Book Review: The Baker Street Peculiars written by Roger Langridge, art by Andy Hirsch
It is 1933 in the city of London, and what appears to be a stone lion from Trafalgar Square is running wild in the streets. Three children from different walks of life (and a dog) have separately decided to chase down the lion to learn what’s going on. They eventually lose the trail, but meet the legendary detective Sherlock Holmes, who engages them for a shilling each to be his new Irregulars. They’ll investigate the supposed living statue while he’s busy with other cases.
But wait; assuming Sherlock Holmes wasn’t just made up by Arthur Conan Doyle, didn’t he retire to a bee farm in Sussex before World War One? There’s more than one odd thing going on here!
This volume collects the four issues of last year’s children’s comic book series of the same name. As a modern period piece, it’s a bit more diverse than the comic papers that would have been published back in the day.
Molly Rosenberg is a whip-smart girl, who wants to be a detective. Her kindly but conservative tailor grandfather has forbidden her formal education as he’s afraid she’s already too learned to attract a good husband.
Rajani Malakar is an orphan of Bengali descent who was raised (when not confined to juvenile institutions) by professional thief Big Jim Cunningham. Big Jim had an alcohol-related fatality a bit back, and she’s had to make her way alone with petty theft. Rajani is probably the oldest of the children, as she’s hit puberty.
Humphrey Fforbes-Davenport is the youngest son of a large upper-crust family. Evidently he was unplanned and unwanted, as he was shipped off to a harsh boarding school as soon as possible, with only a golden retriever named Wellington as a valet. (Wellington doesn’t talk, so his level of intelligence is difficult to gauge.) Over the course of the story, Humphrey learns to weaponize his class privilege (within his own class, of course, it’s never done him any good, so he didn’t even realize he had it.)
As it happens, Molly’s cultural background is especially useful in this case, as the villain is Chippy Kipper, the Pearly King of Brick Street, a self-willed golem. Chippy has the mind of a small-time protection racketeer, but has realized that the ability to bring statues to life gives him an army with which he could take over the city–maybe the world!
The kids are on their own through most of the adventure. The sole representative of the law enforcement establishment is PC Plank, who’s intellectually lazy, and would rather arrest known riffraff Rajani than investigate any other possible criminals. Sherlock Holmes is…elsewhere…much of the time, and Daily Mirror reporter Hetty Jones is well behind the children in her investigations.
The art is cartoony, with several Sherlockian in-jokes hidden in the background. This serves to soften somewhat the several off-screen deaths.
This volume should be suitable for middle-schoolers on up. Parents may want to be ready for discussions on period sexism and ethnic prejudice. (There’s also a subplot about dog farts.)
It appears that this may be the first in a series about the kids–I should mention that despite the Holmes connection, this and potential future volumes seem more about the “weird adventure” than mysteries.
Book Review: Doctor Dead: A Percy & Quincey Adventure by Tyler Tork
Disclaimer: I received a free download of this book to facilitate this review. No other compensation was requested or offered.
Percival “Percy” Drew and his cousin Quincey Harker are enjoying an afternoon at San Francisco’s waterfront in 1904. Until, that is, the young fellows are kidnapped. It seems that the mad scientist Dr. Benoit believes the albinistic Quincey has a rare blood type that will enhance the endurance of zombis. The boys must find a way to escape before Quincey is drained dry, or they are themselves turned into the living dead!
This young adult novel is set on an alternate Earth where some of Victorian fantastic literature is real, though often in a different form than the original stories. (Dracula turns out to have been heavily fictionalized; among other things, Wilhemina Harker is not nearly as decent a person as in the novel.) It’s fun looking for all the shout-outs.
The book is divided into four adventures, each building on the last. The boys do escape Dr. Benoit in the first segment, but their elders make poor decisions that come back to bite everyone when Benoit turns out to have taken precautions in the event of being dosed with his own serum.
Most of the story takes place from the viewpoint of thirteen-year-old Percy, with only short sections from the viewpoints of Quincey and Native American (called “Indian” in-story) girl Mary when Percy’s not available to narrate. Percy is very bright and something of a mechanical genius, while fifteen-year-old Quincey is more interested in the medical field.
Mr. Tork has done his research on such topics as the manufacture of soft drinks in 1904, so it was a bit of a shock when one of the characters is said to have read H.P. Lovecraft, who would not be published for another decade.
There’s some period racism and sexism; thankfully the boys are only a bit ignorant and not malicious. It feels at times that the book has trouble fitting in the YA category–a brothel is an important location in the plot, yet no prostitutes are ever “on screen”, nor indeed is it ever explained what goes on in a brothel.
Things become more difficult for our young heroes when a broken time machine comes into the plot; at least one of the adults who are nominally their allies cannot be trusted not to abuse such a device, so they have to keep it a secret from as many people as possible. This prevents the boys from getting reliable help at various junctures.
There are some quirky supporting characters, and plenty of action to keep the plot moving quickly. While no sequel is available, there are hooks for an expedition to the Galapagos Islands and a search for lost treasure, so if sales on this book pick up, they may yet be published.
Recommended primarily to teenage boys who’ve read some of the books this volume shouts out to.
Magazine Review: Gamma 3 edited by Charles E. Fritch
Gamma was a short-lived science fiction magazine (five issues in 1963-64), known for high-quality cover art and snagging stories from authors connected with the film industry. (Indeed, I picked up this issue because of the sweet Morris Scott Dollens art.) It was digest-sized and relatively thin. Let’s look at the contents!
“The Girl of Paradise Planet” by Robert Turner concerns retired millionaire George Prentiss. He and his third wife Evvie have come to the title planet on a long vacation (her idea.) Bored, Robert has taken up underwater swimming with future SCUBA gear. This world is not supposed to have any native intelligent life, but then where did that water-breathing naked girl come from? Is George having hallucinations from the water pressure, or is he just going insane?
Over the course of the story, we learn that George is a self-made man who spent his youth starting a business, growing that business and getting rich, so he didn’t look for romance until middle age, and three times went for trophy wives, none of whom have worked out. Which is okay…except that the possibly imaginary Irlana comes across as a Manic Pixie Dream Girl whose function is to rekindle his love of life (and is younger and prettier than Evvie.)
Mr. Turner was an experienced author, but this was his first time writing science fiction, and I can tell. He’s certainly no climatologist, and the ending twist relies on most of the characters forgetting a perfectly logical explanation for events that would be common knowledge to them, even if the reader wouldn’t know it.
“The Feather Bed” by Shelley Lowenkopf presents a bizarre future in which the economy runs on make-work. For example, three years after a building is built, all the piping is torn out and replaced just to give the plumbing crews something to do. This extends to writing as well. Every 37 years, all extant editions of Shakespeare are destroyed, and replaced with “newly written” versions by living authors. Except that it’s just retyping the whole thing verbatim. And the same goes for all other works of fiction by dead writers.
Lew has had it with the system–he doesn’t want to “rewrite” King Lear again, and on the union points system, it will be years before he’s allowed to write more of the original fiction that made him a successful author in the first place. Unfortunately, he’s just one man against the system, and winds up causing even the FBI to intervene. If Lew sticks to his principles, he could lose everything, including the writing he really wants to do.
“Angel Levine” by Bernard Malamud stars Jewish tailor Manischevitz, who is going through hard times. His shop burned down, and the insurance money was eaten by customer lawsuits. His son died in the war, and his daughter ran off with a man and never communicates. He’s got chronic pain, and his wife Rosie is dying. Manischevitz asks God for assistance, but when an “angel” named Levine shows up, there are reasons the tailor is unconvinced. It’s ultimately a story about belief in the face of your assumptions about people. There is racism and anti-Semitism in the story. (This one was reprinted from one of the author’s collections.)
“The (In)visible Man” by Edward W. Ludwig is a fantasy about James Smith, who has become socially invisible. He’s finally decided to exploit that fact, but one person has finally become able to see him, and that is both Mr. Smith’s weakness and best hope. It’s a fairly sweet story, helped along by James Smith, even when he turns criminal, sticking to a “least harm” principle. There is an attempted suicide in the story.
“Inside Story” by Miriam Allen deFord takes place in a far future when the Galactic Federation sends scouts to find new worlds that one of their myriad species can live on and isn’t already inhabited by intelligent life. These planets are exceedingly rare. It looks, however, like this one might be ideal. Presuming the scout party doesn’t find any surprises like rapid inexplicable temperature variations….
In this future, scout ships have mixed-sex crews, but this is because every member of that crew is a different non-compatible species. The twist ending is suitably bizarre.
“The Birth” by George Clayton Johnson is a retelling of a classic story from a different perspective. See how long it takes you to figure out which one!
“Buttons” by Raymond E. Banks concerns John Burke, a starship officer who is forced by disaster to upload his mind to a computer memory storage system. Supposedly, he will have his mind reinserted into his human body once that’s fixed. But that procedure has a high failure rate, and Burke is rapidly discovering the advantages of being a disembodied intelligence. There’s some relatively early thought about the benefits versus possible hazards of transhumanism.
“Society for the Prevention” by Ron Goulart is a humorous piece about the travails of a interplanetary surplus store manager. He’s just gotten a large shipment of extremely ugly wicker urns, the natives of the planet have organized a violent “Shop Local” campaign, and the newly arrived Young Girls Space Police and Welfare Committee officer suspects him of being in cahoots with the inventor of a death ray. Everything more or less works out in the end, but now the store manager has to try to explain to his boss why the urns didn’t get sold. The female Space Police officer is treated as a joke–admittedly so is everyone else, but it may not sit well with some readers, as part of the joke is that women are completely unsuited for the work.
The final story is “The Snail Watcher” by Patricia Highsmith. This creepy tale is about a man who gets a little too fascinated with the reproductive habits of snails, not noticing that these particular snails are reproducing much more rapidly than is anywhere near normal.
Interior art is by Luan Metheringham, who sadly seems to have completely dropped out of sight with only her Gamma appearances known.
There is also an interview with “Ivan Kirov” about the state of Soviet science fiction in the early 1960s. He declined to have his real name published for security reasons. Per the interview, SF in the USSR was beginning to blossom after being suppressed during the Stalinist years. Noted was a tendency for “nuts and bolts” stories of adventure, with little of the social or psychological exploration that had become common in Western nations’ science fiction. (At the time, the government censors were big on Soviet Communism going worldwide being the only possible future, and writers were expected to get on board with that.)
The Banks story is the one that I liked best, though the Highsmith story was also effective. Worth seeking out if you’re a fan of either author or the cover artist.
First, a bit of news: I have completed my coursework for an Associate’s Degree in Business Management, and should soon have the official recognition. It’s been a rough couple of years, so I am relieved.
Racket Squad ran on television from 1950 to 1953, telling fictionalized versions of actual cases where confidence artists and other racketeers bilked Americans of their money. Reed Hadley played Captain John Braddock, who narrated the episodes and provided tips on how to spot con games. (He would go on to star in the previously-reviewed Public Defender, which had a very similar format.) Each episode opened with a “City Police” car pulling up to “City Hall” and a police dispatcher intoning “rrRacket Squad!”
I watched six episodes on DVD:
“Kite High” stars a funeral director whose odious mother-in-law is poisoning his wife against him. In fairness, he’s the kind of dope who goes off to a convention, changes hotels without telling his wife, and then decides to go hunting with a buddy for three days after the convention, also without notifying his wife. Rather than try to hash things out with his spouse (her mother is living with them due to a mild disability), he goes off to Las Vegas. While there, he is snookered into playing at a “private” casino that alters (“kites”) the checks he uses to pay for chips to much higher amounts. Once he figures this out, the funeral director confronts the racketeers and it goes badly for him. Just as he’s about to be killed, the Racket Squad just happens to bust in, as they were pursuing related leads.
“The Bill of Sale Racket” involves two men that “buy” gas stations for far more than they’re worth, using a thirty-day promissory note. They then turn around and sell the stations at rock-bottom prices to third parties who are unaware that the bill of sale has been received fraudulently. A man whose wife was taken advantage of this way while he was off in the Korean War sets a trap for the conmen, and there’s an extended shootout in which no one actually gets hit. (Surprisingly realistic!)
“Desperate Money” focuses on a aging tailor with fading eyesight who’s having a bad season. Faced with eviction, he turns to a loan shark operating out of a boxing gym. When the bad season lasts two weeks longer than expected due to hot weather, the loan shark starts ramping up the interest and getting increasingly violent. The tailor is not stated to be Jewish, but there are really unsubtle clues. Also notable in that the bartender who steers the tailor to the loan shark doesn’t realize how violent the man is, because he’s always made his payments on time. He learns the hard way when he asks the shark to have mercy on the tailor.
“The System” has a man on vacation meet an attractive young woman and her invalid father. Several weekend dates later, the father reveals that he, his daughter and their manservant live comfortably because the father has a near infallible betting system. Using a trick to confuse the mark about the time, the con artists make it look like they can predict the outcome of horse races.
“His Brother’s Keeper” is a tearjerker of a story about a bum named Longshot who hits upon pretending to be deaf to beg for money for his gambling habit. This works great, except that it turns out all the deaf beggars in the city have been co-opted by a fake charity that sends them out to beg, then confiscates their earnings in exchange for miserable bunks and thin soup. Initially, Longshot just plans to hide enough money away to escape on, but when one of the actual deaf people becomes ill due to the poor treatment, Longshot decides he has to step up and help Captain Braddock smash the racket, regardless of personal cost. One of the villains also played the loan shark in “Desperate Money”, and there’s a particularly good transition shot from the beggars’ miserable fare to the fine steak that the head of the “charity” enjoys while urging his henchman to cut expenses.
“Take a Little, Leave a Little” involves a particularly smooth operator that poses as an oil geologist. That is, he uses the name of a real geologist with a good record, so when people do credit checks and backgrounds on him, they find the good news and are more likely to believe his story about a rich oil deposit near town. He’s so slick, in fact, that his victims don’t technically lose money, and thus usually won’t call the cops. However, under RICO, if it’s possible to prove a pattern of racketeering behavior, that’s enough to catch you on, and he goes to the well once too often.
While some of these scams are dated and wouldn’t work as well any more, others have been able to adjust to modern times. Altering checks has given way to altering credit card charges. Payday loan offices do much the same work the loan sharks did. And some rackets work the same as they ever did. As Captain Braddock often reminds us, “It could happen to you.”
“Kite HIgh” relies heavily on old-fashioned stereotypes about marriage and mothers in law–younger viewers may find the family’s behavior baffling. The most affecting story is “His Brother’s Keeper,” thank goodness it’s much easier for deaf people to get work these days. It’s a well done series for its time.