Book Review: The Collected Stories of Robert Silverberg, Volume Nine: The Millennium Express (1995-2009) by Robert Silverberg
Robert Silverberg (1935-still alive as of this writing) is one of the longest-running science fiction authors, having made his first sale in 1953. Especially in his early years, Mr. Silverberg has been prolific, with his non-series short fiction alone filling nine sizable volumes. This is the last in that series, but not necessarily the last collection of his short stories.
As the author explains in his foreword and the story introductions, he’s slowed down some as he’s aged, for various reasons. There’s “only” sixteen stories from fourteen years presented here, but most are longer, a few up to novella length.
The opening story is “Diana of the Hundred Breasts” originally written for sale to Playboy, but turned down by them. A wealthy layabout goes to visit his brilliant archaeologist brother at his dig in Ephesus, Turkey. They meet a retired minister who’s touring the area, and the brother takes the other two to see the famous Diana statue of the title. A little later, the archaeologist uncovers what may be the true meaning of the statue, but the brothers are left with more questions than answers.
I found the story so-so. Mr. Silverberg uses tourists as main characters in many of his late period stories, something the Playboy fiction editor chided him for. Even when the characters aren’t tourists as such, the stories often include long sightseeing sections.
He also favors the setting of the very far future and having characters realize just how very old the universe is. Of these tales, I liked “The True Vintage of Eruzine Thale” the best. It’s set in Jack Vance’s “Dying Earth” cycle. Poet and wine connoisseur Puillayne is pulled out of his ennui by three suspicious looking men who claim to be fans of his work. They turn out to be far more interested in Puillayne’s collection of rare treasures, especially the title liquid.
“The Millennium Express” is set in the relatively near future of 2999. Four clones of great men have suddenly begun destroying the remaining treasures of the past. A witness of one of their crimes becomes their pursuer, trying to discover their motivations and prevent them from wiping out the Louvre. It’s a story about letting go of the past.
My choice for the strongest story in this collection is “Defenders of the Frontier” which first appeared in the Warriors collection, which I read previously. A squad of soldiers man a forgotten outpost between their Empire and “the enemy.” No orders or supplies have come to them in years as their numbers dwindled. The enemy, too, has dwindled–they seem to have killed the last one in a thousand mile radius some weeks ago. The soldiers can’t leave their post without orders, but if the enemy is truly gone, then there is no point in remaining.
I was reminded of the anime series Sora wo Oto, also about a small group of soldiers at a seemingly pointless outpost, though its mood is very different.
The final story is “Smithers and the Ghosts of the Thar”, set in India as the British Empire is building railroads there. Young Smithers learns of a legendary sound in the desert, as though there were invisible people there, or perhaps ghosts. He drags his friend Brewster off on an adventure to investigate. They learn the truth behind this mystery, but at a terrible cost.
Several of the stories have scenes of extramarital sex. (Apparently, at one point Mr. Silverberg concentrated on soft porn when the science fiction market was in a slump.) “Beauty in the Night” has rape, child abuse and general physical abuse.
Overall, a high quality collection. Robert Silverberg is a fine writer who has honed his craft over decades, and took his time with these stories. However, I think this volume might do best for older readers who have some life experience to fully appreciate the nuances. Beginners might want to start with one of the earlier volumes.
Disclaimer: The version I read was an Advance Uncorrected Proof, and the final contents might be slightly different–at the very least, the typos fixed.
Book Review: The Book of Andre Norton edited by Roger Elwood
Andre Alice Norton (1912-2005) was a prolific author, best known for her science fiction and fantasy novels marketed to the young adult sector. (I’ve previously reviewed her 1960 book Storm Over Warlock.) Her output of short fiction was much less, but enough good stories were available for this volume. The hardback edition was titled The Many Worlds of Andre Norton.
The introduction is by Donald A. Wollheim, the publisher of DAW Books. He notes that he republished one of her “juveniles” with a new title and without mentioning its original marketing category, and it sold just fine, thank you. At the time of his writing, “young adult” was still a new name for the category and felt awkward to him.
“The Toads of Grimmerdale” is about a rape survivor named Hertha. Her homeland of the Dales has recently managed to repel an invasion, but at a high cost, with the land impoverished and the various fiefs thrown into confusion. The man who assaulted Hertha was not one of the invaders, but of a Dalish army. She didn’t get a look at his face, but there is a clue by which she will surely know him. When it became clear that Hertha was pregnant, her brother Kuno offered her a choice of a dangerous abortion…or exile.
Hertha undertakes the harsh midwinter journey to the shrine of Gunnora, goddess of women, and is assured that the evil of its father will not taint her child. But Hertha also wants revenge, something Gunnora (who only has domain over life) will not offer. So it is that Hertha also seeks out the title creatures, which are not toads in any human sense, who do offer vengeance. But it is said that the gifts they offer are often not to the pleasure of their supplicants.
Then we meet Trystan, a mercenary who is no longer needed by his army, and looking for a place to settle down. He may or may not be the man Hertha is looking for, but soon he must deal with the Toads. But can either man or woman stand against the gods of the Old Ones?
This is the cover story, and that illustration is at least in the right neighborhood. Of note is that the Toads do something to Hertha’s face that makes her hideous to men, though we never get a description beyond patches of brown skin.
“London Bridge” is set in a post-apocalyptic city. It was sealed against the pollution of the outside world, only to fall victim to a plague that killed all/most of the adults. (It’s not clear if “Ups” are the few adults that remain, driven to madness by drug addiction, or people the same age range as the protagonist who are drug addicts.) Lew is the leader of his gang of youths and children, and is on the trail of “the Rhyming Man”, a mysterious figure who speaks only in nursery rhymes and seems to be responsible for the disappearance of the younger members of this and other gangs. This story seems to be more fantasy than science fiction, as the power of belief is an important plot point.
“On Writing Fantasy” is an essay by Ms. Norton about where she gets her ideas and the process of writing fantastic stories. She was a big believer in reading history and historical fiction to get inspiration and technical details, and shares a list of her favorites. (The history books may be a trifle dated due to new discoveries and scholarship.) She also talks about writing Year of the Unicorn, her first book with a female protagonist. Reader response was apparently very divided–girls really appreciated Gillan, while boys did not like her at all. (“The Toads of Grimmerdale” turns out to take place at roughly the same time as this book, but does not share any characters.)
“Mousetrap” is a short tale set on Mars. A man destroys a priceless alien artwork and suffers the consequences. Hard to discuss further without spoiling.
“All Cats are Gray” also starts on Mars. A computer operator approaches a man down on his luck with the news that a derelict spaceship loaded with loot is returning to the general orbit area. She invites herself and her cat along on the salvage mission, which turns out to be a very good idea. Ms. Norton’s themes of bonding with animals and distrust of computers are both seen here.
“The Long Night of Waiting” is set in a new suburban housing development. The children of the first family to move in meet two children who are very out of place. This is despite the pair having lived there to begin with; they’ve been trapped in the land of the Fair Folk for what seems like a short time to them, but more than a century to those outside. The ending might be happy, or chilling, depending on your attitude.
“The Gifts of Asti” is another story that blends the fantasy and SF genres; the last priestess of the title god flees her temple in advance of the barbarian hordes that have sacked the nearby city. Passing through underground passages with her telepathic lizard companion, Varta emerges in a valley that has not seen human life in a long time, possibly because of the glass plain where a city once stood. Varta finds a gift preserved from a time when the ancient towers were not yet built, and this provides hope for the future.
“Long Live Lord Kor!” is a novella-length work. Mental time travel has been invented, but restricted to meddling with planets whose populations are dead in “the present” to try to bring them back to life. Special agent Creed Trapnell is assigned to follow up a failed mission. For reasons not fully discussed, it is only possible to be projected back into a brain that has near-zero intelligence of its own. Trapnell finds himself not in the body of the oracle he was intended to inhabit (and why would an oracle be devoid of thought?) and instead inhabiting Lord Kor Kenric, the son of the king.
It seems Kor recently took a bad wound to the head, and was not expected to live, let alone recover with only a case of amnesia. Now the new merged Lord Kor must seek out the “sorceress” who is the primary agent in this time period and attempt to complete the mission before the oracle sets the planet on the road to nuclear war. Turns out there were some important things left out of Trapnell’s briefing…but did the supercomputer ZAT deliberately conceal these topics, or just not know?
There’s some use of what used to be acceptable medical terms for people with mental handicaps, but are now considered slurs.
“Andre Norton: Loss of Faith” by Rick Brooks is a survey of the themes in her work, and what seemed to be an increasing pessimism in her books. Many of the darker sides of her settings had been there all along, but Mr. Brooks felt they were becoming more central in the late 1960s material.
The volume ends with a complete as of 1974 bibliography for Ms. Norton.
I enjoyed “Mousetrap” and “Long Live Lord Kor!” the best; “The Long Night of Waiting” felt too “old person complainy” for my tastes. Overall, a strong collection of stories, and it’s been reprinted several times so should be available in better used bookstores as well as libraries.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.
Book Review: Once Upon a Star: The Adventures of Manning Draco Volume 1 by Kendell Foster Crossen
In the 35th Century, many things have changed. Terrans have gone to the stars and discovered the many alien races living out there, fighting with some, cooperating with others. Right now, the Milky Way Galaxy is at peace. Other things have not changed; there are still companies selling life insurance, and there is still insurance fraud. And that’s where Manning Draco, top investigator for the Greater Solarian Insurance Company, Monopolated, comes in.
Of course, since Manning is the best insurance investigator around, that means he only gets the toughest cases, using quirks of the local biology or customs to create loopholes in insurance policies. Most of his workload is caused by crooked insurance salesbeing Dzanku Dzanku of Rigel IV, and his sidekick, the easily mindwiped Sam Warren. The slippery pair have figured out all sorts of ways to cash in on insurance scams, but just try to prove it!
Once Upon a Star was originally published as four short stories in the 1950s, then edited together slightly to make a fix-up novel. (Three other stories about Manning Draco are in the second volume.) These comedic science fiction tales follow an obvious pattern. At the beginning, Manning is on Earth, flirting with an attractive woman (like Captain Kirk, Manning Draco has broad tastes and will hit on just about any humanoid species–he draws the line at crocodile people.) This is interrupted by his irascible employer, J. Barnaby Cruikshank, who describes an oncoming crisis the company is facing.
Manning flies off to the planet where the problem is in his private starship, the Alpha Actuary. There he learns what Dzanku and Warren have been up to, usually involving something about that world that isn’t in the official survey reports. There will also usually be another attractive woman for him to flirt with. Things get worse before they get better, but a combination of telepathy, eidetic memory and rules lawyering allow Manning to win the day. (There’s also some nifty technology at his disposal, but if anything it’s underutilized and seldom plays a key role.)
As one might expect from the time these stories were written and the genre, Manning Draco is pretty much omnicompetent, though this does not always help a great deal. For example, he’s the one Earthling with any appreciable psionic abilities…which puts him at about average in Galactic society. And while Manning is aces with the ladies, Dzanku is fully aware of this and is perfectly willing to use it against him. (It should be noted, however, that at no point is a woman forced to do something she didn’t want to do in the first place, despite one spoilery bit.)
Dzanku, meanwhile, is generally two or three plots ahead of Manning (having already set up the next scams while Manning has just arrived to fix the first problem), but suffers from the urge to gloat when he’s winning and devise elaborate traps rather than just finish Manning off. He’s also addicted to gambling on games of skill, which Manning uses against him more than once. Sam Warren is more or less a nonentity that Dzanku can have conversations with to advance the plot.
There’s no damsels in distress in these stories as such, though Fifties attitudes are the default. A female insurance investigator is rare enough that Manning Draco is taken off guard by one showing up, and there’s a clear expectation that women will quit their jobs once they’re married. With one notable exception, the women in the story are fully capable of making up their own minds and have agency, and the exception is so because of [spoiler redacted.]
The science is dubious (there’s an entire page-long note devoted to a nonsensical set of equations proving that people from outside a fast-time zone won’t age faster while inside it, despite experiencing events at the faster rate.) There’s also some fantastic racism (Rigellians are inherently dishonest and have built their entire culture around deception and betrayal.) And our hero at one point sells Dzanku into sex slavery as the best way to keep him imprisoned without dying (which would cost the insurance company money.)
Still, if you enjoy the 1950s style humor and want to watch a rules lawyer in action, this is the book for you.
Book Review: The Hugo Winners Volume 5 1980-1982 edited by Isaac Asimov
The Hugo Awards are given out every year by the membership of the World Science Fiction Convention (Worldcon.) This series of books from 1986 collected the winners in the three short fiction categories: Novella (17,500-40,000 words), Novelette (7,500-17,500 words) and Short Story (less than 7,500 words.) Anything over 40,000 words is considered a novel. The volume is organized by year, in the order from longest to shortest, giving a kind of wave effect.
“Editor” Isaac Asimov spends much of the introduction detailing the history of the science fiction magazine Isaac Asimov’s Science Fiction Magazine, of which he was the figurehead. It’s relevant because 1980 was the first year a story from that magazine won a Hugo.
“Enemy Mine” by Barry B. Longyear was that story. Two soldiers from opposing sides are stranded on a deserted island–one of whom is a pregnant alien. To survive, they must work together, and come to respect each other and bridge the gap between their cultures. This one was made into a movie, and Hollywood inserted an actual mine run by enemies. Perhaps this was necessary as the emotional climax of the story is a three-hour recitation of family history, but Mr. Longyear was not well pleased. It’s an excellent story.
“Sandkings” by George R.R. Martin is a chiller about a man who collects exotic pets. The Sandkings of the title are hive-mind creatures vaguely reminiscent of ants. They come in sets of four colored “castles” which have wars until only one remains. Simon Kress, however, is a cruel man and does not want to wait for his pets to war in their own time. How does it end? It’s by George R.R. Martin, how do you think it ends? An outstanding application of horror sensibilities to science fiction.
“The Way of Cross and Dragon” is also by George R.R. Martin, the first time an author had ever won two of the short categories in the same year. An inquistor for a future Catholic church is sent to stamp out a heresy that venerates Judas Iscariot (and dragons.) The inquisitor finds it a particularly appealing heresy, well-crafted and visually attractive. But that’s not the real trap–there’s a more dangerous heresy underneath. Of note is that the heretics have vandalized the local equivalent of the internet and Wikipedia so that those doing research would find supporting evidence for the heresy.
Also in 1980, The Fountains of Paradise by Arthur C. Clarke took home the novel Hugo, and Alien won Best Dramatic Presentation. Barry B. Longyear was also picked as Best New Writer.
“Lost Dorsai” by Gordon R. Dickson is as you might suspect set in his Dorsai Cycle, a story universe where the resource-poor planet Dorsai makes its employment credits by hiring out its inhabitants as top-notch mercenary soldiers. This story tackles the question of what happens when a Dorsai decides that he will not kill humans under any circumstances. Even when he’s one of a handful of people in a fortress surrounded by bloodthirsty revolutionaries. What does make a man a hero, anyway?
“The Cloak and the Staff” is also by Mr. Dickson, making him the second author to win two of the short categories in the same year. Both he and Mr. Martin had won the third short category previously as well. The Aalaag are superior to Earthlings in every way, and hold our planet in an unbreakable grip. Even if somehow humans managed to rise up and kill all the Aalaag on Earth, the vast Aalaag Empire would simply wipe out the inhabitants and replant. Courier Shane knows this better than almost anyone else, and yet he finds that he’s sparked a resistance movement with a bit of graffiti. He manages to save one rebel for the moment, but there’s noting more he or anyone can do….
“Grotto of the Dancing Deer” by Clifford D. Simak concerns an archaeologist who goes back to the dig site of some cave paintings one last time. He discovers the title grotto, and its connection to one of the dig workers. It’s a rather sad story about a man who wants one person to know the truth before he leaves again.
Also in 1981, The Snow Queen won Best Novel for Joan D. Vinge, Best Dramatic Presentation went to The Empire Strikes Back, and Somtow Sucharitkul (S.P. Somtow) was Best New Writer.
“The Saturn Game” by Poul Anderson concerns an expedition to Iapetus, a moon of Saturn, which turns deadly due to a moment of inattention.
A bit of context for our younger readers–the turn of the 1980s is when role-playing games, especially Dungeons and Dragons, went from an obscure hobby to a cultural phenomenon. The usual cultural conservative distrust of anything new that kids get into converged with the 1980s “Satanic Panic” in which people sincerely believed there was a worldwide network of Satanists abusing children and performing human sacrifices. So many people worried that RPGs would either teach children how to perform actual black magic (see Jack Chick’s unintentionally hilarious Dark Dungeons for an example of this thinking) or make impressionable teens unable to distinguish between reality and fantasy and thus act out their violent pretendy fun times on real people. This last one was a bit more plausible; most roleplayers know that one guy who takes the game way too seriously, akin to the sportsball fans that have violent temper tantrums when their team loses.
Mr. Anderson’s story works with the latter concept; it never uses the phrase “role-playing games” as those died out during a bad time in human history–the future equivalent is “psychodramas.” Three-quarters of the expedition have been playing in the same game for the last eight years as their larger ship has been headed to Saturn. In the future, psychiatry has been replaced by pharmacology to balance brain chemistry, and no one thought ahead about the possible consequences. So when the players find themselves in a fantastic landscape that suits their story, they fall into a semihypnotic state acting out the play, and miss the real danger.
Mind, Poul Anderson also shows the strength that can be drawn from imagination, as the fantasy helps sustain the strength of the survivors, even as they know they must not succumb to it and ignore what must be done. One of the flashbacks is about the significant other who doesn’t “get” role-playing games, and is unable to distinguish between in-character romance and an actual affair between players. She forces the player to choose between her and the gaming group–it does not turn out the way she hoped.
“Unicorn Variations” by Roger Zelazny is more in the fantasy realm than straight science fiction. When a species goes extinct, a new species comes to take its place. And in a future where extinctions have become even more common, the unicorns have grown impatient to replace humans. But one human bargains with the unicorn representative. If he can beat it in a game of chess, the unicorn will not directly hasten the extinction of humans. Unicorns, as it turns out, are very good at chess…but the human turns out to have a surprise backer. If you have your chessboard handy, play along!
“The Pusher” by John Varley, is set in a future with relativistic space travel and time dilation. That is, time on ship passes more slowly than for those standing still. Six months on board is thirty years back on Earth. Ian Haise, a “pusher” (starship crewmember) doesn’t want to entirely lose touch with those on the ground, so he has a scheme to befriend children so that when he returns decades later, they will remember him and welcome his return. It’s an uncomfortable story, as Haise’s methods are strikingly similar to those used by a pedophile to “groom” victims.
1982’s Best Novel was Downbelow Station by C.J. Cherryh, Raiders of the Lost Ark took home the Best Dramatic Presentation Hugo, and the Best New Writer was Alexis Gilliland (who beat out David Brin!)
This collection really strikes a chord for me as it’s in my early adulthood, and I read most of these stories first-run. It looks “modern” to me in ways that early SF doesn’t, and the field was becoming more diverse (even though all these stories happen to be by white guys.) It’s worth finding just for “Sandkings” if you’ve never read that story, but the others are good as well, especially “Enemy Mine.”
Oh, and “Sandkings” was also loosely adapted for an Outer Limits episode. Enjoy!