Comic Book Review: 2000 AD #2020-24

Comic Book Review: 2000 AD #2020-24 Edited by Tharg

As I’ve mentioned before, 2000 AD is a weekly comic paper with a speculative fiction bent that’s been published in Britain for over forty years.  It keeps up the schedule by featuring several short stories in each issue, most of them serialized.  A while back I c came into possession of the March 2017 issues, which seems like a good chunk to look over.

2000 AD #2020

“Judge Dredd” has been a headliner in the magazine since the second issue, and stories set in the dystopian future of Mega-City One are in almost every issue.  We start with a two-parter titled “Thick Skin” written by T.C. Eglington with art by Boo Cook.  Two vid stars have their skin slough off on camera in separate instances.  Coincidence?  Plague?  Terrorist plot?  It’s up to lawman Judge Dredd to investigate.

This is followed up by “The Grundy Bunch” by Arthur Wyatt and Tom Foster.  A family/cult that worships “Grud and Guns” has taken over one of the few remaining green spots in the city.  Despite the topical overtones, the story turns out to be a setup for a terrible pun.

“Get Jerry Sing” is by classic Judge Dredd team John Wagner and Carlos Ezquerra.  The title phrase is a bit of graffiti that’s been appearing all over the city.  What it means is a mystery, but pop star Jerry Sing isn’t happy about being a target.  This one has a karmic twist ending that brought a dark chuckle from me.

Lastly, there’s the first part of a longer story, “Harvey” by John Wagner and John McCrea.  The Day of Chaos and subsequent disasters have left the Judges severely understaffed, and it will be a while before they can train new human ones.  So there’s a renewed interest in the robot Judge program, Mechanismo.  Previous experiments with the artificial intelligences have proved disastrous, but this time, the Tek-Judges think they’ve cracked the problems with earlier models.  Judge Dredd is asked to take on “Judge Harvey” as a trainee, to see if this time robot cops are finally viable.

2000 AD #2021

The “Sinister Dexter” series is about Ramone Dexter and Finnegan Sinister, a pair of gunsharks (hitmen) who live in the city of Downlode.  Due to shenanigans involving alternate Earths, the pair have managed to get themselves erased from human and computer memory, and are slowly re-establishing their reputations without the baggage of the past.  They’re inspired by the hitmen from Pulp Fiction, but now bear little resemblance to them.

We have three stories in this group by Dan Abnett and Steve Yeowell.  First, the robotic security system for their new apartment building decides that Sinister and Dexter are a threat to the tenants.  A threat that must be eliminated.  The second story is from the point of view of the bartender at their favorite watering hole.  He doesn’t remember their previous interactions, but does know there’s something odd about the pair.  And finally, there’s a new hitman in town, who calls himself “the Devil.”  And his killing skills do seem…supernatural.

I find these characters smarmy and unlikable, but this sort of “not quite as bad guys” protagonist is popular with a segment of the readership.

2000 AD #2022

“Kingmaker” by Ian Edginton and Leigh Gallagher is a newer serial.  A fantasy world was having its own problems dealing with a wraith king, when suddenly technologically advanced aliens invaded.  An elderly wizard, a dryad, and an orkish warrior riding dragons are beset by alien pursuers.  When they finally defeat this batch of invaders by seeming divine intervention, the trio realizes they may already have found the chosen one.

Cyrano de Bergerac is the narrator of “The Order” by Kek-W and John Burns.  On his deathbed, the boastful writer tells of his experiences with the title organization, which does battle with beings known as the Wyrm.  Time has come unglued due to the latest Wyrm incursion, and a mechanical man from a possible future might or might not be the key to victory.  The Wyrm are driven back, but at a cost.

“Kingdom” by Dan Abnett and Richard Elson is set on a future Earth where humanity as we know it has been all but wiped out by giant insects known as Them.  The genetically-engineered dog soldier Gene the Hackman has finally found the “Kingdom”, haven of the last humans.  Unfortunately, there are dark secrets in this supposed sanctuary, so Gene and his allies must strike even against the Masters.

2000 AD #2023

“Brink” by Dan Abnett and INJ Culbard takes place in the late 21st Century after Earth had to be abandoned due to ecosystem collapse.  Bridget Kurtis is an inspector for the Habitat Security Division.  After the horrific death of her partner on the last case, Bridget is assigned to investigate mysterious suicides on a new habitat that’s reputed to be haunted…even though it’s still under construction.

The latest installment of “Scarlet Traces”, set in a world where H.G. Wells’  War of the Worlds took place is by Ian Edginton & D’Israeli.  Humanity’s history has been twisted by access to Martian technology.  It’s now 1965, and the Martians are doing something to the sun.  It may require allying with the Venusian refugees to thwart them.  This is fascinating alternate Earth stuff.

“Cursed: The Fall of Deadworld” by Kek-W & Dave Kendall is set in the backstory of Judge Death, the lawman from an Earth where life is a crime and the penalty is death.  Sydney D’eath has put himself in charge, twisting the world to fit his vision of a crime-free paradise.  We follow Judge Fairfax, his sentient vehicle Byke, and the orphan Jess as they search for a haven.  Doesn’t look good for them, frankly.

2000 AD #2024

There’s also two “Future Shocks”, stand-alone shorts.  “The Best Brain in the Galaxy” by Andrew Williamson & Tilen Javornik features a descendant of Horatio Hornblower who will do anything to win a competition to become captain of the most important starship voyage ever.  Anything.  “Family time” by Rory McConville and Nick Dyer is a parody of a certain Hollywood couple who like adopting children from around the world.  Except that this version is adopting orphans from across time.  The Child Protective Services are concerned that these children may not be orphans in the usual sense.  I liked the first story better.

There’s also the short humor strip “Droid Life” by Cat Sullivan  in a couple of issues, depicting life for the robotic staffers of 2000 AD.  Plus Tharg’s editorials, and actual letters pages.

2000 AD stories tend to be on the violent side, and sometimes get quite gory.  I didn’t see any nudity in these particular issues, but the comic doesn’t shy away from toplessness.  Parents of preteens may want to vet these comics before giving them to their kids.

As always, it’s a mixed bag for quality, but the very nature of the magazine means that there’s always something different to look at if the current story displeases, and serials are rotated frequently.  worth looking into if you can afford it.

 

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann & Jeff VanderMeer

As the subtitle of this volume indicates, it’s a collection of 29 short stories written from a feminist perspective. There are selections from the 1960s through the 2000s–SF, fantasy, horror and a couple of stories that seem to be included out of courtesy because of “surrealism.”

Sisters of the Revolution

The anthology begins with “The Forbidden Words of Margaret A.” by L. Timmel Duchamp, an account of a journalist’s meeting with a woman whose use of language is considered so dangerous that a Constitutional amendment has been passed to specifically ban those words. The journalist has a photo-op with Margaret A. in the prison that woman is being held in, and the experience changes her. It’s an interesting use of literary techniques to suggest the power of Margaret A.’s words without ever directly quoting them.

The final story is “Home by the Sea” by Elisabeth Vonarburg, in which a gynoid in a post-apocalyptic world returns to her mother/creator to ask some questions. The answers to those questions both disturb and give new hope. Like several other stories in the volume, this one deals with the nature of motherhood, and the mother-daughter relationship.

There are some of the classic stories that are almost mandatory for the subject of feminist speculative fiction: “The Screwfly Solution” by James Tiptree, Jr. (men abruptly start murdering people they’re sexually attracted to, mostly women but the story tacitly acknowledges homosexuality); “When It Changed” by Joanna Russ (a planet with an all-female society is contacted by men from Earth after centuries of isolation–it originally ran in Again, Dangerous Visions, an anthology for stories with themes considered too controversial to be published elsewhere, times have changed); and Octavia K. Butler’s “The Evening the Morning and the Night” (a woman with a genetic disorder discovers that she has a gift that fits her exactly for a specific job, whether she wants that job or not.)

The anthologists have also made an effort to include stories that are “intersectional”, providing perspectives from other parts of the world. “The Palm Tree Bandit” by Nnedi Okorofor tells the story of a Nigerian woman who defies a sexist tradition and starts one of her own. Nalo Hopkinson’s “The Glass Bottle Trick” is a retelling of the Bluebeard story in modern Jamaica (this time the women avenge their own), and “Tales from the Breast” by Hiromi Goto, wherein a Japanese-Canadian woman discovers a solution to her breastfeeding problems.

Some other standouts include: “The Grammarian’s Five Daughters” by Eleanor Arnason (a fairy tale about language); “The Fall River Axe Murders” by Angela Carter (one of the stories that really doesn’t feel like speculative fiction, but is really well-written, set in the moments just before Lizzie Borden is about to get up and kill her parents) and “Stable Strategies for Middle Management” by Eileen Gunn (how far would you go to fit into the corporate culture? Would you let them shoot you up with insect genes?)

Tanith Lee’s “Northern Chess” is a fantasy tale of a warrior woman infiltrating a castle cursed to be a deathtrap by an evil alchemist. It’s exciting, but the ending relies on a now-hoary twist. Still worth reading if you haven’t had the chance before.

Most of the other stories are at least middling good. The weakest for me was “My Flannel Knickers” by Leonora Carrington, which falls into the surrealist category and seems to be about a woman who has rejected conventional beauty standards. Probably.

Rape, sexualized violence and domestic abuse are discussed; I’d put this book as suitable for bright senior high schoolers, though individual stories could be enjoyable by younger readers.

Recommended for feminists, those interested in feminist themes, and anthology fans.

Book Review: Infinity Two

Book Review: Infinity Two edited by Robert Hoskins

Infinity was a series of paperback science fiction anthologies from Lancer Books in the early 1970s.  Its primary draw was that all the stories were new, not having been previously printed in magazines.  By this point, science fiction writers were allowed to mention sex and other controversial topics (thank you, Dangerous Visions) but they did not always do so in a healthy manner.

Infinity Two

The introduction, “The Alien Among Us”, talks about ecology and pollution, and the possibility that some force is trying to kill off the human race.

“Murphy’s Hall” by Poul and Karen Anderson is one of the more experimental pieces, tying together several failed space missions and the miserable life of a boy left behind on Earth.  Depressing ending, but one that seems all too plausible now.

“The Monster in the Clearing” by Michael Fayette is an Adam and Eve story, with a computer giving instructions on how not to screw up humanity’s second chance.  The National Rifle Association is one of the things the new god plans to ban.  However, when did humans ever do what they were supposed to?

“The Scents of IT” by J.F. Bone stars Xar Qot, a member of the Mallian species, which are essentially sentient lobsters with a society based on cannibalism.  When a couple of pesky visitors come to the planet, Xar Qot sees a way to help his human ally George Banks, and advance his own ambitions.  I’m going to talk about this story and some possibly triggery subject matter in the Spoilers section below.

“The Road to Cinnabar” by Ed Bryant is another experimental piece, this one about a labor organizer in a far future city that seems to be dying.  The ending is kind of blah, with a bit of philosophy.

“The Technological Revolution” by James E. Gunn is a horror piece when a woman’s labor-saving devices all go on the fritz at once.  Is there a conspiracy of the machines to kill her, or is the ghost of her Luddite grandmother running a false flag operation?

“Elephants” by K.M. O’Donnell is a depressing piece about the last circus performance of the universe–very stylistic and fatalistic.

“The Other Way Around” by Howard L. Myers is set in the Dark Ages, as a teller of tales tracks down Merlin.  Merlin is not what you’d imagine, and he’s discovered a terrible truth about time travel.  Also kind of depressing.

“Legion” by Russell Bates continues the trend of depressing stories as a multiple transplant recipient is unable to cope with what has happened to him.

“Gorf! Gorf! Gorf!” by William F. Nolan is at the other end of the seriousness spectrum, as a frog eats a bunch of growth pellets and grows to kaiju size.  Now the government needs to try to solve the problem.  The story abruptly moves from New York to California and backin a nonsensical way, and the ending is an anticlimax.

“Timesprawl” by Anthon Warden is back to depressing.  A recently unemployed man gets the chance to relive the last year of his life, which he plans to use to take revenge–but there’s an icky twist.

“In Entropy’s Jaws” by Robert Silverberg has a telepath come unstuck in time with random fugues of flashback and flashforward.  Unlike some of the other stories here, Mr. Silverberg makes the experimental format work well for him.  Probably the best story in this volume.

“Reunion” by Arthur C. Clarke closes out the book with the return of the human race’s true progenitors.  It seems they have a cure for the plague that made them flee millenia ago…but will the Earthlings want it?  Edgy then, kind of silly now.

Overall, a mediocre collection, I’d recommend it to Silverberg completeists and garage sale pickups and not much else.

SPOILERS

So, “The Scents of IT“.   Mr. Bone was a professor of Veterinary Medicine, which may explain the focus on alien biology.   This is clearly meant to be a silly pun-based story, but it turns out to be really problematic by today’s standards.  We learn that the evil feminists have triumphed and turned humanity into a matriarchal society (more like a thin veneer of matriarchy over an egalitarian  society, really.)  George Banks laments that social conditioning prevents him from just raping the woman he wants.

The woman in question is Shirley Copenhaver, who despite being so pretty even sentient lobsters can tell, refuses to give George Banks (or any other man) the sex he deserves.   Banks is also upset with her because she’s an ethnologist who does her job, studying alien cultures and writing books about them.  Which indirectly resulted in the destruction of one such culture when a corporate entrepreneur read the book and realized how to commercially exploit them.  Why Banks doesn’t blame the entrepreneur  who actually did the deed is unclear.

Xar Qot realizes that the pheromone male Mallians exude that allows them to dominate and predate upon the more numerous females also works to some extent on human women.  So he sets up a situation where Banks can “seduce” (commit chemically-assisted rape) Copenhaver, as apparently Banks doesn’t consider this to be rape.

The next day,  when Copenhaver has recovered her senses and is understandably furious at Banks and Xar Qot, she walks into an ambush and is chemically-assisted raped again.  This makes her fall in love with Banks and give up her career to be his housewife.   Banks and Xar Qot  then mass-produce the pheromone which the men of humanity use to overthrow the matriarchy and install a patriarchy, as is the proper status of society.  Happy endings all around!

Well, except for gender-queer human Hector Marks, who is eaten alive just before he can finish his book on Mallian culture.

This story is…wow.  Just no.   I am aware it’s supposed to be comedy, but the passage of time has spoiled the joke.

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