Book Review: Respectable Horror

Book Review: Respectable Horror by K.A. Laity

Horror is a wide-ranging genre, which can be tailored to a variety of tastes.  Some folks prefer their scary fiction with a maximum of gushing blood and sharp objects being plunged into soft flesh; others like a more genteel approach that emphasizes the subtle wrongnesses and growing atmospheric dread that comes before the end.  This collection is geared towards the latter audience, with one of the inspirations being the work of M.R. James.

Respectable Horror

There are seventeen stories in all, starting with “The Estate of Edward Moorehouse” by Ian Burdon.  The title character went missing in a remote section of British coastline seven years ago.  He’s been declared dead, and a relative is looking through his estate and discovers that Mr. Moorehouse was searching for traces of a buried village on a beach mentioned in an old text.  He decides to honor the man by visiting the same beaches.

This is a thoroughly modern story with Facebook ™ and SIM cards, but ancient evil has adapted to the new technology.

The final story, “The Astartic Arcanum” by Carol Borden, is more of a period piece.  A Cthulhu Mythos tale, it pits poet Nita Sloan against a cabal of wealthy old men in Detroit who want to change the world.  It would appear that her latest work might be the only thing that can stop them–provided they don’t manage to sacrifice her to their dark god first!

Some other standouts include: “The Feet on the Roof” by Anjana Basu.  Set in 1960s India, there is culture clash between a wealthy widow and her daughter.  The daughter just up and vanishes one day, but then mysterious footprints begin to appear where no footprints should be.  It’s nice to see a horror story set in India that is by someone who actually comes from there.

“Miss Metcalfe” by Ivan Kershner is a Bradburyesque story about a substitute teacher.  It is the day before Halloween, and there’s a new substitute teacher, with a radically different lesson plan.  It involves bats.  Nicely spooky, and dances right up to but not past the line.  Read it to your kids.

“The Well Wisher” by Matthew Pegg concerns a series of poison pen letters.  One target of the letters has already been driven to suicide.  A governess may be able to unravel the mystery of the “Well Wisher”, but can she do so without revealing her own dark secrets?  Innovative, but also comfortably period.

My least favorite story was “Recovery” by H.V. Chao.  An author with writer’s block has moved to a small French village in the hopes it will help.  It hasn’t, but he’s enjoying listening to the guest next door speak to a lover who never answers.  The story never reaches spooky, just barely making it to odd.

Most of the other stories are decent to quite good; this would make a fine Halloween present for a sweetheart or other book  lover.

Book Review: Penny Dreadfuls: Sensational Tales of Terror

Book Review: Penny Dreadfuls: Sensational Tales of Terror edited by Stefan Dziemianowicz

While the term “penny dreadfuls” proper belongs to a particular type of inexpensive newsprint periodical, as explained in the introduction to this volume, the twenty stories chosen here can all be described as lowbrow sensationalist literature written for those seeking thrills in their fiction.

Penny Dreadfuls: Sensational Tales of Terror

Of these, Frankenstein; or, the Modern Prometheus by Mary Shelley (1818 edition), The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, and “The Pit and the Pendulum” by Edgar Allen Poe are so famous that it hardly seems worth discussing them.  Suffice it to say that they are classics, and well worth reading at least once, especially if you’ve only seen the movies.

“The Adventure of the German Student” by Washington Irving is a ghost story set against the backdrop of the French Revolution.  It stops where a lot of current horror tales would end the first chapter.

“The Wehr-Wolf: A Legend of the Limousin” by Richard Thomson does in fact feature a werewolf.  Most of the story space, however, is taken up by comic relief character Antoine Du Pilon, a quack doctor who is full of knowledge…most of which is wrong.  This kind of dulls the tragic twist ending.

“Sawney Beane: The Man-Eater” by Charles Whitehead was based on a folk story that might have been loosely based on a real incident.  It concerns a cannibal clan near Edinburgh during the reign of James VI.  The story is written in the “true crime” style, regardless of its actual veracity.

“Aurelia; or, the Tale of a Ghoul” by E.T.A. Hoffman has a doctor tell his patient that it’s perfectly normal for a pregnant woman to have strange food cravings, and she shouldn’t feel ashamed of that.  In fairness, she hadn’t told him what her cravings were for.

“Wake Not the Dead!; or, The Bride of the Grave” by Johann Ludwig Tieck is about a man whose first beloved wife dies and he gets remarried.  But it turns out he still isn’t over his first love.  A passing sorcerer finds this obsession unhealthy, but mentions that he could in fact bring the first wife back to life.

The husband insists on having this done, despite being repeatedly warned that this is a bad idea which will have catastrophic consequences.  (Honestly, I think the sorcerer only went along with this for the chance to say “I told you so” later.)  Predictably, catastrophic consequences follow.  The ending comes out of left field and is jaw-dropping in its non-sequiturness.

“The Dream-Woman” by Wilkie Collins is about an apparently prophetic dream, and the effect it has on the dreamer.  Is it a warning of the future, or did he shape his life to fulfill the dream?

“A Night in the Grave; or, the Devil’s Receipt” by Anonymous is a comedic tale told in Scots dialect.  Highland piper Steenie tries to pay his rent, only to have his landlord die before giving Steenie the receipt.  The new landlord claims there’s no record of the payment and no sack of silver to be found, so Steenie must pay the rent again.  The piper must find that receipt, even if it means braving the gates of Hell.  I found this one hilarious, but I like Scots dialect stories.

“The Case of Lady Sannox” by Arthur Conan Doyle was a strange read for me as there’s no Sherlock Holmes in it.  A surgeon is called for a life-saving operation, only to learn the true nature of the veiled patient.  This one has some period ethnic and religious prejudice, which is not mitigated by the fact that one of the characters is deliberately playing into it.

“The Diary of a Madman” by Guy de Maupassant is the journal of a respected judge who starts to wonder what it would be like to commit murder.  Chilling.

“George Dobson’s Expedition to Hell” by James Hogg concerns a coachman’s dream (or was it a dream?) of driving his coach into the netherworld.  This story didn’t work for me, a bit too thick in dialogue that is “yes I will” “Oh no, you won’t.”

“The Apparition of Lord Tyrone to Lady Beresford” by Anonymous is a tedious ghost story that turns out to be a propaganda piece for Anglicanism. “Deism is wrong!”

“Lost in a Pyramid; or The Mummy’s Curse” by Louisa May Alcott is one of the tales she penned anonymously  before hitting it big as a children’s author.  Arrogant white explorers get lost in a pyramid, burn a sorceress’ mummy for fuel, and suffer the consequences of looting the corpse.  The plot requires two separate people not to catch on to the symptoms of slow poisoning.

“In Kropfsberg Keep” by Ralph Adams Kram, two ghost-hunters spend the night in a ruined castle, reputed to be haunted.  One of them doesn’t survive.  A real ghost may or may not be involved.

“The Buried Alive” by John Galt is a premature burial story.  The protagonist suffers an attack that leaves him awake but paralyzed and apparently dead.  His friends and family fail to have an autopsy done, and he is buried alive.  There was apparently a time when this narrow subgenre was hugely popular, to the point that Poe wrote a parody version.

“The Dualitists; or, the Death-Doom of the Doubleborn” by Bram Stoker is about a game of Hack that goes too far.  (In Hack, two similar objects are smashed against each other to see which is superior in strength.)  This story is dead baby comedy, and also includes animal abuse.  You’ll either love this story or be completely repulsed by it.

“The Executioner” by William Godwin is the confession of a hangman who’s become involved in a years-long and highly elaborate revenge scheme.  But is he the revenger or the revengee?

Finishing out the book is The String of Pearls; or, Sweeney Todd, the Demon Barber of Fleet Street by James Malcolm Rymer (probably.)  This is a true penny dreadful serial, full of twists, murder and unlikely coincidences.  (You may have seen the musical.)

In the 18th Century, a man named Thornhill comes to London to deliver a pearl necklace to pretty maiden Johanna Oakley from her lost love Mark Ingestrie.  But being a gentleman, he doesn’t want to look scruffy for the visit, so decides to get a shave at the shop of Sweeney Todd.  Mr. Todd says Mr. Thornhill left his shop hours ago, but Mr. Thornhill’s dog is sitting right outside, and the man never arrived at his next destination.  Although they can prove nothing, Mr. Thornhill’s friends become suspicious.

Across the square, Mrs. Lovett’s pieshop is doing land office business, selling the most delicious meat pies in town.  How does she manage to sell them so inexpensively and still make a profit?  And why does she run through so many cooks in the underground bakery?

And on another side of the square, parishioners at St. Duncan’s are beginning to notice a peculiar smell in the old church, a smell that is decidedly…unholy.

This is a fun, if not always coherent story told with a lot of verve.  (And, alas, some excess verbiage.)  The narrator has fun with the reader, reminding them that while all the clues seem to lead up to Sweeney Todd murdering his customers, we’ve never seen him murder anyone on-page.  And while the secret of Mrs. Lovett’s pie-shop (not just a hole in the wall eating establishment, but a distribution center delivering all over London) seems obvious enough, the narrator points out he hasn’t actually said it yet.

While the story stops every so often to give the history of this minor character or that (warning: one character’s backstory involves child neglect and abuse), we never do find out how Sweeney Todd and Mrs. Lovett formed their eight year partnership, or why.  One of the peculiarities of the story is that while Mr. Todd knows a woman who will bake his victims into pie, and a crooked mad-house operator who will imprison any of Mr. Todd’s young apprentices who get too nosy, he doesn’t know any fences, and is completely unfamiliar with the normal criminal life of London.

So Sweeney Todd has a houseful of loot he’s taken from victims and not found a way to sell, and has a dickens of a time trying to dispose of the string of pearls at anywhere near their real value.

Johanna comes close to the damsel in distress stereotype, but never quite crosses over into that territory, even while dressing as a boy to infiltrate Mr. Todd’s barbershop.

A couple of characters just get dropped between chapters, and domestic abuse is played for laughs in one scene.

This is not great literature, true, but if you’re in the mood for this sort of thing, this is the sort of thing you will enjoy.

Overall, a good collection of a certain type of story, with a handful of mediocre entries.  The Barnes & Noble edition has a handsome red leather cover and would look good on a bookshelf, or in your hands as you read it late at night by the light of a guttering candlestick.

Now, here’s a look at the “Penny Dreadful” TV series, based on the same source material.

 

Book Review: Kings & Queens of Great Britain: A Very Peculiar History

Book Review: Kings & Queens of Great Britain: A Very Peculiar History by Antony Mason

For about 12 centuries, the English have been ruled by monarchs, and eventually this form of government spread to all of the British Empire.  That’s a lot of history, and many kings and queens to take account of.  This small volume with cartoony illustrations gives the reader an overview of those people and what they did.

Kings & Queens of Great Britain: A Very Peculiar History

There’s a brief discussion of monarchs before the official first king of the majority of England, Alfred the Great, starting in 871 C.E.  This includes the legendary King Arthur who may or may not have been based on an actual person.  After that is a chronological listing of English kings and queens, with a paragraph or page for each, with chapters cutting away to the Scottish monarchs.  (The Irish kings do not get the same courtesy.)  With King James I & VI, the lines are consolidated, and after that they’re all British kings and queens.

This is very much a highlights-only history book, with only the most famous bits of each reign mentioned for most of the monarchs.  There are, however, frequent sidebars on such subjects as palaces, revolutions, jewels, the Magna Carta and mistresses.  The serious scholar of British history is unlikely to learn anything new.  The book finishes up with a glossary, timeline, and index to make it easier to find the particular monarch you’re looking for.  It’s current as of January 2015.

Due to some salacious subject matter, I’d rate this as suitable for senior high students on up.  (There’s also a lot of violence; many of these people left the throne via murder.)  This would make a nice gift for your Anglophilic friend or relative, or Game of Thrones fans who have somehow never read the history that show is loosely based on.

 

 

Book Review: The Transplanted

Book Review: The Transplanted by John Bodnar

This volume, written in the 1980s, is a survey of patterns of immigration into urban areas of the United States between 1830-1930 (approximately.)    It covers those who came to stay, those who just came to get a nest egg to improve life in their home country, and those who intended to go back but just never got around to it.  Mr. Bodnar was and still is a professor of history at Indiana University.

The Transplanted

The general theme of this book seems to be “it’s complicated.”  The immigrant experience was not uniform, with their reactions and outcomes varying considerably depending on their initial motivations for emigration, the areas they came from, their initial social class and starting capital, and what part of America they ended up in.  Trying to fit the immigrants into a single narrative that fits a particular philosophy doesn’t really work, according to Professor Bodnar.

It’s pretty dry stuff, starting with a chapter on the countries immigrants came from and focusing on when various regions had their largest numbers go.  This isn’t a book for the casual reader.

The most interesting chapter for me was on religion and how their faiths both influenced how immigrants adapted to American life, and were forced to adapt themselves.  Often there were clashes between those who felt they were (ethnicity) first, (religion) second, and those (especially religious leaders) who felt the reverse.  One example was Slovak immigrants who were suspicious of their priests and ministers who preached in favor of Hungarian rule of the homeland.  (It was later confirmed that the Austro-Hungarian Empire did indeed pay off religious leaders to spout pro-Hungarian propaganda in the U.S.)

Another conflict that often came up was between the urge to embrace Americanization and blend into their new society, and the fear of losing the unique cultural elements of their homeland or religious beliefs.  This often led to a preference for parochial or ethnicity-based schools rather than putting children into the public school system.

There are extensive end notes, a bibliography and index, as well as a handful of black-and-white pictures.

Again, this isn’t a book for the casual reader, but is best suited for college students and up who are doing serious research on the subject of immigration.  For most people, I’d recommend one of the many fine memoirs of immigrant families available at your local library.

Book Review: Hokas Pokas!

Book Review: Hokas Pokas! by Poul Anderson & Gordon R. Dickson

The Hoka of the planet Toka are the galaxy’s best live-action roleplayers.  Given a story they find interesting, the teddy-bear-looking aliens will take on the characters as their own personalities.  And they especially love Earth stories.  Thus it is that they have entire subcultures based around Sherlock Holmes, or the pop culture version of Napoleon or the Lord of the Rings novels.  Alexander Jones, Ambassador Plenipotentiary of the Interbeing League, has his hands full trying to keep the Hoka safe until they’re considered advanced enough to join galactic civilization.

Hokas Pokas

The Hoka stories are comedic science fiction; some of the funniest ever written.  This volume contains three of those stories.

“Full Pack (Hokas Wild)” gives Alexander Jones’ wife, Tanni, a rare day in the limelight.  While her husband is away, Tanni goes to investigate a downed starcraft, along with her young son Alex Jr.  It’s in the Hoka version of India, which is based more on Rudyard Kipling books than on the Mahabhrata.  The mission is complicated when her Hoka escort overnight switches from a British military regiment to a wolf pack from The Jungle Book.  Yet those who are familiar with the book rather than the Disney movie may catch on to the twist more quickly than Tanni does.

“The Napoleon Crime” explains where Alexander Jones was during the previous story, on Earth negotiating for an upgrade in the Hokas’ status.  But back on Toka, someone or something has been twisting the Hoka games, and the planet is on the brink of having actual wars.  With the aid of the heavyworld free trader Brob, Alex must return to Toka unannounced and go undercover as Horatio Hornblower to head off a deadly reenactment of the Napoleonic Wars.

Star Prince Charlie moves the setting to the world of New Lemuria, and the archipelago kingdom of Talyina.  This feudal society has been contacted by the Interbeing League, which hopes to eventually bring the Lemurians up to galactic standards with the minimum of outside interference.  Talyina is visited by young Charles Edward Stuart and his Hoka tutor, taking a vacation from the cargo ship of Charlie’s father.

There’s trouble in Talyina, though.  The current king is a usurper and tyrant, and the people grumble.  One drunken night for the tutor and a local warrior later, a prophecy about a destined prince and the tradition of the Young Pretender cast Mr. Stuart in the role of Bonnie Prince Charlie, and the Hoka is now his Highland Scots retainer, Hector MacGregor.  A local lord is pushing Charlie to fulfill the prophecy, and due to the League rules, the boy can’t just have technologically advanced guards come get him.

The prophecy begins to come true, with a little “help”, and the people rally behind their alien prince.  But as events sweep Charlie along, he comes to realize that overthrowing one tyrant may only lead to a worse one taking the throne.  For the sake of Talyina, he must become the hero they deserve, if not the one they think he is.

This is actually a short novel, written for the young adult market.  It’s very much a boys’ adventure in the spirit of Robert Louis Stevenson, with rather more humor.  (All the chapter titles are literary references, for example.)  Charlie moves in a world of men; women are mentioned from time to time, but none are important to the plot, and I cannot remember Charlie ever having a conversation with one.  He does, however, learn not to look down on people just because they’re less educated or technologically advanced.  The bittersweet ending demonstrates how much he’s grown as Charlie chooses to do the right thing rather than the easy thing.

There’s some college papers waiting to be written about colonialism and cultural appropriation in the Hoka stories–much of the humor derives from the latter being turned on its head, and the League tries to avoid the worst effects of the former, but those things are worth considering.

While the first two parts are not specifically written for young adults, they should be okay for junior high students on up.  Some references are likely to go over the heads of younger readers, which makes this a good choice for re-reading later.   Highly recommended to fans of science fiction humor.

 

Book Review: The Blue Fairy Book

Book Review: The Blue Fairy Book edited by Andrew Lang

Once upon a time, (1889 to be specific), British children did not have access to collections of fairy tales.  Educators of the time thought fairy tales were too unrealistic and harmful to children, and beneath adults.  Mr. Lang felt differently; he had delighted in such tales when young, and the Grimm Brothers had done quite well with their books.  He selected stories from many countries, and his wife and other translators brought the foreign ones into English for the first time.

The Colour Fairy Book series was a huge hit, running twelve volumes (finishing with The Lilac Fairy Book in 1910.  But since the Blue book was the first, it’s been the most reprinted (and the one I review here is the 2012 Barnes & Noble edition.)

The Blue Fairy Book

The first thing I was reminded of was how random fairy tales seem at times.  Our hero or heroine will be walking along to get to the main plot, but there is suddenly a glass mountain in the way, and it’s time to work for a blacksmith for seven years to earn iron shoes.  Or a wish will be made for a ship that has St. Nicholas at the helm.

The stories have been bowdlerized (edited to be “safe for children”) which seems to do little to tone down the violence, but I note a couple of stories where a man comes to a woman’s bed and promptly falls asleep there…suspicious.  Other stories seem to have the numbers filed off–“The Terrible Head” is the story of Perseus without any of the names.

I also notice a strong theme of materialism.  Humble and giving though many of the good characters are, there’s a lot of attention paid to sacks of gold, diamond-encrusted dresses, houses with so many rooms you could not visit them in a year, and exotic, fabulous food.   I was surprised when Aladdin used his genie sensibly for a quiet steady lifestyle for several years (until he falls in love with the princess, at which point it’s time to pour on the wealth.)

But still, some classic tales, others that I don’t recall reading before, and well worth looking into.  There are even a couple with active heroines; “The Master-Maid” and “Ali Baba and the Forty Thieves” (Morgiana is the real hero of the story.)

While the Barnes & Noble edition has a handsome, sturdy cover and overall good presentation, it leaves out several stories from the original, and more importantly, Mr. Lang’s introduction.  If you’re mostly interested in reading the stories for yourself, it may be best to download it from Project Gutenberg to get the full text.  The physical copy would do very nicely as a gift for a child with strong reading skills, or a parent looking for old-fashioned bedtime fare.  To that end, I should mention that two of the stories are in Scots dialect, and you should probably rehearse before reading those to your children.

Magazine Review: Conjunctions: 51 The Death Issue

Magazine Review:  Conjunctions: 51 The Death Issue edited by David Shields and Bradford Morrow

Conjunctions is a literary journal published twice a year by Bard College.  Each issue contains essays, short fiction, poetry and less classifiable writing on a given subject, with this issue being about death.  Literary journals tend to have a connotation of pretentiousness, and death is one of the primal subjects, so I approached this 2008 issue with a bit of trepidation.

Conjunctions 51

The issue starts strong with an essay entitled “The Sutra of Maggots and Blowflies” by Sallie Tisdale.  It’s a stomach-churning but very informative look at flies, Buddhism, and the Buddha nature of flies.  The ending piece is “Andalucia” by H.G. Carrillo, the story of a writer mourning his artist lover, who has died of AIDS.

In between, the most memorable pieces are Joyce Carol Oates’ “Dear Husband”, a chilling suicide note; and “St. Francis Preaches to the Birds” by David Ives, a not-quite-working comedic play about the saint’s encounter with vultures.  Several of the pieces caused me to shed a tear.  Sadly, as I cannot make head or tail of the appeal of modern poetry, I feel unable to comment on whether any of the poetry was good.   Two pieces are illustrated with photographs, the only visual art in the issue.

With forty pieces altogether, this is a thick volume that takes some grit to get through.  I understand that the Oates story is in one of her own anthologies, so if noir fiction is your thing, you might want to check that out.   The rest is a mixed bag; see if your library system has a copy of this or other issues so you can see if Conjunctions is something you want to subscribe to.

“I am merely departing”–Lucius Seneca.

Comic Book Review: Showcase Presents the Great Disaster Featuring the Atomic Knights

Comic Book Review: Showcase Presents the Great Disaster Featuring the Atomic Knights by too many to list.  Trust me, a lot of great names.

Between the late 1940s and somewhere in the 1990s, one of the most pervasive fears of the American public was atomic war. For the first time in known history, humans were truly capable of destroying all civilization, perhaps all life on Earth. One of the ways people dealt with this fear was science fiction. After all, the SF writers had forseen the possibility of annihilation well before such a thing was actually possible–and their stories would tell us the ways things might fall out. At DC Comics, this became a loose theme called “The Great Disaster.”

The Great Disaster

Unlike other Showcase volumes, this one collects not one series or character’s appearances, but a thematically linked set of stories, dealing with the aftermath of atomic war. As such, it provides a wide array of notable comics writers and artists.

The volume opens with a couple of stories about people traveling from after the Great Disaster to the present, or vice versa. This is followed by a collection of short-shock stories all titled “The Day After Doomsday”, presenting varied scenarios for what life after the Bomb might be like. Perhaps the most effective of these is the “Adam and Gertrude” trilogy.by Len Wein and Jack Sparling, but they all have their charms.

Then we have the feature event, the “Atomic Knights” stories. These were all by John Broome and Murphy Anderson. World War Three began in October 1986, and lasted less than a month, but wiped out much of human civilization, leaving a world without many animals or plants, and only a few pockets of humans struggling for survival. Into this world comes Sergeant Gardner Grayle. When he joined the Army, they discovered he was exactly average both mentally and physically, but during the War he was trapped in a bomb shelter that collapsed from a near-hit. The experience gave him traumatic amnesia, and only months after the disaster does he come to himself.

Grayle happens to be near a town named Durvale that was relatively untouched by the war, which is to say it’s a total wreck. It’s come under the thumb of the Black Baron (so named because of his hair color) who has managed to corner the local food supply. By coincidence, Grayle and a local school teacher, John Herald, discover that the suits of medieval armor in the museum have become resistant to most forms of radiation, including the ray-pistols used by the Black Baron and his men. There are six sets of armor, and soon Grayle and Herald recruit twin ex-soldiers Hollis and Wayne Hobbard, as well as scientist Bryndon (who is feared and despised for being one of those who made the bombs that ruined the world.) The last suit is deemed too small to be usable by any combat-ready man, so the Atomic Knight five set off. John’s sister, Marene Herald, who is small enough to fit in the last armor, takes it upon herself to follow them, and helps out in a tight situation.

The Atomic Knights became the new force for law and order in the post-apocalyptic world, fighting bizarre radiation-spawned monsters, evil dictators, the remnants of Atlantis and the mysterious mole people (who it turned out had actually caused the war.) Bit by bit, they began to make Earth liveable again.

These stories were all about the cool ideas, and were aimed primarily at children, so scientific plausibility and deep characterization were generally skipped.  Bryndon being reluctant to discuss his pre-War research and the Hobard brothers being jazz fans was about as much as we learned about them as persons.  Speaking of jazz, the early 1960s habit of only depicting white people in comics was on full display on a visit to New Orleans, where names of black performers are dropped, but there are no people of color in town.  Marene, of course, is often excluded from dangerous missions and seems to have no particular skill set beyond “being feminine.”  She even muses to herself that she’s “just a woman!”  Perhaps appropriately, the last official Atomic Knights story from 1963 has her disguising herself as a boy and demonstrating some athletic talent.

Next up are stories of the return of the gods.  There’s a one-shot about Atlas by Jack Kirby that doesn’t tie into anything in particular, but shared a resemblance to his Kamandi series, also set after the Great Disaster. The Kamandi series lasted long enough to get its own Showcase volume, so the next set of stories are Hercules Unbound, which ran 1975-77.

We open with Hercules bound to a rock, as he has been for the last millenium or so. Suddenly, the chains holding him snap–could this mean that Ares, who treacherously bound Hercules there, is dead? No time to think about that, as a blind boy and his dog are battling sea monsters nearby. Kevin, the blind boy, explains that he was in Greece when World War Three broke out, and he set out in a sailboat to see if he can get to his father, an ambassador to the Vatican. As it happens, Ares is in Rome, and very much alive, pitting the remnants of armies against each other for his own amusement. While Hercules triumphs against Ares’ champion, the opening chapter ends in tragedy for Kevin.

Hercules and his companions begin wandering the post-apocalyptic earth, encountering mad gods and mutants. There’s one person of color, a loincloth-clad hunter named Cerebus (not the aardvark) who is repeatedly referred to as “Nubian.” Yeah. The new-fangled “Women’s Lib” is mentioned a few times, mostly in association with Jennifer Monroe, a woman who was a model before the war, and mostly serves as a damsel in distress for Hercules.

Over the course of the series, it ties into OMAC, Kamandi and the Atomic Knights, despite these series not precisely being in continuity with each other. The last couple of chapters return to the question of why Hercules was chained to that rock in the first place; it answers some lingering subplots, ignores others, and flatly contradicts some of the earlier characterization. (The series had changed writers more than once in a dozen issues.)

After that are a few back-ups from Kamandi, and one last “The Day After Doomsday” shock story. To close out the volume, we have a Superman story from 1983. By this time, it was looking less and less likely that we would actually have an atomic war in 1986, and even if we did, it wouldn’t have the future-Fifties design aesthetic and cultural behavior seen in the Atomic Knights series. So when Superman suddenly finds himself in the Atomic Knights future, he is quick to point out the scientific implausibiliy of the scenario. Yes, this is hilarious coming from Mr. “The laws of physics are just mild suggestions.” Turns out it’s a virtual reality scenario gone horribly wrong, with the moral being “The task before man-kind isn’t to survive an atomic war! It’s to work in this world we’re living in to make certain such a war can never begin!” The story is also notable for giving Marene Herald a much more important role.

All together, this is a mixed bag with something for many comic book fans, including rare stories. It’s well worth a loan from your library, and if you’re a collector, consider buying it.

Magazine Review: Out of the Gutter #7

Magazine Review: Out of the Gutter #7 (Winter 2010)

Back in the day, the low-cost entertainment option of choice was the pulp magazine.  It contained fast, exciting stories on cruddy paper–a lowbrow art form that is still fondly remembered by some.  “Out of the Gutter” tries to be somewhat in that tradition.

Out of the Gutter #7

This is the “U.S. vs. U.K.” issue, with alternate stories from American and British authors.  They’re handily arranged by the time it takes to read them, with the shortest stories up front, interspersed with somewhat relevant quotes and bits of non-fiction.

Unfortunately, while the cover promises “pulp fiction and degenerate literature,” the stories tend much more strongly to the degenerate side of the equation.   Lots of drugs, sex (yes, including rape), strong language and of course violence, with few likable characters to be seen.  It’s kind of like pouring habañero sauce on your jalapeños; too much burn and not enough nutrition underneath.

That said, there are a couple of good stories.  “Darkness Creeps” by Stephen D. Rogers is a good snapshot of a petty bureaucrat trying to fix a town one atrocity at a time.  “Real Estate” by Benedict J. Jones is about a finger man investigating drug dealers’ deaths.  And “Pleading and Bleeding” by Charlie Wade follows two police officers tracking down a serial killer with a thing for bankers.

The non-fiction is more varied.  A comparison of infamous murderers of the U.S. and U.K.,  a remixed comic about social etiquette, and a piece suggesting that the Declaration of Independence was written by Thomas Paine rather than Thomas Jefferson are a sample of these.

Based on this issue, I would not recommend this magazine, but it was certainly an interesting read.

Book Review: Global Friendship Vol 5 United Kingdom – Zambia

Book Review: Global Friendship Vol 5 United Kingdom – Zambia by H. Aitoro

Disclosure:  I received this book from a Goodreads giveaway on the premise that I would review it.   (Technically I won Vol 3, but I’m certainly not going to complain about a free book!)

Global Friendship Vol 5

This is a part of a series of books aimed at children 4 to 7 years of age, to introduce them to the concept of international relations and cultural diversity.  It was published in the United Kingdom, so may be difficult to get hold of in the United States.    (You can tell by the little things, like calling your mother “Mum.”)  This volume covers the United Kingdom of Great Britain and Northern Ireland,  Vietnam, West Samoa, Yemen and Zambia.

Each country gets an outline of its borders, a picture of its flag, introductions to typical children in their national costumes, pictures of a few landmarks and stock phrases in the local language.  The national costume of England is a gray business suit with bowler hat and umbrella, but his Welsh, Irish and Scots counterparts are a bit more colorful.

The art is simple, with all the children having identical faces.  The language is also simple, but be warned that most of the foreign words do not have pronunciation guides.  Parents should probably look up the words before reading this to their children.  The paragraphing is off on the introduction of children pages– Each new person speaking should have their own paragraph, even in children’s books.

At the end of the book is a world map that gives a better idea where these countries are.

This is, as said above, an introductory series of books for small children.  Ideally, your kid will become interested in one or more of the countries shown, so that they and their parents can learn more details about that place and its people.  Or maybe they’ll just start singing the “Small World” song over and over.

Related Posts Plugin for WordPress, Blogger...