Alan E. Nourse (1928-1992) was a medical doctor and science fiction/fact author. His professional training often showed in his stories, perhaps best exemplified by the novel Star Surgeon. He also wrote The Bladerunner, about a dystopian future where medical care is rationed. Hollywood optioned the title and stuck it on a Philip K. Dick story.
This book is a collection of nine SF short stories originally published in the 1950s, when speculative fiction was getting more psychologically complex.
“Tiger by the Tail” leads off with store detectives watching in amazement as a shoplifter blatantly stuffs merchandise into her pocketbook. Far more than could possibly fit into it. It ends with an existential threat to the entire universe. The story is exposition heavy, but pays off when an iron bar moving a centimeter becomes a horrifying event.
“Nightmare Brother” is the longest story. A man finds himself walking down a long tunnel without knowing where he is, how he got there, or even who he is. And the light at the end of the tunnel is an oncoming train! He escapes that peril, only to find himself in a worse situation, over and over. Why is this happening to him?! Some dubious psychology, and a hint of Fifties attitudes towards women.
“PRoblem” involves a public relations man called in to sell the public on allowing extradimensional aliens to take temporary refuge on Earth while their babies are born. The aliens are almost designed to cause revulsion in humans, and their personalities are irritating. And then he finds out their real dealbreaker. I get the feeling this one was written around a typo.
“The Coffin Cure” involves a cure for the common cold. Dr. Nourse ignores clinical testing procedures that he would certainly have been familiar with in real life so that the cure can be released to large portions of the public by an overenthusiastic project leader named Coffin. A few weeks later, the side effects start showing up. (And they’re fairly logical side effects.) Phillip Dawson, the man who actually came up with the cure, must now find a cure for the cure. Very Fifties sitcom treatment of his marriage.
“Brightside Crossing” is a grueling tale about a disastrous attempt to cross the surface of Mercury. Since then, we have learned that Mercury does in fact rotate, so there’s no one “bright side.” That said, it’s an adventure story with some thrilling moments.
“The Native Soil” likewise is not viable because of new information about Venus. For the purposes of this story, it’s covered in deep, deep mud–some of which has unparalleled antibiotic properties. A pharmaceutical company is trying to mine that mud with the dubious aid of the natives. The enterprise is not going well, and even a top troubleshooter from Earth is about to give up until he finally realizes what’s really going on.
“Love Thy Vimp” has Earth invaded by the eponymous vermin-like aliens. They cause trouble wherever they go, are vicious and cruel, and nearly impossible to kill. Barney Holder, a mild-mannered sociology teacher, has been assigned to a task force to get rid of the accursed things. One vimp has been captured, but experiments reveal no way of stopping it. Barney must ferret out the vimps’ one weakness. Fifties sitcom marriage stereotypes pop up again, but this time the nagging wife is an actual plot point.
“Letter of the Law” involves a conman who tried to bilk a group of aliens, only to run into their biggest taboos. Now he’s on trial for his life, and has to be his own lawyer on a planet where truth is an unknown concept. The human government emissary isn’t exactly thrilled to be helping. And even if the conman succeeds, his neck might still be on the chopping block. Satisfying ending.
“Family Resemblance” isn’t a science fiction story per se, but a comic tale of a hoax designed to make it appear that humans evolved from pigs. Some groan-worthy humor in this one.
Overall, a decent enough collection of stories that have become dated either through scientific advances or social change. Worth looking up at your library.
Book Review: Octavia’s Brood edited by Adrienne Maree Brown and Walidah Imarisha
One of the many uses of science fiction is to talk about current issues in a speculative setting. One can posit a world in which current trends have become exaggerated to dystopian levels, or where a solution has been found to a current problem and what that would result in, or imagine how a change in the past would affect an issue…or even just go the allegory route by, say, having anti-Martian prejudice stand in for anti-immigrant prejudice of the current day.
This anthology is dedicated to science fiction stories on the theme of social justice issues. It’s dedicated to the memory of Octavia Butler (1947-2006) a Hugo-winning author of works that touched on such themes as racism, alienation and the environment. There are twenty stories and two essays by a variety of experienced and first-time authors.
The first story is “Revolution Shuffle” by Bao Phi. Two Vietnamese-American young people in the middle of a zombie apocalypse are about to liberate an internment camp for Asian and Middle Eastern-descended people. It seems that in this future, the zombie infestation was declared a terrorist attack, and the most likely suspects were locked up in special facilities to maintain zombie-attracting pistons “for their own protection.” It reads like the first chapter of a YA dystopia novel.
The last fictional story is “children who fly” by Leah Lakshmi Piepzna-Samarasinha. It’s a future starring her daughter in a globally-warmed Oakland, trying to preserve what’s left of the community through group disassociation. “Evidence” by Alexis Pauline Gumbs also uses heavy author insertion in foretelling a future where material goods are no longer important but personal growth is.
Several stories are clearly in the Afrofuturism mode, such as “Lalibela” by Gabriel Teodros, about a time-traveling Ethiopian king.
The most stylistically interesting piece is “Sanford and Sun” by Dawolu Jahari Anderson, which is a script format tale about junk dealer Fred G. Sanford encountering cosmic funk musician and philosopher Sun Ra. It’s a neat concept, but the “jokes” reminded me of just how much Redd Foxx’s comedic delivery skills carried the Sanford and Son show. Without specifically imagining him in the role at all times, the lines fall flat.
Some of the stories feel like incomplete fragments. “Aftermath” by LeVar Burton (about an African-American scientist developing a cure for Parkinson’s Disease, only to be kidnapped by people who want to skin her alive) and “Fire on the Mountain” by Terry Bisson (an alternate history where the Civil War went very differently indeed) are open about this as they are previews of longer books. Others come off as essays more than stories.
Of the stories in this volume, the one I liked best was “The Long Memory” by Morrigan Phillips. It takes place in an archipelago where people known as Memorials can access the memories of the Memorials who have come before them, back to the beginning of their line. These Memorials have become an important part of the society as the rulers must consult them and their knowledge of history before each important decision.
A wealthy and ambitious politician has become an enemy of the Memorials for reasons including the fact that they remember his ideas turn out badly. He manages to get enough of the government on his side to imprison the Memorials.
The protagonist organizes a hunger strike in an effort to bring the politician to the negotiating table (and also to remind the people that the Memorials have been locked up.) She naturally wants herself and her colleagues to be freed, but also comes to the realization that the people of the Archipelago have leaned on the Memorials for long-term memory so much that they’ve lost the capacity to remember history for themselves.
The essays are “Star Wars and the American Imagination” by Mumia Abu-Jamal, which is about pretty much what you’d think, and “The Only Lasting Truth” by Tananarive Due, which is about Octavia Butler herself, her work, and her legacy.
There’s also a foreword, introduction and outro discussing the themes and importance of the works included, and a set of author bios.
This collection is “important” more than “good”; the quality of submissions is uneven, but they are nevertheless interesting to read and contemplate, and I look forward to seeing the future work of many of these authors. If you have an interest in social justice themes or Afrofuturism, please consider picking this book up.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.
Book Review: Outlaws of the Atlantic: Sailors, Pirates and Motley Crews in the Age of Sail by Marcus Rediker
Disclaimer: I received this book as a Goodreads giveaway for the purposes of this review. No other compensation was offered or requested.
During the Age of Sail, the deep ocean sailing ship was one of the most advanced technological wonders of its time. But such a complex device required many workers to keep it running smoothly and keep it from collapsing in times of danger. So there rose the class of people known as the common seaman; sailors who were essential to the ship as a group, but entirely replaceable as individuals.
Often ill-used, to the point that they often compared themselves to slaves, sailors developed their own subcultures and began “resistance from below”; most notably creating the “strike” when an entire harbor’s sailors struck (took down) the sails of the ships they were on and refused to work until they got better conditions. Sailors became both the creators of and spreaders of rebellion against the cruel social order of their day.
Mr. Rediker is a professor of Atlantic History at the University of Pittsburgh, and this is a collection of short pieces he’s written on the general theme of “resistance from below” as it relates to the Atlantic Ocean in the Age of Sail. He talks a lot about “antinomianism” (the idea that one is primarily saved by faith, rather than obedience to law), and “hydrarchy” (rule by the sea, often connoting rule of the lowly many as opposed to the official hierarchy).
The book begins with an examination of “the sailor’s yarn” and how it was used to spread information both useful and dubious, influencing Western literature among other things. It moves on to the stories of two men that demonstrate that history also includes ordinary workers and castaways.
In an essay on pirates during the Golden Age of Piracy 1650-1730, emphasis is laid upon the efforts of pirates to democratize their ships; pirate captains were limited in authority, unlike merchant or military captains whose word was law, and whose punishments were untempered. This indeed was one of the reasons pirates found favor in popular culture; for all that they were criminals, they also had a kind of freedom seldom seen at the time.
There’s another essay on how “motley” (multi-ethnic) crews of sailors helped spread the ideas that led to the American Revolution; though the wealthy stepped in to keep the Revolution from going too far towards mob rule as they saw it.
There is a chapter on slave rebellions aboard the ships carrying them to the New World, usually doomed, and a separate chapter for the case of the Amistad, which turned out much better than could have been hoped. The latter chapter looks at how conflating the Amistad freedom fighters with pirates helped influence American attittudes towards the men from Sierra Leone.
There are several black and white illustrations, copious endnotes and an index.
This book very much feels like an introduction to the theme of rebellion in Atlantic Ocean history, and as such I would recommend it to the casual student looking for a quick read on various aspects of the subject. Professor Rediker’s other books appear to go into much more depth on the individual subjects involved, such as slave ships and piracy. Based on his work here, those should also be interesting.
If these sound like topics you’d be interested in, check your lending library system to see if they’ve got this book in stock.
Magazine Review: The Saturday Evening Post 6/10/61 edited by Ben Hibbs
The Saturday Evening Post ran weekly from 1897-1963; after several format changes, it is now published six times a year. The Post was well known for its lavish illustrations and a combination of current event articles and short stories by popular writers. I got this issue from the month of my birth as an early birthday present. At the time, this magazine was printed in the broadsheet format, which is too large for my scanner–thus the truncated cover image showing only a part of Amos Spewell’s painting of tourists in Venice.
To entice potential customers at newsstands, the Post front-loaded the illustrations in spreads at the front of the magazine, and each of the articles and stories continued in the word-heavy back pages interspersed with a few cartoons. There were also many large illustrated advertisements–one for tampons is notable for not telling the reader what the product is, showing the product or saying what it’s used for exactly; if I didn’t know from the name of the product, I’d assume it’s some kind of skin cleanser or deodorant.
The Post was also known for having a staunchly conservative editorial stance, and this is on full display in an editorial expressing relief that leftist thought was vanishing from college campuses and conservatism was on the rise. “Of course, the battle isn’t over. Queer characters still appear on college campuses sponsored by ‘liberal’ groups.” Oh, if only they knew!
In the lively letters to the editor section, comments on an article about Bobby Darrin reveal changes in our pop culture, with people being shocked or pleased that he was willing to share personal opinions with the press even if they didn’t match the public’s desired stance. One letter writer asked why an article on “Presidents in Retirement” did not include FDR. The editor waggishly replies that the place that man retired to is not on the reporter’s regular beat. There’s also a couple of letters on segregation, responding negatively to a previous letter writer’s suggestion that since Southerners didn’t go to Northern states to demand segregation, Northerners should reciprocate about desegregation.
Let’s look at the contents.
“The White House Insiders” by Stewart Alsop is a look at President Kennedy’s political staffers (all men, all white-one had a black deputy) and how they helped him keep on top of what was happening in the country and the world. It goes into detail about JFK’s management style. The only top staff name most younger readers are likely to recognize is Arthur Schlesinger Jr., but Henry Kissinger is briefly mentioned as a second-stringer.
“Death of a Demon” by Rex Stout is part one of three of a Nero Wolfe mystery novella. The sedentary detective is briefly engaged by a woman who wants to show him the gun she will not use to shoot her husband. That’s…kind of suspicious, and when the husband turns up dead from a bullet wound, some questions are raised. Archie Goodwin, Wolfe’s leg man, is pretty sure the woman didn’t do it, but there are gaping holes in her story. It’s certainly an intriguing beginning! Happily, this story was included in Homicide Trinity by Rex Stout, which you can probably get through interlibrary loan.
“How the Doctors Saved Chicago’s Burned Children” by Alice Lake is a look at how St. Anne’s Hospital dealt with the victims of a fire at Our Lady of the Angels School in 1958. 95 people died immediately or in the aftermath, but this story concentrates on the survivors. Part of the credit for St. Anne’s quick and organized response goes to disaster preparedness they had undertaken after a fire some years before had caught the hospital unprepared for multiple victims. There are details of the treatment s used and updates on a couple of the survivors as of mid-1961. One of the treatments tried was using blood transfusions from recovering adult burn victims in the hope that their blood had antigens against “burn toxin.” (From the little I could find, research into this treatment has shown scant evidence of effectiveness.) For more on the fire, see https://en.wikipedia.org/wiki/Our_Lady_of_the_Angels_School_fire
“Handsome Samaritan” by Phyllis Duganne is a story about an airline pilot driving to vacation in Florida when he stops to help some stranded motorists. One of them is a very pretty woman, but he’s supposed to be meeting his fiancee. The pilot comes to realize he is much more compatible with this new woman who is more interested in who he is than who she can make him become. I found this story uncomfortable, and skimmed to the end.
“The Poacher” by Gene Coghlan, set in Depression-era North Dakota, has two brothers growing up on an isolated farm, and using traps to earn a little pocket money. One brother is laid up with a broken leg, and the protagonist takes advantage of this to claim that a fur animal was caught in one of his traps, rather than his brother’s. Presumably he learned a valuable lesson about life, but the conclusion pages are missing from my copy. Unfortunately, Mr. Coghlan doesn’t seem to have any books in print.
“The Case of the Comical Banker” by Harold H. Martin, profiles Mills Bee Lane, Jr., then president of the Citizens & Southern National Bank in Atlanta, Georgia. Known for a jovial style (unlike the stuffy conservatism usually associated with bankers of the period), his business acumen turned the C&S into the largest bank in the South. You may be more familiar with his nephew, Mills Bee Lane III, who became a famous boxing referee and TV judge. Lane, Jr. was credited in the article for jumpstarting tobacco farming in the Atlanta area when cotton took a dive in the market.
“The Meaning of the Eichmann Trial” by T.S. Matthews was published about halfway through the war crimes trial of Adolf Eichmann. (He was found guilty and hanged.) The article talks a lot about the trial conditions and the thoroughness of the Israeli court system. “Israel means to show the world that, in the British phrase, ‘justice is not only done but seen to have been done.” It also talks about the character of Israel as a country, and its people. The trial took place in a newly built suburb of Jerusalem, because at that time the Old City was in the hands of Jordan. This is a very moving article, and I think the best in the issue.
“Cop with Camera Eyes” by Thomas Walsh features a police detective with “photographic memory”, if he sees something, and it’s important to him at a later time, he will remember it clearly. It triggers when he notices the same person in the crowd three times during a date he’s having with his new neighbor. After safely returning his date home, The cop ambushes this tail. Surprise! It’s a federal agent! Seems the attractive foreign lady is suspected of being a Communist spy. Reluctantly, the cop agrees to keep an eye on the girl he has come to adore, but then she vanishes–and for the first time, the cop’s memory fails him at a critical moment. Can he crack the case before innocents are killed? It’s a pretty good story; I don’t know if it’s ever been reprinted, but Mr. Walsh’s Nightmare in Manhattan is considered a superior mystery novel and that you can find.
“Is Nature Getting Neurotic?” by Corey Ford is a humor piece about how over-complicated gardening and landscaping have become, requiring the homeowner to employ multiple specialists and expensive treatments just to keep the lawn alive.
“In the Best Interest of the Service” by Walt Grove takes us inside an Air Force base. A major must make a difficult decision because of the need for unit cohesiveness. A rescue chopper pilot is being accused of cowardice by one of his crew members. This is complicated by the officer being a Negro, and the crew member being a white man from the Deep South and the type of person who nowadays would be decrying “political correctness.” He doesn’t mean any harm by the N-word, he claims, so why shouldn’t he use it? But that does raise the stink of possible racism. Oh, and the chopper pilot is the major’s best friend on the base, so there may be the question of favoritism. Who will be getting transferred out? The resolution to the situation may be a little too convenient, but is satisfying, and inspires the major to take some steps in his personal life he’s put off too long. Mr. Grove wrote several action books about pilots, but it doesn’t appear any are currently in print.
“Comeback of the Giant Turtle” by Bern Keating is about efforts to increase the population of the green sea turtle (so called because of its distinctive green fat deposits inside the shell) in the Caribbean. Despite these and other preservation efforts, the green sea turtle remains an endangered species.
And finally, “The Big Swindle” by Clarence Budington Kelland is part 5 of 6. Twins Pet and Pete Du Chillon have finally come of age, and are attempting to make sense of what their guardian, Mortimer Norton, has done with the family company. It seems all sorts of shady shenanigans have been going on! The twins have some sort of scheme to expose the truth, involving a phony foreign prince and double-bluffing the man who runs security for Du Chillon Industries. This installment suffers from coming in the middle of the story, but I think it’s also a pretty bad story. Pet and Pete, as well as their beloved grandmother, are the sort of people who the author tries hard to convince us are very witty, but come off snide instead. The funniest bit for me was one of the supporting characters denying the possibility of a “twins threesome” in such a way as to make me think he’s thought waay too much about the topic (and also never mentioning sex because this is a family magazine.) Mr. Kelland is largely forgotten, but once was popular enough that Harlan Ellison called him out by name for lowering the tastes of the American public.
There’s also short poems (amusing but forgettable), jokes and cartoons.
This was a fun look back at a moment in time just before I was born. Copies of the Post in bad condition can be found relatively cheaply; issues in excellent condition, or with stories by top authors, will set you back considerably more money. Also, you can visit the website of the current magazine: http://www.saturdayeveningpost.com/