Comic Book Review: Essential Tomb of Dracula, Volume 2

Comic Book Review: Essential Tomb of Dracula, Volume 2 mostly written by Marv Wolfman and art by Gene Colan.

When the Comics Code restrictions on horror were loosened in the 1970s, DC primarily went in for horror anthology comics, while Marvel Comics based entire series around horrific heroes and villains.  One of these was the classic (and public domain) character of Vlad Tepes, aka Count Dracula.

Essential Tomb of Dracula Volume 2

This series revealed that Bram Stoker’s book (highly recommended if you haven’t read it, by the way) was highly fictionalized, and Dracula had not in fact finally died at the end of it, only being very inconvenienced.  He had been various places, doing various things, temporarily being put of commission now and then…and this storyline opened with him once again being awakened to start his reign of terror anew.

Opposing the Lord of Vampires was a crew of vampire hunters including Quincy Harker (the son of Jonathan and Mina), now an elderly man confined to a wheelchair by injuries received in past battles with Dracula; Rachel van Helsing (great-granddaughter of Professor van Helsing) a crossbow-wielder who wasn’t always as effective as she’d like; Frank Drake, a descendant of Dracula (before becoming a vampire) who had wasted his wealth and had to man up over the course of the series; and Taj Nital, an Indian man who had been rendered mute when Dracula injured his throat.  Independent of them were Blade, who only hunted Dracula because he hated all vampires due to the murder of his mother by Deacon Frost, and Hannibal King, a detective that Deacon Frost had turned into a vampire, who avoided taking blood from living humans.

Of course, Dracula didn’t just have vampire hunters after him, but people who either wanted to become lord of all vampires themselves or otherwise exploit him.  The most persistent of these was Doctor Sun, a Chinese scientist who’d been turned into a disembodied brain hooked up to a computer, who wanted to take over the world.

At the start of this volume, Dracula learns of the current whereabouts of an artifact called the Chimera, which re-sparks his desire to conquer the world himself.  (He’d had to put that on hold as a vampire army large enough to take over would promptly drink the rest of humanity to extinction, and then where would they be?)  Fortunately for the world, Dracula is not the only one after the artifact, and it ends up smashed.

Dracula has noticed his powers waning, and this leads him to a near-final confrontation with Quincy Harker, before learning that it is in fact Doctor Sun behind it, and the action moves to Boston.  There the cast adds nebbish “true vampire story” writer Harold H. Harold and lovely but ditsy secretary Aurora Rabinowitz, who act as comic relief.

After the Doctor Sun situation is resolved, Dracula takes control of a local Satanist cult and marries a woman named Domini, who he believes will give him a proper heir.  (The leader of the Satanists, of course, has other plans.)

Mixed throughout this volume are soap-opera subplots involving the various supporting cast, and interludes of Dracula’s adventures in other times and places.  Marv Wolfman’s writing is often excellent, but he sometimes doesn’t consult previous issues, resulting in some minor continuity glitches.  Gene Colan’s art is more consistently outstanding, and fits the mood well, especially in this black and white reprint.  (Some stories from the Giant-Size side series are included, with art by the less impressive but very competent Don Heck.)

Make no mistake, Dracula is the main villain here, and rare is the issue where he does not murder at least one innocent person just to remind us of that.  Much of his time is taken up with petty revenge against people who have crossed him and when he acts against other villains, it’s usually out of pride or personal vendetta.  Every once in a while, he does show a moment of kindness, but the door soon slams shut when his darker nature prevails.  Because he’s the title character, Dracula has what TV Tropes calls “Joker Immunity”; he can never be permanently killed off, only temporarily thwarted, so the heroes seem ineffectual.  (Quincy Harker broods about this frequently.)

These stories do take place in the Marvel Universe, though this series avoids most of the implications of that.  Brother Voodoo helps Frank Drake through a bad patch in his life, and Doctor Strange actually temporarily kills Dracula (but is hypnotized not to notice it’s not permanent until later.)

In addition to the expected violence (but relatively little gore–the Comics Code was still in effect), Dracula’s attacks on women are often treated in a sexualized manner.  There are some instances of suicide, both voluntary and forced.  Dracula is also depicted as being racist (mostly against Blade) and sexist (he is not at all kind to the memory of Lucy Westerna.)

And speaking of sexism, one story includes a woman who’s a bit of a “straw feminist”; the owner of a fashion house who only hires women even if a man would be more competent at the job (except one dress designer who might be gay given the coding) and who has an enormous grudge against the various men who tried to keep her down.  Dracula agrees to kill her enemies in exchange for information she can get more efficiently than he, but leaves her in a sticky situation at the end of the story.

Despite often high melodrama, there are some very well-written moments as well.

Recommended for vampire comics fans, Blade fans who want to see his early adventures, and those who enjoy Gene Colan’s art.

Book Review: The Beauty of Grace

Book Review: The Beauty of Grace edited by Dawn Camp

Disclaimer:  I received this book through a Goodreads giveaway in the expectation that I would read and review it.

The Beauty of Grace

God’s love is a wonderful thing.  It is not dependent on our earning it, it comes to us free of charge and all we have to do is accept it.  But sometimes it can be hard to feel that love, trapped in our own circumstances and beset with difficulties–or sometimes too much luxury distracts us from what’s important.

This book is a collection of short essays and personal stories about grace, and the writers’ relationships with God. They are divided by general themes:  purpose, trust, hope and encouragement, etc.  It’s firmly in the Christian inspirational genre, so will be most useful to those who already believe.  Most of the writers are women, with one token man, most are mothers and many are bloggers.

There is of course some sameness of topics, and you may have to look at the author’s name to see if it is a different person from a previous essay or not.  Thankfully, there is little glurge, and most of the essays are at least readable.

My personal favorite of the essays is “When God Says ‘Stop,’ He Doesn’t Always Mean ‘Quit'” by Rachel Anne Ridge.  It’s about a traffic sign that seems misplaced and useless where it is, but go on a bit further and the meaning becomes more obvious.  A parallel is drawn to roadblocks in our lives; they may not be meant to be permanent obstacles to our goals, but a way of telling us about hazards ahead.

“And So We Are Carried Along” by Amanda Williams is a powerful piece about her family’s time on food stamps.  “When Giving Up Is the Right Thing to Do” by Kristen Strong is about learning to accept when something is impossible and moving on.

Dawn Camp, the editor, also contributed several pieces, and the photographs throughout the book.  I think a bit more care could have been used to pick photos that look “right” in black and white; several of these lose something without color.

There’s an author bio section in the back if any of the essays intrigue you and you want to check out their blogs.

Overall, a decent book that will introduce you to many writers in the Christian inspirational field you may not have heard of before, and a nice gift for, say, Mother’s Day.

And speaking of grace, let’s have a video.  If you have never heard Sacred Harp singing before, give it a short while–the beauty will be there.

Magazine Review: High Adventure #126 Adventure Fiction Spectacular

Magazine Review: High Adventure #126 Adventure Fiction Spectacular

This issue of the pulp reprint magazine concentrates on stories of adventure around the world.  Three of the stories are by “Major” George Fielding Eliot, who was born in Brooklyn, raised in Australia, fought at Gallipoli and was a Canadian Mountie before settling down in the U.S. to a long writing career.

High Adventure #126

“Arms for Ethiopia” Lawrence Ward is the college-educated son of a gun-runner, who’s come to Africa to assist his father in smuggling weapons into Ethiopia in contravention of international sanctions.  When his father is badly wounded in a mysterious assault, the capable but somewhat naive Lawrence must complete the mission against all odds.  This 1936 story leaves out the reason Emperor Haile Selassie needed the arms; the Italian government wanted to expand its power and was about to invade Ethiopia from its territory in Eritrea.

The period racism is toned way down in this particular story, although Somalians might bridle at being described as stereotypically arrogant.  Our hero is quick to pick up on local customs and figure out how to navigate them, while being blind to the treachery of his fellow Westerners.

On the other hand, Lawrence and his father are criminals looking to make a big score.  The only thing that makes them the good guys is that they keep their word.

“The Lorelei of Lille” is a fact-based story of Louise de Bettignies. who served the Allies as a spy during World War I.  When she arrived as a refugee in England, the interviewing officer was struck by her intelligence and observational skills.  She was sent back to France to gather information on troop movements and artillery emplacements, and served extraordinarily well as the leader of the “Alice Dubois” spy network.  Eventually she was caught and imprisoned by the Germans, dying of incompetent medical care before the war was over.  Mr. Eliot may have cribbed much of this story from the book Queen of Spies by Major Thomas Coulson which was also published in 1935.  It’s still one of the rare pulp stories starring a woman of action.

“Siamese Sorcery” takes place in Siam (modern-day Thailand) as financially embarrassed American Bill Dorrance investigates a cry for help.  It turns out that there’s a dying Englishman to rescue, and this sets Bill on a quest for an Emerald Buddha statue.   Bill and the English people in the story are blind to the racism and religious prejudice that convinces them it’s A-okay to steal a religious artifact from the local priests.  The temple is guarded by panthers, which presents some logistical difficulties.

Fortunately for Bill, he doesn’t have to deal with the larger implications of his actions, as an Annamese gangster nicknamed the Toad kills off all the priests in an effort to secure the statue for himself.  Too bad for the Toad he’s never studied Shakespeare, as that is the final clue needed.  There’s a couple of missing pages toward the beginning of the story, so it doesn’t flow as well as it should.

“The Trail of Fortune” is by John Murray Reynolds, who is best known for creating Tarzan knock-off Ki-Gor.  Aelward of Colchester is a Saxon driven out of his homeland by the Norman conquerors, so he and his friends go a-Viking, eventually ending up in the Varangian Guard of Byzantium in Constantinople (now Instanbul.)  Aelward soon finds himself falling afoul of Clitus, an ambitious naval Strategos, and having warm feelings towards Princess Maran.  When Clitus strands the Varangian Guard in Laodicea of Phonecia (modern Beirut), Aelward must find a way back to Constantinople before the treacherous warlord has a chance to overthrow the emperor.

Lots of exciting battle in this one, and the only story this issue where romance plays a major part.

Overall, a fun fast-paced issue, but the cultural blinders in a couple of stories may diminish the pleasure of some readers.

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