Magazine Review: Thrilling Mystery March 1936

Magazine Review: Thrilling Mystery March 1936 by various

Thrilling Mystery was a pulp horror magazine created by Thrilling Publications; I’ve been unable to find publication history details in a quick search.  It specialized in “weird menace” tales, which had supernatural trappings but were ultimately revealed as having non-supernatural (but not necessarily plausible) explanations.  It did not, however, stick entirely to such stories.  This issue was reprinted by Adventure House, so let’s see what’s inside.

Thrilling Mystery March 1936

“The Twisted Men” by Hugh B. Cave starts us off with the tale of a young couple who’ve come to the wife’s isolated New England hometown to purchase a summer home.  Peter and Jo Smith (names changed to protect the innocent) soon discover that some force is taking healthy, sane men, and turning them into twisted, mentally deficient monsters that soon die as their bodies are no longer able to support life.

The explanation is allegedly scientific, but the near-instantaneous transformation of the victims (always done while they are off-page for a few minutes) is highly implausible to say the least.  Some great atmosphere, though.  (Also a completely unnecessary mention of Jo being naked at one point for the “spicy” factor.)

“Cold Arms of the Demon” by Jackson Cole is the non-“weird menace” story in this issue.  There’s something in the lake that likes to drown young women, and staying out of the lake is not a defense.  Good thing there’s a ghost writer in the area!

“Black Moonlight” by G.T. Fleming-Roberts is set in an isolated mountain community, probably in Appalachia.  Despite the best efforts of pretty schoolmarm Helen Dahl, the benighted locals have fallen into the clutches of a doomsday cult that promises the end of the world tonight when the moon is destroyed.   And given that frozen corpses are showing up in the middle of summer in a town with no electricity, the cult just might be on to something.

Good thing Helen’s fiance Larry Brit and town doctor Kayne are not so superstitious!  The story hinges on the notion that the ignorant rural folk don’t understand the concept of an eclipse and wouldn’t have noticed it coming in the Farmer’s Almanac.

“The Howling Head” by Beatrice Morton concerns anthropologist Gregg Hartnett coming across a woman’s head howling in the middle of nowhere.  This proves to be a trap by cannibals.  Period racism and the concept of Social Darwinist atavism (sudden resurgence of ancestral traits, particularly among non-white people) make this an uncomfortable read.

“Vengeance of the Snake-God” by James Duncan stars reporter Gary North, who is engaged to Marion Cravath, daughter of archaeologist Hugh Cravath.  They’ve come to Mr. Cravath’s isolated mansion to gain his blessing on their relationship.  That plotline is derailed when the pair stumble across a corpse in the driveway.  It seems Mr. Cravath raided the tomb of Cla-Mir, high priest of the Egyptian snake god Musartis, and brought the fabulous jewels within back to the States.

There is supposedly a curse on the jewels, and this is the second person to die horribly in a similar manner.  Mr. Cravath had called in detective Paul Medal to protect him, but that worthy admits he’s baffled.  The phone lines have been cut, the vehicles rendered inoperative, and the house’s occupants are dying one by one.  Musartis strikes!

Period racism and ableism, though this time misguided.  The sinister Egyptian little person is a red herring.

“Spider’s Lair” by C.K.M. Scanlon initially looks like a love triangle story.  Jeff is a bank cashier who is in love with Nancy Shelby.  She’s currently dating Clinton Banning, a slick fellow who was recently raised to vice-president by the bank president, Harmon Tabor.  Jeff has been suspicious of Banning for a while, as his work hardly seems of the quality to deserve such a promotion.  The detective agency Jeff hired to look into Banning’s background has discovered a wife that Banning never divorced (and has never mentioned to Nancy.)

Nancy’s weak-willed little  brother Paul Shelby asks Jeff to come along on a triple date to Spider Island that Banning is organizing.  Paul will be bringing along his current squeeze, Dolly Pollard, and there’s a third woman coming along for Jeff, a beautiful but mysterious lady named Rose Larue.  Jeff decides this outing will be the perfect chance to get Banning alone and confront him with Jeff’s knowledge of the abandoned wife.

Spider Island has a sinister reputation, but that might just be because of all the spiders.  Or that it was the lair of pirate Spider Murgler.  Or it might be because of the actual point of the expedition, which is far more lethal than Jeff ever expected.  A nifty if highly implausible murder method is involved.  And maybe a bit more love triangle.  Content warning: torture.

“Blood of Gold” by Wayne Rogers (no relation) has seven young people from the wealthier classes and their chauffeur going on a treasure hunt out in Colorado, based on a map found in one’s father’s trunk.  Most of them will not be making it out alive.  Has some good twists, but again the science explanation for what’s going on is highly implausible.  This is the closest story to the cover illustration, but not quite right.

“The Man Who Died Twice” by Bret Altsheler concerns an attempt to bring a man back from the dead who should have remained a corpse.  Once again, dubious science.  The intro tells us the author also wrote “The Gods Laugh at the Red Maggots” which is a far more intriguing title.

The magazine ends with the “Horror-Scope” column by “Chakra.”   The main feature is retellings of various real-life serial killer cases.  Then there are questions from readers, one on ghosts and the other two on torture.  One of these may be useful to writers looking for authenticity in 1930s gangster stories.

The Adventure House reprint includes the original ads and illustrations.  A good selection of the “weird menace” subgenre, but be warned that in every tale, the role of the main woman is to be rescued by the hero.

 

 

Book Review: The Book of Cthulhu

Book Review: The Book of Cthulhu edited by Ross E Lockhart

Fantasy and horror author H.P. Lovecraft wasn’t a big seller during his lifetime, but the loose setting he created of the Cthulhu Mythos, where humans are only the most recent inhabitants of a cold and chaotic universe, and many of the previous inhabitants are effectively gods, has become one of the most popular sub-genres of horror literature.  The twenty-seven stories in this volume are by second- and third-generation Lovecraftian writers.

The Book of Cthulhu

There’s an encouraging variety of protagonists; professors and prostitutes, hitmen and clergymen.  Some of them are from ethnic groups HPL would never have made the heroes of his stories.  There’s a variety of tones as well.  Of course there’s a number that are straight up creepy horror, but there’s also noir-ish crime fiction and deadpan penny dreadful humor.

The volume opens with “Andromeda Among the Stones” by Caitlín R. Kiernan.  A family guards a gate off the Northern California coast; but only one of them was truly born for the job.  I found the story rather slight, and one of the weaker ones in the collection.

The closing story is “The Men from Porlock” by Laird Barron.  Seven lumberjacks go hunting in the Pacific Northwest.  Not all of them are going to be returning.  This one makes good use of escalating creepiness, culminating in a scene where a monster makes its menace particularly personal.

Oldest story honors go to Ramsey Campbell’s “The Tugging” from 1976.  An art critic in a small British city is having disturbing dreams about Atlantis, which may tie into a comet with unusual gravitation behavior.  I’ve read this one before, and it’s interesting as an unintentional period piece.  I remember in my youth paging through great bound volumes of yellowing newsprint as the protagonist does here, instead of scrolling through microfilm, or today’s scanned files.

“Black Man with a Horn” by T.E.D. Klein is one of the editor’s favorites, according to the introduction (which is perhaps a little too generous to Lovecraft’s writing skills.)  An elderly writer who was a friend of HPL in his youth meets a missionary returning from Malaysia.  Over the course of time, the writer learns that at least one thing written by Lovecraft may be uncomfortably close to reality.  It is a good story, told well.

I also particularly enjoyed “Lord of the Land” by Gene Wolfe.  A Nebraskan teacher is collecting oral history in the Appalachian region.  An old man tells him about seeing the “soul sucker”, which seems like a tall tale at first…but it’s actually a warning.  This one held my attention fast.

Overall, this is a strong collection with many creepy stories and some marquee writers like Elizabeth Bear, Joe R. Lansdale and David Drake.  I should mention that one story features incest and marital rape.  Recommended to fans of the Lovecraftian type of horror.

Book Review: Merton of the Movies

Book Review: Merton of the Movies by Harry Leon Wilson

Simsbury, Illinois might just be a wide spot in the road, but twice a week, the Bijou Palace shows movies made in far-off Hollywood.  Perhaps the most fanatical attendee of these showings is young Merton Gill, assistant shopkeeper at Gashwiler’s Emporium (general store.)  Merton has studied these film stories carefully, subscribes to several photoplay magazines, and has taken a correspondence course in acting.  (With a specialization in face journeys.)  While ordinary folks only idly think of going to Hollywood to be in movies, Merton (aka Clifford Armytage) is going to actually do it!

Merton of the Movies

This comedic novel is by the author of Ruggles of Red Gap and was originally serialized in the Saturday Evening Post in 1919.  It was rapidly turned into a hit play, then released as a book in 1922.  There have been three movie versions, the 1947 one starring Red Skelton.

Merton arrives in California at the height of the silent era, woefully unprepared for the realities of the movie business.  He only wants to work for one studio, the ones that put out a Perils of Pauline style adventure serial starring his favorite actress, Beulah Baxter.  An idealist, he hasn’t noticed how sanitized the magazine articles about the stars of Hollywood are.  (One of the running gags is the stock phrases used in every interview.)  For quite some time, he doesn’t even make it past the casting office’s waiting room.

While cooling his heels day after day, Merton becomes acquainted with (quite against his will) “Flips” Montague, a sassy, irreverent young woman who’s been in show business all her life.  She’s not exactly film-heroine pretty, and far too familiar in her manner.  Merton can’t quite fathom why she insists on acting as though they were warm acquaintances.

I should mention here that Merton has no sense of humor; he recognizes that such a thing as comedy exists, but doesn’t grok it.  Slapstick, insults, wordplay, none of them seem funny to him, and he goes through life entirely seriously.

Finally, just as his monetary situation was looking grim, Merton gets a chance to be an extra in a cabaret scene.  He’s supposed to be suffering from ennui due to the Blight of Broadway.  As it happens, Merton is very uncomfortable in the scene, especially as he’s being forced to smoke cigarettes even though he detests the habit.  This makes him look perfect for that scene, and Miss Montague takes notice.

After that, there’s a long dry spell until a day’s extra work gives Merton just enough money to choose between paying rent and eating.  He chooses eating, then ingeniously uses the studio’s backlot resources to have shelter for the next week.   Down to his last nickel, Merton is stunned to run into Flips again at her part-time job as stunt double for Beulah Baxter.  (Ms. Baxter had claimed to do all her own stunts.)  He’s even more stunned to learn that Beulah is married…for the third time.

Flips (who prefers not to use her given name of Sarah Nevada Montague) treats Merton to breakfast and learns his life story…and realizes she’s found a gold mine.  She stakes Merton a couple of weeks rent, then contacts a director friend of hers.  She and Mr. Baird agree on a plan.  Merton will star in a movie, being told he’s playing a straight role, and not being allowed on the set for any scenes not involving his character.

Baird fibs to Merton that he wants to move up from comedy to serious films, and our hero buys it.  Clifford Armytage is on the rise at last!  Before the first film is released, Baird has Merton in a second movie with the same conditions.  Merton does have some suspicions…if this is a serious movie, why is the notorious funnyman with the crossed eyes involved?  But he puts them aside, after all he’s still a rookie and the director surely knows what he’s doing.

Shooting wrapped up, Baird signs Merton to a three-year exclusive contract (carefully looked over by Miss Montague.)  Merton realizes he’s fallen in love with Flips, and she likes him a whole bunch too…but the first movie with Clifford Armytage as straight man in a slapstick comedy is about to hit theaters.  Will this make Merton a star, or break his heart?

Good stuff:  There are many genuinely funny bits, and it’s fascinating to have a window into the Hollywood of the silent era.  There are things that are very much the same: Merton overhears as a worthy film idea is watered down and butchered to match what the moneymen think the audience wants, until the final product is unrecognizable.  There’s also bewailing the intelligent movies that don’t get made because there’s no money in them.

Not so good:  Period racism, sexism and ethnic prejudice.  One of the standout lines here is “He knows all about money, even if he doesn’t keep Yom Kippur.”  Flips is kind of an early version of the Manic Pixie Dream Girl trope some folks are tired of.  And there’s animal abuse by a film crew, true to the period.

Recommended to movie fans, especially those interested in the silent era.

And now, the trailer for the 1947 film:

Book Review: Life Is Beautiful

Book Review: Life Is Beautiful by Sarah M. Johnson

In 2008, an airplane carrying humanitarian workers to a remote village in Guatemala, where they were to build a school, crashed and burned.  The crew and most of the passengers were killed; one young woman survived relatively unharmed, though she had lost half her family, and her mother was severely injured.  This is her story.

Life Is Beautiful

Sarah’s life had not been an easy one for some time before the crash.  Raised outside a small town in rural Wisconsin, Sarah’s family was socially and emotionally isolated.  Her father was a recovering meth addict, they’d recently lost a close relative to cancer, and what little social life Sarah had revolved around heavy drinking with her friends.

At college, Sarah met Jacob, a young man who introduced her to a stronger belief in God, but was dangerously flawed; in particular he reinforced her drinking habits.  A combination of alcoholism and depression made Sarah’s  college career a bust, and Jacob cheated on her, so she had to come home feeling a failure.  The Guatemala trip was meant to help mend the family’s fences.

As this book is in the “inspirational” sub-genre, you might expect that Sarah turned her life around after hitting rock bottom, and you would be correct.  When she finally accepted the help of a therapist (it isn’t directly stated, but her father’s apparent ability to quit meth cold turkey may have influenced her to try to handle everything solo), Sarah began to be able to process her grief and make progress on recovery from alcoholism.  (Finding sober friends and a welcoming church group also helped.)

From a writing perspective, this book is a good example of how real people are far more complex and messy than they generally are shown in fiction.  Jacob is a prime example, a fervent believer who introduces Sarah to a personal relationship with her “higher power” but prone to bouts of unwanted preaching and self-righteousness when drunk, and who is a toxic boyfriend for her.

One misstep is Sarah’s breakthrough moment with her therapist, when she can finally tell the story of the crash and its aftermath while allowing herself to feel the emotions associated with it.  While it would be a powerful moment if the facts had been concealed up to that point in the book, on paper it’s mostly a recitation of details already covered in the first chapters.  This is a short book, and a reader with a decent memory will find this bit redundant.

Recommended primarily to fans of inspirational literature, and older young adult readers who like non-fiction stories as Sarah’s life is of interest.  Not necessarily recommended to those currently undergoing the grieving process; Sarah mentions several books that helped her, and those would probably be better choices.

If you would like to purchase the book, please consider getting it new, as part of the proceeds go to Habitat for Humanity.

Disclaimer:  I received a free copy of this book to facilitate writing the review; no other compensation was offered or requested.

Book Review: Twice Told Tales

Book Review: Twice Told Tales by Nathaniel Hawthorne

Nathaniel Hawthorne (1804-1864) is one of the great American writers; his The Scarlet Letter is studied in many schools across this land.  But it took him quite a while to reach that status.  After crushingly disappointing sales for his first novel, Fanshawe, Hawthorne spent a dozen years in poverty, scraping by selling short pieces.  In 1837, his friend Horatio Bridge put up the money to have a collection of those short pieces (titled “Twice Told Tales” because they’d all been printed before) printed in a book, first anonymously, then with his name attached once good reviews came in.  A second edition with more stories (39 in all) was published in December 1841, and is the one usually reprinted.

Twice Told Tales

As the introduction by Professor Gemme explains, Edgar Allan Poe’s review of the later edition became famous in its own right–Poe objected to several of the pieces not actually being “tales” (what we’d call “short stories”) but essays  or sketches.  And in the process of explaining that, he set down his own theory of what a proper short story was.  This was influential in American literary circles.  Poe did praise those “tales” that met his criteria, hailing Hawthorne as one of the few worthwhile authors America had produced to that date.  After that, another review seems superfluous but I will proceed.

The book opens with “The Gray Champion”, a tale of a mysterious old man who appears in 1689 to halt the massacre of malcontents in Massachusetts by the tyrannical Governor Andros.   An unnamed ancient in Puritan garb, the old man is said to return whenever New England faces an existential crisis.   This is only the first of many ghost-like figures in these tales, a haunted New England that influenced many American writers including H.P. Lovecraft.  The first piece in the 1841 addition, “Legends of the Province House” is a collection of ghost stories involving the former colonial governor’s residence in Boston.  There’s a character named Bela Tiffany, which Hawthorne admits is highly unlikely.

There are some classics in this collection, including “The Minister’s Black Veil” about a small-town minister who abruptly and for no reason he will explain conceals his face behind a cloth mask he never removes, and how that affects people’s perceptions of him.  “The Great Carbuncle” concerns the search for a giant gemstone; the motives of the people looking for the jewel affect their fates, and how they react to the carbuncle’s true nature.

“David Swan” is a lesser-known piece about a young man who falls asleep by the road and is visited by Wealth, True Love and Death, awakening unaware of his brushes with fate.  “Dr. Heidegger’s Experiment”, the last story in the 1837 section, involves the title character inviting some senior citizens to imbibe water from the Fountain of Youth.  The story looks at the follies of both youth and age.

“Peter Goldthwaite’s Treasure” is about a man that has failed at every attempt at getting ahead in life staking everything on finding a fabled treasure of his similarly-named ancestor, even to the point of destroying the family house that is his last possession.  The story makes a point of contrasting Peter, whose get rich quick schemes all rely on luck he doesn’t have, with his ex-partner John Brown who never goes for a risky prospect,  but has excellent luck.

The last story in the book is “The Threefold Destiny”, which is deliberately evocative of fairy tales.  A young man becomes convinced that three astounding events will occur to him, with special prophetic signs.  He goes out in search of these, but his worldwide quest has none of these results.  The man returns to his home village to rest before starting anew, and of course discovers his true destiny.

Mr. Hawthorne was big on allegory and symbolism, and sometimes this gets heavy-handed.  Sometimes he also goes out of the way to make sure you get the point he’s trying to make, as in “The Ambitious Guest” where the moral is “you don’t know when you’re going to die, and trying to avoid fate can doom you worse than accepting it, so all human ambition is folly.”

The essays, while certainly not as compelling as the tales, are mostly good, and of interest for what they tell us about life in Hawthorne’s time.  “A Rill from the Town Pump” for example examines life without central plumbing from the perspective of the main water source of the village.  “The Sister Years” on the other hand is clearly a piece written for a local newspaper for New Year’s of a particular year, and has a number of in-jokes that are lost to all but scholars of that time period.  (On the gripping hand, it’s not often that we see the new and old years depicted as women.)

Nathaniel Hawthorne, while very much a Christian, was not a big fan of religious fanaticism; while his Puritan ancestors took the brunt of this in his stories, he also was critical of Shakers and even Quakers on that point.  The most humorous take of this is in “Endicott and the Red Cross” where the Puritan title character’s patriotic rant on the importance of “religious freedom” is interrupted by a “wanton gospeler” who reminds Endicott that he was not so keen on that freedom when he condemned the gospeler for heresy a few hours ago.

A more tragic treatment is in “The Gentle Boy” with prejudice against Quakers leading to murder and ostracism.  There’s even a preacher saying that Christian mercy does not apply to the despised sect, even to their children who are no doubt permanently corrupted.  (Remind you of anything?)

There’s some period sexism and racism in these stories and essays.  The latter really comes up in “Mr. Higginbotham’s Catastrophe”, about a gossipy traveling salesman who hears a report that Mr. Higginbotham has been murdered, with use of the N-word in conversation.  (And an equivalence of black people and the Irish as the lowest of the low.)

Overall, there’s more good material here than mediocre, and more excellence than clangers.  Some of the most famous stories have been reprinted in other anthologies, or if you want to read the entire thing, there are many inexpensive reprint editions, and it is also available from Project Gutenberg.

Here’s the trailer for the 1963 Twice Told Tales movie, which is not at all faithfully adapted, but does star Vincent Price in a triple role.

 

Book Review: The Tuesday Club Murders

Book Review: The Tuesday Club Murders by Agatha Christie

Author Raymond West has what he thinks is a smashing idea.  A series of Tuesday night gatherings where the six people present discuss mysteries they’ve run across, particularly juicy murders.  In addition to himself, there’s an artist, a lawyer, a clergyman, a retired Scotland Yard commissioner, oh, and his Aunt Jane.  She’s a darling maiden aunt who has seldom left her home village, and is obsessed with knitting, but she might have an insight or two.  But he needn’t have worried about her falling behind, for Miss Marple knows a thing or two about human nature.

The Tuesday Club Murders

Agatha Christie’s beloved elderly lady of detection first appeared in these short stories beginning in 1927.  The collection of them in a book (originally titled The Thirteen Problems) didn’t happen until 1932, so The Murder at the Vicarage (1930) is the first Miss Marple book.  The format of the first six stories is the Tuesday night meetings, beginning with “The Tuesday Night Club” and ending with “The Thumb Mark of St. Peter.”  Then Sir Henry Clithering, the retired Scotland Yard man, gets Miss Marple invited to a dinner party where six more mysteries are told, from “The Blue Geranium” to “The Affair at the Bungalow.”

The last story, “Death by Drowning” has  Miss Marple ask Sir Henry to look into a young woman’s apparent suicide–she’s figured out what actually happened, but has no proof.

Miss Marple’s primary method is finding analogies.  Although she has seldom left her largish village of St. Mary Mead, Aunt Jane has had a long life and a keen interest in the people around her (and an ear for gossip.)  Thus she can almost always find something in her past that is reminiscent of the case at hand, and gives her the clues she needs.

Despite the title, not all of the stories involve a murder; “Ingots of Gold” for example is about a robbery.  Some of the tales may be more difficult for a reader to unravel due to them becoming dated; one relies on older British slang, while another requires a knowledge of obsolete work practices.   On the other hand, one of the tales has a trick ending of the type that made Ms. Christie’s work famous.  There’s some period sexism and classism, and one story involves domestic abuse.

While not Agatha Christie’s best work, and Miss Marple would have some character development in later books, (she’s kind of smug here) these are fun short mysteries that are very much of a time and place.

Book Review: Classic American Short Stories

Book Review: Classic American Short Stories compiled by Michael Kelahan

This book is more or less exactly what it says in the title, a compilation of short(ish) stories written by American authors, most of which are acknowledged as classics by American Lit professors.  The stories are arranged by author in roughly chronological order from the early Nineteenth Century to the 1920s to stay safely in the public domain.

Classic American Short Stories

The fifty-one stories included begin with Washington Irving’s “Rip Van Winkle”, a tall tale about a henpecked husband who drinks ghostly beer and sleeps for twenty years, right through the American Revolution.  The book ends with “Winter Dreams” by F. Scott Fitzgerald.  A young man from Minnesota finds great success in the laundry business, but heartache when the woman he loves cannot settle for just him.  In between are ones that are very familiar to me, like “The Telltale Heart” by Edgar Allen Poe (a murderer confesses his crime in an effort to prove his sanity) and stories that were new to me, like “The Revolt of ‘Mother'” by Mary E. Wilkins Freeman (a New England woman, tired of an unkept promise, takes matters into her own hands.)

There’s a wide variety of genres represented, from “realistic” slice of life stories through mystery and fantasy to outright horror.  The chronological order highlights the changing social attitudes depicted in the stories, particularly the two Edith Wharton stories about divorce.  Women are reasonably well-represented, and there are a couple of writers of color as well.

Of course, just because a story is “classic” does not mean it will appeal to everyone.  I found Henry James’ novella “The Aspern Papers” (literary buff infiltrates the household of a famous poet’s ex-lover in an effort to gain any memorabilia she might have of him) tedious and predictable.  I am not alone in this, but many other readers have found it fascinating.

Content issues:  Many of these stories have elements of period racism, sexism and classism; sometimes it’s dealt with within the story itself, but other times it pops up as a nasty surprise.  “Paul’s Case” by Willa Cather, about a boy who wants the finer things in life without the tedium of putting in decades of hard labor to get them, deals with suicide.

This is a Barnes & Noble collector’s edition, and is quite handsome and sturdy, with a leather binding, gilt-edged pages and a silk bookmark for a reasonable price.  However, the fact that it has a “compiler” rather than an editor is telling.  There are scattered typos; I do not know if they were caused by errors in transcription, or if the sources were not scrutinized carefully enough.  The author bios at the end are not quite in alphabetical order, and miss out Washington Irving altogether.

Overall, most of these stories are worth reading at least once, and many are worth rereading over the years.  Highly recommended to people who don’t already have their favorites from this collection in a physical book, or are curious about the stories they haven’t read yet.  It’d also make a nice gift for your bookworm friend or relative.

Book Review: Slow Dancing Through Time

Book Review: Slow Dancing Through Time by Gardner Dozois in collaboration with Jack Dann, Michael Swanwick, Susan Casper and/or Jack C Haldeman II.

The art of collaboration is an interesting one; two authors (rarely three) blending their skills to create a story neither could produce individually.  Ideally, the reader should be able to see the fingerprints of the collaborators, but not the seams between them.  Gardner Dozois wrote a number of fine collaborations in the 1970s and 80s, before taking on a full-time job as editor for Isaac Asimov’s Science Fiction Magazine.

Slow Dancing through Time

This volume reprints fourteen of those stories, along with essays by the collaborators on the collaboration process, and afterwords for each story written by Mr. Dozois.  (It also has a list of his other collaborations if you want to hunt them down.)  The stories cover science fiction, fantasy and horror, with a couple of them on the edge between genres.

The first story is “Touring” (with Jack Dann & Michael Swanwick), in which Buddy Holly gets a chance to perform with Elvis Presley and Janis Joplin.  It’s a Twilight Zone type story, although the language is saltier than Rod Serling would ever have been allowed to air.  The book ends with “Down Among the Dead Men” (with Jack Dann), a chilling tale of a vampire trapped in a Nazi concentration camp.  It was quite controversial at the time, and still packs a punch, despite where the horror genre went during the Nineties.

Standouts include  “A Change in the Weather” (with Jack Dann), a bit of fluff about dinosaurs that hinges on the last line (and provided the endpaper illustration), “Time Bride” (with Jack Dann) about the use of time travel to emotionally abuse a girl (and with a downer ending as the cycle continues), and “The Clowns” (with Susan Casper & Jack Dann), another chiller featuring a little boy who sees clowns that no one else can.

Some of these stories may be hard to find elsewhere, such as “Snow Job” (wth Michael Swanwick.)   This tale of a con artist and a time-traveling cocaine addict first appeared in High Times, which can be difficult to find back issues of.

Overall, the quality of the stories is good, but budding writers may find the essays on collaboration more useful to them.  Recommended to speculative fiction fans.

Book Review: Headaches Can Be Murder

Book Review: Headaches Can Be Murder by Marilyn Rausch & Mary Donlon

Charles “Chip” E. Collingsworth III was supposed to become a neurosurgeon like his father and grandfather before him, but wasn’t suited to being a doctor, so dropped out of medical school.  Three failed marriages later and with his trust fund depleted, Chip wrote a crime novel about famed neurosurgeon John Goodman  investigating “the Cranium Killer” with the FBI, and casting two of his ex-wives as victims.  To his surprise, he found an agent willing to represent the manuscript, and it turned into a best-seller.

Headaches Can Be Murder

On a cross-country trip, Chip stumbled across an abandoned farmhouse in Turners Bend, Iowa, and decided that this would be a good place to write his second book in.   Except that he’s run out of ex-wives he wants to murder (his first wife was much nicer)  and that means he’s out of ideas.  Until one day he falls off a shed, and the ensuing bump on his head gives him a painful inspiration for a possible plotline.  As his real life and novel intertwine, can Chip survive long enough to finish the manuscript?

The gimmick in this book, the first in the Chip Collingsworth series, is that there are two stories unfolding simultaneously.  Chip lives his life in rural Iowa, and as things happen around him, he incorporates versions of them into Dr, Goodman’s quest to find out whether microchips inserted into people’s brains are turning them into killers.  Chip meets an attractive veterinarian, and Dr. Goodman meets an attractive FBI agent.  Chip adopts a golden retriever, and Dr. Goodman does as well.  Not all the things happening in Turners Bend are so benign, however, and Chip winds up doing some investigating himself.

One thing that amused me was Chip constantly being given suggestions on what kind of characters should be in his next book, which just happened to match the persons who suggest them.

The twin narrative approach is fun, but means that each story gets less character development.  I noticed quite a few spellchecker typos, which would be acceptable in the “fictional” chapters as Chip writes his drafts, but not so much in the “real world” ones.

There are a couple of sex scenes, and a bit of torture in the Goodman section.

Recommended for those wanting to read mysteries with an Iowa connection.

Book Review: Jewish Noir

Book Review: Jewish Noir edited by Kenneth Wishnia

Many of the themes of noir fiction, alienation, hostile society, darkness and bitter endings, resonate with the experience of Jewish people.  So it’s not surprising that it was easy to find submissions for an anthology of thirty-plus noir stories with Jewish themes.  (Not all of the authors are themselves Jewish; see if you can guess which ones.)

Jewish Noir

The volume opens with “Devil for a Witch” by R.S. Brenner.   A man caught embezzling for what he thinks are good causes has his death faked by the FBI so that he can go undercover in the Klu Klux Klan.  The title comes from an old saying about trading a known danger for an unknown one, and this assignment turns out to be perilous indeed.  The author bio mentions that this is an excerpt from an upcoming novel.

Most of the stories in this collection are appearing for the first time, but two are not.  “A Simke (A Celebration)” by Yente Serdatsky was first published in Yiddish in 1912, and this is its first publication in English.  It’s a melancholy tale of a woman whose refusal to conform to the social norms of Russian-Jewish immigrants made her popular in her youth, but isolates her now that she is middle-aged.  Harlan Ellison® contributes a story first published in 1960. “The Final Shtick”, about a comedian returning to the small town he had good reason to flee, and his feelings concerning this.

As one might expect, several of the stories concern Nazis, neo-Nazis and/or the Holocaust.  “Feeding the Crocodile” by Moe Prager is perhaps the strongest of these–a writer tells stories to a death camp commandant in hopes of surviving just a bit longer.  But the crocodile gets greedy.

There’s a fairly wide variety of protagonists in these stories.  Good people who do bad things, bad people who try to do good things, evil people who sink even lower, men and women, religious Jews and secular ones, Jews of different sexual orientations and skin colors.  Ethnic slurs and antisemitism are peppered throughout, and there is mention of child sexual abuse, suicide and rape.

“The Golem of Jericho” by Jonathan Santlofer is on the borderline with supernatural stories.  A bullied boy and his grandfather build a golem, which may or may not have killed the bullies; it’s certainly a mysterious coincidence.

The weakest story is “Her Daughter’s Bar Mitzvah: A Mother Talks to the Rabbi” by Adam D. Fisher which is just one long kvetch.  (My spell checker doesn’t flag that word, interesting.)  No crime, no hopeless ending, just complaining.

It should be noted here that this volume published by PM Press has no connection to the series of regional noir anthologies put out by Akashic Books despite the very similar presentation and book structure.

Most of the stories are good; recommended to noir fans who are willing to stretch their focus a little.

 

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