Comic Book Review: Noble Causes Archives, Vol. 1

Comic Book Review: Noble Causes Archives, Vol. 1 written by Jay Faerber

Liz Donnelly is nervous about meeting her future in-laws.  After all, she’s just a normal bookstore manager, and they’re the Noble Family, celebrity superheroes, beloved across the world.  Her fiance Race Noble is nice enough, but Liz soon learns that behind the glitzy facade, the Noble family has severe problems that are tearing them apart.  When tragedy strikes, it could be the ending of Liz’s world, if not everyone’s.

Noble Causes Archives, Vol. 1

This Image Comics offering was a series of miniseries before getting approved for an ongoing (with a soft reset.)  It takes the soap opera aspects of modern superhero comics, and the idea of superheroes as celebrities, and runs with it.  Indeed, the soap opera is so central that it’s several issues before we see one of the family do something that matches the “hero” part of the genre.

At the beginning, the family consists of “Doc” Noble, an inventor/adventurer who has retreated into his laboratory more and more as the years have gone by, rather than interact with his brood; his wife Gaia, a nature mage from another dimension who craved the celebrity lifestyle and has crafted the family’s public image; Icarus, Doc’s robot assistant, who considers himself the dutiful son; Rusty, who recently suffered an “accident” that required transplanting his brain into a robotic body; Celeste, Rusty’s gold digger wife, who was unfaithful to him even before he became all metal; Race, a super-speedster who has the best emotional balance of the crew; Krennick, Race’s best buddy and son of family enemy Draconis, who has an unrequited thing for; Zephyr, only daughter and a rebellious teenager whose promiscuity has gotten out of hand; and Frost, Gaia’s son by a brief affair, who officially does not exist, and has been sleeping with Celeste.

Liz’s marriage to Race helps precipitate a series of events that bring to light several family secrets and relationship crises.  The series is really good at issue-ending cliffhangers.

This black and white reprint volume covers up to issue #12 of the ongoing, and the resolution of the Zephyr pregnancy plotline.  There were a number of back-up stories that flashed back to events before Liz met the family; instead of being bundled with the main stories of each issue they were published in, they have been placed at the end of the volume.  These stories explain some motivations and sometimes make the characters’ actions more sympathetic.

Content warnings:  There’s a fairly gory scene early on, a lot of talk about sex (and some near-sex scenes) and some rather disturbing implications in the backstory.   I’d say senior high school and up for readership.

Many of the characters are not particularly likable.  (When Doc suddenly starts being a somewhat better husband and father, Gaia worries that he’s terminally ill.)  But there are enough of them that are sympathetic or enjoyable to keep reading.

The art is by a number of different creators, mostly in the decent to acceptable range.

Recommended to comic book fans who are really into the soap opera aspect.

Book Review: Superheroes

Book Review: Superheroes edited by Rich Horton

Superheroes as we know them more or less started in the comic books of the late 1930s, with the most obvious first “true” superhero being Superman.  And comic books have largely shaped our perceptions of costumed superheroes ever since.  But sometimes prose is a perfectly acceptable way of writing about people with unusual powers and distinctive appearances who fight crime and injustice.  There have been quite a few anthologies of short stories in the field, and this is one of them.

Superheroes

The sixteen stories cover various aspects of the superhero genre, from the superheroes themselves, through supervillains, and to the civilians who have to try to survive in these larger than life worlds.  The lead story is “Sunlight Society” by Margaret Ronald.  A nethead (a cyborg able to interface with computers) is called in to deal with a virus in a superhero base’s computer.  But that’s not all he’s there for, and the information he seeks will cost him dearly.

“Wonjjiang and the Madman of Pyongyang” by Gord Sellar is the story of a South Korean superhero who’s been forced into the role of leader for a multi-national team operating in his homeland and sometimes in neighboring countries.  Unfortunately, politics has freed his North Korean nemesis, budget cuts have gotten Wonjjiang laid off, and our hero’s overbearing mother is pushing him to get married.  (Sadly, the one woman he’s interested in already has a boyfriend.)  One of the more “traditional” superhero stories in the book.

A couple of the stories are of special interest.  “Wild Card” by Leah Bobet is set in the Shadow Unit continuity, about a secret group of government agents that normally battle serial killers who’ve developed super-powers.  Except that this time, the “anomaly” has picked on someone whose personal mythology comes from comic books, and he’s decided to become a full-fledged super-villain.  Somewhat lighter than the usual Shadow Unit story.

Peter S. Beagle (The Last Unicorn) contributes “Dirae.”  Suddenly in the city there’s a woman who appears out of nowhere to save lives like a real-life superhero, then vanishes again until the next rescue.  It’s told from the perspective of that woman as she slowly comes to realize she literally does disappear between those incidents, with no clue where she’s spending the rest of her time, if any.  She tries to work out who she really is and what’s happening to her.  Mr. Beagle is an excellent fantasy writer, and this is one of the best stories in the book.

The weakest story for me was “Secret Identity” by Kelly Link.  A young woman comes to a hotel to meet a man she got to know on the internet; by coincidence (or is it?) there’s a superhero convention going on at the same time.  The secrets she’s been keeping from her prospective lover are compared to a hero’s secret identity.  I didn’t like the main character and found most of the people she interacted with boring.  Overall, a decent collection of 21st Century superhero themed writing.

There’s some vulgar language and sexual situations in the stories, and a couple of them deal with euthanasia.  I’d recommend this to senior high students and up.

Comic Book Review: Essential Rampaging Hulk, Vol. 2

Comic Book Review: Essential Rampaging Hulk, Vol. 2 edited by John Denning

Quick recap:  In the 1970s, Marvel Comics started doing larger magazines for newsstand distribution, most of them in black and white.  One of these was The Rampaging Hulk, which originally featured adventures taking place between the Hulk’s appearances in the first year of his existence.  But then it was renamed just The Hulk and retooled to more strongly resemble the then-hot television series starring Bill Bixby and Lou Ferrigno, as well as now being published in color.

The Rampaging Hulk Vol. 2

This volume continues the run with issues #16-27, which were published 1979-81.  It’s a curious mix of the television series and the comics continuity.  The usual supporting cast is not seen or mentioned outside of a brief flashback to the Hulk’s origin, and a mention of Doctor Strange in the narration.  Nor are there any of the usual supervillains–the closest we get is Rypel, who is more of a Bond villain type that wants to trigger World War Three so his underwater utopia can inherit the Earth.  Most of the time, it’s just Robert Bruce Banner wandering from town to town and getting involved with relatively ordinary people’s problems.  Interspersed with the Hulk smashing things, of course.

The opening story, “Masks”, has Dr. Banner lured from New Orleans (the night after Mardi Gras, just to be different) to the Florida Keys to participate in a wealthy eccentric’s treasure hunt.  Of course, the eccentric has ulterior motives,  The final story in the volume, “One for My Baby…and One More for the Hulk!” takes place in Las Vegas, as a past-his-prime crooner tries to get out from under the mob with the help of his new green bodyguard.

This is a real nostalgia blast for me, not just because I read many of these stories when they first came out, but because the writers couldn’t use their usual costumed weirdos to move plots, and thus tended towards topical stories.  Three Mile Island, snail darters, the last days of the Cold War, Native American  struggles, Hare Krishnas…takes me back.

Of course, not all of these stories have aged well.  “A Very Personal Hell” by Jim Shooter has the notorious gay panic scene where Bruce Banner is threatened with rape by a lisping stereotype at the “Y.”  (He saves himself by informing the would-be rapist that he is, in fact, Bruce Banner, y’know, the Hulk, you wouldn’t like him when he’s mad?)

And sadly, the ambitious color usage in some of the stories is completely ruined in black & white reprint–it looks muddy, and some of the captions are borderline unreadable.  Artists like Gene Colan, on the other hand, make it work.

A couple of the stories deal with attempts to cure Banner of turning into the Hulk, or at least lessen the rift between them.  The most striking of these is “Master Mind” in which the Hulk persona winds up in Bruce Banner’s body and goes on a rampage–which could be deadly to the much more fragile scientist.

A couple more stand-out stories:  “Heaven Is a Very Small Place” with great art by Herb Trimpe and John Severin is a sad tale of the Hulk finding a peaceful place at last, only to have the illusion fade.  “Dreams of Iron…Dreams of Steel” has Bruce Banner getting a job at a care facility for children with developmental disablilities (back then the word “retarded” was acceptable, but the shortened form is also hurled as an insult) and the Hulk bonds with an adult graduate of the facility that works at a steel mill.

Recommended with reservations for fans of the 1970s Hulk show and Hulk fans in general–check your library unless you’re a completist who has to own every Hulk story.

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