Book Review: Galaxy of Ghouls

Book Review: Galaxy of Ghouls edited by Judith Merril

October is scary stuff season, so let’s look at a book of creepy tales.  This collection of 16 “science-fantasy” stories is themed around various monsters, from the classic to the out-there.

Galaxy of Ghouls

We open with “Wolves Don’t Cry” by Bruce Elliott, turning the traditional werewolf story upside down when a wolf inexplicably turns into a human being.  It’s an emotionally muted tale, with the primary sensation being loneliness.  The ending story is “”Mop-Up” by Arthur Porges.  The last human on Earth after the War and Plague meets the last monsters.  But none of them imagined there were other threats…some nice imagery in this one.

Notable stories include Manley Wade Wellman’s “O! Ugly Bird”, the first of the John the Balladeer stories, in which John and his silver-stringed guitar go up against a hoodoo man and his flying familiar; “Fish Story” by Leslie Charteris, a non-Saint story about a man who is far more familiar with the sea than you’d think, and “Desertion” by Clifford D. Simak, which inquires into why no explorer returns from Jupiter

The general quality is high, although a couple of stories have become dated and creak a bit.  Judith Merril provides her usual helpful introductions to the tales and their authors.

This book seems never to have been reprinted, so you will need to haunt your local used  bookstore or E-bay.  Well worth a look for fans of science fantasy.

Book Review: Native Silver

Book Review: Native Silver by Blake Hausladen

This is a sequel to Mr. Hausladen’s Ghosts in the Yew and will contain some spoilers for the earlier work.

Native Silver

Prince Barok has brought the sleepy backwater province of Enhedu from a shameful place of exile to a thriving young nation in little over a year with the help of his wife Dia, alsman (head servant) Leger and former bodyguard Geart.    Meanwhile, the Zoviyan Empire is crumbling as its Exaltier, Barok’s father, is weakening and the remaining sons jockey for position.

There’s no time to rest on laurels, as Enhedu’s enemies are already within the country, striking a terrible blow, while Barok’s own plans have much of his support elsewhere.    Even as the Zoviyan Empire suffers from the multiple schemes of its various leaders, an even worse threat is rising from a place long forgotten.

Good news first:  this volume is much improved over the first.   Surprisingly, one of the ways this is done is by introducing more first-person narrators with multiple points of view.   While this technique did not work well in Ghosts in the Yew, here it’s easier to tell the narrators apart.

Also, there is less of the piling up of bad traits to indicate who we should see as a bad person.  Most of the opponents seem more like actual people, even the ones who have had their personalities wiped by magic.

There is less lull time, with the plot moving forward in almost all sections, and short time skips over quiet periods.  On the other hand, this makes some events seem a bit too rushed.  The magic system takes a much more prominent place in the story, which makes the Hessier (who were nigh-invincible in the previous volume) less of a threat, and a new super-Hessier variant is introduced.

There’s not a lot of time spent on recaps, so readers who had not read the previous book may be more confused than not.

There are many illustrations, the most useful of which are several maps making it easier to follow the action.  (The deluxe edition of this book comes with color maps–recommended for collectors!)  The reproductions of hand-written letters are less helpful, especially for readers with weak eyesight.   Once again, this volume could use a glossary, and since many new characters are introduced, a dramatis personae.

The author is unafraid to kill characters off, some dramatically, others abruptly or off-stage.  This includes main characters.

One nice touch; the Zoviyan Empire is misogynistic, while the ancestral Edonians treated women much better, but it’s pointed out that “The Edonians worshiped their women, but they did not listen to them.”  Our protagonists are better at that last bit, and may survive where the Edonians did not.

There are some spellcheck typos, which is a shame in an otherwise professionally produced small press book.

I can recommend this volume much more than the first in the series, and if the author continues to improve at this rate, the next volume should be well worth it.

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