Book Review: The Book of Cthulhu edited by Ross E Lockhart
Fantasy and horror author H.P. Lovecraft wasn’t a big seller during his lifetime, but the loose setting he created of the Cthulhu Mythos, where humans are only the most recent inhabitants of a cold and chaotic universe, and many of the previous inhabitants are effectively gods, has become one of the most popular sub-genres of horror literature. The twenty-seven stories in this volume are by second- and third-generation Lovecraftian writers.
There’s an encouraging variety of protagonists; professors and prostitutes, hitmen and clergymen. Some of them are from ethnic groups HPL would never have made the heroes of his stories. There’s a variety of tones as well. Of course there’s a number that are straight up creepy horror, but there’s also noir-ish crime fiction and deadpan penny dreadful humor.
The volume opens with “Andromeda Among the Stones” by Caitlín R. Kiernan. A family guards a gate off the Northern California coast; but only one of them was truly born for the job. I found the story rather slight, and one of the weaker ones in the collection.
The closing story is “The Men from Porlock” by Laird Barron. Seven lumberjacks go hunting in the Pacific Northwest. Not all of them are going to be returning. This one makes good use of escalating creepiness, culminating in a scene where a monster makes its menace particularly personal.
Oldest story honors go to Ramsey Campbell’s “The Tugging” from 1976. An art critic in a small British city is having disturbing dreams about Atlantis, which may tie into a comet with unusual gravitation behavior. I’ve read this one before, and it’s interesting as an unintentional period piece. I remember in my youth paging through great bound volumes of yellowing newsprint as the protagonist does here, instead of scrolling through microfilm, or today’s scanned files.
“Black Man with a Horn” by T.E.D. Klein is one of the editor’s favorites, according to the introduction (which is perhaps a little too generous to Lovecraft’s writing skills.) An elderly writer who was a friend of HPL in his youth meets a missionary returning from Malaysia. Over the course of time, the writer learns that at least one thing written by Lovecraft may be uncomfortably close to reality. It is a good story, told well.
I also particularly enjoyed “Lord of the Land” by Gene Wolfe. A Nebraskan teacher is collecting oral history in the Appalachian region. An old man tells him about seeing the “soul sucker”, which seems like a tall tale at first…but it’s actually a warning. This one held my attention fast.
Overall, this is a strong collection with many creepy stories and some marquee writers like Elizabeth Bear, Joe R. Lansdale and David Drake. I should mention that one story features incest and marital rape. Recommended to fans of the Lovecraftian type of horror.
Book Review: Festival of Crime Edited by Christine Husom, Mickie Turk & Michael Allan Mallory
Minnesotans have a reputation for being a bit mild-mannered and reserved. But we love celebrations just as much as anyone else, and the state is filled with fairs and festivals, from small-town scarecrow contests to the crowded Pride in Minneapolis. And sometimes crimes happen at these events. Thus this collection from Twin Cities Sisters in Crime, a local writers group.
Most of these 19 tales are indeed crime stories, but not always murder, and a few have mystery elements. A couple have supernatural elements, though only one has it proven. Some merely take place at or near a festival, while others have it essential to the plot.
The collection begins with “Sawbill Checkpoint” by Michael Allan Mallory (wait, isn’t he one of the editors?) A man is shot during a dogsled race, and his final word may be a vital clue…if only someone knew what it meant. The last story is “All Sales Final” by Douglas Dorow. A pair of art dealers discover a treasure trove owned by two elderly women. Now, how to get it away from them before the old ladies figure out how much it’s worth?
Stories I enjoyed the most were “Looney Daze” by Cheryl Ullyot, in which a gambler woos a woman obsessed with wiener dog races; and “Corn on the Cob” by Colin T. Nelson, about a sheriff faced with criminals he can’t put in jail, and an election coming up.
“No Time Like the Present” by E.B. Boatner is about a man who spots some anachronistically-dressed people, and learns their secret. It feels a little too tidy, with a long-winded wrap-up.
Content warning: homophobia, torture and domestic abuse come up in different stories.
The writing is decent on average, and I only spotted a couple of minor typos. There are author bios in the back if you decide one of the stories makes you want to read more.
Recommended primarily for Minnesotan crime story fans, as they’ll be most familiar with the local color, but any fan of crime stories should be able to enjoy this.
Manga Review: Samurai Executioner Omnibus 2 written by Kazuo Koike, art by Goseki Kojima
Yamada “Decapitator” Asaemon is the o-tameshiyaku, sword-tester for the shogun and official executioner of criminals. It’s not a pretty job, but at least he has one in Edo-era Japan, during a time of peace. Without wars to fight, many of the samurai vassals are on tiny stipends, while ronin without lords can at least get paying jobs if they’re willing to be a bit flexible in their ethics. The merchant class is getting richer, while the underclass of urban poor swells and rural farmers are oppressed by their petty lords. The social conditions breed crime, so there is always plenty of work for Yamada.
This seinen (young men’s) manga series is by the creators of Lone Wolf and Cub, and shares many of the themes and settings. Unlike that earlier work, however, there does not seem to be an overarching plotline. The stories are episodic, and most could take place in any order. Two stories do, however, guest star young cop Sakane Kasajiro, an expert with his hooked chain. Yamada helps him discover new ways of using his weapon to protect lives.
Yamada takes a grim satisfaction at being expert at his craft, able to decapitate the condemned with a single stroke and thus minimize their pain. He was raised from early childhood to succeed his father as executioner, and has chosen to remain single to avoid condemning his children to the same path. (One story in this volume has him briefly reconsider, but it is not to be.) Yamada seems happiest when he can bring small moments of joy into a person’s life, and is often sought out for sage advice.
The first story in the volume has Yamada challenged for the post of sword tester by Tsukuya Bakushuu, a poverty-stricken and largely self-trained swordsman. They participate in a contest of suemonogiri, precision cutting. Tsukuya loses, but cannot accept this result. It ends in tragedy. To be honest, at least half the stories here end in tragedy, not surprising, given Yamada’s job.
The closing story is particularly hard to stomach. O-Toyo murders the woman her lover abandoned him for, and mortally wounds the cheater. However, it’s a slow death wound, and he could live up to four months with good treatment. Her execution will be in three months, and O-Toyo wants to outlive the man out of pure spite. As it happens, there’s one way for a woman to get her execution delayed–getting pregnant. Now, how is that going to happen when she’s locked in a women’s prison? Yes, the story is going there. There are other examples of female nudity and rape in these stories, but this is the most brutal. And then the ending comes, and it is even more brutal. Even Yamada is shaken.
Also outstanding is the story “Tougane Yajirou”, about an elderly police officer whose use of force is considered excessive even by the standards of the time, and who is much more interested in catching criminals than in preventing crime. Yamada disapproves, but there is a story behind the old man’s cruel behavior.
Koike and Kojma do a masterful job of depicting a world that is both very familiar in its everyday life, and alien in its way of thinking. This omnibus edition combines three of the Japanese volumes, and is presented in the expensive and time-consuming fully-flipped format, so it reads left to right.
Recommended for mature readers who enjoyed Lone Wolf and Cub or are otherwise fans of samurai action.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.