It is the close of the Twentieth Century, and the United Nations has achieved two major goals. There is now a permanent scientific base on the moon, and a way has been found to safely and humanely contain Earth’s giant monsters on a remote island dubbed Kaijuland (Monsterland in the dub.) World peace also seems to have been achieved but no one directly says so.
Of course, it would be a pretty dull monster movie if the status quo remained that way, so shortly after a UFO is seen lurking near the moon base, a mysterious gas cuts off all contact with Kaijuland. Soon, the monsters that should be on the island are spotted in capital cities around the world, destroying property and causing death…except in Tokyo. That arouses suspicion since Japan is the closest large land mass near Kaijuland, and all the monsters normally gravitate there.
Captain Katsuo Yamabe and the crew of the spaceship Moonlight SY-3 are assigned to investigate. They are shocked to discover that the staff of Monsterland (including Captain Yamabe’s sweetheart Kyoko Manabe) are now cheerfully directing the monsters to attack using previously unknown technology. It turns out that aliens called Kilaaks are responsible. The Kilaak have decided to colonize Earth and they’re not keen on human civilization.
Most of the movie is Captain Yamabe and his allies investigating the Kilaak threat and attempting to find some way of breaking their mind control over humans and monsters, with sporadic monster attacks to spice things up. But in the final reel, we are treated to the kaiju battle action we’ve been waiting for, as Godzilla and the other Earth monsters go up against the Kilaak and space monster King Ghidorah.
This 1968 film is considered one of the weaker entries in the Godzilla franchise, as the writers had largely run out of good ideas, and the monsters weren’t really scary anymore. The plot is thin and the acting minimal. But it’s got that cool monster battle at the end, with Minilla actually being useful for a moment. I also appreciate the optimistic future in which humanity lives and lets live with its giant monsters.
As of this writing, both subbed and dubbed versions are up on Crunchyroll, and recommended to kaiju fans as a pleasant popcorn movie.
Disclaimer: I received this Advance Review Copy as a Goodreads giveaway for the purposes of this review. No other compensation was requested or offered. Some changes may be made before the final publication date of 4/25/17–for example, the index isn’t included in this version.
This book opens with Movie Night at the German embassy in Norway, April 1940. The film shown to Norwegian government officials was Baptism of Fire, a documentary about the invasion of Poland in 1939. Afterwards, the German ambassador made a speech that roughly translates into English as “Nice country you Norwegians have here. It’d be a shame if anything happened to it.” Four days later, the Nazis invaded.
Rather than turn over the reins to local fascist Vidkun Quisling as the invaders wanted, King Haakon VII and the remnants of the Norwegian government fought a running battle until they could be evacuated to Britain, where they joined other European governments in exile. Soon, this “Last Hope Island” and the embattled people sheltered by it were the only thing standing between Nazi Germany and complete victory on the Western Front.
This volume discusses various aspects of the joint efforts of Occupied Europe and the British against the Nazis. From the early gift of an ULTRA machine by Polish cryptographers so that the British could read German codes, through the contributions of combat-experienced Polish and Czech pilots in the Battle of Britain, the Norwegian gift of its merchant marine, and Resistance fighters of all descriptions, the governments in exile (and General de Gaulle’s Free French) gave invaluable help. The BBC’s transformation from a stuffed-shirt government branch to a voice of truth and freedom that brought words of encouragement from exiled leaders is detailed.
But all was not beer and skittles. Pre-War resentments and cultural attitudes often caused misunderstandings and in-fighting. As it turned out, the British didn’t have the world’s best spy agency, just the world’s best spy novelists, with both MI6 and the Special Operations Executive (who were supposed to be creating and working with Resistance networks) making bungle after bungle. And once the Soviet Union and the United States entered the war, Britain’s focus shifted to appeasing these powerful allies even when it went against the interests of the occupied countries. (This culminated in the shameful betrayal of Poland and Czechoslovakia to the Russians.)
After the war, while the formerly occupied countries of Europe were and remained thankful to Britain and its people for all the help given, they also knew that they couldn’t rely on the island nation to protect them. So new alliances were formed, and greater cooperation established, eventually leading to the creation of the European Union.
Quite a bit of this is material I had not known before, partially because much of my WWII history reading was done in the 1970s, while some of the source documents were still classified, and partially because my sources were USA-centric. Various people involved get a stronger focus because they survived the war and became famous, such as Audrey Hepburn, who was trapped in occupied Holland.
There are scattered illustrations (possibly more in the finished product), extensive endnotes, a bibliography, and the full book will have an index. The writing is clear, and this book should be suitable for bright high school students and up.
The benefits of hindsight are very evident throughout (the end material may or may not be updated to reflect Brexit.) I do recommend this book to those curious about the relationship between Britain and Occupied Europe; however it is at the same time a fairly narrow subject, but covering a multitude of intersecting fields. I would recommend having to hand a more general WWII history for reference, and checking the bibliography for more specific works on individual people and incidents. (The author explains in her foreword that Greece and Yugoslavia were completely cut out of the book due to their different circumstances, so readers with an interest in those countries will definitely need to seek out other material.)
Comic Book Review: Showcase Presents: Rip Hunter…Time Master written by Jack Miller
After the success of Jack Kirby creations The Challengers of the Unknown in 1959, DC Comics took a chance on two other quartets of non-powered adventurers in the pages of Showcase, their try-out comic. The more successful of these was Rip Hunter’s team of time travelers. He is introduced as already having invented a Time Sphere, and with the aid of his friend Jeff Smith built two of them. The only people he’s trusted in his secret laboratory are his girlfriend Bonnie Baxter and her kid brother Corky.
In the first Showcase appearance (#20, May 1959) Rip and Jeff take one of the spheres on its maiden voyage to the Mesozoic Era, 100 million years in the past. Unfortunately, it turns out that two criminals stumbled on the lab some weeks before while the team was absent, realized this could be big, and planted a listening device. The crooks force Bonnie and Corky to take them back to the same era as the first pair, planning to mine deposits of gold, silver and diamonds they know the location of in the present.
Between dinosaurs and active volcanic terrain, the six time travelers have a series of exciting escapes and daring deeds to accomplish before they can return to the present. The tired and sore criminals are dismayed to find their hard-won sack of minerals empty–turns out you can’t bring any objects from the past forward. (This rule was eventually quietly ignored, but no one ever thought to abuse that capability thereafter.)
Much like the later Doctor Who, the second storyline went straight to aliens as Rip and his pals investigated the origin of Atlantis. Another pair of Showcase issues followed shortly, and in 1961, Rip Hunter got his own series. Writer Jack Miller did some research to come up with interesting time periods, but historical accuracy was clearly not a high priority. Each issue followed a three-part structure as a mystery from the past surfaced and the crew checked it out using a Time Sphere. Often complications would arise due to the never-stated but obvious rule that they cannot change the past; attempts to do so would fail, meaning the team has to come up with a new plan.
Characterization is thin; all four main characters are brave and adventurous. Rip is the main history expert, and a very good shot; as the Comics Code prevented him from killing humans, he would use trick shots to bring down awnings and such. Jeff appears to be the mechanic; he’s the one who does the repairs on the Time Spheres and is slightly more muscular looking than Rip. Bonnie and Corky appear to have no special skills beyond being backup sphere pilots. Bonnie is a bit nervous at times, and Corky knows less history than the others, so is the recipient of infodumps. Guest characters have just enough personality to fulfill their plot purposes.
Aliens and hidden civilizations are rife in these stories, and monsters appear frequently. Magic is sometimes mentioned but almost always turns out to be fake or actually alien technology.
There are several art teams in the early going, the most notable of which features Joe Kubert. Eventually it settled down to William Ely, who is decent enough, but perhaps could scale back the worry lines on some of the characters.
My favorite of the stories is their battle against the gods of Mount Olympus, which features Jeff being transformed into a griffin!
Later versions of Rip Hunter have shed the rest of his team; Legends of Tomorrow fans will likely find this early Rip nearly unrecognizable.
Recommended primarily to fans of more straightforward time travel stories as there’s seldom the creative abuses of the concept that have become common in literature since.
Book Review: The Witch of Lime Street by David Jaher
In the wake of World War One, Spiritualism, a religious movement centering around contact with the dead, was on the rise. With this came a fad for mediums who claimed to be able to channel those unquiet spirits, both for the knowledge they had and to create uncanny physical effects. Understandably, there were many who were skeptical, but felt that these mediums should be scientifically investigated. Just in case there was any quantifiable evidence that wasn’t fake.
Scientific American, the leading popular science magazine of that time, offered a cash prize to the first medium to pass rigorous scientific examination and be proved genuine. And on that five-man jury was one man who had a reputation for spotting fakes and chicanery–the magician and master escape artist Harry Houdini. Most candidates for the prize were easily disproven. But then there was Mina “Margery” Crandon, wife of a respectable Boston surgeon.
Her gifts, brought to her through the spirit of her dead brother Walter, were impressive indeed. But was she the Queen of Mediums, or simply a master of parlor magic to rival the great Houdini himself? This is the story of their meeting and what came of it.
Told in bite-size chapters and a handful of photographs, this book starts with Arthur Conan Doyle learning of the end of WWI, and his involvement with the Spiritualists. His tours in support of the movement helped create interest in the United States, and indirectly led to the prize competition. He tried to recruit Houdini, but the showman was less than convinced. As became something of a pattern, Sir Arthur took Houdini’s politeness in not calling out a fake at the time as impressed belief.
We also learn of how Mrs. Crandon became a medium, but certain aspects of her and her husband’s earlier life are kept from the reader until much later in the story. (And some mysteries are never solved.) It should be noted that some conversations are reconstructed from later recollections, which may be fallible.
There’s a lot of interesting material in here for those interested in the mystic lore of the period, including a cameo by Theodore Roosevelt. But once the investigation of Margery begins, the chapters start to drag, and it feels like the author stretched this part to fill out the page count. Those of you who are history buffs will already have figured out that Mrs. Crandon didn’t win the magazine’s prize.
There’s a list of helpful sources for further reading, and an index. There’s quite a bit of discussion of female private parts, from whence mediums were supposed to issue ectoplasm (and, it was alleged, where fake mediums often hid props.) That might make the book unsuitable for readers below senior high level, depending on their parents’ discretion.
Overall, this is a helpful book for the reader who wants a quick look at Harry Houdini’s investigation of mediums from the aspect of his most famous case, and how it fit into events of the time. There are several fine biographies of Houdini that will be more helpful if his career is the reader’s primary interest.
Disclaimer: I received this volume from Blogging for Books for the purpose of writing this review. No other compensation was requested or offered.
Book Review: Great Historical Coincidences by Pere Romanillos
“Serendipity” is the good fortune that comes when you discover something useful or interesting while you were looking for something else. Knowing how to grasp the opportunity offered by serendipity is one of those skills that every scientist and artist should have at their disposal. This book, originally published as ¡Menuda chiripa! Las serendipias más famosas covers many instances of serendipity, mostly in the area of science.
After a lengthy introduction on the subject of serendipity and fortunate coincidences, there are 49 essays on individual discoveries divided by scientific field. We begin with physics and Archimedes’ Principle (and the origin of “Eureka!”) and end with archaeology and the terracotta soldiers of Qin. Many of the stories were familiar to me, such as the melting chocolate bar that revealed the existence of microwaves; while others were new to me, such as the origin of the Pap smear.
This book is heavily illustrated and the translation by Janet Foster uses language that should make this book suitable for bright junior high students on up. (Some parents may find discussion of the biology of sex unsuitable for their kids.) There’s some clumsy phrasing from time to time. There’s no index or citations, but there is a bibliography to search for more information–much of it in Spanish.
This is one of those books primarily meant as a present; the treatment of each discovery is short and only covers highlights and often context is missing. Consider it for a budding scientist or history buff, perhaps as a pair with the same author’s Great Historical Blunders.
Right up front, I have to say that the title is the most annoying thing about this book. Did anyone ever use “rad” as an adjective unironically? That said, “radical” is not an unfair term to apply to many of the women whose short biographies are written in this volume. There are forty stories set around 30 “countries”, starting with Enheduanna of Mesopotamia, the first named author that we have records of, and wrapping around the globe to Emma Goldman, born in Russia, anarchist and advocate for worker’s rights.
This is a sequel to Rad American Women A-Z by the same creators; the greater scope allows them to have more variety. There are scientists, athletes and entertainers, politicians and even a princess! The book is written for middle-grade girls, but some of the subject matter may be difficult for more sensitive readers. (A couple of these biographies moved me to tears.) Many of the women covered I had heard of before, but a few were new to me.
The papercut illustrations by Miriam Klein Stahl give the book a distinctive, rough-hewn look; it also ties the appearance of the volume together better than a mix of photographs and paintings might have, as there are both historical and contemporary women covered.
This book also wears its politics on its sleeve, obvious in the selection of women to write about. Politically conservative parents might find it uncomfortable that Kasha Jacqueline Nagabasera (fights for gay rights in Uganda) and Buffy Sainte-Marie (anti-war activist) get full entries while such right-wing icons as Margaret Thatcher and Mother Teresa don’t even make the 250 honorable mentions in the back. The poem about “the stateless”, refugees, exiles and others torn from their homelands includes the line “No human being is illegal.”
As is common in collections of short biographies, only the highlights of any given woman’s life are included, and edited according to the author’s intent. Many of these women were controversial during their lifetimes, and some of them are still controversial now. A reader who takes a particular interest in one of the subjects would be well advised to seek out more complete biographies. I’ve previously reviewed biographies of King Hatshepsut http://www.skjam.com/2016/01/20/book-review-the-woman-who-would-be-king-hatshepsuts-rise-to-power-in-ancient-egypt/ and Queen Lili’uokalani http://www.skjam.com/2014/02/21/book-review-lost-kingdom-hawaiis-last-queen-the-sugar-kings-and-americas-first-imperial-adventure/ , for example.
I expect that this book will end up in a lot of elementary school libraries. I’d also recommend this volume to parents of middle-grade kids (yes, boys too, to go with their many books about famous men) with the caveat (or bonus!) that you might want to sit down with them to discuss some of the topics that will come up.
Disclaimer: I received a copy of this book from Blogging for Books for the purpose of writing this review. No other compensation was offered or requested.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.
Book Review: Four Sided Triangle by William F. Temple
Suppose for a moment that you had access to a device that would create an exact duplicate of any object placed inside. What would you do with it? Solve world hunger? Commit massive art fraud? Resolve your sexual attraction to your best friend’s wife? Yeah, that last one is the possibility we’re exploring here.
This 1949 novel is narrated by Dr. Harvey, one of the last old-fashioned country doctors in the village of Howdean. He’s very specifically not possessed of a full scientific education, and would never pass muster in today’s technically-oriented medical profession (indeed, he’s already having trouble keeping up when he’s in his forties!) But he is bright enough to realize that young Bill Leggett is a child prodigy.
Dr. Harvey acts as a mentor to the young genius as much as he can, and when Bill’s abusive and alcoholic father dies, gets himself appointed Bill’s guardian. He sponsors Bill’s further education, and secures the lad a scholarship to Cambridge. At university, Bill meets and becomes friends with Robin Heath, who as it turns out is the son of the lord of the shire Howdean is located in. Robin is much more conventional in his thinking than Bill, and not nearly as brilliant, but is a good steady problem-solver who complements Bill’s impatience well.
With a loan from Rob’s father, the two young men start a research laboratory (“the Dump”) together on the outskirts of Howdean. While they are pursuing their esoteric goals, Dr. Harvey is called upon to aid a young woman who’s taken a drug overdose. This is Lena, a beautiful (of course) lass with an artistic bent, a fervor for creation, and no noticeable artistic or musical spark. She can play other people’s compositions competently, and is good at art and color theory, but whenever she tries to create something new, the result is a fiasco. Thus her attempt at suicide.
Dr. Harvey realizes that Lena needs a completely new endeavor to distract her from fatalistic thoughts, and convinces Bill and Rob to take her on as a sort of housekeeper and general assistant. This works swimmingly. The young men both take a fancy to Lena, Bill’s soaring imagination and Rob’s common sense working together to restore her love of life, and her bright spirit (and a spot of much-needed cash) allowing the Reproducer to become functional.
Things go well for a while, with the Reproducer bringing the young scientists renown and steady paychecks. Dr. Harvey’s share of the enterprise even allows him to take early retirement from active medical practice. But just as Bill is ready to propose to Lena, Lena proposes to Rob, and the latter two get married.
Bill does not take this well, but he has a plan. He’s been working on a way to allow the Reproducer to duplicate living beings. If there were another Lena, then she could marry him and everything would be hunky-dory! Yeah. The obvious objections are raised, but the somewhat selfless Lena becomes convinced that her feelings of friendship for Bill could deepen into love given time.
So it is that a second Lena is created, named Dorothy, and marries Bill. Unfortunately, it turns out that Dorothy is too identical to Lena, and is unable to turn off her love for Rob, the man she remembers as her husband. She cares deeply for Bill, but the stress of pretending to love him is driving her to despair.
In a twist of fate, Bill blows himself and the Reproducer up with an attempt at creating a nuclear power plant, being just a little too impatient for Rob to return with a safety device. This leaves Dorothy free to reveal her true feelings, and Lena wants to share Rob with her as they have identical emotions. Unfortunately, Rob is very conventional when it comes to monogamy, and nixes the idea.
Sometime later, there is another accident, leaving one of the women dead and the other amnesiac, but which is which? Rob cannot love Dorothy, no matter how identical to Lena she might be. Dr. Harvey discovers a clue in Bill’s papers that should allow them to settle the matter one way or the other….
The good: Since the plot depends heavily on the personalities of the people involved, the characterization is much more in-depth than was common for science fiction novels of the time. The author makes it believable that the characters make decisions believing they will make things better, but instead make them worse.
Bill, as a survivor of childhood abuse, physical, emotional and (all but said outright) sexual, has difficulties forming normal social relationships. When he finds the one woman he wants to be with forever unavailable, it is unimaginable to him to find another love. This one was so hard to work up to! His impatience and willingness to overlook important social cues also play a large part in the tragedy.
Lena had a stage as a feral child, and has learned to make her own decisions, hide her feelings, and not ask for nor expect help. But she’s also very tender-hearted towards others, and willing to make any sacrifice for those she loves. Ditto for Dot.
Rob is very much the conventional English gentleman, which is great as long as there are conventional English gentleman things that need doing. He’s reliable and steady, and good husband material. But if there’s an ethical dilemma where his code of honor gives contradictory results, or it’s an unprecedented situation, Rob is at a total loss.
Dr. Harvey’s lack of science smarts means that the author can get away with never having to fully explain how the Reproducer actually works; just describing the end product, without having to worry about plausibility.
Not so good: Period sexism–it’s mentioned more than once that women just aren’t interested in science (always excepting Madame Curie), and Dr. Harvey believes that Lena’s creative impulse would be best put to use in making a family (i.e. children) and she comes to believe the same.
Also, some science fiction cliches: There’s only ever one Reproducer; Bill and Rob never patent it nor do they seem to publish any work explaining the principles behind it–one part is even revealed after the fact to be a “black box” that Bill installed without telling Rob how it worked or how to fix it. Yet they are able to make a decent living from renting out the use of the Reproducer without anyone trying to steal their work or having the government confiscate it or demand proof of concept.
And some readers are just not going to like the ending, telling you now.
Still, if tragic romance with a science fiction twist is your thing, I think this one is well worth seeking out.
The edition I read was the 1951 Galaxy Science Fiction reprint, which was done using the same presses as their monthly magazine. It’s unabridged, so has small type to fit it in the available page count, and the cover is glossy but flimsy. You might be able to find a paperback edition in better shape.
The novel was also turned into a 1953 movie by Hammer Studios, a precursor to the full-fledged horror films they were soon to move into. It simplified the ending somewhat, making it less ambiguous. Here’s a clip:
Book Review: Sisters of the Revolution: A Feminist Speculative Fiction Anthology edited by Ann & Jeff VanderMeer
As the subtitle of this volume indicates, it’s a collection of 29 short stories written from a feminist perspective. There are selections from the 1960s through the 2000s–SF, fantasy, horror and a couple of stories that seem to be included out of courtesy because of “surrealism.”
The anthology begins with “The Forbidden Words of Margaret A.” by L. Timmel Duchamp, an account of a journalist’s meeting with a woman whose use of language is considered so dangerous that a Constitutional amendment has been passed to specifically ban those words. The journalist has a photo-op with Margaret A. in the prison that woman is being held in, and the experience changes her. It’s an interesting use of literary techniques to suggest the power of Margaret A.’s words without ever directly quoting them.
The final story is “Home by the Sea” by Elisabeth Vonarburg, in which a gynoid in a post-apocalyptic world returns to her mother/creator to ask some questions. The answers to those questions both disturb and give new hope. Like several other stories in the volume, this one deals with the nature of motherhood, and the mother-daughter relationship.
There are some of the classic stories that are almost mandatory for the subject of feminist speculative fiction: “The Screwfly Solution” by James Tiptree, Jr. (men abruptly start murdering people they’re sexually attracted to, mostly women but the story tacitly acknowledges homosexuality); “When It Changed” by Joanna Russ (a planet with an all-female society is contacted by men from Earth after centuries of isolation–it originally ran in Again, Dangerous Visions, an anthology for stories with themes considered too controversial to be published elsewhere, times have changed); and Octavia K. Butler’s “The Evening the Morning and the Night” (a woman with a genetic disorder discovers that she has a gift that fits her exactly for a specific job, whether she wants that job or not.)
The anthologists have also made an effort to include stories that are “intersectional”, providing perspectives from other parts of the world. “The Palm Tree Bandit” by Nnedi Okorofor tells the story of a Nigerian woman who defies a sexist tradition and starts one of her own. Nalo Hopkinson’s “The Glass Bottle Trick” is a retelling of the Bluebeard story in modern Jamaica (this time the women avenge their own), and “Tales from the Breast” by Hiromi Goto, wherein a Japanese-Canadian woman discovers a solution to her breastfeeding problems.
Some other standouts include: “The Grammarian’s Five Daughters” by Eleanor Arnason (a fairy tale about language); “The Fall River Axe Murders” by Angela Carter (one of the stories that really doesn’t feel like speculative fiction, but is really well-written, set in the moments just before Lizzie Borden is about to get up and kill her parents) and “Stable Strategies for Middle Management” by Eileen Gunn (how far would you go to fit into the corporate culture? Would you let them shoot you up with insect genes?)
Tanith Lee’s “Northern Chess” is a fantasy tale of a warrior woman infiltrating a castle cursed to be a deathtrap by an evil alchemist. It’s exciting, but the ending relies on a now-hoary twist. Still worth reading if you haven’t had the chance before.
Most of the other stories are at least middling good. The weakest for me was “My Flannel Knickers” by Leonora Carrington, which falls into the surrealist category and seems to be about a woman who has rejected conventional beauty standards. Probably.
Rape, sexualized violence and domestic abuse are discussed; I’d put this book as suitable for bright senior high schoolers, though individual stories could be enjoyable by younger readers.
Recommended for feminists, those interested in feminist themes, and anthology fans.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.