Book Review: The Year’s Best Dark Fantasy & Horror 2014

Book Review: The Year’s Best Dark Fantasy & Horror 2014 edited by Paula Guran

Even the fastest, most dedicated readers can’t read everything that’s published each year.  Not even in relatively limited genres like fantasy or horror.  That’s where “Year’s Best” collections come in handy.  Someone or several someones has gone through the enormous pile of short literature produced in the previous year, and winnowed it down to a manageable size of good stories for you.

The Year's Best Dark Fantasy & Horror 2014

Admittedly, these collections also come down to a matter of personal taste.  In this case, Ms. Guran has chosen not to pick just straight up horror stories (which do not necessarily include fantastic elements) but fantasy stories with “dark” elements.   She mentions in the introduction that at least some good stories were excluded because they weren’t brought to her attention–small internet publishers might not even know such a collection exists to submit to.

This thick volume contains thirty-two stories, beginning with “Wheatfield with Crows” by Steve Rasnic Tem.  Years ago, a man’s sister vanished in a wheatfield.  Now, he and his mother have returned to the site as darkness falls.  Will history repeat?

The final story is “Iseul’s Lexicon” by Yoon Ha Lee.   A spy discovers that the army occupying half her country is being aided by not-quite-human wizards everyone thought were wiped out centuries before.   They are compiling a lexicon of every human language for nefarious purposes, and it is up to Iseul to find a way to stop them.  In the end, she learns that there are innocent casualties in war no matter how  targeted the weapon.

Some stories I particularly liked:

“The Legend of Troop 13” by Kit Reed, about Girl Scouts gone feral, and the foolish men who think to possess them.  This one has a logical stinger in its tail, and very dark humor.

“Phosphorous” by Veronica  Schanoes is about the women who made phosphorous matches, and their fight for better working conditions.  The viewpoint character is a woman dying of “phossy jaw” caused by the poison she’s been exposed to.   She is determined to see the strike through, and her grandmother knows a way–but the cost is high indeed.

“Shadows for Silence in the Forests of Hell” by Brandon Sanderson concerns a bounty hunter who must track her prey in the forest that has Three Simple Rules.  Don’t start fires, don’t shed blood…and don’t run at night.   So simple.  But there are other bounty hunters in the forest tonight, and treachery.  Some rules will be broken, and the shades will descend.

One story I didn’t care much for was “The Prayer of Ninety Cats” by Caitlin R. Kiernan, which is a description of a horror movie based on the legend of Elizabeth Bathory, the Blood Countess.  There are some good scenes, but the presentation muffles the effect, taking me out of the story.  There’s also use of “Gypsy” stereotypes within the film.

Most of the other stories are good to decent, and there are big names like Tanith Lee and Neil Gaiman represented.  If this is the sort of genre fiction you like, it would be worthwhile to check the book out at your library–and then buy it if enough of the stories please you.

Book Review: A Memory This Size and Other Stories: The Caine Prize for African Writing 2013

Book Review: A Memory This Size and Other Stories: The Caine Prize for African Writing 2013 Introduction by Lizzy Attree

The Caine Prize is awarded to a short story written by an African author (which primarily means one born in Africa–all the authors in this volume are from Sub-Saharan Africa), published in English in the last five years and submitted for consideration.  This volume contains the five stories that were shortlisted for the prize in 2013, plus twelve more written at a workshop sponsored by the Caine Prize.

A Memory This Size

The collection leads off with the 2013 winner, “Miracle” by Tope Folarin.  A group of Nigerian immigrants attend a tent revival in Texas.  A great faith healer is scheduled to appear, but will there be a miracle tonight, and what form will it take?  I found this to be rather a blah story, but I am not one of the judges for the contest and don’t know what criteria they based the decision on.  Nigerians dominate this volume, with four of the five shortlisted stories and several of the workshop ones as well.

Three of the five shortlisted stories have a heavy Africa-America connection, to the point that Chinelo Okparanta’s story is actually titled “America.”  A schoolteacher who wishes to join her lover there uses the Gulf oil spill as a wedge to try to convince the immigration people to give her a green card.   There’s an interesting ending in which the protagonist remembers hearing a folktale similar to ‘Jack the Giant-Killer” except that it stops short of the “ever after” with no explanation of what happens past a certain point.

The title story, “A Memory This Size” by Elnathan John concerns a man mourning for his brother, who died years ago, and yet he cannot let go.

There are common themes in these stories, most of which are “slice of life” tales:  government corruption, marital infidelity and environmental destruction.

There are a couple of stories that move into the “magical realism” camp (that is, fantasy, but not called that so critics can treat it as actual literature.)  The better one is “Howl” by Rotimi Babatunde, about a dog named Jack who may or may not have the extraordinary powers the villagers think, but is certainly not a normal dog.  “Clapping Hands for a Smiling Crocodile” by Stanley Onjezani Kenani, however, has the best title in this volume.  That story is about a fishing village threatened by oil developers, and the sacrifice one man makes to save their way of life.

I also enjoyed “Stuck” by Davina Kawuma, told in a series of emails by a young woman who is tempted to have an affair.  One final email changes everything.

My least favorite story was “Foreign Aid” by Pede Hollist.  This tale of a man who returns to Sierra Leone after many years in America, thinking he will be a big man thanks to his money, was too predictable and made me cringe rather than care.

That said, I am glad I took the chance to read this book and learn what some African writers are doing.  There are thirteen volumes of Caine Prize stories published; check your inter-library loan system for any one of them.

I should also mention that there is some disturbing subject matter, and would best suited for college age and up.

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