Manga Review: One Piece #27 & #28

Manga Review: One Piece #27 & #28 by Eiichiro Oda

On a world covered with oceans, pirates run rampant.  Not so many years ago, the so-called King of Pirates, Gol D. Roger, was executed, but before he went, he proclaimed that he’d left all his fabulous treasure in “one piece.”  It’s assumed that finding that treasure would make you the new Pirate King.  One of the pirates looking for that treasure is Luffy D. Monkey.  As a boy, he ate the Gum-Gum Fruit, a “Devil Fruit” that made his body like rubber, able to stretch at will, at the cost of being unable to swim.  (not a good thing for someone who travels on water!)

One Piece Volume 27

Enthusiastic but not overly bright, Luffy set sail to assemble a pirate crew full of wacky characters.  The Straw Hat Pirates sail the seas in search of the One Piece and their own individual goals, and along the way they help people–especially if it involves treasure or a good scrap!

This manga series has been running in Weekly Shounen Jump since 1997, and is still going strong after twenty years.  The general plot structure is that the Straw Hats  sail into a new area, meet a new cast of local characters, discover a problem in the area that must be solved (usually through a series of battles), resolve the problem, then sail off.  Every so often, a new member will join the crew.  This structure has served the series well, and Oda often brings older characters back for cameos or extended stays.

The series is primarily comedic, and often has laugh out loud moments, but also has heartbreakingly dramatic passages.  The art is cartoony, well suited to the many characters that have transformation powers of some kind.

The volumes at hand, #27-28, are set in the Skypiea arc.  Having learned of the existence of the White-White Sea, a semi-solid to solid cloud area, the Straw Hats modified their ship, the Merry Go, to be able to survive being launched into the air to visit this natural wonder.  They arrive in Skypiea, a cloud island within that sea.

One Piece Volume 28

At this point in the series, the Straw Hats crew consists of:  Luffy (captain), a jolly fellow with stretching powers; Zolo (mate), a former bounty hunter and master of the Three-Swords fighting style; Nami (navigator), former thief and the greediest member of the crew, she wields a staff with some weather modifying powers; Usopp (sharpshooter), a cowardly liar who’s good with distance weapons and has some gadgeteering skills; Sanji (cook), a ladies’ man who fights with his feet; Chopper (doctor) a young reindeer who ate the Human-Human Fruit and became a were-human; and Nico Robin (historian), an archaeologist who ate a Devil Fruit which allows her to manifest extra body parts…anywhere she wants.

Shortly after arrival in Skypiea, the Straw Hats are declared criminals by the mysterious “Kami” of the island.  They do have some allies, however, including “Sky Knight” Ganfor, the previous Kami.  He explains that “kami” is normally just the title for the ruler of Skypiea.  And it’s time for some tragic backstory.

It seems that objects from the surface world that come up to the White-White Sea are called “varse”.  And the most valuable varse is ground that can grow plants, extremely rare in these parts.  But about 400 years ago, half of a large surface island somehow got blown up into the clouds and fused with Skypiea.  Yay, land boom!  The bad news was that the land was already inhabited with surface dwellers.

The sky people drove the surface dwellers from their home and took over.  The displaced people became the Shandians, a resentful tribe that trains in guerilla tactics to regain their homeland.  Ganfor was trying to negotiate a peaceful solution (not helped by Shandian leader Wyper being a hard-liner) until six years ago, when Eneru and his vassals arrived.  They’d heard of a resource the Skypieans had (gold) that Eneru wanted (but not for the reasons you’d think.)

Eneru defeated Ganfor, making him the new kami, and took over the island.  His rule is harsh and tyrannical; no one can enter the forest beyond which Eneru lives, outsiders are forbidden, and speaking against the government is a crime.  But you can still oppress the Shandians if you like, Eneru’s cool with that.

Eneru’s four vassals are a step up from the opponents the Straw Hats have faced up to this point.  They are among the minority of sky people who are born with “mantra”, a sense that allows them to predict people’s movements by listening to their bodies.  This is a distinct advantage in combat!

Eneru also controls the Heavenly Warriors that used to work for Ganfor; they’re loyal to the office, not the person.  And Eneru himself (though it’s not explicitly stated in these volumes) is not just able to control lightning, he is lightning.  This makes him so much more powerful than any other sky person that he considers himself a true “kami” (god.)

The Shandians are anti-Eneru, but refuse to ally with any sky people or surface people due to pride.  Thus they’re as likely to attack people who want the same goals as their actual enemies.  Eneru finds this hilarious, and when the Upper Yard is invaded by those who oppose him, he treats the whole thing as a game.

There’s a bit of moral complexity here; Ganfor sincerely wants to make peace with the Shandians, but comes from a place of privilege, wanting them simply to forget the wrongs of the last four centuries and behave as though the Skypieans are doing them a favor by sharing the land.  Wyper, meanwhile, can only see the wrongs done his people, and demands revenge rather than compensation.  He refuses to compromise, even when it would improve the lot of his followers.

There’s some fun use of powers and unusual weapons–this arc is where the “dials”, seashell-like objects that can store qualities like impact, heat or scent for release later, are introduced.  And as so often in One Piece, there are amazing battle scenes.  All the Straw Hats get moments to shine.  There’s even a bit of movement on the “Missing Century” plotline, as Nico Robin discovers relics from that period.

However, because these are middle chapters in an ongoing battle arc, people who want complete stories might find these volumes less than satisfying.  (And Chopper’s victory is pretty much handed to him rather than won.)

There’s also a “splash page” story concerning the villain of a previous plotline, Wapol, going from homelessness to success as a toy manufacturer.  He might not be a king any more, but he’s rich and has a hot wife.

Overall, One Piece is a fun and engaging manga with twenty years of continuity to catch up on.  I especially like that it took fifty volumes for a female character whose primary motivation was being in love with the male hero (Luffy) to show up, and then she turned out to be a parody of that kind of character.  (On the other hand, there’s some transphobic “humor” in some volumes that does not sit well with many readers.  Recommended for teenagers and people who love shounen manga.

Manga Review: Haikyu!! 1

Manga Review: Haikyu!! 1 by Haruichi Furudate

It is the first game of the junior high boys’ volleyball tournament, between Kitagawa Daiichi Middle School and Yukigaoka Middle School.  While the first school is known for its strong volleyball program, the other…isn’t.  Yet the stars on each team have something in common.

Haikyu!! 1

Shoyo Hinata of Yukigaoka has been in love with volleyball since he saw a particularly thrilling game on television as a child.  A relatively short player nicknamed “the Little Giant” showed his skills leading Karasuno High School to victory.  This inspired the undersized Hinata, and he began practicing his skills.  But his school didn’t have a boys’ team, and he turned down the offer to join the girls’ team.  So for several years he was the only member of the volleyball club.  In this, his final year, he’s finally scraped together enough members (including loaners from other sports teams) to enter the winter tournament.  Pity none of the other team members has skills!

We don’t learn as much yet about Tobio Kageyama’s background, but he’s got a reputation for being a natural genius at volleyball, called “The King of the Court.”  The catch is that his Kitagawa teammates gave him that nickname not for his skills, but for being a royal brat who is the “I” in “team.”  His attitude is sour, but he’s the only one who respects Hinata as an opponent.

The game is a blowout, of course, but Hinata encourages his team even though they let him down time after time, while Kageyama berates his team for being less than perfect.  Despite Hinata’s despair at losing the only full volleyball game he’ll get to play in junior high, his team feels better about their loss than Kitagawa does about their win.  Hinata marks Kageyama as his arch-rival and promises they’ll meet again in the high school tournaments.  Kitagawa is soon eliminated from the tournament as well, though Hinata barely notices the news.

Hinata chooses to go to Karasuno High School, a half hour away by bicycle, because of his memories of the televised game, even though he has heard their volleyball program is not as good as it used to be.  He is shocked to discover that Kageyama is also attending the school, even though he should have been getting a full scholarship from the school district’s top volleyball high.  Kageyama angrily explains that he was rejected, but does not elaborate.

The two immediately begin quarreling, which causes some issues with the vice-principal.  Daichi Sawamura, the volleyball team captain, bans both of the rookies from the team until they’ve learned to work together.  This will be shown in a three-on-three match.  Hinata and Kageyama will be teamed up with the thuggish-looking (but really a huge goofball) Ryunosuke Tanaka, while Daichi will be with the other two rookies, who haven’t been introduced yet.

Can the short kid with speed and jumping skill learn to work with the genius setter in time?

This popular sports manga appears in Shounen Jump Weekly and has had three seasons of anime adaptation.  Volleyball (haikyuu in Japanese) was one of the first sports to get an ongoing manga/anime in the form of Attack! Number One and remains a popular sport in Japan.

The story gives us two protagonists who both must learn teamwork for different reasons, but slightly disguises it by having them set up as rivals in the first chapter.  Hinata’s easier to like, but has a tendency to stick with boneheaded decisions well past the point it’s clear they’re not working out.  Kageyama is quick to point out that never giving up doesn’t work if you don’t have the skills and strength to pull it off.  The taller boy, meanwhile, has to learn how to adapt to the teammates he actually has, rather than expect everyone to match his level.

The rest of the Karasuno team is the usual assortment of quirky types; the most developed in this volume is Tanaka.  His skinhead haircut and habit of sneering at people he doesn’t know makes Tanaka look like a troublemaker, but he’s actually just very intense and a hopeless romantic.

As is common in boys’ sports manga, the only named female character in the first volume is Kiyoko Shimizu, the pretty but shy team manager.  Tanaka is open about his crush on her, which she tactfully ignores.  It’ll be quite a while (I’ve seen the anime) before we get any others worth mentioning.

The Karasuno High School vice-principal is very much a stock character, pompous, obstructive and wearing a bad toupee; thankfully he mostly goes away after this volume.

This first volume is mostly about introducing characters and setting up the initial conflicts; it will be a while before the manga gets to the serious sports action.  We also get little bits of explanation about volleyball for the new reader, and character profiles indicating strong and weak points for the cast.

The art is generally good, with strong crow motifs for the Karasuno team, but every so often the artist uses “crazy eyes” when he shouldn’t.

There’s little here that should be objectionable for sports-minded middle-schoolers on up, with strong themes of persistence, teamwork and (eventually) friendship.  Recommended primarily to young volleyball fans.

Let’s have the opening for the first anime season!

Manga Review: Futaba-kun Change! Vol. 1

Manga Review: Futaba-kun Change! Vol. 1 by Hiroshi Aro

Futaba Shimeru is a junior high school student whose voice has recently changed, and has started noticing girls, especially his pretty classmate Misaki.  One day, a wrestling club teammate gives Futaba a girlie magazine, and the young fellow retreats to the boys’ room to read it.  The revelation of what girls look like under their clothes is exciting, and Futaba realizes this would apply to Misaki as well, and he becomes so excited he passes out.

Futaba-Kun Change Vol. 1
Actually the Studio Ironcat cover for the sixth story, depicting both Futaba forms at the same time.

When Futaba wakes up, he is startled to discover that he himself is now possessed of female anatomy, and partially undresses to check that yes, it’s for real.  It’s at this point Futaba’s wrestling teammates burst  in looking for him and find a half-naked girl instead.  Some scary moments and the discovery that the transformation is not permanent later, Futaba arrives home and discovers that (unbeknownst to him) his entire family switches sex on a regular basis!

This 1990s shounen manga series was a fairly blatant “follow the leader” of Rumiko Takahashi’s Ranma 1/2, but soon goes off in its own direction.  Most notably, while Ranma’s female form was treated more or less as a flesh disguise for the very male Ranma, Futaba’s two forms are both natural to his/her biology and over the course of time he/she is able to switch mental gears as quickly as the physical changes occur.  There’s also more attention to what those physical changes involve, which leads to some body function humor over the course of the story.

The series ran eight volumes with an abrupt genre change in the last volume; the author had to wrap it up because of falling sales.  It was originally brought to the U.S. by Studio Ironcat but has long been out of print.  This new version is only available on Kindle.  Nipples have been erased, and there are a couple of instances where the junior high school is referred to as “university.”

Most of the characters have over the top personalities for the sake of humor; for example, Misaki is very superstitious, while her friend Negiri is a money-grubber.  This is less pleasant in the case of Futaba’s older sister Futana, who is very lecherous (even hitting on Futaba!) and Mr. Sabuyama, a teacher who lusts after teenage boys.  The humor also relies heavily on selective obliviousness; not only has Futaba somehow failed to notice his entire family changing sex, but the very distinctive school principal runs around in a superhero costume every so often and his own daughter fails to make the connection.

There’s a lot of male-oriented fanservice, with the occasional pretty boy tossed in.  There’s also quite a bit of slapstick violence–especially in the battle tournament in later volumes.  The sexual harassment humor has not aged well.

Recommended (with reservations) for gender-bender comedy fans, and those who like Nineties manga.

Anime Review: Jojo’s Bizarre Adventure: Diamond Is Unbreakable

Anime Review: Jojo’s Bizarre Adventure: Diamond Is Unbreakable

Josuke Higashikata (the kanji for his name can also be read as “Jojo”) has lived all his life in the northeastern coast city of Morioh with his single mother and his police officer grandfather.   When he was a small child, he became deathly ill for several weeks, and at one particularly dangerous moment, the family was helped by a passing stranger with a distinctive hairstyle which Josuke later adopted in gratitude.  Ever since recovering from his illness, Josuke has been able to manifest a Stand, a psychic projection that allows him to smash things and then fix them (he doesn’t have to put them back together in the original configuration.)  He calls his Stand Crazy Diamond.

Jojo's Bizarre Adventure: Diamond Is Unbreakable

On the first day of high school, he and his new classmate Koichi Hirose meet a mysterious stranger who turns out to be Jotaro Kujo, a marine biologist who is Josuke’s nephew.  Say what?!  It seems that Josuke’s father is Joseph Joestar, an aging millionaire who had a brief affair with Josuke’s mother some years back.   Jotaro is his grandson by Joseph’s marriage.  The family only now discovered Josuke’s existence, so Jotaro came to establish contact and deal with any legal issues…and also warn Josuke that there is a hidden evil in Morioh.  And so the bizarre adventure begins!

This is the fourth installment of the Jojo’s Bizarre Adventure series of series about the Joestar family, based on the manga by Hirohiko Araki.  The story is set in 1999, the near future at the time (which might explain some of the bizarre fashions the school-age characters are allowed to wear to school…but I doubt it.)  It’s a strong contrast to the previous installment, Stardust Crusaders.  Instead of a race against time across an entire continent, it’s about a number of incidents that interrupt the daily lives of people in a single small city.  Unlike the world-conquering DIO, the ultimate villain of Diamond Is Unbreakable just wants to be left alone to live a quiet life as a serial killer.

However, this series also strongly ties back to the earlier ones.  In addition to the returning characters of Jotaro and Joseph, this storyline reveals at least some of the mysteries behind the power of Stands.  It turns out there are arrows tipped with meteoric stone; anyone pierced by them gains a Stand, but not everyone survives the process.  This is how DIO got his Stand (and somehow passed the change down to everyone related to Jonathan Joestar, whose body he was wearing at the time), and created many of his minions.

After the events of Stardust Crusaders the stone arrows wound up in Morioh, and several people have been pierced (and in addition people who were born with Stands have moved to the city, as Stand users tend to attract each other as if it were fate.)  Most of these people are at least initially hostile–it’s good that Josuke has friends!

Josuke’s Stand reflects his central trait of compassion, but his kindness is leavened by being much more of a “teenager” than Jotaro ever was.  He likes goofing around and more than once comes up with a get rich quick scheme based on his and other people’s powers.  He’s also very touchy about his hair.  Josuke is initially hostile to the now-seemingly senile Joseph, but eventually warms to his old man.

Koichi is a short, wimpy fellow who initially does not have the fighting spirit to survive being imbued with a Stand, and only lives due to Josuke healing him.  He undergoes the most character development of the heroes, learning how to use his Stand Echoes (which evolves along with him) and finding his true courage.  His personality is less off-putting than Josuke’s, and he makes more friends, even getting a love interest!

Okuyasu Nijimura is initially an enemy, but this is largely due to the influence of his brother Keicho, who was creating Stand users to find a solution for their father, who had been a hidden servant of DIO and became severely mutated as a result.  After Keicho’s murder by a would-be crimelord, Okuyasu joined the heroes to get revenge, and quickly became Josuke’s best friend.  Okuyasu’s simple but powerful Stand The Hand is seldom used to full advantage as he is kind of stupid.  (“I’m not very bright, you know” is Okuyasu’s catchphrase.)  He’s also most of the comic relief.

Jotaro Kujo is still the same stoic badass we saw back in Stardust Crusaders, but more educated.  He appears relatively seldom, preferring to concentrate only on the main enemies, but is much feared by the villains due to his Platinum Star Stand having a time stop ability, and having managed to defeat DIO.

About midway through the story, we also meet Rohan Kishibe, an extraordinarily gifted and arrogant manga artist whose stand, Heaven’s Door, allows him to read people like a book.  Literally.  Rohan turns out to have a deeper connection to Morioh’s mysteries than he ever suspected, and becomes allied with the heroes.

The unique Stand abilities and the differing personalities of the main characters allows for interesting battles-it’s seldom as simple as overpowering an enemy, but requires lateral thinking, use of the environment and quickly understanding the implications of how the Stands interact.

The anime adaptation has been slightly rearranged to foreshadow the existence of the final villain and make the flow a little more even.  Still, there are a few episodes that feel like padding.  (The best of these, “Let’s Eat Italian!” is a brilliant inversion of a common episode plot in the third series–in that one, any time our heroes entered a shop or eatery with a bizarre-acting proprietor and weird things happened, it was a deadly trap, while in this episode, the outcome is entirely different.)  I had to force myself to finish the episode that introduces Mikitaka, who is probably an alien, as it was just too sitcom.

The source material was aimed at boys, so it’s not too surprising that there is less for female characters to do.  The most prominent is Yukako, a classmate of Koichi’s who falls in love with him,  Unfortunately, she is a yandere (sweet on the outside, stalker-crazy on the inside) girl who makes Koichi very uncomfortable before learning to dial it back a few notches, at which point he begins to return her interest.  Sadly, despite her fearless nature and useful Love Deluxe Stand, which allows her to control her hair even when it’s detached from her, she fades from the story once she reforms and doesn’t help out in any further battles.

Then there’s Reimi, a ghost bound to the alleyway she died near, and who has important clues to the final villain.  A small role, and she’s not very powerful, but does get a couple of great scenes.

As a violent action series where two of the villains are serial killers, there’s quite a lot of blood in various scenes (though actual wounds are blacked out) and one episode has full-frontal male nudity.  One villain has committed rape in their backstory, but doesn’t get a chance for it in the present day.  There’s also an extended and really creepy subplot in the later episodes that may be too uncomfortable for some viewers for spoilery reasons.

Due to trademark issues, many of the Stands (which have music-relateed names) have been renamed in the subtitles.  Crazy Diamond, for example, is renamed “Shining Diamond” even though you can still hear the characters saying the original name in English.

Overall, this series is a lot of fun for fans of superpowered battles.  If you liked the previous installments, you will probably enjoy this one–if your watching of Jojo starts here, you might be a bit confused for the first few episodes relying on readers remembering previous events.

Manga Review: Shonen Jump Weekly (2016)

Manga Review: Shonen Jump Weekly (2016) by various creators.

It’s the fourth anniversary of this blog (where does the time go!?) and thus my annual review of the online edition of Weekly Shounen Jump, Japan’s best-selling manga anthology.   The 2016 reaper has been busy here as elsewhere, with several long-running series ending:  Bleach, Nisekoi, Toriko and even the record-setting but mostly unknown outside Japan Kochikame (a gag series about a lazy cop in a quiet neighborhood police station.)  World Trigger and Hunter x Hunter are on indefinite hiatus due to creator health issues.  So let’s take a look at what’s left, starting with the weekly series.

Weekly Shonen Jump (2016)

One Piece: Now the tentpole long-runner of the magazine, the story of the Straw Hat Pirates as they sail around a world of mostly water in search of freedom and the ultimate treasure continues to be awesome, though the cast is perhaps now too large to fully utilize all of them properly.  Currently, the plot is centered around Sanji, the ship’s cook and would-be ladies’ man.  His unpleasant family has caught up with him, and Sanji is being forced into a political marriage with Pudding, the daughter of Big Mom, one of the Four Emperors.  Naturally, the rest of the crew and a few new allies are determined to rescue Sanji…even if he doesn’t want to be.

My Hero Academia:  The kids of Class 1-A have almost all gotten their provisional superhero licenses.  One of the exceptions is the explosive Bakugou, who has almost but not quite figured out the connection between formerly Quirkless classmate Deku and the now powerless All-Might.  Bakugou and Deku are now having a discussion about their relationship, and in the tradition of both superhero comics and shounen manga, they’re having it with their fists.  Still one of the best superhero school comics out there.

The Promised Neverland:  New this year, and the most promising of the newcomers.  Emma and the other children in the orphanage never questioned the rules about not leaving the grounds, or wondered what happened to the kids who were adopted.  Until the day they learned the horrible truth–the children who leave are eaten by demons!  Now Emma and the two smartest boys in the orphanage, Norman and Ray, must figure out a way to escape, even though Mother Isabella and Sister Krone are keeping a sharp eye out for potential trouble.

We’re still in the early stages of the plot, and much remains mysterious–just what is Isabella’s real motive here?  Do the demons control all of Earth, or just the area around the orphanage?  Just where is the orphanage anyway?  With all the plotting and counter-plotting, this is so far a worthy successor to Death Note.

Black Clover:  In the world where everyone has at least some magical ability except Asta (who now has anti-magic), the Black Bulls are the dregs of the Magic Knights of the Clover Kingdom.  But just because they’re a ragtag bunch of misfits doesn’t mean they’re pushovers!  Currently, two groups that are enemies of the Clover Kingdom have teamed up to attack the Witches’ Forest–good thing the Black Bulls just happened to be there to get medical attention for Asta’s arms!

Food Wars!:  Soma’s education at the elite culinary school Totsuki Institute is threatened when an embittered former student, Azami Nakiri, takes over the school and insists that everyone must now cook only the recipes he likes in the way he prescribes.  Soma and his fellow rebels have been whittled away by rigged final exams, but now Azami’s old classmate (and Soma’s father) Joichiro has shown up to propose a team shokugeki (cooking contest) for all the marbles!  Can the Polar Star team win, even with Azami’s genius chef daughter Erina on their side?

RWBY:  Based on the popular webtoon, this manga covers events that happened before the four girls who make up the RWBY team joined together at their school for monster hunting training.  The current plotline involves Blake (the “B”), who is a member of the Faunus, a humanoid species that is discriminated against by the majority humans.  She was once a train robber to help her people, but her partner Adam crossed the line….  I have not been very impressed with this tie-in.

The most recent issues have two “Jump Start” series that have just started in Japan and may be added to the regular rotation.

Demon’s Plan involves two boys who grew up in a slum together, working hard and saving money for a chance to get a wish from an artifact known as “the Demon’s Plan.”  It turns out that artifact was a fake, but in  the process the owner of the real thing shows up and turns them both into “demons” who must now battle other demons and eventually each other.  The one  who’s less enthused about that idea has made it to the big city in search of the cruel creator of demons.  Could be good, not hitting me well just yet.

Ole Golazo is about a lad named Banba who was a tae kwon do champion before being banned from the sport for fighting.  (In fairness, he was provoked beyond endurance, but rules is rules.)  Adrift in high school, he develops a crush on a girl, and tries to join the soccer team she manages.  Banba has amazing kicking skills, but knows nothing of the rules and customs of “the Beautiful Game.”  Can he be trained to work with a team to achieve victory?  Very reminiscent of the early chapters of Slam Dunk and has some likability.

And then there’s monthly features as well, so let’s look at those–

Seraph of the End:  On the post-apocalyptic world, our heroes have gone AWOL from the Demon Army (which is humans who use demon weapons that if abused will turn them into demons) and teamed up with the nicest vampire they’ve met so far.  They’re in a tenuous alliance with some vampires that seem to be rebelling against their top-heavy social order, but who are not to be trusted.  In the most recent chapter, annoying vampire Crowley reveals he is far more powerful than he’s been letting on.  But he’s still well below the person the alliance will need to beat for the next step of the plan.

Blue Exorcist:  The focus is off Rin “Son of Satan” Okamura for the moment, as his classmate in exorcism training Ryuji works with unorthodox investigator Lightning to discover what happened to several missing people on the Blue Night.  It seems there’s a secret laboratory located on a different time axis below the cram school.

Boruto:  A sequel to the long-running Naruto series starring the son of Naruto.  His father’s turned into a boring bureaucrat who’s hardly ever home, and Boruto tries to get his attention by winning big in a multi-village tournament/exam.  Except that Boruto is talked into using some devices that are against the rules, and is shamed by his father for it.  Now, Naruto has been captured by new villains, and Boruto must regain his honor by joining the rescue team.

Yu-Gi-Oh! Arc-V:  I have actually completely lost track of what the plotline is supposed to be, though it seems that both the multiple personality protagonist and his arch-enemy have traveled back in time from when children’s card games destroyed the Earth.  I’m not even sure a full twenty-four hours have passed since the beginning of the series, and certainly the card game school mentioned early on has gotten zero development since.  This is a hot mess.

One-Punch Man:  Saitama, the superhero who can defeat any opponent with a single punch (and that really sucks for him) is participating in a martial arts tournament in a wig disguise.  Meanwhile, most of the other heroes are dealing with a huge monster infestation.  Slow going, but still very amusing.

Although the loss of several popular series seems to have caused a drop in sales for the print edition, the online version is still excellent value for money and is highly recommended for fans of shounen manga.

Manga Review: Case Closed Vol. 59

Manga Review: Case Closed Vol. 59 by Gosho Aoyama

Quick recap:  When teen genius detective Shin’ichi Kudou (Jimmy Kudo in  the American edition) is targeted by a mysterious criminal organization, the experimental poison used shrinks him to child size rather than killing him.  Assuming the identity of Conan Edogawa, the pint-sized sleuth moves in with incompetent private eye Kogoro Mouri (Richard Moore) and his daughter Ran (Rachel), who is Shin’ichi’s love interest.  Now Conan solves mysteries, but must be more clever in how he lets the police know whodunit, as his true identity and capabilities must remain secret.

Case Closed Vol. 59

In the volume to hand, #59, the Rena Mizunashi subplot has a shocking conclusion…at least for now.  The Black Organization seems to be fooled, but for how long and at what cost?

Then Kogoro’s ex-wife Eri (Eva) keeps an appointment at the hairdresser’s, only to have the beautician’s ex-boyfriend turn up dead nearby.  Conan must break a seemingly perfect alibi.  There’s another near-miss for Eri and Kogoro getting back together.

The “Centipede” case follows, as two families’ sons are murdered in bizarre fashion, each with a centipede dropped near the corpse.  The parents initially suspect each other due to a long-standing feud, and Kogoro and Osakan teen detective Heiji (Harley) are called in on opposite sides.  Heiji and Conan quickly ally as more murders happen according to a pattern inspired by famous samurai Lord Shingen and his battle motto, “Fuurinkazan.”

This case also introduces a new police character, Kansuke Yamato of Nagano.  He’s crippled and scarred from an avalanche, which has the advantage of making him very distinctive and unlikely to be confused with the many other cops in this series.  He independently works out the identity of the killer, but the younger detectives are still very useful.

The volume concludes with Eisuke, Rena’s brother, returning to school and being talked into a karaoke party.  Conan spots an FBI agent tailing Eisuke, but when the agent then turns up dead, is Eisuke the killer, or is it the Black Organization…or someone with no connection to that case?  You’ll need to wait for the next volume to find out!

As always, the art is decent, and the writing fun.  I really appreciated that the new police detective was competent and didn’t need to be handheld by Conan as so many of the others do.  The only real flaw is that the first chapter depends so heavily on previous knowledge of the Rena subplot that it’s likely to be confusing to someone who picked up the book randomly.

The U.S. release is still years behind Japan, so it may be a while before we learn the next parts of the subplots.

Manga Review: Nichijou: My Ordinary Life (1)

Manga Review: Nichijou: My Ordinary Life (1) by Keiichi Arawa

The ordinary lives that all of us lead every day might perhaps be a succession of miracles.

This is the story of four ordinary high school girls living their ordinary everyday lives.  Yukko, cheerful but not very bright; Mio, who’s of average intellect and has an artistic streak; the quiet and book-smart Mai; and Nano, who’s a robot with a wind-up key in her back.  They all have their little quirks, and strange things happen often, but it’s all a part of ordinary life.

Nichijou: My Ordinary Life (1)

Nichijou (“Everyday”) is a shounen (boy’s) comedy manga that ran from 2006-2015, with an anime adaptation in 2011.  There isn’t much of a narrative arc; most of the stories depict short scenes from the lives of one or more characters’ daily lives…strange as those events may be.  There are some recurring themes, the most frequent of which is Nano’s desire to blend in with humans, and her frustration with her inventor/ward, eight year old mad scientist Professor Shinonome, who refuses to remove the key in  her back.

In this first volume, we are introduced to the main characters as they head to school in the morning (Nano doesn’t quite make it.)  Yukko tries to figure out why Mai is ignoring her.  Nano has difficulties with new functions the Professor installed in her body.  The pretentious Sasahara (drama club president) and hot-tempered Misato (kendo club member) try to decide what to do for the cultural festival.

There’s a school assembly led by Principal Shinonome (who may or may not be related), known for his “dad jokes” and the intensely shy Ms. Sakurai.   Yukko witnesses a wrestling match between the principal and a deer–and can never tell anyone.  Yukko and Mai play rock-paper-scissors.  Yukko and Mio build a card house (this is a silent chapter.)  Yukko fails to study for finals, and the questions seem indecipherable.

Yukko tries to finish her lunch despite dropping a key ingredient.  Nano and the Professor have cake.  Ms. Sakurai tries to enforce school rules on Sasahara.   Mio belatedly remembers she drew an embarrassing picture in her notebook when Yukko tries to borrow it.  Mio gets a part-time job that sucks.  Yukko finally did her homework on time, but didn’t remember to bring it back to school.  Nano suffers from over the top comedic reactions due to the Professor’s latest modifications.

The short pieces are usually funny, though some of them rely on Japanese conventions of comedy that might be opaque to newer readers of manga.  The lack of focus and chapters where nothing much happens might also make this less appealing to some readers.  Also, there’s some slapstick violence.

I especially like the card house chapter, which utilizes suspense and the previously established characterization to build to a silly conclusion.

The art in this first volume is less than stellar, and suffers greatly from “same face”–the artist improved greatly over the course of the series.

A word or two more about the anime:  It does not present the sketches in the same order, allowing it to have a plot arc where Nano has to convince the Professor to let her attend school.  It also has interspersed gags from the creator’s other series Helvetica Standard, and in the second half of the season, the closing credits feature a different song each time.

I recommend this series for fans of sketch comedy and magical realism.

And now, a music video based on scenes from the anime:

Anime Review: InuYasha Movie 4: Fire on the Mystic Island

Anime Review: InuYasha Movie 4: Fire on the Mystic Island

Once upon a time, Horai Island was a peaceful land where humans and youkai (Japanese monsters, called “demons” in the dub) lived in harmony.  To protect themselves and their hanyou (“half-demon”) children from less tolerant mainlanders, the people of Horai erected a magical barrier that made the island inaccessible from normal reality, only resurfacing, Brigadoon-like, once every fifty years.  Unfortunately, during one of the brief access points, Horai was invaded and conquered by demons calling themselves “The Four War Gods.”

Inyasha Movie 4: Fire on the Mystic Island

Fifty years ago, the hanyou known as Inuyasha and his then companion, the priestess Kikyo, stumbled across the island and had an inconclusive battle with the War Gods before the access ended.   Now the barrier has lifted again, and one of the handful of hanyou children who have so far survived the War Gods’ cruel rule manages to escape temporarily.  She promptly runs into Inuyasha and his new friends, who decide to do something about the situation.

This animated movie is based on the anime adaptation of Rumiko Takahashi’s shounen (boys’) manga, InuYasha.  The manga is about a modern schoolgirl, Kagome, who travels through time to Japan’s Warring States era.  There she runs into Inuyasha, the son of a powerful dog demon and a mortal woman.  Despite some initial misunderstandings, Kagome joins Inuyasha in a quest for the pieces of the Jewel of Four Souls, which will allow the lad to become fully youkai or fully human (he says the former, but there are hints he might choose the latter.)  Along the way, they gather a group of quirky companions, and a couple of people who show up often but never formally become their friends.

It’s somewhat of a tradition for animation companies in Japan that are producing a long-run TV series to also put out movie-length features timed for Golden Week (a series of national holidays that all come within a week in spring) or the summer break so kids and anime fans have something to go to movie theaters for.  (And even other folks if the weather is bad.)   These stories are generally self-contained; fans can tell approximately where in the series the story would fit in, but often there is no actual space for it to go, and they almost never affect the continuity of the main series (or are even mentioned in it!)

This one is a bit special as it came out during a hiatus between the main InuYasha series and the second one which adapted the final plotline from the manga.  As such, it’s a bit of a farewell performance for those production people who didn’t get picked up for the later show.

For fans of the anime, this is a treat with all the favorite recurring characters (even if they have to be shoehorned in) and running gags.  There’s exciting action, all the main characters get a cool moment, and the Four War Gods (based on the four directional gods) are hissable and powerful.  There are also some parts with better animation than the TV show thanks to a higher budget.

For those coming in cold, however, this movie probably isn’t the place to start.  For example, the story just assumes the viewer knows the elaborate backstories of Kikyo (now undead) and Sesshomaru (Inuyasha’s full-demon half-brother) and doesn’t explain them at all, which is likely to be baffling to the first-timer.   (Especially as there is a second Kikyo running around for a while!)  The War Gods don’t get much characterization beyond “like beating people up and resent being thwarted.”

While this is most assuredly a kids’ movie, sensitive parents should be aware that there is a certain amount of blood mixed in with the fantasy and slapstick violence, and there’s some non-graphic female nudity.  Also, Miroku the fallen monk engages in some sexual harassment of professional demon hunter Sango, and this is played for laughs.

Recommended primarily to InuYasha fans who somehow missed it before; newcomers should try the first few volumes of the manga or the beginning of the TV anime instead.

 

Manga Review: Nisekoi

Manga Review: Nisekoi by Naoshi Komi

Raku Ichijo is a mild-mannered teenager who just happens to be the heir-apparent to the Shuei-Gumi Yakuza clan.  He wants nothing to do with this, intending to become a strait-laced civil servant when he grows up.  Raku also dreams of romance.  He has a lock pendant from ten years ago, that he promised to keep so a girl could unlock it with her key and they would get married.  Unfortunately, he no longer remembers the girl’s name or appearance.  But he wouldn’t mind if she was his current crush, Kosaki Onodera, who is sweet and shy.

Nisekoi Volume 1

However, another girl comes crashing into Raku’s life, knee to face first.  She’s Chitoge Kirisaki, a boisterous, half-American girl who’s very pretty and athletic, but sorely lacking in proper deportment.  Raku and Chitoge get on like mongoose and viper, each seeing the other as the source of problems.  (Most notably, Chitoge accidentally caused Raku’s pendant to go missing.)  Over the next couple of weeks, being constantly thrown together allows them to learn each other’s bad points and some of their good, but at last it looks like they’ve reached a truce.

It’s at this point that Raku’s father announces that in order to make a truce with the new criminal organization in the city, the Beehive Gang, Raku must enter into a false relationship (the nisekoi of the title) with the daughter of that gang’s leader.  Who is, of course, Chitoge.  In order to keep peace between the gangs, they must pretend to be lovey-dovey, while in reality they drive each other up the wall!

Legend has it that Komi’s previous series, Double Arts, was innovative and took some creative risks, but struggled to find an audience and was cut short.  So he deliberately made this romantic comedy series as cliched as possible, but as well-written as he could manage to capture sales and series longevity.  And yes, many elements of the series are very predictable.  Of course Onodera secretly has a crush on Raku she’s too shy to ever act on.   Of course Raku and Chitoge find themselves growing closer even as they valiantly struggle against such feelings.  Of course new wacky characters appear to cause more complications in their lives as the circumstances force them into sitcom antics.

Most of the time, it’s done quite well, and is enjoyably readable.  There’s just enough of a twist at times to keep it from being completely obvious, and most of the characters are kind of likable when they aren’t being sitcom stupid.

Like many Shounen Jump series, there was a long period in the middle where the manga seemed to be spinning its wheels, doing fun stories, but no real plot advancement.  Then about a year real time before the series ended, Komi started resolving plot points one after another, devoting arcs to clearing away the complications that prevented the central relationship from advancing.  The ending, while also in its way cliched, was very satisfying.

There’s also an anime adaptation of the early part of the manga.

I have the first volume to hand.  After the initial set-up, Raku and Chitoge are forced to go on their first (fake) date, which is something of a disaster, especially when Onodera stumbles on them together, and is convinced the relationship is real.  There’s also the reveal that Onodera wears a key pendant that looks like it might fit Raku’s lock pendant.  Could she be the promise girl?

This is followed by the entire school finding out about the (fake) relationship, so Raku and Chitoge can’t even let their guard down there.  The final chapter in the volume reveals that neither Chitoge nor Onodera can cook, good thing Raku can!  The main menace in this volume is Claude, security chief for the Beehive gang.  He’s pretty sure the relationship is fake, and keeps spying on the couple.  (He fades into the background a bit in later volumes when his teen protege Tsugumi is introduced as Chitoge’s bodyguard.)

The series is fanservice-light, with slapstick violence, so should be suitable for junior high readers up.  Recommended primarily for teens, as older readers may find all the cliches a bit much.

Manga Review: Noragami: Stray God #1

Manga Review: Noragami: Stray God #1 by Adachitoka

Mutsumi is in a bad way.   Not only is she under stress studying for the high school entrance exams, but her classmates have turned against her, bullying Mutsumi and encouraging her to self-harm.  She’s locked herself in a toilet stall for a good cry when suddenly she sees a telephone number in the graffiti advertising someone named “Yato” who promises to solve her problems.  Desperate, Mutsumi calls the number.

Noragami: Stray God #1

To her shock, Yato (who appears to be a teenage boy) and his female companion Tomone teleport straight into the girls’ room to discuss Mutsumi’s problem.  It turns out that Yato is a kami (“spirit” or “god”), but he’s at the very bottom of the hierarchy, with no worshipers or space in a shrine, making him a “stray.”  In an effort to increase his visibility and save up cash to buy a place to live, Yato has scribbled his number all over town, and charges five yen (roughly a nickle) for his problem-solving services.  Tomone is Yato’s shinki, a living weapon with a mind of her own.

Unfortunately, Yato isn’t all that bright, and tends to solve problems by cutting them with his sword.  Mutsumi’s problems are partially caused by an ayakashi (hostile spirit) that is amplifying and feeding on the negative emotions caused by exam stress, and cutting that is relatively easy.  But that isn’t the only issue, and how Yato finally solves it disgusts Tomone so much that she quits, leaving Yato weaponless at the end of the first story.

This series ran in Monthly Shounen Magazine in long chapters, so there are only three in this volume.  In the second story, Yato meets Hiyori Iki, a human girl who is a big pro wrestling fan, and due to an act of selfless courage develops the ability/problem of her soul slipping loose from her body.   In soul form, she’s physically powerful, but also very vulnerable, gaining a “tail” that’s actually a link back to her physical body–if it’s cut, she dies!  The third story ends with Yato gaining a new shinki, Yukine, who is decidedly unimpressed with his master.

The name of the series immediately brings to mind the classic 1930s manga Norakuro, about a stray dog that joins a canine-people version of the Imperial Japanese army, learns discipline and valor, and climbs the enlisted ranks.  Little-known in America, it was popular and influential in Japan, with demilitarized versions appearing after World War Two ended.

Noragami is fun adventure-comedy, contrasting Yato’s blunt and sometimes abrasive personality against Hiyori’s naivety and sunniness.  While both of them are eager to help people, Yato is goal-oriented and must be compensated first (even if it is just a nickle) while Hiyori just does it because it’s the right thing to do.  Yukine barely appears in this volume, so a full read on his character is not available here.  The art is decent and conveys the action and mood nicely.

As mentioned, the first story does involve bullying, and there is an element of victim-blaming.  There’s a small amount of incidental fanservice–thankfully, the “camera” does not linger.  And of course there’s a certain amount of fantasy violence.  It should be suitable for junior high readers on up; parents of younger readers should point out why victim-blaming is not useful.

This series was popular enough to get a two-season anime adapation, which I have not seen.   Recommended for fans of shounen fantasy manga.

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