Manga Review: Doraemon, Vol. 1

Manga Review:  Doraemon, Vol. 1 by Fujiko F. Fujio

It’s not often that someone is so big of a loser that his descendant feels the need to travel through time to fix it.  But Nobita Nobi has managed it.  Nobita’s a wimp, as well as not very bright and so lazy that he doesn’t even get the low grades he could if he put in an effort.  His classmate Gian frequently bullies him, and Shizuka, the girl Nobita likes, has placed him firmly in the friendzone.

Doraemon, Vol. 1

Nobita’s grandson’s grandson uses time travel to come back to his ancestor’s elementary school days.  He reveals that Nobita will eventually marry Gian’s ugly little sister Jaiko, fail miserably in business and saddle the family with so much debt they’re still paying it off in the late 22nd Century.  But the descendant has a plan.  Get Nobita a wise and powerful guardian robot that will protect and guide the boy towards a better future!  (The rules of time travel are such that the descendant will still be born in some form, but hopefully with a better life.)  Unfortunately, with his miserable future allowance, all the boy could afford is the defective and damaged cat robot Doraemon.

Doraemon means well, but he is also kind of lazy and can be distracted by sweet dorayaki treats.  So he often doesn’t think through the consequences of giving Nobita access to the many futuristic gadgets Doraemon carries in his pouch.  And when he does consider the consequences, he can be bribed or tricked into letting Nobita use them anyway.  And that sets the primary pattern for the series stories.  Nobita or one of the other characters has a problem, one of Doraemon’s gadgets comes into play to fix it, the gadget is abused, and Nobita winds up in a heap of trouble.

The original manga ran from 1969-1996, a total of 45 volumes created by Fujiko F. Fujio (pen name of Hiroshi Fujimoto (1933-96) who was half of the Fujiko Fujio combo.)  It has spawned spinoff manga, several TV series, and a long-running series of animated movies.  Doraemon is considered one of the cultural icons of Japan.

This is the Kindle edition, and the word “volume” is an exaggeration.  There are three stories for a total of about 30 pages, and they are selected rather than printed in the order of publication.  (I suspect the latter is to avoid any of the stories with nudity, which is a problem for American children’s media.)  Some of the names are changed; Gian and Jaiko become “Big G” and “Little G” respectively.  This version has been colored, but as the original was in black and white, it looks fine if your Kindle can’t do color.

“All the Way from the Future” is the first chapter of the series and sets up the premise.  Doraemon arrives on New Year’s Day to change Nobita’s life.  Nobita is doubtful at first, but various incidents occur as the robot cat predicted.  At the end, the first of Doraemon’s many futuristic gadgets is introduced, miniature propellers that you stick on your head (or other body part) to fly.  It doesn’t work out so well for Nobita.

Some readers may find the part where Nobita marrying a woman who isn’t conventionally attractive is a Bad Future annoying.  The good news is that in a much later story, we see the Slightly Better Future where Nobita hooks up with Shizuka–and Jaiko has become a successful artist, much happier than if she was stuck as Nobita’s baby factory.

“Return to Un-sender” has Nobita’s mother worried because a friend hasn’t replied to a letter she sent.  Turns out Nobita’s father never actually mailed it.  To help Dad out, Doraemon pulls the “Pre-mailer” out of his pouch.  This item looks like a miniature postal collection box; you put your letter in (must be properly addressed and stamped) and you will instantly get the response you would have gotten had you actually sent the letter.  However, you must then actually send the letter if you want the recepient to react that way in real life.  Dad posts Mom’s letter, gets the response and gives it to Mom, who is happy, while Nobita and Doraemon go out to actually mail the letter and complete the time loop.

The kids play around with the Pre-mailer a bit, including Suneo, the spoiled rich kid who is generally Gian’s sidekick.  (He writes a letter to the bully expressing his true opinion; the response chills his blood, and Suneo opts not to actually send it.)  Nobita decides to write a love letter to Shizuka, but while he’s out getting a stamp, Mom mails the letter for real.  A hastily-written duplicate reveals that Shizuka will not be pleased at all by the love letter, so now Nobita and Doraemon must camp out on her doorstep in hopes of intercepting it.

“Noby’s City of Dreams” starts with the kids discovering that the only vacant lot in the neighborhood has been taken over by a construction company.  Their parents don’t want them playing rough inside, and it’s too dangerous to play in the street, so what’s a kid to do?   This time Doraemon has a two-gadget solution.  The first is a camera that creates miniature duplicates of non-living objects, like houses and stores.  The second is the Gulliver Tunnel, go through it one way to become tiny, the other way to return to normal.  This allows Doraemon and Nobita to create a miniature town in the back yard for all the kids to play in.  Until Mom clears all the “toys” away because she wants a storage shed built there.

This is very much a children’s series, and it’s a classic for a reason.  But some parents may feel that Nobita’s many flaws make him a poor choice as a protagonist (he is very kind and brave when he needs to be, but none of these stories show that.)  There’s bullying, and in stories in other volumes, parents using physical discipline.

If your kids like the “Doraemon” TV show, this is worth a look.

Book Review: Bring Back Yesterday|The Trouble with Tycho

Book Review: Bring Back Yesterday | The Trouble with Tycho by A. Bertram Chandler and Clifford Simak, respectively.

This is another Ace Double, two short novels printed upside down from each other.  Very nostalgic.

Bring Back Yesterday

Bring Back Yesterday stars John Petersen, a merchant ship’s second mate.  Or he was, until he decided to have a night of drugs and sex with one of his former passengers in port.  The drugs were more potent than advertised, and he wound up missing his ship.  Apparently, there is a surplus of starship crewmembers, as the line promptly fires him under their one-strike rule, and he’s blacklisted from any other respectable starship company.

Which leaves Mr. Petersen stranded on Carinthea.  His options are few, as there’s no jobs for starship officers on the planet.  He can take a menial, minimum wage job, competing with the local unskilled workers; sign up with the Rim Worlds starship line on the lonely frontier and their deathtrap ships; or wait until a ship goes by heading to Earth so he can be deported back to that dying planet.  Carinthea has recently left the Federation, so that might be a while.

None of these sound appealing, but Mr. Petersen meets someone who knows a person who’s looking for someone just like him.  Steve Vynalek is a private eye who needs a field operative that knows how to operate in space.  Why?  It seems there’s a retired starship engineer who may have invented precognition and/or time travel, and he’s living on Wenceslaus, Carinthea’s moon, under a spy-ray-proof dome.  The government would very much like to know what’s going on, but their regular spies have been stymied by other circumstances.

It’s off to Wenceslaus then, and Mr. Petersen soon becomes aware that someone doesn’t want him to get there, as the shuttle is sabotaged.  His space training really comes in handy.  From there, it’s dodging death while trying to discover the truth.  But the truth may not set him free, but instead condemn him to eternal imprisonment….

This is in the line of hard-boiled detective stories; our hero does relatively little in the way of mental detection, and a lot in the way of engaging in life or death struggles, including against the deadly Post Office.   It’s also got more sex than was common for SF in 1961, in that it mentions sex at all–Mr. Petersen gets it on with two women, and is interrupted in the middle of a third tryst.  No gory details of that, though.

There are also a number of improbable coincidences, with an actual reason behind them.  The science fiction bits make a certain amount of sense in context, and the action scenes are exciting.  Most of the female characters are there to be sex objects for Mr. Petersen or secretaries, but we do have Liz, the hard-bitten proprietor of the Spaceman’s Hostel, who has a bit more personality and gumption.

It’s middling-good science fiction.

The Trouble with Tycho

The Trouble with Tycho takes place on Earth’s moon.  Chris Jackson is a prospector who’s not been doing very well, and is in danger of losing his stake.  When he runs across Amelia Thompson, a stranded traveler, he learns that she knows the location of valuable salvage.  Just one problem–that location is in Tycho Crater, which no one ever escapes alive.  Joined by a scientist who has his own reasons for entering Tycho, they start an expedition to certain doom.

This is more of a straight-up adventure story with survival elements.  The deadliness of Luna’s environment is played up, and that’s even before the mysterious dangers of Tycho are added in.  It turns out that the secret of Tycho is highly implausible, but Mr. Simak does his best to make it all fit together.

Amelia is depicted as being reasonably competent, but undercuts this by emphasizing that she learned her skills from her brother (who should be the one doing this, but got sick) and giving her a “schoolgirl” appearance.  And of course, Chris is far more competent.  This was a thing in stories of the Twentieth Century; a female character whose useful skills are due to being related to a man who either taught them to her, or allowed her to follow in his footsteps.

The suspense is good. though, as their resources dwindle and their escape options are cut off.

Overall, not the best work by either author, but a fun read if you happen across it.

Book Review: Infinity Two

Book Review: Infinity Two edited by Robert Hoskins

Infinity was a series of paperback science fiction anthologies from Lancer Books in the early 1970s.  Its primary draw was that all the stories were new, not having been previously printed in magazines.  By this point, science fiction writers were allowed to mention sex and other controversial topics (thank you, Dangerous Visions) but they did not always do so in a healthy manner.

Infinity Two

The introduction, “The Alien Among Us”, talks about ecology and pollution, and the possibility that some force is trying to kill off the human race.

“Murphy’s Hall” by Poul and Karen Anderson is one of the more experimental pieces, tying together several failed space missions and the miserable life of a boy left behind on Earth.  Depressing ending, but one that seems all too plausible now.

“The Monster in the Clearing” by Michael Fayette is an Adam and Eve story, with a computer giving instructions on how not to screw up humanity’s second chance.  The National Rifle Association is one of the things the new god plans to ban.  However, when did humans ever do what they were supposed to?

“The Scents of IT” by J.F. Bone stars Xar Qot, a member of the Mallian species, which are essentially sentient lobsters with a society based on cannibalism.  When a couple of pesky visitors come to the planet, Xar Qot sees a way to help his human ally George Banks, and advance his own ambitions.  I’m going to talk about this story and some possibly triggery subject matter in the Spoilers section below.

“The Road to Cinnabar” by Ed Bryant is another experimental piece, this one about a labor organizer in a far future city that seems to be dying.  The ending is kind of blah, with a bit of philosophy.

“The Technological Revolution” by James E. Gunn is a horror piece when a woman’s labor-saving devices all go on the fritz at once.  Is there a conspiracy of the machines to kill her, or is the ghost of her Luddite grandmother running a false flag operation?

“Elephants” by K.M. O’Donnell is a depressing piece about the last circus performance of the universe–very stylistic and fatalistic.

“The Other Way Around” by Howard L. Myers is set in the Dark Ages, as a teller of tales tracks down Merlin.  Merlin is not what you’d imagine, and he’s discovered a terrible truth about time travel.  Also kind of depressing.

“Legion” by Russell Bates continues the trend of depressing stories as a multiple transplant recipient is unable to cope with what has happened to him.

“Gorf! Gorf! Gorf!” by William F. Nolan is at the other end of the seriousness spectrum, as a frog eats a bunch of growth pellets and grows to kaiju size.  Now the government needs to try to solve the problem.  The story abruptly moves from New York to California and backin a nonsensical way, and the ending is an anticlimax.

“Timesprawl” by Anthon Warden is back to depressing.  A recently unemployed man gets the chance to relive the last year of his life, which he plans to use to take revenge–but there’s an icky twist.

“In Entropy’s Jaws” by Robert Silverberg has a telepath come unstuck in time with random fugues of flashback and flashforward.  Unlike some of the other stories here, Mr. Silverberg makes the experimental format work well for him.  Probably the best story in this volume.

“Reunion” by Arthur C. Clarke closes out the book with the return of the human race’s true progenitors.  It seems they have a cure for the plague that made them flee millenia ago…but will the Earthlings want it?  Edgy then, kind of silly now.

Overall, a mediocre collection, I’d recommend it to Silverberg completeists and garage sale pickups and not much else.

SPOILERS

So, “The Scents of IT“.   Mr. Bone was a professor of Veterinary Medicine, which may explain the focus on alien biology.   This is clearly meant to be a silly pun-based story, but it turns out to be really problematic by today’s standards.  We learn that the evil feminists have triumphed and turned humanity into a matriarchal society (more like a thin veneer of matriarchy over an egalitarian  society, really.)  George Banks laments that social conditioning prevents him from just raping the woman he wants.

The woman in question is Shirley Copenhaver, who despite being so pretty even sentient lobsters can tell, refuses to give George Banks (or any other man) the sex he deserves.   Banks is also upset with her because she’s an ethnologist who does her job, studying alien cultures and writing books about them.  Which indirectly resulted in the destruction of one such culture when a corporate entrepreneur read the book and realized how to commercially exploit them.  Why Banks doesn’t blame the entrepreneur  who actually did the deed is unclear.

Xar Qot realizes that the pheromone male Mallians exude that allows them to dominate and predate upon the more numerous females also works to some extent on human women.  So he sets up a situation where Banks can “seduce” (commit chemically-assisted rape) Copenhaver, as apparently Banks doesn’t consider this to be rape.

The next day,  when Copenhaver has recovered her senses and is understandably furious at Banks and Xar Qot, she walks into an ambush and is chemically-assisted raped again.  This makes her fall in love with Banks and give up her career to be his housewife.   Banks and Xar Qot  then mass-produce the pheromone which the men of humanity use to overthrow the matriarchy and install a patriarchy, as is the proper status of society.  Happy endings all around!

Well, except for gender-queer human Hector Marks, who is eaten alive just before he can finish his book on Mallian culture.

This story is…wow.  Just no.   I am aware it’s supposed to be comedy, but the passage of time has spoiled the joke.

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