Comic Book Review: Showcase Presents: Rip Hunter…Time Master written by Jack Miller
After the success of Jack Kirby creations The Challengers of the Unknown in 1959, DC Comics took a chance on two other quartets of non-powered adventurers in the pages of Showcase, their try-out comic. The more successful of these was Rip Hunter’s team of time travelers. He is introduced as already having invented a Time Sphere, and with the aid of his friend Jeff Smith built two of them. The only people he’s trusted in his secret laboratory are his girlfriend Bonnie Baxter and her kid brother Corky.
In the first Showcase appearance (#20, May 1959) Rip and Jeff take one of the spheres on its maiden voyage to the Mesozoic Era, 100 million years in the past. Unfortunately, it turns out that two criminals stumbled on the lab some weeks before while the team was absent, realized this could be big, and planted a listening device. The crooks force Bonnie and Corky to take them back to the same era as the first pair, planning to mine deposits of gold, silver and diamonds they know the location of in the present.
Between dinosaurs and active volcanic terrain, the six time travelers have a series of exciting escapes and daring deeds to accomplish before they can return to the present. The tired and sore criminals are dismayed to find their hard-won sack of minerals empty–turns out you can’t bring any objects from the past forward. (This rule was eventually quietly ignored, but no one ever thought to abuse that capability thereafter.)
Much like the later Doctor Who, the second storyline went straight to aliens as Rip and his pals investigated the origin of Atlantis. Another pair of Showcase issues followed shortly, and in 1961, Rip Hunter got his own series. Writer Jack Miller did some research to come up with interesting time periods, but historical accuracy was clearly not a high priority. Each issue followed a three-part structure as a mystery from the past surfaced and the crew checked it out using a Time Sphere. Often complications would arise due to the never-stated but obvious rule that they cannot change the past; attempts to do so would fail, meaning the team has to come up with a new plan.
Characterization is thin; all four main characters are brave and adventurous. Rip is the main history expert, and a very good shot; as the Comics Code prevented him from killing humans, he would use trick shots to bring down awnings and such. Jeff appears to be the mechanic; he’s the one who does the repairs on the Time Spheres and is slightly more muscular looking than Rip. Bonnie and Corky appear to have no special skills beyond being backup sphere pilots. Bonnie is a bit nervous at times, and Corky knows less history than the others, so is the recipient of infodumps. Guest characters have just enough personality to fulfill their plot purposes.
Aliens and hidden civilizations are rife in these stories, and monsters appear frequently. Magic is sometimes mentioned but almost always turns out to be fake or actually alien technology.
There are several art teams in the early going, the most notable of which features Joe Kubert. Eventually it settled down to William Ely, who is decent enough, but perhaps could scale back the worry lines on some of the characters.
My favorite of the stories is their battle against the gods of Mount Olympus, which features Jeff being transformed into a griffin!
Later versions of Rip Hunter have shed the rest of his team; Legends of Tomorrow fans will likely find this early Rip nearly unrecognizable.
Recommended primarily to fans of more straightforward time travel stories as there’s seldom the creative abuses of the concept that have become common in literature since.
Book Review: The Fall of the Towers by Samuel R. Delany
Five hundred years after the old civilizations perished in the Great Fire, the Toromon Empire occupies all the known livable space on Earth. But they are hemmed in by deadly radioactive belts and there’s nowhere for it to grow. And yet–and yet, the Empire is not alone and there is something beyond the barrier…is it the enemy the Toromon government claims?
This science fiction trilogy is an early work by noted author Samuel R. Delany. I have previously reviewed the first part, Out of the Dead City and it would be best if you read that review first. To briefly recap, escaped prisoner Jon Koshar, the Duchess of Petra, and scarred giant Arkor are contacted by a disembodied intelligence called the Triple Being to battle another disembodied intelligence, The Lord of the Flames, which is interfering with humanity. This is set against a backdrop of the Empire preparing for war with its unknown enemy.
The Towers of Toron: It has been three years since the climax of the previous volume. The war with the enemy beyond the barrier is in full swing, although it is impossible to tell how well it is doing, as none of the soldiers ever return. The Lord of the Flames has returned to Earth, and must be rooted out again regardless of the cost.
The emphasis shifts somewhat in this volume, with two previously minor characters taking on new importance. Clea Koshar, physicist and math genius (and Jon’s sister) is in hiding. She is suffering what we would now call PTSD due to her war work, and is triggered by a common patriotic phrase, so has holed up in a boarding house under an assumed name and tries to avoid interacting with anyone. Towards the end of the book, she begins to heal with the aid of circus acrobat Alter.
Runaway fisherman’s son Tel joins the army and is sent into the war. Anyone who’s ever been through basic training (and quite a few who haven’t) will recognize that the training sequences don’t make any sense–which is only the first clue that something is very wrong here. Once Tel is in the war itself, it turns out to be a murky affair, mists constantly concealing everything even a few feet away, constantly repairing machinery of unclear purpose, and random lethal attacks by an enemy that is never actually seen.
While banishing The Lord of the Flames is a necessary thing, it is not sufficient to stop the war. That will take an unprecedented act of communication and understanding.
The City of a Thousand Suns: A month after the events of the previous book, the war appears to be over, but one of the participants hasn’t put down their arms, and the consequences of the war are coming home to the island of Toron, where the Toromon Empire is centered.
On another front, actions taken by the Triple Being earlier in the trilogy have left their agents susceptible to influence by The Lord of the Flames, which is starting its endgame, to learn how to make war against the universe. The Earthlings must finish their final mission without the direct aid of their sponsors. That mission: collect three books that represent the finest thinking of humankind.
One of the authors comes directly on stage for the first time in the trilogy: poet Vol Nonik. He’s finally gotten out of the street gang he was in, but former rival gang leader Jeof still holds a grudge. He and his minions attack Vol and his artist wife Renna, crippling the poet and murdering the woman. This tips Vol Nonik over the edge into despair..which is good for his poetry…maybe? He’s not so sure.
This volume is heavy on the Big Ideas as it wraps up the themes of the trilogy. Creating new perceptions by forcibly moving a person from one setting to another, the question of whether it’s better to fix sick social systems or just let them go smash, and of course, the meaning of life. One of the recurring images is the gambling game Randomax, which appears as random as the name suggests, but is actually easily manipulated by those with higher math skills.
There’s more sexism as the trilogy continues, less, I think, from the author himself than from the social assumptions he’s working with. There’s also a fair amount of “fantastic racism” as prejudice against the Neo-Neanderthals and the gigantic forest guards comes up every so often, and within the forest guard culture, how they treat their telepathic minority.
The closing chapters become clumsy, with hallucinatory paragraphs meant to show a poet plunging into suicidal madness, and a huge infodump by the Triple Being to explain what The Lord of the Flames really is and how it was working behind the scenes of the final book. The Lord never becomes a character in its own right, and we will just have to accept the Being’s word that it is no longer a threat.
But then there is the city of a thousand suns, and perhaps there is hope for the future after all.
Recommended for Delany fans and those interested in the roots of New Wave science fiction.
The Financial Expert by R.K. Narayan was the dark horse victory of the year. It was a book randomly selected off the shelf at a used bookstore for my #ReadPOC2016 challenge. And somehow, my review of it is within the top ten of Google results for this book!
Now let’s compare to the list of all-time favorite posts as selected by you, the readers.
Book Review: Out of the Dead City by Samuel R. Delany (originally published as “Captives of the Flame”)
It has been about five hundred years since the Great Fire wiped out the old civilizations. On the island of Toron, however, enough humans and records survived to begin again. A settlement became a village became a town became a city. And when the people of Toron regained the ability to sail the sea, they found a fairly large section of the mainland was still livable, though the people living there were relatively primitive, and proximity to radiation had created two mutant races, the short neo-Neanderthals and tall forest guards.
The people of Toron were able to dominate the mainlanders, and became the Toromon Empire; but by the standards of history, it was a small empire. A belt of deadly radioactive land cut off further expansion on the land, and dangerous currents likewise circumscribed oceanic exploration. To increase their scientific knowledge and study the radioactive death belt, the Empire built a new city nearer to it, Telphar. But not too long after it was constructed, the radioactive area expanded to include Telphar, making it a dead city.
Now the Toromon Empire has air vehicles powered by tetron metal, and has tried flying them over the radioactive barrier–but something is making the engines fail. It’s becoming more obvious that there is someone on the other side of the barrier, someone that certain government officials want to go to war with. But none of them are in the small group of people who know the truth about The Lord of the Flames.
This was Mr. Delany’s second published novel (see my review of The Jewels of Aptor,) and the first of The Fall of the Towers trilogy. (I’ll be following up with the rest at a later date.) This is revised from its earlier publication, as Mr. Delany explains in an author’s note for the trilogy. He thinks it an improvement, but decided not to meddle further after that.
There are a lot of characters for what is a pretty short novel, and it takes a while to work out which ones are important (some come more into focus in later volumes.) Mr. Delany seems to have noticed this, at one point telling the reader to remember a name, and at another point letting us know that another character will play no further role in the story.
Eventually, it shakes out that our male lead is Jon Koshar, a merchant’s son who has escaped from the tetron mines, where he was sentenced for a crime he most assuredly did commit. (The person who instigated the crime refused to come forward and Jon was honor-bound not to expose him.) Jon has come too close to Telphar, and been changed. He is now in communication with a disembodied intelligence known as the Triple Being, which has made him resistant to radiation at the cost of becoming transparent in low light.
It seems that Earth has now become part of the battleground between the Triple Being and their enemy, The Lord of the Flames. The Lord meddles with less evolved beings by puppeteering one of them, evidently for its own amusement, while the Triple Being tries to drive it off while causing the minimum of disruption to the hosts’ civilizations. The being currently being possessed by The Lord of the Flames is behind the strange things happening around the radiation belt, and Jon and the other two humanoids contacted by the Triple Being must stop it.
Since the struggle is happening simultaneously at multiple points in space-time, this involves some trippy scenes where the protagonists inhabit alien bodies for short periods.
There’s also some relatively mundane action going on, such as the abduction of the empire’s heir presumptive, and a series of business competition actions that result in “accidental” mass poisoning.
For 1963, the novel comes off as surprisingly non-sexist beyond the typical occupations of men and women. Content note: there’s a short torture scene.
With so many plot threads, several of which are still dangling at the end of the story (thus the trilogy), this novel feels overstuffed and sometimes lacks focus. As a standalone, it’s a bit lacking, so check back next year for my opinion of the complete product.
It’s not often that someone is so big of a loser that his descendant feels the need to travel through time to fix it. But Nobita Nobi has managed it. Nobita’s a wimp, as well as not very bright and so lazy that he doesn’t even get the low grades he could if he put in an effort. His classmate Gian frequently bullies him, and Shizuka, the girl Nobita likes, has placed him firmly in the friendzone.
Nobita’s grandson’s grandson uses time travel to come back to his ancestor’s elementary school days. He reveals that Nobita will eventually marry Gian’s ugly little sister Jaiko, fail miserably in business and saddle the family with so much debt they’re still paying it off in the late 22nd Century. But the descendant has a plan. Get Nobita a wise and powerful guardian robot that will protect and guide the boy towards a better future! (The rules of time travel are such that the descendant will still be born in some form, but hopefully with a better life.) Unfortunately, with his miserable future allowance, all the boy could afford is the defective and damaged cat robot Doraemon.
Doraemon means well, but he is also kind of lazy and can be distracted by sweet dorayaki treats. So he often doesn’t think through the consequences of giving Nobita access to the many futuristic gadgets Doraemon carries in his pouch. And when he does consider the consequences, he can be bribed or tricked into letting Nobita use them anyway. And that sets the primary pattern for the series stories. Nobita or one of the other characters has a problem, one of Doraemon’s gadgets comes into play to fix it, the gadget is abused, and Nobita winds up in a heap of trouble.
The original manga ran from 1969-1996, a total of 45 volumes created by Fujiko F. Fujio (pen name of Hiroshi Fujimoto (1933-96) who was half of the Fujiko Fujio combo.) It has spawned spinoff manga, several TV series, and a long-running series of animated movies. Doraemon is considered one of the cultural icons of Japan.
This is the Kindle edition, and the word “volume” is an exaggeration. There are three stories for a total of about 30 pages, and they are selected rather than printed in the order of publication. (I suspect the latter is to avoid any of the stories with nudity, which is a problem for American children’s media.) Some of the names are changed; Gian and Jaiko become “Big G” and “Little G” respectively. This version has been colored, but as the original was in black and white, it looks fine if your Kindle can’t do color.
“All the Way from the Future” is the first chapter of the series and sets up the premise. Doraemon arrives on New Year’s Day to change Nobita’s life. Nobita is doubtful at first, but various incidents occur as the robot cat predicted. At the end, the first of Doraemon’s many futuristic gadgets is introduced, miniature propellers that you stick on your head (or other body part) to fly. It doesn’t work out so well for Nobita.
Some readers may find the part where Nobita marrying a woman who isn’t conventionally attractive is a Bad Future annoying. The good news is that in a much later story, we see the Slightly Better Future where Nobita hooks up with Shizuka–and Jaiko has become a successful artist, much happier than if she was stuck as Nobita’s baby factory.
“Return to Un-sender” has Nobita’s mother worried because a friend hasn’t replied to a letter she sent. Turns out Nobita’s father never actually mailed it. To help Dad out, Doraemon pulls the “Pre-mailer” out of his pouch. This item looks like a miniature postal collection box; you put your letter in (must be properly addressed and stamped) and you will instantly get the response you would have gotten had you actually sent the letter. However, you must then actually send the letter if you want the recepient to react that way in real life. Dad posts Mom’s letter, gets the response and gives it to Mom, who is happy, while Nobita and Doraemon go out to actually mail the letter and complete the time loop.
The kids play around with the Pre-mailer a bit, including Suneo, the spoiled rich kid who is generally Gian’s sidekick. (He writes a letter to the bully expressing his true opinion; the response chills his blood, and Suneo opts not to actually send it.) Nobita decides to write a love letter to Shizuka, but while he’s out getting a stamp, Mom mails the letter for real. A hastily-written duplicate reveals that Shizuka will not be pleased at all by the love letter, so now Nobita and Doraemon must camp out on her doorstep in hopes of intercepting it.
“Noby’s City of Dreams” starts with the kids discovering that the only vacant lot in the neighborhood has been taken over by a construction company. Their parents don’t want them playing rough inside, and it’s too dangerous to play in the street, so what’s a kid to do? This time Doraemon has a two-gadget solution. The first is a camera that creates miniature duplicates of non-living objects, like houses and stores. The second is the Gulliver Tunnel, go through it one way to become tiny, the other way to return to normal. This allows Doraemon and Nobita to create a miniature town in the back yard for all the kids to play in. Until Mom clears all the “toys” away because she wants a storage shed built there.
This is very much a children’s series, and it’s a classic for a reason. But some parents may feel that Nobita’s many flaws make him a poor choice as a protagonist (he is very kind and brave when he needs to be, but none of these stories show that.) There’s bullying, and in stories in other volumes, parents using physical discipline.
If your kids like the “Doraemon” TV show, this is worth a look.
Comic Book Review: Joe Kubert Presents by Joe Kubert and others
Joe Kubert (1926-2012) was one of the all-time great comic book artists. The bulk of his work was done for DC Comics, including many Hawkman and Sergeant Rock stories. Joe Kubert Presents was his final series, a tribute to him by the company he’d done so much for. Mr. Kubert was given free rein to choose which stories to do, and which other creators he wanted to share the spotlight with. Rather than risk an announcement of the series ahead of time only to not be able to deliver (this had happened to him before), Mr. Kubert insisted on having several issues “in the can” before it was put on order forms for retailers. The sixth issue was nearly complete when he died.
The first issue leads off with “Hawkman”; this iteration is closest to the science fiction-inspired Silver Age version, but not in continuity with any previous story. Katar Hol and his partner Shayera (Hawkgirl) are sent from the utopian planet Thanagar to observe Earth up close and determine what steps should be taken in the future. The Thanagarians worry that the Earthlings will not mature out of their destructive behavior before they develop interstellar travel.
The aliens land in Africa, observe the wanton slaughter of wildlife and environmental destruction, and decide to visit a nearby village. Unfortunately, this particular village sits atop a toxic waste dump; the poverty-stricken villagers have become economically dependent on the storage fees. The villagers worry that the Thanagarians have come to stop the practice and react badly.
While I understand the good intent of the story, it really does look like technologically advanced white people lecturing primitive native Africans on proper respect for the environment. And the Hawks destroy the natives’ livelihood and leave without considering that consequence, so their victory leaves a bitter aftertaste.
“Spit” is a recurring feature about an orphan who runs away from the orphanage and winds up stowing away on a whaling ship. In short vignettes, he suffers much abuse, but eventually learns how to survive at sea and decides to become a whaler. The first few chapters are in sepia tone, but the finale is mostly in full color. One (landlubber) character is implied to be a pedophile, but is thwarted before he can do anything.
“The Redeemer” is three chapters of a series Mr. Kubert solicited back in the 1980s before he discovered he wouldn’t be able to deliver it on time. Jim Torkan is the title character, a man who reincarnates across time and space to gain the wisdom he will need to eventually save the human race from itself. He is the target of the Infernal One, who sends agents to tempt Torkan from the path of righteousness, so that the Redeemer will be under his control.
The first two chapters take place in the far future, as Torkan is a scientist whose space station is invaded by murderous robbers seeking a chemical he’s developed that can control minds. His love interest is actually an agent of the Infernal One who tries to convince him to join up with the would-be dictator to save his own skin. The third chapter has Torkan as an ex-Confederate soldier just after the Civil War. The story carefully avoids mentioning what the Confederacy fought for beyond “justice and right” (hint: slavery), but it was all a waste and Torkan is without purpose. He gets involved in a treasure hunt, but at the end discovers something more precious than gold: himself.
“Farewell” was Kubert’s last Sergeant Rock story. The son and grandson of one of Easy Company’s soldiers visit a D-Day beach and the cemetery nearby. They discuss the possible death of Rock, but in the end it doesn’t matter if he is buried here–a piece of each soldier who fell rests with every other soldier.
“The Biker” is about a wounded Afghanistan veteran and motorcyclist who bunks down for the night in an abandoned house. But maybe not as abandoned as it looks. Some excellent coloring work here.
Then there are two stories written by Joe Kubert, but with art by other people. “The Ruby” (art by Henrik Jonsson) is about bandits attacking a Himalayan temple–it turns out to be a possible origin story for an obscure DC character. “Devil’s Play” (art by Brandon Vietti) is a Kamandi story, as the last boy on Earth battles the animal-men that have taken over the planet. This story offers a different explanation for the Great Disaster than usual.
The series also contained several “U.S.S. Stevens” stories by Sam Glanzman, telling tales of his WWII service aboard that destroyer. “The Figurehead” is the most interesting of these, featuring an eccentric crewmate of Mr. Glanzman’s who may or may not have had unusual abilities (it’s possible that this is a sailor’s yarn and he’s pulling our leg a bit.) This material has been collected separately, along with Mr. Glanzman’s other memoirs.
Brian Buniak gives us “Angel and the Ape”, based on the Bob Oksner series about private detectives Angel O’Day (an attractive human woman) and Sam Simeon (a cartoonist who also happens to be a gorilla.) It’s not quite in continuity with any other appearance of the characters, but as a comedy strip, continuity was never a huge issue. The pair are hired to prevent a restaurateur from being murdered; they do so but he is shot anyway, and they have to figure out whodunnit. After they solve that case, a reporter gets the story of their origin (or at least Angel’s version.) There’s an energy and attention to humorous background details reminiscent of early Mad, but sometimes the exaggerated art style can go a bit off.
If you are a fan of Joe Kubert’s art, this volume is a must-have; if you’re indifferent to that, the stories are only average, and the problematic material may knock this down a star or two for you. I liked this very much.
Magazine Review: Science Fantasy #4 Spring 1971 edited by Sol Cohen
Science Fantasywas a short-lived (this is the final issue) reprint magazine from Ziff-Davis Publishing, which should not be confused with the long-running British magazine of the same title. The stories in this issue come from the late 1940s/early 1950s, and reader tastes had changed considerably by the early 1970s, which may explain why the magazine didn’t last very long. The cover and interior art are uncredited, although some of the illustrations are signed, and Virgil Finlay’s stuff is unmistakable. Let’s take a look at the eight stories featured.
“Medusa Was a Lady” by William Tenn: Perennial sucker Percy S. Yuss probably should have been more suspicious about the apartment being so cheap to rent, especially as the last few tenants hadn’t taken their stuff with them. But he’s on a shoestring budget since being talked into buying a half-share in a failing restaurant. So he takes the place, then tries to take a nice relaxing bath. Except that when he opens his eyes, the tub is in the ocean, a long way from shore!
Percy soon learns that he has somehow been cast in the lead role of the myth of Perseus. Now he must avoid being executed by the tyrannical King Polydectes, rescue a beautiful woman from a monster and slay Medusa of the Gorgons, with the help of Hermes. But is the Olympian being entirely honest about what’s going on?
Pulp SF did a lot of “explain mythology with science fiction” stories, and this novella is firmly in that camp. “Cyclical history” is involved, and we are told by one character that events don’t have to repeat exactly as they were reported before. The ending suggests he might be wrong.
This story is also somewhat satirical, with Percy noting the absurdity of his situation several times. This may also account for minor character Tontibbi, a “Negro girl” who clearly has more common sense than anyone else on the island of Seriphos and is described as being from a more advanced civilization in Africa. Sadly, she is in the wrong culture, so is reduced to one of Polydectes’ concubines, and no one listens to her sensible suggestions.
(Versions of the Perseus story also appear in The Blue Fairy Book and Greek Myths: A Wonder Book for Girls and Boys, which I have previously reviewed.)
“One Guitar” by Sam Merwin Jr.: Lew Harlow, jazz guitarist, falls in love with singer Diana Wray. She’s got the talent for the big time, but refuses to leave the small city she was born in. It seems that every time she tries to leave, horrible accidents happen to those around her. Also, there’s her bedridden mother to consider. Lew decides that he likes Diana well enough despite their short acquaintance to marry her and stay in town too.
This triggers a confrontation with his new mother-in-law, who’s been hiding secrets about both herself and her plans for her daughter. Lew will need both his knowledge of science and guitar-playing skills to get out of this one intact! The story has a black character as a servant to Mrs. Wray, who has a stereotypical accent in her brief appearance.
“You Take the High Road” by Stephen Marlowe: A Terran spaceship has crashlanded on a distant world and needs steel for repairs. Unfortunately, negotiating with the natives has proved fruitless as they react with violence to all attempts to communicate. After two crew members vanish, Doug Chambers decides to try something different. As spoiled by the tagline, it turns out that the Murkies only respect fighters, and Chambers makes friends by beating them up.
“There’s No Way Out” by William P. McGivren: An absurdist tale of an insurance agent who’s lured to an address with no building on it–until suddenly there is. The building directory has no floors or suites listed with the names, and Sidney Wells is baffled by the contradictory directions he gets from the inhabitants. Oh, and the elevators only go up, to the lobby. Things just get worse from there. No explanation in this one, Mr. Wells just finally accepts his situation and possibly goes insane.
“Witness for the Defense” by Paul W. Fairman: This story was apparently a reply to one that had a decidedly negative view of the future of humanity. Three bums pass time by holding court as to whether humankind is worth allowing to live; there’s a surprise witness who turns out to be a carpenter from Galilee. Very short, and some readers may strongly disagree with the witness’ conclusion.
“Checkmate to Demos” by H.B. Hickey: Dave Harkness, now effectively the world champion of chess, must play against an alien overlord for the fate of Earth. But Dave has a dark secret; he’s not actually the best chess player in the world, merely the front for that person. And when he can’t contact Binky, Earth is doomed. This is a science fiction story until suddenly it becomes fantasy just long enough to give Dave a “hope spot” (a plot twist that makes it appear things are getting better just before they get much worse), and then the survival of humanity falls on Dave’s shoulders alone. Heartwarming ending. Some folks may find the characterization of a person with a disability dubious.
“The Girl in the Golden Wig” by Chester S. Geir: Edward Shannon is a successful engineer, working for a major firm. But he has secrets that are eating at him. He has no memories past two years ago, just waking up one morning already in an apartment and working for Meyrick & Brandt. He also wears a wig to conceal his complete baldness, which may or may not be important to his missing past. He’s taken to wandering the streets at random at night, and one of those nights he bumps into a beautiful woman…whose golden wig falls off, revealing she too is completely bald.
Zell is a singer with an unwanted suitor (who turns out to be Shannon’s boss) and yes, their mutual baldness is a clue. Turns out they’re aliens who are having a quiet civil war, and Shannon is one of the casualties. Zell is the one who actually saves the day, using Shannon as something of a distraction.
“He Knew All the Answers” by Dallas Ross: Jeremiah Perkins one day realizes that there is no true proof that light exists when he can’t see it. From this bit of solipsism, he comes to the conclusion that the entire world is a sham, much to the distress of his wife Martha. Since this is a speculative fiction story, Jeremiah isn’t completely wrong.
There are also short articles on Devil worship (the writer thinks the cultists are deluded) and the possibility of audiobooks (the writer is agin them as he feels it will lead to mental laziness, but is willing to make an exception for blind people.)
The Tenn novella and the Hickey story are the most satisfying ones.
Inexpensive used copies can be found through the Internet, but you might check your finer science fiction bookstores as well.
Book Review: Perry Rhodan 10: The Ghosts of Gol by Kurt Mahr
Following clues retrieved from the distant past, Perry Rhodan continues to search for the secret of immortality. Accordingly, the crew of Stardust II is searching a particular sector of the galaxy for structural anomalies. Soon, they discover a particular signal coming from a supergiant planet which is quickly dubbed Gol. Despite the misgivings of his Arkonide allies Khrest and Thora, Rhodan orders a landing. Once there, Rhodan and the others must brave the bizarre inhabitants and lethal environment of Gol to find the next clue left by the mysterious guardian of the secret.
The Perry Rhodan series has been published weekly since 1961 in Germany, with over 2800 novellas in the still-continuing original continuity, as well as numerous spin-offs. The first installment, written by series creators K.H. Scheer & Walter Ernsting, had the first moon landing happen in 1971. U.S. Space Force Major Perry Rhodan and his crew find a stranded alien spaceship captained by the impetuous beauty Thora, assisted by frail scientist Khrest. While Arkonide technology is eons ahead of Earth’s, their society has become stagnant and decadent, and it is soon arranged for a trade of alien science for the exploration assistance of the vital Earthlings.
Rhodan swiftly (but not entirely without opposition) unites Earth, and then leads it against an invasion of more hostile aliens. With that out of the way, he’s free to search for immortality. It’s not much of a spoiler to say that he eventually finds it and he and several of his allies become immune to aging, allowing for the vast timescale of the series.
This volume (which translates Issue #16 of the German edition) is part of the Ace Books reprint series which ran from 1969-1978, translated by Wendayne Ackerman and edited by her husband Forrest J. Ackerman. At this point the series was published monthly as a “bookazine”, with a film review column (this issue was First Spaceship on Venus) and letters section. Sadly, the vast majority of the series has never been officially translated into English.
Kurt Mahr (pen name of Klaus Otto Mahn) was trained as a physicist, which gives his technobabble a feeling of verisimilitude. It’s clear that he enjoyed trying to figure out what conditions might be like on a 900+ gravities planet and how the heck our heroes were going to get around on it. The inhabitants of Gol are energy beings who exist primarily in a higher dimension and provide a unique hazard to the three-dimensional humans.
This story is in the pulp SF tradition, heavy on the exciting things happening, light on characterization. Rhodan is very much the omni-competent hero, inventing a new branch of physics during one of the chapters to solve a technical problem. The person who shows the most personality is Thora, whose back and forth with Rhodan suggests that she’s sweet on him but not willing to admit it even to herself. There’s no overt sexism in the text, but the gender ratio of the crew is such that there are only two named women in a crew of at least one hundred.
There are several mutants with psychic powers in the crew of the Stardust II; the majority of them are Japanese (though I am dubious about the name Tanaka Seiko for a male characters.) It’s not made clear in this volume if this is due to the atom bombs giving that area extra radiation or just coincidence.
The novella concludes with a bit of a cliffhanger; Rhodan has succeeded in finding the next place to go, but the ship’s new location isn’t anywhere in known space and they have no idea how to get back.
While this is an exciting, fast-paced read, the series is hard to find, being decades out of print. Recommended primarily to fans of German science fiction of the old school.
Things are not going well for Natke Orino. After having to leave her old job as a secret agent, Natke has moved to the Odyssan Archipelago to form her own exploration company. But her rivals seem to be always one step ahead getting to new archaeological sites and Natke’s financial backers have stopped funding her. Also, her barely-kept-secret relationship with her second in command Fuorento is at a crisis point. If she doesn’t have a success soon, she may need to admit defeat and go to work for a smug competitor.
That’s when Natke’s information expert L’Anne reveals that there’s been an earthquake on a remote island associated with legendary assassin Cary the Hollow-Hearted. It’s exposed what may be the cave system that Cary made her final stand in, and if an explorer found proof of Cary’s existence, they’d be set for life! Natke quickly gets her small (and rapidly dwindling) company aship, and they are on their way to Hollow Rock.
But although they seem to be the first expedition to arrive, it’s soon clear the explorers are not alone, and whoever or whatever else is on the island, it’s hostile. Natke must battle for both her life and her career, but will victory cost her heart?
This novella is a prequel to The 13th Paragon duology by the same author. The genre is unclear, so let’s call it science fiction for now. It’s set in a world where technology was once at a higher level, but is swiftly regaining ground. Natke and Fuorento were supporting characters in the duology, and this fills in an important piece of their mutual background.
As a short work, this is fast-paced, and sheds characters quickly (not all by death, thankfully.) Sadly, some of the characters I liked best were vanished from the story for the all-important final confrontation to work better. And those who have read the work this is a prequel to will know at least some of the end already.
Overall, this is a light read that will most appeal to fans of the author’s other works.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.