Book Review: Rad Women Worldwide

Book Review: Rad Women Worldwide by Kate Schatz

Right up front, I have to say that the title is the most annoying thing about this book.   Did anyone ever use “rad” as an adjective unironically?  That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume.  There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.

Rad Women Worldwide

This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety.  There are scientists, athletes and entertainers, politicians and even a princess!  The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers.  (A couple of these biographies moved me to tears.)  Many of the women covered I had heard of before, but a few were new to me.

The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.

This book also wears its politics on its sleeve, obvious in the selection of women to write about.  Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back.  The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”

As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent.  Many of these women were controversial during their lifetimes, and some of them are still controversial now.  A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies.  I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.

I expect that this book will end up in  a lot of elementary school libraries.  I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.

Disclaimer:  I received a copy of this book from Blogging for Books for the purpose of writing this review.  No other compensation was offered or requested.

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology

Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann & Jeff VanderMeer

As the subtitle of this volume indicates, it’s a collection of 29 short stories written from a feminist perspective. There are selections from the 1960s through the 2000s–SF, fantasy, horror and a couple of stories that seem to be included out of courtesy because of “surrealism.”

Sisters of the Revolution

The anthology begins with “The Forbidden Words of Margaret A.” by L. Timmel Duchamp, an account of a journalist’s meeting with a woman whose use of language is considered so dangerous that a Constitutional amendment has been passed to specifically ban those words. The journalist has a photo-op with Margaret A. in the prison that woman is being held in, and the experience changes her. It’s an interesting use of literary techniques to suggest the power of Margaret A.’s words without ever directly quoting them.

The final story is “Home by the Sea” by Elisabeth Vonarburg, in which a gynoid in a post-apocalyptic world returns to her mother/creator to ask some questions. The answers to those questions both disturb and give new hope. Like several other stories in the volume, this one deals with the nature of motherhood, and the mother-daughter relationship.

There are some of the classic stories that are almost mandatory for the subject of feminist speculative fiction: “The Screwfly Solution” by James Tiptree, Jr. (men abruptly start murdering people they’re sexually attracted to, mostly women but the story tacitly acknowledges homosexuality); “When It Changed” by Joanna Russ (a planet with an all-female society is contacted by men from Earth after centuries of isolation–it originally ran in Again, Dangerous Visions, an anthology for stories with themes considered too controversial to be published elsewhere, times have changed); and Octavia K. Butler’s “The Evening the Morning and the Night” (a woman with a genetic disorder discovers that she has a gift that fits her exactly for a specific job, whether she wants that job or not.)

The anthologists have also made an effort to include stories that are “intersectional”, providing perspectives from other parts of the world. “The Palm Tree Bandit” by Nnedi Okorofor tells the story of a Nigerian woman who defies a sexist tradition and starts one of her own. Nalo Hopkinson’s “The Glass Bottle Trick” is a retelling of the Bluebeard story in modern Jamaica (this time the women avenge their own), and “Tales from the Breast” by Hiromi Goto, wherein a Japanese-Canadian woman discovers a solution to her breastfeeding problems.

Some other standouts include: “The Grammarian’s Five Daughters” by Eleanor Arnason (a fairy tale about language); “The Fall River Axe Murders” by Angela Carter (one of the stories that really doesn’t feel like speculative fiction, but is really well-written, set in the moments just before Lizzie Borden is about to get up and kill her parents) and “Stable Strategies for Middle Management” by Eileen Gunn (how far would you go to fit into the corporate culture? Would you let them shoot you up with insect genes?)

Tanith Lee’s “Northern Chess” is a fantasy tale of a warrior woman infiltrating a castle cursed to be a deathtrap by an evil alchemist. It’s exciting, but the ending relies on a now-hoary twist. Still worth reading if you haven’t had the chance before.

Most of the other stories are at least middling good. The weakest for me was “My Flannel Knickers” by Leonora Carrington, which falls into the surrealist category and seems to be about a woman who has rejected conventional beauty standards. Probably.

Rape, sexualized violence and domestic abuse are discussed; I’d put this book as suitable for bright senior high schoolers, though individual stories could be enjoyable by younger readers.

Recommended for feminists, those interested in feminist themes, and anthology fans.

Comic Book Review: Showcase Presents Men of War

Comic Book Review: Showcase Presents Men of War edited by Paul Levitz

In 1977, African-American male leads in mainstream comic books were still countable on one hand (and don’t even ask about African-American women!)  But this also had the effect of making a comic with a black person on the front attention-getting.  And I suspect that at least some of the creation of “Gravedigger” came from that fact.

Showcase Presents Men of War

Gravedigger was the lead feature in DC Comics’ last-launched war comics series of the Bronze Age, Men of War.  He is introduced as Sergeant Ulysses Hazard, a polio survivor who threw himself into intense physical training (including martial arts) to overcome his handicaps.  Despite his superior physical condition and combat skills, Hazard was consigned to a segregated battalion and assigned to funeral detail (thus his codename.)  After his heroics saved lives (except his best military friend) and defeated Nazi troops, the white officers ignored his contributions and denied his request for reassignment to a combat unit.

In the second issue, Hazard somehow gets back to the U.S. and single-handedly infiltrates the Pentagon War Room to demonstrate his skills.  A character identified in that issue as the Secretary of War but in later issues demoted to an undersecretary (as his sliminess would have been a slur on the character of Henry L. Stimson, the actual Secretary at the time) decides to use Hazard as a political pawn.  If “Gravedigger” fails on one of the suicidal missions, he can be written off, but if he succeeds, the Undersecretary can take credit.

Now Captain Ulysses Hazard so that he can pull rank when necessary, Gravedigger returns to Europe and takes on a number of commando missions ranging from rescuing art from the Nazis to destroying an experimental mini-sub.  There are guest appearances by a couple of DC’s other war comics characters, and the final issue features Gravedigger actually leading Easy Company (normally the job of Sergeant Rock) for a few hours.

Gravedigger was basically “military Batman”, performing superheroic feats on a regular basis.  To be fair, this is common in comic books about commando-style solo characters, but if you are a stickler for realism, look elsewhere.  Later in the series, he gets a cross-shaped facial scar to give him more distinctive looks, important in comic books.  He even gets an archnemesis, Joseph Goebbels, Nazi Minister of Propaganda, who enlists mad science in a massive scheme to rid the Reich of this one commando.

In the next to last story, Gravedigger personally saves the lives of Winston Churchill and Franklin Delano Roosevelt, though an opportunity is missed to have Captain Hazard bond with FDR over their mutual experience with polio.

In addition to the expected violence, there’s also period racism, ableism and anti-Semitism (the last confined to Nazi characters.)

The back-up features varied from issue to issue.  “Enemy Ace” featured Baron Hans von Hammer, “the Hammer of Hell”, a World War I German fighter pilot.  He was depicted as noble and honorable, one of a dying breed of warrior outdated by brutal modern warfare.  Some of the stories have art by Howard Chaykin, who is not as well served by the black and white reprint as the other artists.

“Dateline: Frontline” was about American reporter Wayne Clifford, covering World War Two while the U.S. was still neutral, and having his naivete chipped away bit by bit.  He struggles with censorship, the temptation of writing the story to suit the person who can give you access, and the moral gray areas of war.

“Rosa” features a spy working in the late 19h Century who is loyal to no country, and has the habit of switching accents in every sentence either to disguise his nationality or (as he claims in a somewhat dubious origin story) because he is literally a man without a country.  His name might or might not actually be Rosa.  Most notable for having a character switch sides between chapters for plot convenience.

This volume contains all 26 issues, and is not brilliant but is decent work by journeymen creators.  Worth picking up if you are a war comics fan, or interested in the history of African-American characters in comic books.

Book Review: The Good, the Bad, and the Mad

Book Review: The Good, the Bad, and the Mad by E. Randall Floyd

American history is full of offbeat people, some downright weird.  The author was (like many a lad) fascinated by their stories when he was young.  Then he got to interview Erich von Daeniken (Chariots of the Gods) and decided to make writing about unusual people a full-time hobby.  This book is one of the results.

The Good, the Bad, and the Mad

It contains 37 mini-biographies of interesting people in American history, arranged alphabetically from Jane Addams (social worker and pacifist) to Wovoka (Native American mystic and the leader of the “Ghost Dance” movement.)  There are the really obvious candidates, like “Emperor” Joshua Norton of San Francisco and Nikola Tesla (eccentric inventor.)  But there are also more obscure figures, like Giacomo Beltrami, who didn’t quite discover the source of the Mississippi, and Bernarr MacFadden (health nut.)

The writing is okay, but these are very short biographies, and some of the subjects have had entire (and much better) books written about them.  There are no illustrations, no citations or bibliography, and no index.  Your college professor isn’t going to accept this as a source!

While written for adults, I think this book would best serve as a gift to a bright teenager who can then look further for more information about any person that catches their fancy.  It’s a good book for a quick read, and some interesting historical moments.

Book Review: Headstrong

Book Review: Headstrong by Rachel Swaby

This is a collection of short biographical sketches of women who made advancements in various scientific fields.  According to the introduction, it was inspired when the New York Times ran an obituary of Yvonne Brill that listed her home cooking as her most important accomplishment, followed by being a wife and mother.  And only then mentioning that she was an award-winning rocket scientist that made it possible for satellites to adjust their orbits.

Headstrong

And it is true that scientists who happen to be women have often been downplayed or outright ignored in books on the history of science.  So in the interest of making these scientists more widely known and giving role models to women and girls interested in the sciences, Ms. Swaby picked fifty-two stories to tell.  One of her criteria was that they had to be dead, so their entire body of work could be assessed; she points out that this made her list less ethnically diverse as women of color and those outside the Europe/America culture area have been even more hampered in pursuing science careers, though strides have been made in recent decades.  Also, she chose to write about Irène Joliot-Curie rather than her mother, as Marie Curie is the Smurfette (the one woman who gets to be in the club) of science books.

Ms. Swaby suggests reading one entry a week, but reviewers have to step up the pace, so I did it in two days.  The biographies are divided by scientific fields such as medicine, physics and mathematics (Florence Nightingale was listed under the last category for her advances in statistical analysis.)  The women profiled go from Mary Putnam Jacobi, who did a medical study disproving the then popular theory that a college education made women infertile to Stephanie Kwolek, the inventor of Kevlar.

Many of the stories are bittersweet; the women had to fight to even be allowed to study, were denied paying jobs in their fields, denied credit for their work, denied promotions, titles and awards–and these are just the ones who persisted!  Things have improved over time, but one can see where systemic sexism has slowed advancements in science and technology.

It should be noted that some of the women in this book did work or had opinions that are still controversial,  Certain readers may object to their inclusion, despite their prominence.

While the book is written for adults, the language is suitable for junior high students on up.  It may be an uncomfortable fit for some male readers, but that’s the way it goes; growth is painful sometimes.  Elementary school readers may enjoy Girls Research more; see my review of that book.  The volume comes with endnotes, a bibliography for further reading, index, and credits for quotes used.

Highly recommended to science fans and those wanting a quick introduction to scientists they may not have known about before.

Disclaimer:  I received this volume from Blogging for Books for the purpose of writing this review.  No other compensation was involved.

Comic Book Review: Showcase Presents: Weird War Tales Volume 1

Comic Book Review: Showcase Presents: Weird War Tales Volume 1 edited by Joe Kubert & Joe Orlando

As I’ve mentioned in other reviews, the relaxation of the Comics Code in the early 1970s created a horror anthology boom at DC Comics.  At the same time, the once best-selling war comics were going into a slump, at least partially due to the real-life Vietnam War becoming increasingly unpopular.  So a hybrid title was created that combined the two genres.

Showcase Presents: Weird War Tales

Like many anthology comics, there was initially a framing device of a narrator telling the stories to a soldier and the reader.  This switched around a few times, until the series settled on Death as the host of the book.  For who knows the stories of war better?  The majority of the stories are set in World War Two, both because the writers and artists had served in that conflict or were close to those that were, and because the sides were so clearly drawn.  None of the stories in the first twenty-one issues are set in the Vietnam conflict; the most recent war covered is the Korean War in one story, and even then not presented by name.

The art in this volume is stellar.  Joe Kubert (who also got to be an editor on this title), Russ Heath, Irv Novick and others are well-served by the black and white reprint.  The stories range from good to trite.  The two most often used plots are “Corporal Bob saved your life?  But he died last week!” and “Arrogant Nazis disregard local superstitions, die horribly.”  A couple of standouts are Issue #11’s “October 30”, which is a series of interconnected stories taking place on that date in different years as Von Krauss seeks glory and promotion in more than one war; and “The Warrior and the Witch Doctors!” which has a Roman legionary time traveling, but a unique twist ending changes everything.

The Comics Code, while loosened, was still in effect, so while rape and suicide are implied, they are never directly shown.  The gore is also turned way down, unlike many current horror comics.  (On the other hand, there’s enough violence to make the “Make War No More” buttons that sometimes end the stories seem out of place.)  There are some period ethnic slurs in a couple of the stories.  Only one female soldier is seen, and very briefly at that in a post-atomic war story.

The subject matter means that this volume won’t be everyone’s cup of tea, but the art makes it well worth it for fans of war comics who can take a little weirdness in with it.

Comic Strip Review: Spacetrawler Book 1 The Human Seat

Comic Strip Review: Spacetrawler Book 1 The Human Seat by Christopher Baldwin

The Eebs, small green aliens with strange telekinetic powers,  have been declared “less than sentient” and enslaved by the Galactic Organizational Body.    A civil rights group named Interplanet Amity, wants to free the Eebs.  Their best hope is to seek help from a planet that’s almost ready to join the GOB, but hasn’t yet become dependent on Eeb-based technology.  A small blue planet called Earth.  But is this their best hope or a horrible mistake?

Spacetrawler

This webcomic begins with a brief action prologue, then starts the framing device with a lonely old man in South America.  A fish-like alien, Nogg, lands in his yard, and after some false starts, informs the man that his daughter, Martina Zorilla, is dead.    Mr. Zorilla had suspected this, since her disappearance years before.   He insists on hearing the whole story, and the rest of the strip is that tale.

Naive Nogg and his IA colleagues, the sarcastic Krep and amiable but dim-witted Gurf, begin their plan by abducting six humans from around the world, each chosen for their special skills and qualities.  Martina Zorilla of South America, Pierrot Abdullahi of Gabon, Emily Taylor of Southwestern United States, Dmitri Sokolov of Russia, Yuri Nakagawa of Japan and Bill Landing of Australia.  Er, scratch that last one, as Nogg accidentally snags Bill’s paranoid and perpetually wrong-headed twin brother Dustin instead.

This is only the first glitch in the plan, as the Earthlings are less than enthusiastic about being abducted, and dubious about the effects of Earth joining the GOB to overthrow its economic basis.  And even after they mostly get on board, it turns out there are a lot of things the protagonists don’t know about the GOB, the Eebs and even humanity itself that throw spanners into the works.

This science fiction webcomic is comedic, but with a melancholic overtone, as we already know that at least one of the main characters won’t make it out alive.  The characters are diverse, and mostly likable (Dusty being more the Dr. Smith “guy you love to hate” type) and there’s some good character development.  Martina goes from being a bored young woman dreaming of adventure to a capable leader, for example.  Be forewarned however that not all developed characters become better people.  There is a bit of national stereotyping, the American is extremely violent, and the Japanese character is a technophile.

There is quite a bit of violence, and sexual situations, call it PG-13.

This first volume covers the first third or so of the plot, up to the point where the original IA plan completely falls apart.   The complete webcomic can be read for free at http://spacetrawler.com/ but the collected volumes come with illustrated introductions, bonus strips, and they put money directly into the artist’s pocket, which frees him up to make more webcomics.  Mr. Baldwin is now producing One Way, a webcomic about a crew of expendable misfits sent to make first contact with aliens, and their discovery that this trip is truly…one way.

I recommend Spacetrawler to science fiction fans who enjoy comedy.

Book Review: A Curious Man

Book Review: A Curious Man by Neal Thompson

Disclaimer:  I received this volume free from the Blogging for Books program, on the premise that I would write a review.

This is a biography of Robert Ripley (nee LeRoy Robert Ripley), the cartoonist who created the Believe It or Not! feature.  I was fascinated by the paperback reprints of the cartoons back in my boyhood, but knew little of the story behind the creator.

A Curious Man

This volume covers Mr. Ripley’s life from barefoot poverty in Santa Rosa, California, to his early career as a sports cartoonist, through his discovery of a love for bizarre factoids and the creation of his famous comic strip to his worldwide fame.    He became a world traveler, a millionaire, star of radio and newsreels and knew many beautiful women, all for doing something he enjoyed immensely.

Of course, he also had his faults; Mr. Ripley was a heavy drinker, sexist, racist by our current standards (though progressive for his time), could not keep it in his pants, and had a tendency to fudge facts about his own life the way he didn’t the stories in his cartoons.  He also became a more difficult person towards the end of his life as his health failed and his drinking and overwork caught up with him.

The story of Ripley’s life is told in mostly chronological order,  with little “Believe It!” factoids about the people and places mentioned.  There’s also the story of various supporters of Ripley; most importantly, Norbert Pearlroth, Ripley’s main research person who found many of the factoids that appeared in the comic.  (He actually stayed with the strip longer than Ripley himself!)

There is a black and white photo section in the middle, but if you have a smartphone, you can download an app with audio and video clips from Mr. Ripley’s many public appearances.  For those of you with multimedia capability, this will make the book a much better value for money.  There are extensive end notes and an index as well.

This biography benefits from the very interesting person at its center, and I would recommend it to any Believe It or Not! fans.

Book Review: Deathless

Book Review: Deathless  by Catherynne M. Valente

Marya Morevna is not like the other girls in Saint Petersburg/Petrograd/Leningrad.   She sees the husbands of her sisters while they are still birds.   But times are changing in Russia, now the Union of Soviet Socialistic Republics.   The People have no time for magic, and Marya does not see the bird that becomes her husband.   A pity, for this husband is named Koschei, and now she is snared in his story.

Deathless

Koschei the Deathless is a famous figure in Russian folktales, the sorcerer who has cut out his own heart, his death, and hidden it so that no man or thing can kill him.  In tale after tale, he falls in love with a beautiful woman, but she is in love with Ivan the Fool, and they find Koschei’s heart, no matter how well guarded.  There are variations to the tale, but they all end the same way.

This version is written by the author of The Girl Who Circumnavigated Fairyland In a Boat of Her Own Making, and is set against the background of Russian history in the first half of the Twentieth Century.    The fairy tale creatures of Russian folklore have taken on new forms to match modern times.  Even Baba Yaga makes an appearance.

Marya is a complicated character.  Despite the rather disturbing courtship style of Koschei, Tsar of Life, she genuinely comes to love him, and helps him in his war with the Tsar of Death.  And yet she finds herself irresistibly drawn to her Ivan when he appears.  Marya wants to avoid the fate the story has for her, but makes decisions that drive her farther down that road.

Given that the non-graphic sex scenes dance on the line between rough sex and spousal abuse, I do not recommend this book below senior high level.  There’s also some very dubious consent that may trigger some readers.

For those who might be interested in Russian folklore, and fans of tragic romance.

Book Review: Cell 8

Book Review: Cell 8 by Anders Roslund & Borge Hellstrom

Disclaimer: I received this advanced reading copy from the publisher as part of the Firstreads giveaway program on the assumption that I would review it.  Minor changes may be present in the final version.

Cell 8

“Cell 8” is part of the Scandinavian thriller/mystery fad currently going on and appears to be the second book featuring Swedish police detective Ewert Grens.

Grens’ surprised when a minor scuffle on a cruise ship turns into an international incident.  It seems the perpetrator was convicted of murder in the United States–and is supposedly dead!  Now the U.S. wants him back so they can execute him properly, but Detective Grens and his team aren’t keen on the prospect.

I’m going to go right into SPOILERS here; this is less of a mystery book (though there is a mystery) than a soapbox. The authors don’t like the death penalty and were clearly itching to write about how much they don’t like it. Problem is, Sweden doesn’t *have* the death penalty, and hasn’t for quite some time. So, the story requires some elaborate and contrived setup to get our Swedish police officers involved with an American death penalty case.

The convict in question is extremely sympathetic and the case against him is suspiciously thin, even before later revelations, while the main spokesperson for the pro-death penalty viewpoint is an extremely unlikable nutcase.

Truth be told, Grens and the other Swedes don’t actually have much to do here; some subplots are advanced, but in the end, both the start and resolution of the central plotline are in far-off Ohio, where our main characters never go.

As for that resolution, it is, to say the least, outlandish and requires some serious suspension of disbelief that the killer’s plan never once went off-track, relying on, as it does, literally hundreds of people acting *exactly* as predicted.

The good news: For a soapbox, it’s quite well written, and I liked Grens and his colleagues (even the annoying ones.) The authors have clearly done their research on the physical “how” of execution, even if they gloss over the difference between American states’ attitudes towards the death penalty.

I suspect that the translator is more used to British than American English, based on a small slip of naming towards the beginning. Also, several words are italicized unnecessarily. I suspect they were in English in the original, and someone overlooked the transliteration issue.

I can’t wholeheartedly recommend this book, but if you liked Three Seconds and want more of Ewert Grens, or are very tolerant of soapboxing, it’s not a bad novel.

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