Manga Review: Bleach Volume 10

Manga Review: Bleach Volume 10 by Tite Kubo

Ichigo Kurosaki is not your typical Japanese sixteen-year-old.  For one thing, he has naturally orange hair which makes him look like a delinquent.   But more importantly, he can see ghosts.  For some reason, his home city of Karakura Town is particularly inhabited by ghosts, and he can only very occasionally help out.  This gift also allows him to see the initially invisible to normals Rukia Kuchiki, who is a Soul Reaper charged with escorting ghosts to the afterlife and fighting Hollows, ghosts that have succumbed to despair and become monstrous.

Bleach Volume 10

Rukia is badly wounded by the Hollow she’s hunting, and in desperation transfers her Soul Reaper powers into Ichigo.  He turns out to be a natural at the combat part of the job, though he still needs a lot of guidance on everything not involving hitting things.  Ichigo’s classmates Orihime Inoue and Yasutora “Chad” Sado also develop spiritual powers and begin helping him deal with the increasing Hollow problem.

However, someone in the Soul Society (the organization that controls the Soul Reapers) has accused Rukia of breaking their law by empowering Ichigo.  She’s been abducted back to the afterlife to stand trial and be executed.  Ichigo is determined to go after her and rescue his friend, with the aid of Orihime, Chad and Uryu Ishida, an archer who belongs to the rival Quincy organization (or would, if there were any other Quincies left.)  It’s not going to be a cakewalk!

Bleach is a shounen (boys’) manga that ran in Weekly Shounen Jump from 2001 to 2016.  It was popular enough to spawn an animated television show and several movies, as well as video games and rock musicals.

The manga’s primary strength, beyond its initial premise, is its many interesting characters.  Kubo is great at character design, and tended to introduce a new herd of characters whenever he got stuck.  This did, however, lead to a certain amount of cast bloat, so that fan favorite characters would often not be seen for many chapters as each new character got a moment to shine.

Kubo, in common with many other shounen creators, also had difficulty with keeping female characters in the fray.  Rukia loses her powers in the very first chapter, acting as an advisor to Ichigo until she starts to recover, at which point she’s abducted and imprisoned for the Soul Society arc.  After being freed, she’s mostly sidelined and gets maybe one good fight per arc.  Orihime picks up one of the most broken powersets in the manga, but is a pacifist so seldom uses it to advantage, and is abducted in the arc immediately following the Soul Society, spending most of it the prisoner of the main villain.  And the pattern for other female characters is similar.

The character art is good and it’s usually easy to tell characters apart, but the backgrounds are often skimpy at best.

Back to the volume at hand, #10.  Our heroes, including Yoruichi the talking cat, have made it to Rukongai, the city where most of the Soul Society and their oppressed masses live.  (Seriously, this is not a pleasant version of the afterlife.)  However, the massive stronghold of the Soul Reapers, the Seireitei, is protected by an anti-spiritual energy barrier, and they were unable to get through the gate.

They have, however, managed to get temporary allies, the explosives expert Kukaku Shiba, and her surly brother Ganju.  Kukaku has a way to shoot a “cannonball” through the barrier with people inside.  Ganju will be coming along as he has a grudge against Soul Reapers involving his deceased brother.

Meanwhile, we look in on the Soul Reapers organization, briefly meeting more than a dozen new characters, some of whom will be important.  Most of them aren’t villainous, all they know is that there are intruders in the Soul Society of unknown motive.  We also see that they have internal politics going on.

Upon arriving in the Seireitei, the group is scattered by a poor landing.  Ichigo and Ganju face off against the hot-blooded Ikkaku Madarame and dandyish Yumichika Ayasegawa of the 11th Division (known for its combat skills.)  Ichigo does very well against Ikkaku, considering, but Ganju is outmatched against Yumichika and has to resort to running.

Back on Earth, the minor characters form a hero group to keep Hollows from overrunning Karakura Town while their main defenders are away.  (This is primarily comic relief.)

The introduction of the Soul Reaper captains, several of whom will remain relevant for the rest of the series, makes this a key volume.   We already see foreshadowing of events that will come up much later.  On the other hand, this is also the beginning of the cast bloat that became such a problem later on.

I’d recommend starting with Volume One, and seeing if that’s your thing–by this volume, we’re into the long storylines that will dominate the rest of the series.

Book Review: A Feast for Crows

Book Review: A Feast for Crows by George R.R. Martin

Note:  This review will contain SPOILERS for the first three volumes in the “A Song of Ice and Fire” series.  If you have not read those, you may want to consult my reviews of those books instead.

A Feast for Crows

While war still ravages the land of Westeros, for the moment it is contained to a handful of trouble spots.  In King’s Landing, King Tommen is the puppet of his mother, Queen Cersei as she schemes to gain complete power over the realm.  In sunny Dorne, daughters seek vengeance.  In the Riverlands, the last castles are yet to be taken, and outlaws and soldiers alike despoil what little remains of the smallfolk.  In the Vale, there is no war, but their lord’s castle, the Eyrie, feels the effects of winter early.  Across the Narrow Sea in Braavos, a girl has lost much and stands to lose more.  On the other side of Westeros, the Iron Islands must choose a new leader.  And in Oldtown, there are sinister doings at the Citadel of the Maesters.

And everywhere, the crows are feasting on carrion.

When Mr. Martin realized that this book was getting way too long, he could have taken the Wheel of Time route and split the story in half by time.  But that would mean checking in with about thirty viewpoint characters, most of whom would accomplish relatively little in that timespan.  Instead, he chose to split this and the next volume, A Dance with Dragons, up by location.

The good news is that this allows the characters that do appear to advance the plotlines considerably.  The bad news is that if your favorite characters were in the other territories, you won’t see them until the next book.  And back in the day, that would be another five years!

There are a bunch of new viewpoint characters, and Mr. Martin gets “cute” with the chapter headings, naming them “The Soiled Knight” or “The Kraken’s Daughter” instead of the character’s name.  He even uses different nicknames for different chapters!

With their numbers dwindling and scattered, the Stark family is down to two viewpoint characters.  Sansa Stark is now going by “Alayne Stone”, supposed daughter of the cunning Littlefinger.  With the death of her aunt Lysa and her cousin Robert being less than mentally sound, Littlefinger has free reign as the Lord Protector.  This does not make him or Alayne loved by the people of the Vale, however.

Arya Stark has arrived in Braavos, the city of secrets, and seeks shelter in the temple of the Many-Faced God.  She is learning to serve death, but can she make the final sacrifice of her own identity?

Brienne of Tarth goes back to the Riverlands in search of Sansa.  What she finds instead is outlaws, many of whom have a grudge against her specifically.  Her sections have some of the best writing in the book.

Samwell Tarly is sent south from the Wall to Oldtown to learn maester skills that the Night Watch desperately needs…and for more secretive purposes.  He has an encounter with Arya during a stayover in Braavos, though they don’t realize at the time how they’re connected.

Jaime Lannister quarrels with his sister Cersei and is relatively happy to get the order to end the siege at Riverrun.  He’s still trying to adjust to the loss of his hand, and attempts to navigate the contradictory oaths he’s taken.  Jaime may have no honor as far as most other people are concerned, but he wants to keep what honor he has.

Queen Cersei becomes a viewpoint character for the first time, and we see how the patriarchal nature of Westeros society has contributed to her personality.  If she’d been properly trained in leadership and statecraft from the beginning, things would be better.  But instead she’s always been told her job is to pump out babies, and barred from anything but backstairs scheming.  And scheming is not the only thing needed to run a country.  Possibly worse, a certain prophecy has made her essentially the Wicked Queen from Snow White, right down to dwarfs thwarting her will.  It’s no surprise when her own plots backfire, leaving Cersei in a nearly inescapable bind.

(Indeed, one of the minor subthemes here is “The Patriarchy ruins everything, even for patriarchs.”)

Over in the Iron Islands, we see things from the viewpoints of Asha Greyjoy, daughter of the late King Balon and sister to Theon (who does not appear in this book but is probably still alive); her uncle Aeron, a fanatical priest of the Drowned God, and her uncle Victarion, leader of the Iron Fleet.  None of them like the other uncle Euron Crow’s Eye, who is just outright evil, but at the Kingsmoot Euron reveals a plan to conquer Westeros that most of the Ironmen like.  And with Westeros in the shape it’s in, now is definitely the time to attack.

Asha is the smartest of the lot, but her uncles don’t listen to her because she’s a woman.

Down in Dorne, the viewpoint characters are Areoh Hotah, captain of Prince Doran’s guards; Arianne Martel, Doran’s daughter and heir; and Arys Oakheart, a knight of the Kingsguard who is protecting Princess Myrcella Baratheon.

Under Dornish law, Myrcella would have precedence over her younger brother Tommen for the Iron Throne.  Arianne, who is worried that her father is scheming to have her put aside in favor of her own brother to match mainstream Westeros culture, comes up with a plan to crown Myrcella queen and stir up war with the Lannisters.  Certain facts have been hidden from Arianne, so her plan has disastrous consequences.

Lots of plot twists and interesting developments this time, but I sorely missed favorite characters.  There are maps at the front, and an ever-growing character guide in the back.

As always, there’s tons of violence, talk of rape, and strong language.  Torture is on-page this volume, and worse implied.

Because of the largely-new cast, this volume reads differently than the earlier ones  The reader should probably have the next volume ready by the time they finish this one, as I am told they read better as a set.

 

 

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