Comic Book Review: 2000 AD #2020-24

Comic Book Review: 2000 AD #2020-24 Edited by Tharg

As I’ve mentioned before, 2000 AD is a weekly comic paper with a speculative fiction bent that’s been published in Britain for over forty years.  It keeps up the schedule by featuring several short stories in each issue, most of them serialized.  A while back I c came into possession of the March 2017 issues, which seems like a good chunk to look over.

2000 AD #2020

“Judge Dredd” has been a headliner in the magazine since the second issue, and stories set in the dystopian future of Mega-City One are in almost every issue.  We start with a two-parter titled “Thick Skin” written by T.C. Eglington with art by Boo Cook.  Two vid stars have their skin slough off on camera in separate instances.  Coincidence?  Plague?  Terrorist plot?  It’s up to lawman Judge Dredd to investigate.

This is followed up by “The Grundy Bunch” by Arthur Wyatt and Tom Foster.  A family/cult that worships “Grud and Guns” has taken over one of the few remaining green spots in the city.  Despite the topical overtones, the story turns out to be a setup for a terrible pun.

“Get Jerry Sing” is by classic Judge Dredd team John Wagner and Carlos Ezquerra.  The title phrase is a bit of graffiti that’s been appearing all over the city.  What it means is a mystery, but pop star Jerry Sing isn’t happy about being a target.  This one has a karmic twist ending that brought a dark chuckle from me.

Lastly, there’s the first part of a longer story, “Harvey” by John Wagner and John McCrea.  The Day of Chaos and subsequent disasters have left the Judges severely understaffed, and it will be a while before they can train new human ones.  So there’s a renewed interest in the robot Judge program, Mechanismo.  Previous experiments with the artificial intelligences have proved disastrous, but this time, the Tek-Judges think they’ve cracked the problems with earlier models.  Judge Dredd is asked to take on “Judge Harvey” as a trainee, to see if this time robot cops are finally viable.

2000 AD #2021

The “Sinister Dexter” series is about Ramone Dexter and Finnegan Sinister, a pair of gunsharks (hitmen) who live in the city of Downlode.  Due to shenanigans involving alternate Earths, the pair have managed to get themselves erased from human and computer memory, and are slowly re-establishing their reputations without the baggage of the past.  They’re inspired by the hitmen from Pulp Fiction, but now bear little resemblance to them.

We have three stories in this group by Dan Abnett and Steve Yeowell.  First, the robotic security system for their new apartment building decides that Sinister and Dexter are a threat to the tenants.  A threat that must be eliminated.  The second story is from the point of view of the bartender at their favorite watering hole.  He doesn’t remember their previous interactions, but does know there’s something odd about the pair.  And finally, there’s a new hitman in town, who calls himself “the Devil.”  And his killing skills do seem…supernatural.

I find these characters smarmy and unlikable, but this sort of “not quite as bad guys” protagonist is popular with a segment of the readership.

2000 AD #2022

“Kingmaker” by Ian Edginton and Leigh Gallagher is a newer serial.  A fantasy world was having its own problems dealing with a wraith king, when suddenly technologically advanced aliens invaded.  An elderly wizard, a dryad, and an orkish warrior riding dragons are beset by alien pursuers.  When they finally defeat this batch of invaders by seeming divine intervention, the trio realizes they may already have found the chosen one.

Cyrano de Bergerac is the narrator of “The Order” by Kek-W and John Burns.  On his deathbed, the boastful writer tells of his experiences with the title organization, which does battle with beings known as the Wyrm.  Time has come unglued due to the latest Wyrm incursion, and a mechanical man from a possible future might or might not be the key to victory.  The Wyrm are driven back, but at a cost.

“Kingdom” by Dan Abnett and Richard Elson is set on a future Earth where humanity as we know it has been all but wiped out by giant insects known as Them.  The genetically-engineered dog soldier Gene the Hackman has finally found the “Kingdom”, haven of the last humans.  Unfortunately, there are dark secrets in this supposed sanctuary, so Gene and his allies must strike even against the Masters.

2000 AD #2023

“Brink” by Dan Abnett and INJ Culbard takes place in the late 21st Century after Earth had to be abandoned due to ecosystem collapse.  Bridget Kurtis is an inspector for the Habitat Security Division.  After the horrific death of her partner on the last case, Bridget is assigned to investigate mysterious suicides on a new habitat that’s reputed to be haunted…even though it’s still under construction.

The latest installment of “Scarlet Traces”, set in a world where H.G. Wells’  War of the Worlds took place is by Ian Edginton & D’Israeli.  Humanity’s history has been twisted by access to Martian technology.  It’s now 1965, and the Martians are doing something to the sun.  It may require allying with the Venusian refugees to thwart them.  This is fascinating alternate Earth stuff.

“Cursed: The Fall of Deadworld” by Kek-W & Dave Kendall is set in the backstory of Judge Death, the lawman from an Earth where life is a crime and the penalty is death.  Sydney D’eath has put himself in charge, twisting the world to fit his vision of a crime-free paradise.  We follow Judge Fairfax, his sentient vehicle Byke, and the orphan Jess as they search for a haven.  Doesn’t look good for them, frankly.

2000 AD #2024

There’s also two “Future Shocks”, stand-alone shorts.  “The Best Brain in the Galaxy” by Andrew Williamson & Tilen Javornik features a descendant of Horatio Hornblower who will do anything to win a competition to become captain of the most important starship voyage ever.  Anything.  “Family time” by Rory McConville and Nick Dyer is a parody of a certain Hollywood couple who like adopting children from around the world.  Except that this version is adopting orphans from across time.  The Child Protective Services are concerned that these children may not be orphans in the usual sense.  I liked the first story better.

There’s also the short humor strip “Droid Life” by Cat Sullivan  in a couple of issues, depicting life for the robotic staffers of 2000 AD.  Plus Tharg’s editorials, and actual letters pages.

2000 AD stories tend to be on the violent side, and sometimes get quite gory.  I didn’t see any nudity in these particular issues, but the comic doesn’t shy away from toplessness.  Parents of preteens may want to vet these comics before giving them to their kids.

As always, it’s a mixed bag for quality, but the very nature of the magazine means that there’s always something different to look at if the current story displeases, and serials are rotated frequently.  worth looking into if you can afford it.

 

Comic Strip Review: Gunnerkrigg Court, Volume 3: Reason

Comic Strip Review: Gunnerkrigg Court, Volume 3: Reason by Thomas Siddell

After Antimony “Annie” Carver’s mother Surma dies, her father Anthony drops her off at her parent’s alma mater, a strange boarding school called Gunnerkrigg Court.  The court is an enormous place, looking rather like an industrial city, but large portions of it seem to be abandoned…by humans, at least.  There are robots advanced beyond anything in the outside world, bizarre events are commonplace, there’s a creepy forest just across a long bridge students are forbidden to cross, and Annie notices that she’s picked up a second shadow.

Gunnerkrigg Court, Volume 3: Reason

This noted fantasy webcomic has been running since 2005, beginning here (happily, the art style drastically improves over time.)  It’s got an intricate plot with many details planned well in advance.  (For example, in an early strip Antimony tells us it will be two years before she sees her father again.)  The Court’s architecture is somewhat based on the city of Birmingham in England.

At the beginning of this volume, Annie is in training to possibly become the Court’s Medium, an ambassador between the school and the magical Gillitie Wood.  The other two candidates, Andrew Smith (with the ability to bring order out of chaos) and George Parley (whose father expected a boy, and has the gift of teleportation) argue a lot but turn out to be attracted to each other.  This interrupts two simulations.

Then it’s time for a camping trip to a park that is actually inside the boundaries of Gunnerkrigg Court.  Campers start to disappear, and Annie and her best friend Kat (Katherine Donlan, daughter of two of the teachers who were friends with Annie’s parents) must solve the mystery.

After that, Kat, who is beloved by the Court’s robots due to her technical skills and repair abilities grants the king of said robots access to the portrait of Jeanne, the ghost that haunts the ravine between the Court and the Wood.  In return, he reveals the existence of a robot that has memories of Jeanne, and the very early days of the Court.  Those memories reveal a dark secret of the past.

In the next chapter, Annie visits the Wood and learns more about Ysengrim, the wolf with tree armor that is the current Medium for their side of the river.  Coyote, the trickster spirit that is in charge of the Wood, gives Annie a gift for reasons not fully revealed.

Then the subplot of Jack, who’s been acting increasingly erratic since he was exposed to the mass hallucination projected by a girl named Zimmy, comes to the fore.  He coerces Annie into accompanying him to a power station that might have something to do with why he can’t sleep.

This is followed by a spotlight chapter for Kat, who hasn’t been able to process her emotional reaction to learning what the Court did to Jeanne.  She’s finally able to recover her equilibrium with the help of an abandoned baby bird, and Paz, a classmate who can talk to animals.

Further research with the help of Andrew and Parley reveals some of Jeanne’s story from her point of view, and convinces Parley to be honest about her feelings.

Finally, Annie’s second year at Gunnerkrigg Court comes to a painful close when she and Renard (a fox spirit living in a stuffed toy) quarrel and reveal some very painful secrets to each other.  This leads to her choosing to spend the summer in the Wood rather than with friends.

At the end are some art pages and bonus strips about “City Face”, the pigeon Kat rescued.

The mood swings wildly between chapters, some being very comedic while others go deep into dark territory.  While we get several important revelations in this volume, the jigsaw nature of the overall plot means that many items don’t pay off until future volumes–I do recommend starting from the beginning.

As is often the case with webcomics collections, the material is all available on the internet for free, but if you like it, please consider buying the print version to make the creator more financially stable.

Book Review: The Mida

Book Review: The Mida by Lyle Ernst & Kimberly Sigafus

Tony was little when his parents died and left him in the care of his grandmother Nola.  She tried the best she could to raise him in the tiny community of Farmingdale, Iowa, but it’s 1952 now and he’s a grown man.  Tony’s made some bad life choices which are about to come back and bite him, as he’s accused of murdering his ex-girlfriend.  As if that wasn’t stressful enough, it turns out his mother isn’t dead after all, and she and the carnival she manages just appeared in town.

The Mida

The Mida, as it happens, is no ordinary carnival.  For one thing, it’s a “Sunday school”, which means no rigged games or other cheats.  More relevantly to the plot of this story, the carnival is mystic in nature, traveling through time and place to where it needs to be.  A number of the carnies have special abilities ranging from eidetic memory to being “a Wiccan goddess” granted by their employment.  Mesa, the manager, knows that the Mida has arrived in 1952 Iowa for Tony, but is reluctant to face the son  she abandoned all those years ago.  Especially as the carnival is being stalked by the dark spirit Jiibay, who has finally caught up to them.

This is the first of three (so far) fantasy books about the Mida.  Ojibwa lore is woven into the narrative, but is not the main thing going on.  For most of the book, the non-supernatural murders are the focus plotline.  It’s not much of a mystery for the reader as the story has multiple viewpoint characters, including the murderer.

Good stuff: a fairly diverse cast, not all of whom are the stereotypes they first appear to be from one viewpoint.  A fairly sensible and intelligent sheriff, who gets to be useful even though this is a fantasy book.

Not so good:  Little to nothing is done with the time travel aspect of the plot.  Most of the carnies probably wouldn’t take advantage of future knowledge for profit because of their personal morality or lack of solid opportunities, but there’s no mention by anyone of changes in technology or customs.  Conveniently, Mesa has aged enough in her travels so that no one doubts she’s the right age to be Tony’s mother.  Other than some mention of contemporary baseball players, there’s almost nothing that makes the setting feel like the early 1950s as opposed to any post World War Two but pre-21st Century rural town.

There are eight main carnies who form a “circle” although this is apparently the first most of them have known that; all get at least a little development.  But then there are thirteen Gatekeepers who also work at the carnival and that the Eight aren’t supposed to know about as they are the guardians of the Eight.  Most of them don’t even get named, let alone individual attention.  And presumably there are even more carnies that aren’t in either of those groups.  With all these people and the townsfolk, the book is jam-packed and some characters just get lost in the shuffle.

There’s some brief transphobia, but oddly enough no anti-Native American prejudice is ever brought up.  Abuse is in some characters’ backstory, and some of the carnies have been criminals in the past.

This is very obviously a first novel and self-published (a few spellchecker typos); later books in the series may show improvement.

Recommended to people who like weird carnival-set stories.

 

Manga Review: Noragami: Stray God #1

Manga Review: Noragami: Stray God #1 by Adachitoka

Mutsumi is in a bad way.   Not only is she under stress studying for the high school entrance exams, but her classmates have turned against her, bullying Mutsumi and encouraging her to self-harm.  She’s locked herself in a toilet stall for a good cry when suddenly she sees a telephone number in the graffiti advertising someone named “Yato” who promises to solve her problems.  Desperate, Mutsumi calls the number.

Noragami: Stray God #1

To her shock, Yato (who appears to be a teenage boy) and his female companion Tomone teleport straight into the girls’ room to discuss Mutsumi’s problem.  It turns out that Yato is a kami (“spirit” or “god”), but he’s at the very bottom of the hierarchy, with no worshipers or space in a shrine, making him a “stray.”  In an effort to increase his visibility and save up cash to buy a place to live, Yato has scribbled his number all over town, and charges five yen (roughly a nickle) for his problem-solving services.  Tomone is Yato’s shinki, a living weapon with a mind of her own.

Unfortunately, Yato isn’t all that bright, and tends to solve problems by cutting them with his sword.  Mutsumi’s problems are partially caused by an ayakashi (hostile spirit) that is amplifying and feeding on the negative emotions caused by exam stress, and cutting that is relatively easy.  But that isn’t the only issue, and how Yato finally solves it disgusts Tomone so much that she quits, leaving Yato weaponless at the end of the first story.

This series ran in Monthly Shounen Magazine in long chapters, so there are only three in this volume.  In the second story, Yato meets Hiyori Iki, a human girl who is a big pro wrestling fan, and due to an act of selfless courage develops the ability/problem of her soul slipping loose from her body.   In soul form, she’s physically powerful, but also very vulnerable, gaining a “tail” that’s actually a link back to her physical body–if it’s cut, she dies!  The third story ends with Yato gaining a new shinki, Yukine, who is decidedly unimpressed with his master.

The name of the series immediately brings to mind the classic 1930s manga Norakuro, about a stray dog that joins a canine-people version of the Imperial Japanese army, learns discipline and valor, and climbs the enlisted ranks.  Little-known in America, it was popular and influential in Japan, with demilitarized versions appearing after World War Two ended.

Noragami is fun adventure-comedy, contrasting Yato’s blunt and sometimes abrasive personality against Hiyori’s naivety and sunniness.  While both of them are eager to help people, Yato is goal-oriented and must be compensated first (even if it is just a nickle) while Hiyori just does it because it’s the right thing to do.  Yukine barely appears in this volume, so a full read on his character is not available here.  The art is decent and conveys the action and mood nicely.

As mentioned, the first story does involve bullying, and there is an element of victim-blaming.  There’s a small amount of incidental fanservice–thankfully, the “camera” does not linger.  And of course there’s a certain amount of fantasy violence.  It should be suitable for junior high readers on up; parents of younger readers should point out why victim-blaming is not useful.

This series was popular enough to get a two-season anime adapation, which I have not seen.   Recommended for fans of shounen fantasy manga.

Comic Book Review: The Shadow Hero

Comic Book Review: The Shadow Hero Story by Gene Luen Yang, Art by Sonny Liew

It is the 1930s, and Hank Chu lives in the Chinatown neighborhood of San Incendio.  He wants a simple, quiet life, working with his father in the family grocery store.  Hank’s mother, on the other hand, has bigger plans.  She’s learned about this new phenomenon called “superheroes” and sees no reason why a Chinese-American kid couldn’t be one.  Specifically Hank.

The Shadow Hero

Despite Hank’s reluctance, his mother drags him into a quest to become a costumed superhero, the Golden Man of Bravery.  It doesn’t work out that well.  But in the wake of tragedy, Hank discovers that he has an amazing legacy after all,  and a new purpose in life.  It’s possible that the Green Turtle may be able to do some good after all.

This book came about because Gene Luen Yang, creator of Boxers & Saints, learned about an obscure Golden Age comic book character named the Green Turtle.  An artist named Chu Hing created him as a feature for Blazing Comics.  The short-lived series had a number of peculiarities to it.  Although the Green Turtle operated in China against the Japanese invaders, and had Chinese elements to his costume, it was implied he wasn’t from China.  His face was never fully seen, either turned away from the reader, or covered by something.  And the Green Turtle kept promising to reveal how he became a costumed hero, but was always interrupted.

This created suspicion among comics scholars that Chu Hing intended for the Green Turtle to be of Chinese ancestry, but was not allowed to make this overt by his company’s editorial policy.  Sadly, Chu Hing died in obscurity long before anyone thought to ask.

So, in a feat worthy of Roy Thomas, Gene Luen Yang decided to take the fragments of information available, and weave them into a tale of America’s first Chinese-American superhero.

A great deal of humor and sadness is woven into the action.  A major theme of the story is that appearances can be deceptive.  Hank’s father is not a coward,  Red Center is not a helpless maiden, Ten Grand is not a vaudeville version of Fu Manchu, and a naked face can be the best mask of all.  Hank’s mother moves the early part of the story with her tendency to judge by appearances, and her yearning for more than the disappointments her life has offered.

Hank himself must learn how to be a hero; powers and martial arts training help, and so does motivation, but in the end he must choose wisely and justly to be a true hero.

Racism, both overt and unintentional, is a recurring problem in the setting.  Even Green Turtle’s police contact, Detective Lawful, is not as free of prejudice as he’d like to be.  There’s also some crude sexual references, so parents may want to screen the book before allowing readers below junior high or so to read it  Certainly they will want to talk to their children about inappropriate language and behavior modeled by some of the characters.

That said, this is a worthy addition to the ranks of still rare Asian-American superheroic fiction.  I highly recommend it to comics fans looking for something a little different.

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