Quick recap: In 17th Century Japan, failed soldier Shinmen Takezo has reinvented himself as wandering swordsman Miyamoto Musashi. Dedicating his life to perfecting his own style of swordsmanship, he travels to Kyoto and starts a feud with the Yoshioka school of kendo. Unknown to him, his childhood friend Matahachi is also in town, and accidentally sets fire to the Yoshioka dojo.
This volume opens with Musashi being nursed back to health by the rough-edged Buddhist monk Takuan. Realizing he still has a long way to go, Musashi decides to travel to Nara, there to pit himself against the spear style of the Hōzōin Temple monks. A chance encounter with an elderly gardener may be more valuable than any battle.
Musashi is distracted by thoughts of his other childhood friend, the lovely Otsu. She’s now the servant of a master of the Yagyu style of swordsmanship, who Yoshioka Denshichiro has come to train with in preparation for his next duel with Musashi.
Others are also on the road. Gion Toji of the Yoshioka school is tracking Musashi to kill him, and is none too restrained about maiming other people along the way.
Matahachi’s on the run because of the arson thing, and a chance encounter allows him to also reinvent himself as the respected warrior Sasaki Kojirō. His sections of the story are tragicomedy, as he keeps having good intentions, but the flaws in his character prevent him from following through in a crisis, and we watch him make excuse after excuse for doing less than he ought.
Miyamoto Musashi is better at learning from his mistakes; while he is not the sharpest katana in the armory, he’s partially grasped the concept of critical thinking and examining his own mindset. Still has a long way to go before being the best swordsman in Japan though.
The successor to the Hōzōin spear style, Inshun, has his own issues. He’s a natural combat genius who has never known “fear”, or had a truly serious challenge to his skills until now. Thus his growth has stalled; Inshun must learn how to deal with defeat to become stronger. His multi-chapter duel with Musashi is the centerpiece of this volume.
The art is stellar, but much of the credit for the plot and characterization must go to Eiji Yoshikawa, author of the novel this manga is an adaptation of.
There’s a lot of violence in this volume, some of it quite bloody. There’s also a brief sex scene with female nudity–this is a “mature readers” title.
This continues to be a good choice for fans of samurai action stories.
Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann & Jeff VanderMeer
As the subtitle of this volume indicates, it’s a collection of 29 short stories written from a feminist perspective. There are selections from the 1960s through the 2000s–SF, fantasy, horror and a couple of stories that seem to be included out of courtesy because of “surrealism.”
The anthology begins with “The Forbidden Words of Margaret A.” by L. Timmel Duchamp, an account of a journalist’s meeting with a woman whose use of language is considered so dangerous that a Constitutional amendment has been passed to specifically ban those words. The journalist has a photo-op with Margaret A. in the prison that woman is being held in, and the experience changes her. It’s an interesting use of literary techniques to suggest the power of Margaret A.’s words without ever directly quoting them.
The final story is “Home by the Sea” by Elisabeth Vonarburg, in which a gynoid in a post-apocalyptic world returns to her mother/creator to ask some questions. The answers to those questions both disturb and give new hope. Like several other stories in the volume, this one deals with the nature of motherhood, and the mother-daughter relationship.
There are some of the classic stories that are almost mandatory for the subject of feminist speculative fiction: “The Screwfly Solution” by James Tiptree, Jr. (men abruptly start murdering people they’re sexually attracted to, mostly women but the story tacitly acknowledges homosexuality); “When It Changed” by Joanna Russ (a planet with an all-female society is contacted by men from Earth after centuries of isolation–it originally ran in Again, Dangerous Visions, an anthology for stories with themes considered too controversial to be published elsewhere, times have changed); and Octavia K. Butler’s “The Evening the Morning and the Night” (a woman with a genetic disorder discovers that she has a gift that fits her exactly for a specific job, whether she wants that job or not.)
The anthologists have also made an effort to include stories that are “intersectional”, providing perspectives from other parts of the world. “The Palm Tree Bandit” by Nnedi Okorofor tells the story of a Nigerian woman who defies a sexist tradition and starts one of her own. Nalo Hopkinson’s “The Glass Bottle Trick” is a retelling of the Bluebeard story in modern Jamaica (this time the women avenge their own), and “Tales from the Breast” by Hiromi Goto, wherein a Japanese-Canadian woman discovers a solution to her breastfeeding problems.
Some other standouts include: “The Grammarian’s Five Daughters” by Eleanor Arnason (a fairy tale about language); “The Fall River Axe Murders” by Angela Carter (one of the stories that really doesn’t feel like speculative fiction, but is really well-written, set in the moments just before Lizzie Borden is about to get up and kill her parents) and “Stable Strategies for Middle Management” by Eileen Gunn (how far would you go to fit into the corporate culture? Would you let them shoot you up with insect genes?)
Tanith Lee’s “Northern Chess” is a fantasy tale of a warrior woman infiltrating a castle cursed to be a deathtrap by an evil alchemist. It’s exciting, but the ending relies on a now-hoary twist. Still worth reading if you haven’t had the chance before.
Most of the other stories are at least middling good. The weakest for me was “My Flannel Knickers” by Leonora Carrington, which falls into the surrealist category and seems to be about a woman who has rejected conventional beauty standards. Probably.
Rape, sexualized violence and domestic abuse are discussed; I’d put this book as suitable for bright senior high schoolers, though individual stories could be enjoyable by younger readers.
Recommended for feminists, those interested in feminist themes, and anthology fans.
Superheroes as we know them more or less started in the comic books of the late 1930s, with the most obvious first “true” superhero being Superman. And comic books have largely shaped our perceptions of costumed superheroes ever since. But sometimes prose is a perfectly acceptable way of writing about people with unusual powers and distinctive appearances who fight crime and injustice. There have been quite a few anthologies of short stories in the field, and this is one of them.
The sixteen stories cover various aspects of the superhero genre, from the superheroes themselves, through supervillains, and to the civilians who have to try to survive in these larger than life worlds. The lead story is “Sunlight Society” by Margaret Ronald. A nethead (a cyborg able to interface with computers) is called in to deal with a virus in a superhero base’s computer. But that’s not all he’s there for, and the information he seeks will cost him dearly.
“Wonjjiang and the Madman of Pyongyang” by Gord Sellar is the story of a South Korean superhero who’s been forced into the role of leader for a multi-national team operating in his homeland and sometimes in neighboring countries. Unfortunately, politics has freed his North Korean nemesis, budget cuts have gotten Wonjjiang laid off, and our hero’s overbearing mother is pushing him to get married. (Sadly, the one woman he’s interested in already has a boyfriend.) One of the more “traditional” superhero stories in the book.
A couple of the stories are of special interest. “Wild Card” by Leah Bobet is set in the Shadow Unit continuity, about a secret group of government agents that normally battle serial killers who’ve developed super-powers. Except that this time, the “anomaly” has picked on someone whose personal mythology comes from comic books, and he’s decided to become a full-fledged super-villain. Somewhat lighter than the usual Shadow Unit story.
Peter S. Beagle (The Last Unicorn) contributes “Dirae.” Suddenly in the city there’s a woman who appears out of nowhere to save lives like a real-life superhero, then vanishes again until the next rescue. It’s told from the perspective of that woman as she slowly comes to realize she literally does disappear between those incidents, with no clue where she’s spending the rest of her time, if any. She tries to work out who she really is and what’s happening to her. Mr. Beagle is an excellent fantasy writer, and this is one of the best stories in the book.
The weakest story for me was “Secret Identity” by Kelly Link. A young woman comes to a hotel to meet a man she got to know on the internet; by coincidence (or is it?) there’s a superhero convention going on at the same time. The secrets she’s been keeping from her prospective lover are compared to a hero’s secret identity. I didn’t like the main character and found most of the people she interacted with boring. Overall, a decent collection of 21st Century superhero themed writing.
There’s some vulgar language and sexual situations in the stories, and a couple of them deal with euthanasia. I’d recommend this to senior high students and up.
Book Review: The Infinite Arena edited by Terry Carr
Science fiction, in a way, is a very broad genre, that can easily contain stories of other genres within itself. Thus space westerns, fantastic romance, star war novels and so forth. In this case, we have a sample of sports stories set in science fiction terms.
Lead batter in the lineup is “Joy in Mudville” by Poul Anderson & Gordon Dickson. It’s a Hoka story as the imaginative aliens that look like sentient teddy bears have taken up the sport of baseball. As is their wont, they have assumed the identities of fictional ballplayers of Earth, including the Mighty Casey, their best batter. Unfortunately, their latest opponents, the Sarenn Snakes, are masters of psychological warfare. Alexander Jones, the ambassador from Earth, must summon one of his rarely-appreciated talents to save the day. It’s all very silly.
“Bullard Reflects” by Malcolm Jameson begins with the Space Patrol celebrating the Jovian armistice with athletic contests, including the sport of Dazzle Dart, played with flashlights and mirrors. But it turns out not all the Jovians are honoring the armistice, and Captain Bullard’s Pollux is sent to track down diehards who’ve taken over an experimental weapons testing station. Things look dark for the Patrol when they are ambushed and disarmed, but Bullard figures out a way to make the situation a Dazzle Dart game…to the death! A fine bit of pulp writing, but Mr. Jameson piles the awesomeness of his heroes a shade high. Not only are they the fleet champions in Dazzle Dart, but are best at all the other athletic contests too, and the Pollux is the only ship in condition to fly when the crisis arises as all the others slacked off when peace was declared.
“The Body Builders” by Keith Laumer posits a future in which most people who can afford it store their physical bodies away and use humaniform robots by telepresence. Dueling has become a frequent occurrence thanks to the more or less disposable extra bodies, and the protagonist is a professional gladiator. Which is all well and good until he’s tricked into a duel in his weak “pretty boy” body used for dates, as opposed to the monstrosity he uses for combat. He sees no way out except to tarnish his honor temporarily in an effort to get to his backup bodies, but is eventually forced to resort to his original organic form–if this one dies, it’s curtains! Some of the celebrities name-dropped as body models are now obscure, which may make reading the story a chore for the young.
“The Great Kladnar Race” by Robert Silverberg and Randall Garrett has Earthlings stuck on a backwater planet try to create some excitement by organizing a race of the local beasts of burden. The twist ending is one that could have been thwarted easily if any of the Earthlings had bothered to ask the natives relevant questions.
“Mr. Meek Plays Polo” by Clifford D. Simak involves space polo. Don’t know how that’s played? Neither does Mr. Meek, a retired bookkeeper now touring the Solar System in the spaceship it took him a lifetime to save up for. But he did see a game once, which is more than anyone else in the rowdy frontier of Saturn’s rings has to their credit. So when the radioactive moss harvesters are talked into a game by a social worker trying to civilize them, Mr. Meek is drafted as a coach for one team, and eventually a replacement player.
As you might guess from his name, Mr. Meek is a timid fellow who tries to explain the reality of the situation, but no one is listening until he is so riled up that he bets his ship on the contest. (Apparently, he keeps getting into this sort of situation.) Oh, and there’s an infestation of metal-eating bugs to deal with; that can’t be good. Things sort themselves out in the end.
“Sunjammer” by Arthur C. Clarke is more “hard” SF than most of the other stories, as solar yachts use the pressure of sunlight to have a race from Earth orbit to the Moon. One of the ships is manned by the inventor of solar sails, after decades of work finally able to compete; but this will be his last chance. Soon, solar flares will make it too dangerous to yacht, and he’ll be too old for the sport by the time it’s safe again. This one has a bittersweet ending.
“Run to Sunlight” by George R.R. Martin is comparatively light considering his reputation. A spaceport’s amateur football league is thrown into chaos when a team of heavy-worlders apply to play. The government doesn’t want the coordinator of the league to reject the application as they’re trying to keep a peace treaty going, and this is an obvious propaganda moment. But the aliens prove to have major advantages in the sport, and the war may start again if they can prove how weak the Earthling really are. Good use of strategizing and using strengths and weaknesses, but true victory goes to the person with their priorities straight.
I liked the Laumer and Clarke stories best. The stories were written from the 1940s to the 1970s, so there are none that feature female athletes, and the few women that do appear are largely useless in plot terms. (The Laumer story has the protagonist choosing between a young woman who hates artificial bodies but genuinely likes his personality and a flashier woman who wants to get married for a five-year trial period so she doesn’t have to work anymore.)
Recommended to fans of “strange sports” stories and fans of particular authors who haven’t seen these stories before. Check interlibrary loan or the finer used book stores.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
Comic Book Review: Essential Rampaging Hulk, Vol. 2 edited by John Denning
Quick recap: In the 1970s, Marvel Comics started doing larger magazines for newsstand distribution, most of them in black and white. One of these was The Rampaging Hulk, which originally featured adventures taking place between the Hulk’s appearances in the first year of his existence. But then it was renamed just The Hulk and retooled to more strongly resemble the then-hot television series starring Bill Bixby and Lou Ferrigno, as well as now being published in color.
This volume continues the run with issues #16-27, which were published 1979-81. It’s a curious mix of the television series and the comics continuity. The usual supporting cast is not seen or mentioned outside of a brief flashback to the Hulk’s origin, and a mention of Doctor Strange in the narration. Nor are there any of the usual supervillains–the closest we get is Rypel, who is more of a Bond villain type that wants to trigger World War Three so his underwater utopia can inherit the Earth. Most of the time, it’s just Robert Bruce Banner wandering from town to town and getting involved with relatively ordinary people’s problems. Interspersed with the Hulk smashing things, of course.
The opening story, “Masks”, has Dr. Banner lured from New Orleans (the night after Mardi Gras, just to be different) to the Florida Keys to participate in a wealthy eccentric’s treasure hunt. Of course, the eccentric has ulterior motives, The final story in the volume, “One for My Baby…and One More for the Hulk!” takes place in Las Vegas, as a past-his-prime crooner tries to get out from under the mob with the help of his new green bodyguard.
This is a real nostalgia blast for me, not just because I read many of these stories when they first came out, but because the writers couldn’t use their usual costumed weirdos to move plots, and thus tended towards topical stories. Three Mile Island, snail darters, the last days of the Cold War, Native American struggles, Hare Krishnas…takes me back.
Of course, not all of these stories have aged well. “A Very Personal Hell” by Jim Shooter has the notorious gay panic scene where Bruce Banner is threatened with rape by a lisping stereotype at the “Y.” (He saves himself by informing the would-be rapist that he is, in fact, Bruce Banner, y’know, the Hulk, you wouldn’t like him when he’s mad?)
And sadly, the ambitious color usage in some of the stories is completely ruined in black & white reprint–it looks muddy, and some of the captions are borderline unreadable. Artists like Gene Colan, on the other hand, make it work.
A couple of the stories deal with attempts to cure Banner of turning into the Hulk, or at least lessen the rift between them. The most striking of these is “Master Mind” in which the Hulk persona winds up in Bruce Banner’s body and goes on a rampage–which could be deadly to the much more fragile scientist.
A couple more stand-out stories: “Heaven Is a Very Small Place” with great art by Herb Trimpe and John Severin is a sad tale of the Hulk finding a peaceful place at last, only to have the illusion fade. “Dreams of Iron…Dreams of Steel” has Bruce Banner getting a job at a care facility for children with developmental disablilities (back then the word “retarded” was acceptable, but the shortened form is also hurled as an insult) and the Hulk bonds with an adult graduate of the facility that works at a steel mill.
Recommended with reservations for fans of the 1970s Hulk show and Hulk fans in general–check your library unless you’re a completist who has to own every Hulk story.
Book Review: The Big Book of Sherlock Holmes Stories edited by Otto Penzler
I have a fondness for Sherlock Holmes, as I am sure the majority of my readers do. Unsurprisingly, there has been a ton of Holmes fanfiction over the years. Pastiches that try to capture the feel of Arthur Conan Doyle’s prose, parodies that make fun of the detective’s odd habits, and weirder works. This is a collection of such, many done professionally by famous authors. Thus it might be better described as a big book of Sherlock Holmes-related stories.
There’s an editorial introduction, and the book proper begins with an essay by Arthur Conan Doyle regarding how and why he created Sherlock Holmes, and why he killed the character off. (The essay being written before he brought the detective back.) Interestingly, he mentions that the “arc” of a dozen individual stories designed to be collected into a book was an innovation at the time–most of the magazine authors aiming for book publication went with serialized stories. Then there are two short pieces by Doyle being silly with his own creations.
There are over eighty stories all together, most quite short. They range in time from the very first Holmes parody “An Evening with Sherlock Holmes” by J.M. Barrie (an obnoxious know-it-all engages in dueling observation with Mr. Holmes) to the very recent “The Case of Death and Honey” by Neil Gaiman (Holmes goes to China to solve one last mystery.) Several stories crossover with other fictional characters (three times with jewel thief Raffles) or real life people. Arthur Conan Doyle appears several times, but others range from U.S. President William McKinley to John Merrick, the “Elephant Man.”
There are stories as well, about Sherlockians (fans of the stories)solving mysteries, the most unusual of which is “The Martian Crown Jewels” by Poul Anderson (a Martian detective investigates the theft of the title gems.)
The selection process heavily favored stories that are historically important or are by famous writers; this means that several of the tales are not of good quality. “Sherlock Holmes and the Dasher” by the normally excellent A.B. Cox is particularly dreadful. Most of the bad stories are extremely short. Some of the stories are frequently reprinted (there’s a section of them towards the front), while others are rare.
There’s period sexism and ethnic prejudice in some of the stories. “The Marriage of Sherlock Holmes” by Gregory Breitman is particularly bad on the sexism front for purposes of humor; it fell flat for me. Suicide appears more than once, although some of them are actually murders.
The volume concludes with “The Adventure of the Marked Man”by Stuart Palmer (a Cornish man receives death threats, but he hasn’t an enemy in the world…right?)
Most of the stories are good, but due to the uneven nature of this anthology, I recommend it primarily for dedicated Sherlock Holmes fans who will appreciate the rare tales. Others should use the library, and borrow the volume to read the stories by authors they like. (I especially recommend the “Modern Victorians” section for casual fans.)
Book Review: The Silence of the Loons edited by The Minnesota Crime Wave
The long-time reader may by now have realized that I have something of a weakness for anthologies. Collections of short fiction are an excellent use of limited lunch reading time. And I am also a faithful son of Minnesota. So this book of short mystery genre stories hits several of my buttons.
Perhaps it is our long, cold, dark winters that inspire thoughts of murder and mayhem, but Minnesota has a bunch of mystery-genre writers, thirteen of whom wrote stories set in the Land of the 10,000 Lakes for this volume. They were also instructed to choose from a short list of clues. It will become very evident by oh say the third story which clues those are. Some uses are quite clever, others are forced.
My favorite story is “The Gates” by Judith Guest, which isn’t really in the mystery genre as such, edging more into horror–but explaining why would spoil the surprise.
The first story in the volume is “Holiday Murder at Harmony Place” by M.D. Lake, which takes place in a senior citizen apartment building only a few blocks from where I live. This familiarity gives it a great sense of place; the story itself is a “cozy” with a resident of the building investigating the death of a particularly obnoxious neighbor. The detective work is clever, but fallible, appropriate for amateurs. (A lot of the stories involve senior citizens; Minnesotans tend to live a long time.)
Finishing the book is “Jake” by Pat Dennis. A man has quickly tired of his new bride, who is not at all as she presented herself on the internet. He decides that murder is the best solution, but may have underestimated just how much she lied.
And ten more stories, including “Norwegian Noir” by Ellen Hart, a cautionary tale of a small town woman moving up to the big city suburbs; who can she trust?
While this book is calculated to appeal most to Minnesotans, I think it will please most mystery story fans who enjoy a little dry humor with their murder. Consider purchasing it directly from Nodin Press.