Book Review: Kings & Queens of Great Britain: A Very Peculiar History by Antony Mason
For about 12 centuries, the English have been ruled by monarchs, and eventually this form of government spread to all of the British Empire. That’s a lot of history, and many kings and queens to take account of. This small volume with cartoony illustrations gives the reader an overview of those people and what they did.
There’s a brief discussion of monarchs before the official first king of the majority of England, Alfred the Great, starting in 871 C.E. This includes the legendary King Arthur who may or may not have been based on an actual person. After that is a chronological listing of English kings and queens, with a paragraph or page for each, with chapters cutting away to the Scottish monarchs. (The Irish kings do not get the same courtesy.) With King James I & VI, the lines are consolidated, and after that they’re all British kings and queens.
This is very much a highlights-only history book, with only the most famous bits of each reign mentioned for most of the monarchs. There are, however, frequent sidebars on such subjects as palaces, revolutions, jewels, the Magna Carta and mistresses. The serious scholar of British history is unlikely to learn anything new. The book finishes up with a glossary, timeline, and index to make it easier to find the particular monarch you’re looking for. It’s current as of January 2015.
Due to some salacious subject matter, I’d rate this as suitable for senior high students on up. (There’s also a lot of violence; many of these people left the throne via murder.) This would make a nice gift for your Anglophilic friend or relative, or Game of Thrones fans who have somehow never read the history that show is loosely based on.
Book Review: The Big Time | The Mind Spider and Other Stories by Fritz Leiber
Have you ever noticed that something isn’t in the place you last remembered putting it? That an event you remember happening one way is described as happening a different way in the history books? Perhaps you have suddenly felt that you weren’t even the person you thought you were? Maybe you’re going insane…or maybe it’s the Change Wars.
The Change Wars are fought over the entire breadth and depth of time and space, two factions known as Spiders and Snakes battling to have the course of universal history go their way. It’s not precisely clear what the two sides want, if one is good and the other evil or if human morality even applies, or what the victory conditions would be. It is known that both sides lift people out of their own timelines shortly before their deaths to become Doublegangers, to act as Soldiers or Entertainers or other, more obscure occupations relevant to the Change Wars. This Ace Double is largely concerned with those Doublegangers and how the Change Wars affect them.
The Big Time is set in The Place, a building-sized rest station outside of normal time-space. A number of Entertainers are quartered there to help Soldiers recover physically and emotionally between Change War battles. Our narrator is Greta Forzane, who died in the Nazi invasion of Chicago in the late 1950s. This makes her affair with Erich von Hohenwald, formerly an Oberleutnant in the army of the Third Reich, rather fraught. It doesn’t help that his idea of fun sex involves giving her bruises.
If one side or the other manages to score a major victory, the Big Change can have effects on the Doublegangers’ original timelines, giving the Doublegangers phantom memories. Erich was snatched from his personal timeline when he died on a Norwegian battlefield, but now he has memories of having lived long enough to become the hated Commandant of Toronto. And if the Big Change makes the original person die before they “originally” did, it kills the Doubleganger.
Thus, each time The Place’s Door opens, the Change Winds may bring nightmares or even death. This time it has deposited six Soldiers of varying start times, two of which are aliens (but from within Earth’s solar system) and one a warrior woman from ancient Crete. The problem begins with a new recruit, a British poet from World War One, who has some idealistic notions bordering on mutiny.
While everyone is reacting to his incendiary rhetoric, somehow The Place undergoes Introversion, being completely cut off from normal space-time. And the only device that can open it back up has vanished, despite a lack of plausible hiding places. Oh, and just to add to the pressure, an atomic bomb has been activated and will kill everyone within thirty minutes.
This novel won the Hugo for Fritz Leiber (1910-1992) in 1958 after being serialized in Galaxy Magazine. One of its interesting features is that it’s a “bottle episode” taking place in only one location, a large stage-like area with curtains separating different parts, and most of the action placed in the reception area. I could easily see this being adapted for an (expensive) play or a juiced up episode of The Outer Limits.
As it is, there are almost too many characters, and a couple of them turn out to be red herrings who get almost no development. Once they’re whittled out, the tension rises considerably.
Sex is only alluded to, and Erich never hits Greta during the story, but it’s clear that it’s an expected part of her (and the other Entertainers’ ) job if that’s what the Soldiers need to unwind.
There are a lot of interesting ideas going on here; it’s certainly worth hunting down for science fiction fans.
The Mind Spider and Other Stories makes up the other half of this Ace Double, six short stories from about the same publication years.
“The Haunted Future” says it’s set in the early 21st Century, but the timeline works better if it’s the middle 21st Century. The peaceful community of Civil Service Knolls rests outside of New Angeles. It is almost time for the annual Tranquility Festival, when the locals celebrate how nice and quiet it is in their bedroom community. Yes, everything is smooth going in this happy village.
Except that the community members are snapping into violent insanity at an alarming rate, and now some people are claiming that a creature of darkness haunts the sky and peeps in their windows. Judistrator Wisant is trying to keep these disturbing facts from becoming more widely known, but when his own daughter stops wearing clothing and starts stabbing pillows, some begin to wonder about Wisant’s stability.
This is a cautionary tale about a society that has pursued tranquility and conformity too far, until insanity has become the only escape into individuality. It’s leavened by humorous touches–Bermuda shorts and sandals are now mandatory men’s business attire.
“Damnation Morning” is the first of three Change Wars stories. A man is recruited by the Spiders, and must flee an unknown doom. Once again, the mysteriousness of the Spiders and Snakes’ true natures is emphasized, particularly with the twist ending. (Content note: suicide.)
“The Oldest Soldier” starts in a liquor store as old soldiers swap stories. Max has the best stories, but they can’t be true, can they? Except that when one of his drinking companions accompanies Max home, there’s something crouched on the fire escape that is not of Earth, and Max realizes that he must return to his unit. This one was clearly Lovecraft-influenced.
“Try and Change the Past” has a Snake recruit get a rare opportunity to alter his own death. Turns out the universe has ways of preventing that, which makes the Big Changes even more impressive. An impressive use of contrived coincidence.
“The Number of the Beast” is a change of pace. The police chief of High Chicago must discover which of four telepathic aliens murdered a peace delegate from Arcturus, all the aliens being sworn to silence on the matter unless the Young Lieutenant correctly divines the guilty party. If he guesses correctly, the assassin will give itself up truthfully. But if he guesses incorrectly, the falsely accused alien’s race will declare war on the Earthlings. The Young Lieutenant consults his retired predecessor on this mystery. You have all the clues they do; can you divine the true meaning of the Number of the Beast? Some casual sexism.
“The Mind Spider” rounds out the book with the tale of the telepathic Horn family. Five mutants who can communicate with each other mentally, the Horns are horrified to discover that there is a sixth telepathic presence on Earth. Horrified because it is not human, and because it was imprisoned in Antarctica for the crime of stripping planets of their life-supporting environments. It has waited eons for telepaths it can summon to free it. One of the Horns manages to get a mind shield up in time, but can he stop his relatives without killing them?
“Try and Change the Past” is perhaps the best of these stories, and “The Number of the Beast” more of a logic puzzle than anything else.
If you can get this in the Ace Double form, swell. “The Big Time” has been reprinted separately; the other stories may take a bit more tracking down.
During World War Two, Hungary was one of the Axis powers, with its own fascists led by the Arrow Cross Party. At first this seemed like a good idea, as Hungary gained back territories it had lost after the breakup of the Austro-Hungarian Empire. But late in the war, it became obvious that they were on the losing side. The Hungarian government tried to broker a separate armistice with the Soviet Union, only to have their country occupied by the Germans. As a result, they were forced to fight to the bitter end.
In late December of 1944 through February of 1945, the Soviet Army encircled the city of Budapest and besieged the troops and civilians within. It is that siege that gives us the title of this book, which contains thirteen short stories all of which tie into that event in some way, even if the characters are living in the Hungarian diaspora community in Toronto.
“The Atlas of B. Görbe” is about a struggling writer in New York City who turns to an older author of children’s books for assistance in finding his way.
“The Animals of the Budapest Zoo, 1944-1945” is set within the siege itself as the zookeepers come to realize they might not be able to keep themselves alive, let alone their charges, and the extreme steps one of the keepers takes.
“Sailor’s Mouth” takes place in Romania, where a man has come to adopt a child of Hungarian heritage. He may have become misled by his carnal urges. One of the themes in this story is “The Museum of Failed Escapes” that Judit, the woman the man is seeing, tells him about.
“The Restoration of the Villa Where Tíbor Kálmán Once Lived” concerns a deserter who joins the Communist occupation after the war. He takes over the home of a man who used to provide people with false papers to escape the Axis, and betrays their names to the Soviets one by one. But he gets the distinct feeling the villa is rejecting him…this one won an O. Henry award.
“The Beautician” is about a college student preparing his thesis paper. He finds a possible topic in the dark past of the manager of the club for Hungarian exiles in Toronto. But is that something he really wants to make known?
“Days of Orphans and Strangers” follows up on the Kálmán family mentioned in “Restoration.” One of them has been talking in his sleep, but not in the language you’d expect.
“Rosewood Queens” concerns the narrator’s relationship with her father’s lover, a collector of chess pieces (but never full sets.)
“The Encirclement” is about a lecturer on the topic of the Budapest siege, who finds himself with a persistent blind heckler who presents a different version of events. The details are too close to be fake, but that’s not the way the lecturer remembers it. I thought this story was the best in the book.
“The Society of Friends” features a long-standing love triangle among three Hungarian emigres. It reminded me a bit of the movie Grumpy Old Men. It shares a character with “Beautician.”
“The Miracles of Saint Marx” concerns a secret police officer’s search for a dissident who spreads tales of miraculous events. It becomes personal when one of those stories is about her. Also very good.
“The Selected Mug Shots of Famous Hungarian Assassins” is about a boy who handcrafts trading cards featuring what he says are Hungarian assassins. It seems to be all his imagination, until the narrator finds a book on the same topic years later… This story includes slurs against people with mental disabilities as a plot point, getting the boys in deep trouble.
“The Ghosts of Budapest and Toronto” is another tale of the Kálmán family. Ghosts are seen in two cities as separated members of the family miss each other.
“The Homemade Doomsday Machine” finishes the volume with a genius child who seeks the destruction of society and the Nazi atomic scientist who shares that interest. Has perhaps the happiest ending in the book. Has a character that seems too eager to diagnose the child as autistic, especially as she has no psychological or medical training.
Most of the stories are bittersweet, with a few downer endings. I found the writing competent but not compelling on average.
There are frequent mentions of rape, and suicide comes up a time or two. While the travails of the Jewish and Romani people in Hungary are mentioned, the emphasis is on ethnic Hungarians. There’s some period sexism and a number of the female characters express dislike of the patriarchal Hungarian family culture. Due to the heavy themes, I’d recommend this for college age and up.
Overall, I am glad I got the chance to read this. Books on the Hungarian experience are uncommon, and I discovered much I did not know. Recommended for other people wanting to broaden their experience.
Disclaimer: I received this Advance Review Copy as a Goodreads giveaway for the purposes of this review. No other compensation was requested or offered. Some changes may be made before the final publication date of 4/25/17–for example, the index isn’t included in this version.
This book opens with Movie Night at the German embassy in Norway, April 1940. The film shown to Norwegian government officials was Baptism of Fire, a documentary about the invasion of Poland in 1939. Afterwards, the German ambassador made a speech that roughly translates into English as “Nice country you Norwegians have here. It’d be a shame if anything happened to it.” Four days later, the Nazis invaded.
Rather than turn over the reins to local fascist Vidkun Quisling as the invaders wanted, King Haakon VII and the remnants of the Norwegian government fought a running battle until they could be evacuated to Britain, where they joined other European governments in exile. Soon, this “Last Hope Island” and the embattled people sheltered by it were the only thing standing between Nazi Germany and complete victory on the Western Front.
This volume discusses various aspects of the joint efforts of Occupied Europe and the British against the Nazis. From the early gift of an ULTRA machine by Polish cryptographers so that the British could read German codes, through the contributions of combat-experienced Polish and Czech pilots in the Battle of Britain, the Norwegian gift of its merchant marine, and Resistance fighters of all descriptions, the governments in exile (and General de Gaulle’s Free French) gave invaluable help. The BBC’s transformation from a stuffed-shirt government branch to a voice of truth and freedom that brought words of encouragement from exiled leaders is detailed.
But all was not beer and skittles. Pre-War resentments and cultural attitudes often caused misunderstandings and in-fighting. As it turned out, the British didn’t have the world’s best spy agency, just the world’s best spy novelists, with both MI6 and the Special Operations Executive (who were supposed to be creating and working with Resistance networks) making bungle after bungle. And once the Soviet Union and the United States entered the war, Britain’s focus shifted to appeasing these powerful allies even when it went against the interests of the occupied countries. (This culminated in the shameful betrayal of Poland and Czechoslovakia to the Russians.)
After the war, while the formerly occupied countries of Europe were and remained thankful to Britain and its people for all the help given, they also knew that they couldn’t rely on the island nation to protect them. So new alliances were formed, and greater cooperation established, eventually leading to the creation of the European Union.
Quite a bit of this is material I had not known before, partially because much of my WWII history reading was done in the 1970s, while some of the source documents were still classified, and partially because my sources were USA-centric. Various people involved get a stronger focus because they survived the war and became famous, such as Audrey Hepburn, who was trapped in occupied Holland.
There are scattered illustrations (possibly more in the finished product), extensive endnotes, a bibliography, and the full book will have an index. The writing is clear, and this book should be suitable for bright high school students and up.
The benefits of hindsight are very evident throughout (the end material may or may not be updated to reflect Brexit.) I do recommend this book to those curious about the relationship between Britain and Occupied Europe; however it is at the same time a fairly narrow subject, but covering a multitude of intersecting fields. I would recommend having to hand a more general WWII history for reference, and checking the bibliography for more specific works on individual people and incidents. (The author explains in her foreword that Greece and Yugoslavia were completely cut out of the book due to their different circumstances, so readers with an interest in those countries will definitely need to seek out other material.)
Book Review: The Fall of the Towers by Samuel R. Delany
Five hundred years after the old civilizations perished in the Great Fire, the Toromon Empire occupies all the known livable space on Earth. But they are hemmed in by deadly radioactive belts and there’s nowhere for it to grow. And yet–and yet, the Empire is not alone and there is something beyond the barrier…is it the enemy the Toromon government claims?
This science fiction trilogy is an early work by noted author Samuel R. Delany. I have previously reviewed the first part, Out of the Dead City and it would be best if you read that review first. To briefly recap, escaped prisoner Jon Koshar, the Duchess of Petra, and scarred giant Arkor are contacted by a disembodied intelligence called the Triple Being to battle another disembodied intelligence, The Lord of the Flames, which is interfering with humanity. This is set against a backdrop of the Empire preparing for war with its unknown enemy.
The Towers of Toron: It has been three years since the climax of the previous volume. The war with the enemy beyond the barrier is in full swing, although it is impossible to tell how well it is doing, as none of the soldiers ever return. The Lord of the Flames has returned to Earth, and must be rooted out again regardless of the cost.
The emphasis shifts somewhat in this volume, with two previously minor characters taking on new importance. Clea Koshar, physicist and math genius (and Jon’s sister) is in hiding. She is suffering what we would now call PTSD due to her war work, and is triggered by a common patriotic phrase, so has holed up in a boarding house under an assumed name and tries to avoid interacting with anyone. Towards the end of the book, she begins to heal with the aid of circus acrobat Alter.
Runaway fisherman’s son Tel joins the army and is sent into the war. Anyone who’s ever been through basic training (and quite a few who haven’t) will recognize that the training sequences don’t make any sense–which is only the first clue that something is very wrong here. Once Tel is in the war itself, it turns out to be a murky affair, mists constantly concealing everything even a few feet away, constantly repairing machinery of unclear purpose, and random lethal attacks by an enemy that is never actually seen.
While banishing The Lord of the Flames is a necessary thing, it is not sufficient to stop the war. That will take an unprecedented act of communication and understanding.
The City of a Thousand Suns: A month after the events of the previous book, the war appears to be over, but one of the participants hasn’t put down their arms, and the consequences of the war are coming home to the island of Toron, where the Toromon Empire is centered.
On another front, actions taken by the Triple Being earlier in the trilogy have left their agents susceptible to influence by The Lord of the Flames, which is starting its endgame, to learn how to make war against the universe. The Earthlings must finish their final mission without the direct aid of their sponsors. That mission: collect three books that represent the finest thinking of humankind.
One of the authors comes directly on stage for the first time in the trilogy: poet Vol Nonik. He’s finally gotten out of the street gang he was in, but former rival gang leader Jeof still holds a grudge. He and his minions attack Vol and his artist wife Renna, crippling the poet and murdering the woman. This tips Vol Nonik over the edge into despair..which is good for his poetry…maybe? He’s not so sure.
This volume is heavy on the Big Ideas as it wraps up the themes of the trilogy. Creating new perceptions by forcibly moving a person from one setting to another, the question of whether it’s better to fix sick social systems or just let them go smash, and of course, the meaning of life. One of the recurring images is the gambling game Randomax, which appears as random as the name suggests, but is actually easily manipulated by those with higher math skills.
There’s more sexism as the trilogy continues, less, I think, from the author himself than from the social assumptions he’s working with. There’s also a fair amount of “fantastic racism” as prejudice against the Neo-Neanderthals and the gigantic forest guards comes up every so often, and within the forest guard culture, how they treat their telepathic minority.
The closing chapters become clumsy, with hallucinatory paragraphs meant to show a poet plunging into suicidal madness, and a huge infodump by the Triple Being to explain what The Lord of the Flames really is and how it was working behind the scenes of the final book. The Lord never becomes a character in its own right, and we will just have to accept the Being’s word that it is no longer a threat.
But then there is the city of a thousand suns, and perhaps there is hope for the future after all.
Recommended for Delany fans and those interested in the roots of New Wave science fiction.
Comic Book Review: Joe Kubert Presents by Joe Kubert and others
Joe Kubert (1926-2012) was one of the all-time great comic book artists. The bulk of his work was done for DC Comics, including many Hawkman and Sergeant Rock stories. Joe Kubert Presents was his final series, a tribute to him by the company he’d done so much for. Mr. Kubert was given free rein to choose which stories to do, and which other creators he wanted to share the spotlight with. Rather than risk an announcement of the series ahead of time only to not be able to deliver (this had happened to him before), Mr. Kubert insisted on having several issues “in the can” before it was put on order forms for retailers. The sixth issue was nearly complete when he died.
The first issue leads off with “Hawkman”; this iteration is closest to the science fiction-inspired Silver Age version, but not in continuity with any previous story. Katar Hol and his partner Shayera (Hawkgirl) are sent from the utopian planet Thanagar to observe Earth up close and determine what steps should be taken in the future. The Thanagarians worry that the Earthlings will not mature out of their destructive behavior before they develop interstellar travel.
The aliens land in Africa, observe the wanton slaughter of wildlife and environmental destruction, and decide to visit a nearby village. Unfortunately, this particular village sits atop a toxic waste dump; the poverty-stricken villagers have become economically dependent on the storage fees. The villagers worry that the Thanagarians have come to stop the practice and react badly.
While I understand the good intent of the story, it really does look like technologically advanced white people lecturing primitive native Africans on proper respect for the environment. And the Hawks destroy the natives’ livelihood and leave without considering that consequence, so their victory leaves a bitter aftertaste.
“Spit” is a recurring feature about an orphan who runs away from the orphanage and winds up stowing away on a whaling ship. In short vignettes, he suffers much abuse, but eventually learns how to survive at sea and decides to become a whaler. The first few chapters are in sepia tone, but the finale is mostly in full color. One (landlubber) character is implied to be a pedophile, but is thwarted before he can do anything.
“The Redeemer” is three chapters of a series Mr. Kubert solicited back in the 1980s before he discovered he wouldn’t be able to deliver it on time. Jim Torkan is the title character, a man who reincarnates across time and space to gain the wisdom he will need to eventually save the human race from itself. He is the target of the Infernal One, who sends agents to tempt Torkan from the path of righteousness, so that the Redeemer will be under his control.
The first two chapters take place in the far future, as Torkan is a scientist whose space station is invaded by murderous robbers seeking a chemical he’s developed that can control minds. His love interest is actually an agent of the Infernal One who tries to convince him to join up with the would-be dictator to save his own skin. The third chapter has Torkan as an ex-Confederate soldier just after the Civil War. The story carefully avoids mentioning what the Confederacy fought for beyond “justice and right” (hint: slavery), but it was all a waste and Torkan is without purpose. He gets involved in a treasure hunt, but at the end discovers something more precious than gold: himself.
“Farewell” was Kubert’s last Sergeant Rock story. The son and grandson of one of Easy Company’s soldiers visit a D-Day beach and the cemetery nearby. They discuss the possible death of Rock, but in the end it doesn’t matter if he is buried here–a piece of each soldier who fell rests with every other soldier.
“The Biker” is about a wounded Afghanistan veteran and motorcyclist who bunks down for the night in an abandoned house. But maybe not as abandoned as it looks. Some excellent coloring work here.
Then there are two stories written by Joe Kubert, but with art by other people. “The Ruby” (art by Henrik Jonsson) is about bandits attacking a Himalayan temple–it turns out to be a possible origin story for an obscure DC character. “Devil’s Play” (art by Brandon Vietti) is a Kamandi story, as the last boy on Earth battles the animal-men that have taken over the planet. This story offers a different explanation for the Great Disaster than usual.
The series also contained several “U.S.S. Stevens” stories by Sam Glanzman, telling tales of his WWII service aboard that destroyer. “The Figurehead” is the most interesting of these, featuring an eccentric crewmate of Mr. Glanzman’s who may or may not have had unusual abilities (it’s possible that this is a sailor’s yarn and he’s pulling our leg a bit.) This material has been collected separately, along with Mr. Glanzman’s other memoirs.
Brian Buniak gives us “Angel and the Ape”, based on the Bob Oksner series about private detectives Angel O’Day (an attractive human woman) and Sam Simeon (a cartoonist who also happens to be a gorilla.) It’s not quite in continuity with any other appearance of the characters, but as a comedy strip, continuity was never a huge issue. The pair are hired to prevent a restaurateur from being murdered; they do so but he is shot anyway, and they have to figure out whodunnit. After they solve that case, a reporter gets the story of their origin (or at least Angel’s version.) There’s an energy and attention to humorous background details reminiscent of early Mad, but sometimes the exaggerated art style can go a bit off.
If you are a fan of Joe Kubert’s art, this volume is a must-have; if you’re indifferent to that, the stories are only average, and the problematic material may knock this down a star or two for you. I liked this very much.
Magazine Review: Astounding Science-Fiction January 1946 edited by John W. Campbell, Jr.
Before Analog (see previous reviews), there was Astounding, the science fiction magazine that led the field for many years. Having gotten a copy of an issue from the pulp days, let’s take a look at what wonders lie within. Despite the cover date, the ads indicate it came out in early December 1945.
The lead and cover story is part one (of two) of “The Fairy Chessmen” by Lewis Padgett (a pseudonym for Henry Kuttner working with C.L. Moore.) It is roughly a century into the future, and the world is at war…again. After World War Two, the governments of Eurasia had crumbled, and reformed as the Falangists. They and America are the two superpowers and implacable enemies. Thanks to atom-bomb-proof shields and robot warfare, the war has stalemated for years.
Most Americans live deceptively peaceful lives in scattered communities on the surface, while the warmen toil in vast underground cities whose actual locations are closely guarded secrets. Low Chicago might be below the ruins of Old Chicago, or anywhere in the Midwest. Of course, in such conditions claustrophobia and other mental illnesses are a continuing concern, and it’s up to the Department of Psychometrics to keep the warmen in good mental health.
Which is why it’s concerning that Cameron, the head of the department, has been having hallucinations of eyeball doorknobs and talking clocks. He’s trying to keep it a secret, but his help is desperately needed by the War Department. It seems they have captured a scientific formula from the enemy, one that drives anyone who studies it mad (sometimes giving them strange powers in the process. For example, the levitating man who thinks he’s Muhammad’s corpse.)
There are time travel shenanigans involved, and one character seems determined to produce a specific future. The title comes from “fairy chess”, variants of the strategy game that use changed rules, such as a knight that can only capture backwards, or a 10×10 board. The formula changes the rules of physics, sometimes in mid-equation, and scientifically trained minds crack under the strain.
A nifty throwaway (probably) bit is the existence of “fairylands”, miniature cities with tiny robots that people play with ala the Sims. There’s also an amusing typo when one character claims he’s “half misogynist” when he means “misanthrope.”
Unfortunately, this novel is long out of print, so I have no idea how it ends. The cliffhanger is neat: “The edges of the spoon thickened, curled, spread into cold metallic lips. And kissed him.”
“N Day” by Philip Latham (pen name of R.S. Richardson) concerns an astronomer who discovers the sun is about to go nova. He tells the world, but is dismissed as a crackpot. (Had there been more time, someone would have checked his math and found him correct.) As a result, he finds his spine for the first time in decades.
“Veiled Island” by Emmett McDowell takes place on Venus (the pulp Venus of swamps and jungles.) A three-person anthropological team goes in search of the title island to investigate reports of a new variant of human. Apparently, unlike Earth, Venus just keeps producing new human variants out of the swamps which then climb up the ladder of civilization as they travel to the other side of the planet.
The Earthlings promptly crash-land, losing their clothing and supplies–they themselves have to start from scratch. While struggling to survive, they run into the new variant of humans they were looking for. A variant that seems destined to replace homo sapiens.
The sexism is pretty thick here, the action guy protagonist denigrates his female colleague for wanting to be treated as an equal, calling her a “tomboy” and the type who would have been a suffragette back in the day. (Apparently something like feminism happened in this future, but he’s not too keen on the results.) Over the course of the story, she comes to realize how awesome he is, and they are planning to get married (in the now considered barbaric Twentieth Century fashion) at the end.
The evolutionary science is suspect–emotionlessness is viewed as a huge evolutionary advantage that will allow the new species to outcompete other humans and replace them.
“A Matter of Length” by Ross Rocklynn (pen name of Ross Louis Rocklin) takes place in a far future with galactic travel. A stable mutation has created a new kind of human, the “double-brained” Hypnos, who have the ability to hypnotize ordinary humans. They are not physically distinguishable from other humans, but can be detected by “Sensitives.” Hypnos face severe prejudice, and there’s a war going on between societies that want to exterminate them and those that tolerate them.
All that is background. A Hypno named Joe has been captured by anti-Hypno forces, and was being shipped back to their planet for a show trial and execution when the ship went off-course and landed on a planet where time has gone wonky. There’s a paranoid belief among some of the crew that Joe somehow caused this, or is making them hallucinate this, despite the anti-mind control forcefield surrounding his cell. Eventually, the time wonkiness allows Joe to escape, and he rescues the two people on the ship who are not entirely anti-Hypno.
It turns out that Hypno powers have been vastly exaggerated as propaganda by the anti-Hypno forces; Joe never actually uses his mind control abilities during the course of the story. It’s the holding cell force field that gives him the temporary advantage he needs as it shields him from the time wonkiness for a while. Keitha, the Sensitive woman who tracked him down, is dismayed to learn that she’s next on the extermination list after all the Hypnos have been eliminated (as Sensitives are Hypno/ordinary human crossbreeds.)
Apparently, there are also longevity treatments in this future, as the captain of the anti-Hypno ship holds a grudge against the Hypnos for the death of his daughter nearly a century before, with the war starting later. (It’s a “failure to save” instance–a doctor who was secretly a Hypno couldn’t cure the daughter from a fatal disease, and when his secret was revealed, he was lynched for deliberately killing a human girl.)
“The Plants” by Murray Leinster takes place on a planet with only one form of life. Plants with flowers that follow the sun…or anything unusual that happens. Four men whose spaceship was sabotaged crash-land on the planet. Are they more in danger from the pirates that sabotaged the ship for its precious cargo…or from the plants? A story that has some creepy moments, and could have gone full on horror if the author wanted.
“Fine Feathers” by George O. Smith is the final fiction piece. It’s a science fiction retelling of the fable “The Bird with Borrowed Feathers” usually ascribed to Aesop. A ruthless businessman discovers a way to artificially boost his intelligence by energizing his brain. The process renders the user sterile (somehow) but since he wasn’t interested in having children, Wanniston considers that a small price.
Being superhumanly intelligent gives Wanniston a huge advantage over his fellow Earthmen, and he is soon the most powerful businessman on the planet. But he yearns for more, and when a suicide trap makes it untenable for Wanniston to stay on Earth, he decides to join Galactic civilization, where dwell people who have come to super-intelligence by eons of evolutionary processes. He keeps using the brain energizer, and is soon even more intelligent than the Galactic Ones.
Being logical beings, the Galactic Ones recognize Wan Nes Stan’s (as he now calls himself) superior intellect, and are willing to install him as their leader…as soon as his experience catches up to his intelligence in a few centuries. Wan Nes Stan tries to shortcut the process, only to discover his true limitations and destroy himself.
The story bookends with identical dialogue at the beginning and end, which would be effective if the language in those conversations wasn’t so stilted. It also uses the 10% of your brain gimmick (which admittedly was less debunked back then.)
John W. Campbell’s editorial “–but are we?” is prescient on the subject of nuclear proliferation though thankfully humanity has survived so far.
There are two science fact articles. “Hearing Aid” by George O. Smith is a very short piece on radio proximity fuses. “Electrical Yardsticks” by Earl Welch is about the international standards for the volt, ampere and ohm; how they were decided, and how they are maintained. Lots of math here, and possibly the technology is dated, but likely fascinating reading if you want to know more about electrical engineering.
I liked the Leinster piece best because of the thin line it walks between horror and SF; “The Fairy Chessmen” has some great imagery, but with only part one I can’t judge its full effectiveness.
Overall, an average issue, but well worth looking up for old-time science fiction fans.
Comic Book Review: Essential Captain Marvel Vol. 2 by various creators.
Back in 1967, Marvel Comics became aware that the name “Captain Marvel” for a superhero had fallen out of trademark status. It was too good a name for Marvel to pass up, so Stan Lee quickly came up with a character to appear in Marvel Super-Heroes #12, who then appeared in his own series. Captain Mar-Vell was a representative of the alien Kree Empire, sent to spy on the Earth for potential conquest. He was chosen for the job because of being of the oppressed minority “Pink Kree” who happened to look like Caucasian humans, as opposed to the majority “Blue Kree.” (This allowed Marvel Comics to play him as an underdog who faced prejudice, while still having a “white” character as the hero.)
Mar-Vell assumed the identity of recently deceased scientist Walter Lawson and began working at Cape Canaveral in Florida, the better to spy on the space program. When danger threatened his co-workers, Mar-Vell put on his Kree uniform (with its face-hiding helmet), and due to accidentally revealing his name became known as the superhero Captain Marvel. Unfortunately, Mar-Vell’s commanding officer Colonel Yon-Rogg wanted to steal his subordinate’s girlfriend, Nurse Una, and proceeded to try to get Captain Marvel killed.
Several issues in, Mar-Vell’s powers were reworked, and he was bonded with perennial sidekick Rick Jones–only one of them could be in the positive universe at a time, which the other floated around in the Negative Zone, swapping places with power-enhancing bracelets called Nega-Bands. (And yes, this was a riff on the original Captain Marvel’s relationship with Billy Batson.) Sales were never particularly good, and the series went on hiatus for several years while the character guest-starred in other heroes’ books.
Which brings us to the volume at hand. Issue #22 starts with Captain Marvel apparently dead, having given up his lifeforce to save Rick Jones at the end of the Kree-Skrull war. But no, he was just “hiding” and a mad science treatment allows Mar-Vell to return to trading places with Rick. The first few issues are standard superhero stuff, but then comes the Starlin run. Jim Starlin was new to Marvel Comics at the time, but had big ideas for a cosmic plotline involving several characters he’d designed, and he convinced Marvel to let him anchor it with Captain Marvel.
This involved Thanos, one of a race of godlike beings that inhabited Titan, a moon of Saturn. In love with Death (literally), he rejected the peaceful ways of his people to become a conqueror, gathering an army of outcasts and criminals from across the galaxy. Along the way, he inspired the creation of Drax the Destroyer, a golem-like creature whose sole purpose was killing Thanos. (This version was very different from the one most of you will have seen in the Guardians of the Galaxy movie, among other things being a formidable telepath.)
Thanos’ plans to conquer Earth accelerate when he learns that Rick Jones (unknown to himself) knows the location of the Cosmic Cube, a device that can reshape reality to the holder’s whim. The mad titan plans to use it to elevate himself to true godhood, making him omnipotent. While Captain Marvel and his allies manage to defeat some of Thanos’ minions and slow down his plans a bit, it is not until Mar-Vell is granted “cosmic awareness” by a being called Eon that he is finally able to save the day, resulting in Thanos’ first death.
The high-stakes action and some trippy visuals impressed the heck out of 12-year-old me, and a lot of other kids, and Jim Starlin became a favorite creator. After the end of the Thanos Saga, Starlin stayed on only long enough for a transitional issue to Steve Englehart’s run. #34 had Mar-Vell go up against a C-list villain named Nitro, whose power was exploding himself. At the end of the issue, Mar-Vell was exposed to experimental nerve gas, (Much later it would turn out he had developed inoperable cancer from this exposure, resulting in the classic story The Death of Captain Marvel.)
Nitro turned out to be a minion of the Lunatic Legion, Blue Kree purists headquartered on Earth’s Moon. They in turn turned out to be pawns of the Kree Supreme Intelligence, who had been orchestrating events for years to turn Rick Jones into a jump-start for Kree evolution (this is not how evolution works; just roll with it.) This volume ends with Mar-Vell and Rick defeating the Supreme Intelligence’s plan, but not without cost.
There are a couple of appearances by Carol Danvers (who’d been chief of security for Cape Canaveral during the early issues of the series) who has been demoted due to the events surrounding Lawson. She doesn’t get to show off her competence, alas. Things would look up for her a couple years later when she became the superhero Ms. Marvel, and Carol is now the Marvel Universe’s Captain Marvel.
Englehart’s run was also pretty good, but not up to the level of Starlin’s; some good art by Al Milgrom helps.
Trivia note: A black singer says that she wants to be “Tina Turner–without Ike” two years before Ike’s abuse of Tina became public knowledge.
In addition to general superheroic violence, there’s the “fantastic racism” previously mentioned. In addition to the skin color issues of the Kree, the Kree and their long-time enemies the shape-shifting Skrulls regularly hurl slurs at each other. (Even Mar-Vell himself indulges in this before gaining cosmic awareness.) There’s also an issue where Rick takes a hallucinogenic drug a friend gave him without consideration of what that might do to his mental link with Mar-Vell.
The art suffers some from the lack of color (Starlin did his own colors, which made his issues really pop.)
Recommended to Captain Marvel fans on a budget and Starlin fans in particular; check your lending library.
The scout ship Aurora is searching for new worlds, especially inhabitable ones for the citizens of Earth and the various worlds their descendants have colonized. What at first seems like a bonus of two viable worlds in the same star system turns into a deadly encounter. Those worlds are inhabited by members of an alien race that will come to be known as the Kreelan Empire. And now that the Kreelans are aware humans exist, they are very excited about going to war with us. All of us.
This is the first book in the In Her Name trilogy of trilogies, though the middle trilogy was written first. It details how the Human-Kreelan War got started. The series is a cross between military SF and full-on space opera, though this volume tends more towards the former.
It seems that the Kreelans are what TV Tropes call a “Planet of Hats”, a society that is entirely based around one concept or activity for the purposes of moving the plot along. In this case, their “hat” is honorable battle; Kreelans want to fight, preferably hand-to-hand, and the humans are the first new opponents they’ve had in millennia. In order to ensure that they aren’t going to accidentally wipe out the humans before the war can really get started, the Kreelans actually go back to their history books and recreate weapons and vehicles of roughly the same technological level as the humans have now.
Early in the first chapter, we are told that most of the characters we’re meeting are not going to make it through the next few hours. This makes it a bit of a slog as various crew members’ backgrounds and personality quirks are revealed, often during a combat scene. The Kreelans are choosing a Messenger to send back to human space and get the squishy people ready to fight. Once they have that sole survivor, the focus shifts to Earth and the other human worlds’ reaction to the news, and finally to the defense of the first planet on the invasion list.
Many of the people in the book seem to come straight out of Central Casting; the eccentric but brilliant general, the sassy lady reporter, the bungling officer who dies to let a real hero take command, etc. This is exacerbated by many stereotypes of Earth cultures spreading to their colonies. For example, people from the Francophone colonies are all some variant of French stereotypes, right down to having their best troops being the Foreign Legion. One of the heroes comes from the planet of Nagoya, which is basically the Japanese city of Nagoya, but a whole planet of it. The only mitigating factor is that the casting is a bit more diverse than it would have been in the Twentieth Century.
This means that many of the best passages in the book are those told from the perspective of the Kreelan Empire, which has the advantage of being alien enough to engage the author’s creativity.
There are quite a few exciting combat scenes, and one of the things I like is that the story does not shy away from showing that even the “good guys” can be forced into taking civilian lives as collateral damage. (The Kreelans have no real concept of “civilian”, seeing them more as “targets that don’t fight back and thus only worthy of extermination.”)
One weakness of this being in the military SF subgenre is that the book has a tendency to make the Kreelans “right”–the only humans of consequence are those that engage in combat or provide support for those that do. I’d like to see the human tendency to do things that aren’t somehow related to combat or survival as a strength that the Kreelans have discarded in their single-minded pursuit of battle.
Briefly discussed in this book, and apparently a major factor at the beginning of the next one, is that the Kreelan warriors are all female. Due to a “curse” their males are non-sentient, and mating is only semi-consensual. Easily triggered readers might want to give that a miss.
Otherwise, this is a pretty clear-cut “no shades of grey” war story where you can root for the human heroes. Not the best military SF, but readable.
Manga Review: Showa 1926 1939 a History of Japan by Shigeru Mizuki
This is the first volume of Shigeru Mizuki’s massive history of Japan during the reign of Emperor Hirohito, the “Showa Era,” It was a long reign, covering most of the Twentieth Century, from 1926-1989. In addition to the larger story of Japan, it is also his autobiography, as Mizuki’s earliest childhood memories coincide with the beginning of that era.
This volume opens several years earlier, with the Great Kanto Earthquake of 1923 which devastated Tokyo. The repercussions of this, combined with fiscal mismanagement, created a financial crisis that crippled Japan’s economy. The optimism and liberalization of the Taisho period took a huge hit. Japan struggled along until 1929 and the worldwide effects of the Great Depression hit.
A combination of the Red Scare (the belief that Communists were about to take over), military successes and government incompetence led to the rise of right-wing organizations, especially military cliques. Japan became ever more aggressive against its neighbors in Asia, setting up the puppet state of Manchukuo and grabbing ever more territory from China.
Japan became a rogue state, leaving the League of Nations when that body attempted to intervene in its conquests. Only Nazi Germany and Fascist Italy recognized Manchukuo, and Japan’s alliance with those nations was about to drag it into World War Two.
This is a “warts and all” history, which covers events that many Japanese schoolkids might not be taught in official classes, or have glossed over for them. There are many painful topics in here, so despite childish hijinks in the parts dealing with Shigeru’s early life, I would recommend it for senior high school students and up.
Warts and all is also how Mizuki depicts himself as a child and young man. Naturally athletic but lazy, bright but unmotivated, sensitive but engaging in fights both as part of a gang and solo. It will take the horrors of war (as depicted in the third volume) to force him into a responsible adult life. Perhaps he got some of it from his father, who is shown as a Micawber-like optimist despite his economic woes.
There’s a lot of names and dates, so the end-notes are very helpful–you still might want to have Wikipedia open to assist with some of the more obscure bits and to cross-reference what else was going on in the world at the time. Some bits come across as very dry, making the personal stories a relief.
The art may be jarring for those unused to Mizuki’s style; many pages are drawn directly from photographs in a realistic style, while others are done in a very loose, cartoony fashion. It’s also kind of weird to have Nezumi-Otoko (Rat-man) as the narrator of the more serious history portion-he would not seem the most reliable of narrators.
Overall, not as interesting as the third volume, which features Shigeru’s most harrowing experiences, but well worth seeking out from the library.