this review. No other compensation was offered or requested.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/
Comic Book Review: Showcase Presents Men of War edited by Paul Levitz
In 1977, African-American male leads in mainstream comic books were still countable on one hand (and don’t even ask about African-American women!) But this also had the effect of making a comic with a black person on the front attention-getting. And I suspect that at least some of the creation of “Gravedigger” came from that fact.
Gravedigger was the lead feature in DC Comics’ last-launched war comics series of the Bronze Age, Men of War. He is introduced as Sergeant Ulysses Hazard, a polio survivor who threw himself into intense physical training (including martial arts) to overcome his handicaps. Despite his superior physical condition and combat skills, Hazard was consigned to a segregated battalion and assigned to funeral detail (thus his codename.) After his heroics saved lives (except his best military friend) and defeated Nazi troops, the white officers ignored his contributions and denied his request for reassignment to a combat unit.
In the second issue, Hazard somehow gets back to the U.S. and single-handedly infiltrates the Pentagon War Room to demonstrate his skills. A character identified in that issue as the Secretary of War but in later issues demoted to an undersecretary (as his sliminess would have been a slur on the character of Henry L. Stimson, the actual Secretary at the time) decides to use Hazard as a political pawn. If “Gravedigger” fails on one of the suicidal missions, he can be written off, but if he succeeds, the Undersecretary can take credit.
Now Captain Ulysses Hazard so that he can pull rank when necessary, Gravedigger returns to Europe and takes on a number of commando missions ranging from rescuing art from the Nazis to destroying an experimental mini-sub. There are guest appearances by a couple of DC’s other war comics characters, and the final issue features Gravedigger actually leading Easy Company (normally the job of Sergeant Rock) for a few hours.
Gravedigger was basically “military Batman”, performing superheroic feats on a regular basis. To be fair, this is common in comic books about commando-style solo characters, but if you are a stickler for realism, look elsewhere. Later in the series, he gets a cross-shaped facial scar to make him more distinctive looks, important in comic books. He even gets an archnemesis, Joseph Goebbels, Nazi Minister of Propaganda, who enlists mad science in a massive scheme to rid the Reich of this one commando.
In the next to last story, Gravedigger personally saves the lives of Winston Churchill and Franklin Delano Roosevelt, though an opportunity is missed to have Captain Hazard bond with FDR over their mutual experience with polio.
In addition to the expected violence, there’s also period racism, ableism and anti-Semitism (the last confined to Nazi characters.)
The back-up features varied from issue to issue. “Enemy Ace” featured Baron Hans von Hammer, “the Hammer of Hell”, a World War I German fighter pilot. He was depicted as noble and honorable, one of a dying breed of warrior outdated by brutal modern warfare. Some of the stories have art by Howard Chaykin, who is not as well served by the black and white reprint as the other artists.
“Dateline: Frontline” was about American reporter Wayne Clifford, covering World War Two while the U.S. was still neutral, and having his naivete chipped away bit by bit. He struggles with censorship, the temptation of writing the story to suit the person who can give you access, and the moral gray areas of war.
“Rosa” features a spy working in the late 19h Century who is loyal to no country, and has the habit of switching accents in every sentence either to disguise his nationality or (as he claims in a somewhat dubious origin story) because he is literally a man without a country. His name might or might not actually be Rosa. Most notable for having a character switch sides between chapters for plot convenience.
This volume contains all 26 issues, and is not brilliant but is decent work by journeymen creators. Worth picking up if you are a war comics fan, or interested in the history of African-American characters in comic books.
Comic Book Review: Our Army at War edited by Joey Cavalieri
Back in the day, DC Comics had a fine line of war comics. Primarily focused around World War Two, they paid tribute to the American military and the Greatest Generation. Which is not to say that they were mindless patriotic propaganda. The stories often depicted the costs of war, and to an extent the gray areas of combat. The Comics Code of the time prevented them from showing gore and some of the atrocities of wartime, or going too far in criticizing the officers, but the stories often showed U.S. soldiers who did not live up to strict moral standards, and the human side of the enemy.
Also, they had some of the best art at DC, with Joe Kubert as their iconic presence. As I mentioned in my review of Weird War Tales‘ Showcase volume, sales of the war books started to fall in the 1970s with the unpopularity of Vietnam and a general revulsion towards the military. At the same time, the Comics Code eased and (relatively mild) horror took a rise in popularity, resulting in “weird” elements being inserted in some of the lesser war books.
Eventually, the various series petered out. While there have been war books for short runs since, they’ve never been the sellers they once were. However, DC still has the trademarks for the titles, and some classic characters, so in 2010 the company published a handful of one-shots to keep the trademarks active. They were combined for this graphic novel version in 2011.
Our Army at War itself leads off with “Time Stands Still for No Man” by Mike Marts and Victor Ibañez. It compares and contrasts World War Two and the then-current Afghanistan War by following the stories of a volunteer soldier in each conflict. The WWII section has Sergeant Rock and Easy Company, but they are mostly background, as are the mercenary Gods of War in the modern section. It’s the most innovative of the stories in structure.
Weird War Tales is split into three shorts. “Armistice Night” by Darwyn Cooke and Dave Stewart is a darkly silly tale of the annual get together of the ghosts of history’s great warriors. “The Hell Above Us” by Ivan Brandon and Nic Klein spins a yarn of the sole survivor of a sunken submarine…and what he finds when he surfaces. “Private Parker Sees Thunder Lizards” by Jan Strnad and Gabriel Hardman is one of those borderline cases–is the blinded, dying soldier conjuring up dinosaurs to battle the Nazis, or is it all a fantasy his buddy is enabling to allow Private Parker pass away with a smile?
Our Fighting Forces stars “The Losers”: one-eyed and -legged PT boat captain without a boat Captain Storm; Johnny Cloud, the lonely Navajo Ace, and Gunner & Sarge, the sole survivors of their Marine platoon. Four misfits assigned to the toughest missions, who somehow come out alive to nurse their survivors’ guilt again. In “Winning Isn’t Everything” by B. Clay Moore, Chad Hardin & Wayne Faucher, they are assigned to take out an isolated Nazi air field, but the route mapped out for them is just a little too obvious. Their innovative solutions may win the day, but is that for the best?
G.I. Combat is back to the weird with “Listening to Ghosts” by Matthew Sturges and Phil Winslade is centered on the Haunted Tank, a M3 Stuart tank with a commander named Lieutenant Jeb Stuart. The lieutenant often sees and gets advice from his namesake, Civil War general J.E.B. Stuart. Usually the ghost only warns of danger with cryptic utterances. In this story, Lt. Stuart finds that his friendly rival Lt. Billy Sherman, who commands a M4 Sherman tank, has been killed by Nazi snipers, and he must use the unfamiliar machine to assist his regular crew, with another ghost whispering over his shoulder. Notably, the iconic Stars & Bars flag flown from the Haunted Tank in the original series is absent in this story without explanation.
Star-Spangled War Stories represents the non-American contingent of the Allies with French Resistance fighter Mademoiselle Marie. “Vive Libre ou Mourir!” by Billy Tucci, Justiano, Tom Derenck & Andrew Mangum has the beautiful and deadly anti-fascist parachuted in to a new Resistance group who she will lead in destroying key railroads. But treachery is afoot–the local Maquis du Gevaudan would rather use the money Marie brought to buy rifles for direct combat. More treachery ensues. Non-explicit sex scenes and some kink, as well as the standard violent death.
It’s a decent collection, but inconsequential. The Darwyn Cooke story is the most interesting. I’d say it’s a good choice for someone who wants to sample DC’s war comics characters without needing to find spendy back issues. Some great art.
Book Review: Slow Dancing Through Time by Gardner Dozois in collaboration with Jack Dann, Michael Swanwick, Susan Casper and/or Jack C Haldeman II.
The art of collaboration is an interesting one; two authors (rarely three) blending their skills to create a story neither could produce individually. Ideally, the reader should be able to see the fingerprints of the collaborators, but not the seams between them. Gardner Dozois wrote a number of fine collaborations in the 1970s and 80s, before taking on a full-time job as editor for Isaac Asimov’s Science Fiction Magazine.
This volume reprints fourteen of those stories, along with essays by the collaborators on the collaboration process, and afterwords for each story written by Mr. Dozois. (It also has a list of his other collaborations if you want to hunt them down.) The stories cover science fiction, fantasy and horror, with a couple of them on the edge between genres.
The first story is “Touring” (with Jack Dann & Michael Swanwick), in which Buddy Holly gets a chance to perform with Elvis Presley and Janis Joplin. It’s a Twilight Zone type story, although the language is saltier than Rod Serling would ever have been allowed to air. The book ends with “Down Among the Dead Men” (with Jack Dann), a chilling tale of a vampire trapped in a Nazi concentration camp. It was quite controversial at the time, and still packs a punch, despite where the horror genre went during the Nineties.
Standouts include “A Change in the Weather” (with Jack Dann), a bit of fluff about dinosaurs that hinges on the last line (and provided the endpaper illustration), “Time Bride” (with Jack Dann) about the use of time travel to emotionally abuse a girl (and with a downer ending as the cycle continues), and “The Clowns” (with Susan Casper & Jack Dann), another chiller featuring a little boy who sees clowns that no one else can.
Some of these stories may be hard to find elsewhere, such as “Snow Job” (wth Michael Swanwick.) This tale of a con artist and a time-traveling cocaine addict first appeared in High Times, which can be difficult to find back issues of.
Overall, the quality of the stories is good, but budding writers may find the essays on collaboration more useful to them. Recommended to speculative fiction fans.
Book Review: Jewish Noir edited by Kenneth Wishnia
Many of the themes of noir fiction, alienation, hostile society, darkness and bitter endings, resonate with the experience of Jewish people. So it’s not surprising that it was easy to find submissions for an anthology of thirty-plus noir stories with Jewish themes. (Not all of the authors are themselves Jewish; see if you can guess which ones.)
The volume opens with “Devil for a Witch” by R.S. Brenner. A man caught embezzling for what he thinks are good causes has his death faked by the FBI so that he can go undercover in the Klu Klux Klan. The title comes from an old saying about trading a known danger for an unknown one, and this assignment turns out to be perilous indeed. The author bio mentions that this is an excerpt from an upcoming novel.
Most of the stories in this collection are appearing for the first time, but two are not. “A Simke (A Celebration)” by Yente Serdatsky was first published in Yiddish in 1912, and this is its first publication in English. It’s a melancholy tale of a woman whose refusal to conform to the social norms of Russian-Jewish immigrants made her popular in her youth, but isolates her now that she is middle-aged. Harlan Ellison® contributes a story first published in 1960. “The Final Shtick”, about a comedian returning to the small town he had good reason to flee, and his feelings concerning this.
As one might expect, several of the stories concern Nazis, neo-Nazis and/or the Holocaust. “Feeding the Crocodile” by Moe Prager is perhaps the strongest of these–a writer tells stories to a death camp commandant in hopes of surviving just a bit longer. But the crocodile gets greedy.
There’s a fairly wide variety of protagonists in these stories. Good people who do bad things, bad people who try to do good things, evil people who sink even lower, men and women, religious Jews and secular ones, Jews of different sexual orientations and skin colors. Ethnic slurs and antisemitism are peppered throughout, and there is mention of child sexual abuse, suicide and rape.
“The Golem of Jericho” by Jonathan Santlofer is on the borderline with supernatural stories. A bullied boy and his grandfather build a golem, which may or may not have killed the bullies; it’s certainly a mysterious coincidence.
The weakest story is “Her Daughter’s Bar Mitzvah: A Mother Talks to the Rabbi” by Adam D. Fisher which is just one long kvetch. (My spell checker doesn’t flag that word, interesting.) No crime, no hopeless ending, just complaining.
It should be noted here that this volume published by PM Press has no connection to the series of regional noir anthologies put out by Akashic Books despite the very similar presentation and book structure.
Most of the stories are good; recommended to noir fans who are willing to stretch their focus a little.
Horror anthologies are like a box of chocolates. One story might be crunchy frog, another spring surprise, while a more disappointing one is just maple cream. (Seriously, maple cream?) This is because horror tends to be a balancing act between what the writer finds scary and what the reader does. Two different readers looking at the same story may fiercely debate whether it’s terrifying or just kind of gross.
This particular anthology is listed as “contemporary horror” which seems to mean mostly recent stories, set close to the present day. Other than that, there’s no real overarching theme or subgenre requirements. After an introduction that talks a bit about why people read horror stories (among other things, to feel horrified), the opening story is “God of the Winds” by Scathe meic Beorh, a hallucinatory piece that is at least partially about the tendency of white people to appropriate Native American mysticism in stupid ways. The final story is “Out of the Light” by Anna Taborska, a Lovecraftian-feeling story about a man who gets too heavily invested in reading a horror anthology. Hmm.
I was a bit disappointed that the piece by big-name author Ramsey Campbell (“Britain’s most respected living horror writer”) was a reprint from 1988. Which is not to say that “Welcomeland” itself wasn’t a fine story. It concerns a man returning to his home town which has been partially rebuilt into a failed amusement park. Or has it succeeded at its true purpose? It doesn’t feel dated.
Also outstanding is Christine Morgan’s “Nails of the Dead” which looks at Norse mythology from the point of view of a very minor character with a small but important job. Of local interest to me is “Just Another Ex” by Roy C. Booth and Axel Kohagen. A man is sent to find another man who may be unfaithful to his loved one. His reward is non-standard.
There were some typos, most clustered in “Spencer Weaver Gets Rebooted” by Thomas A. Erb, about a bullied high schooler who gets pushed too far. Because of this, and the rather immature feel of the plot points, it felt more like something a high school student would write than something for a professional anthology. (“Did I mention the head bully has a small penis? Well he does.”)
This is an “18+” book, which has sex, rape, foul language, torture and in some cases excessive focus on body fluids. Happy endings are few. But with twenty-eight widely varying stories, there’s something for almost every horror fan. Recommended for the horror buff who wants to try some new authors.
Comic Book Review: Bodies written by Si Spencer; art by Dean Ormstom, Phil Winslade, Meghan Hetrick, & Tula Lotay.
Disclaimer: I received this book as a Goodreads giveaway on the premise that I would review it. No other compensation was involved.
A string of seemingly-identical murders baffles London detectives in four time periods. It can’t be the same killer every time…can it? And what is the mysterious Long Harvest? From Victorian times to the too-near future, those involved must seek out the common thread.
Each of the detectives has issues. In 1890, Inspector Edmond Hillinghead thinks his attraction to other men is hidden; after all, he’s never succumbed. His closet has a transparent door, however. In 1940, Inspector Charles Whiteman is a Jew who escaped Nazi-occupied Poland, only to find a niche running the rackets. He’s blamed a captured German pilot for the mysterious corpse, but his own crimes are about to be exposed. In 2014, Detective Sargeant Shahara Hasan wears her issue out in the open. She’s a practicing Muslim, and British to the core, in a time when many think those are contradictory traits. And in 2050, a woman whose name might be Maplewood and might be a detective suffers from scrambled memories, as does everyone in London–but this corpse seems familiar and important.
The four artists each cover one of the time periods as the narrative cuts back and forth, making it easy to tell when we are in the timeline. I don’t care for all of them, but it works well.
Each of the detectives must discover things about their own identity (literally in Maplewood’s case) in order to uncover the deeper mystery, and its connection to the theme of England.
This is part of Vertigo Comics, which is well known for its reliance on British writers. That, and being DC’s “Mature Readers” line. As such, there’s violence, nudity, sex scenes and some filthy language. College age and up, I’m thinking.
To be honest, some knowledge of British history and culture is going to go a long way towards making this graphic novel more enjoyable. Those who haven’t studied such things are likely to find themselves lost.